Timeless Travels
Timeless Travels
Timeless Travels
ravels
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IMELESS
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Curious City:
Zanzibar Prague
Exploring Stone Town’s
Swahili style
Interview
with
azer
Dr. EstellCehaLnnel 5’s
as seen on Cambodia: ancient
jungle secrets revealed
Last Days of
Pompeii
Tailor-Made and
Escorted Holidays
For Groups & Individuals
Selection of scheduled tours The Archaeology of Western & Central Bulgaria: 12th August
departing in 2019 The Gold of Thrace and Rome with Prof Andrew Poulter
THE
T
FOR LOVERS OF TRAVEL, ARCHAEOLOG AND ART
his is a very special issue for Timeless Travels, as the magazine will
ravels
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IS
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IMELESS
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be five years old in August. Those years have rushed by and the
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. . 6.00 . 0 Summer 2019 magazine has grown from its first digital issues to now being on sale
Curious City:
Zanzibar Prague worldwide. I want to say a huge heartfelt thanks to all my contributors and
Exploring Stone Town’s
Swahili style
advertisers over the years, without whom there would be no TT magazine,
and everyone else involved in making the magazine what it is today. To
celebrate we have produced a special bumper issue to mark the occasion.
There are numerous special features in this issue. One is by Dr Damian Evans,
Interview
with
Dr. Estelle Lazer Cambodia: ancient who has been carrying out the most exciting ground-breaking research in
Channel 5’s
as seen on
Last Days of
Pompeii
jungle secrets revealed
the Cambodian jungle for years, and now we have an exclusive update on his
TAN ANIA ALES CAMBODIA AE C ECH REP BLIC PORT GAL
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Timeless Travels Magazine is
Timeless Travels Magazine (ISSN 2056 - 659X) is published four published by FPE Media Ltd
times a year on 1 March, 1 June, 1 September & 1 December. © 2019 FPE Media Ltd. All rights reserved. Whether in
whole or in part, in any form or by any means, this
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permission of the publisher.
37
ART ROUNDUP:
Latest news and exhibitions
18 CURIOUS CITIES:
Praque, Czech Republic
56 TRAVELLER'S TALE:
Ethiopia 34
48
8 TANZANIA:
Zanzibar's Stone Town 84
70 CAMBODIA:
Jungle Secrets Revealed 80 112
EXHIBITION FOCUS:
BOOKS Mary Rose Museum
26
POSTCARD FROM...:
Wales
98 PORTUGAL:
Monasteries, castles and cave art
INTERVIEW WITH:
Estelle Lazer 20
ITALY:
The Innocents of Florence 52
84 UNITED ARAB EMIRATES:
The Oasis of Al Ain
96 107
SELECTED TOURS
STRADIVARIUS TO VERDI:
To request a
MUSIC & ART IN brochure please
CREMONA & PARMA call 01869 811167,
email or visit
15 - 20 OCTOBER 2019 our website
WITH PETER HILL
Available from Amazon, Waterstones, Blackwells, Foyles, Stanfords, Daunts and all good booksellers
www.onlyinguides.com
Timeless Travels • Summer 2019 7
F
ringed by coral reefs, shimmering ocean other, stopping frequently to chat.
and spectacular beaches, the tropical After the Zanzibar Revolution of 1964, Stone
island of Zanzibar is one of the world’s Town’s ancient buildings fell into disrepair. Some
most enchanting holiday destinations. Just still remain derelict, reclaimed by vines and
30 miles from Dar es Salaam - Tanzania’s creepers; their crumbling coral-stone walls are a
coastal capital – this 83 km-long slice of East African poignant reminder of eras past. And there have
paradise has been shaped by centuries of Indian been many – spanning nearly two millennia.
Ocean migration and trade. Stone Town, the historic Phoenician, Yemeni, Chinese, Portuguese, Indian,
bazaar area inside its modern capital Zanzibar City, Persian, Omani and British have all landed in
is a captivating place with a unique mix of ancient Zanzibar’s safe harbours. Propelled by monsoon
architecture. Merchant houses, mosques, temples winds (you’ll feel the strength if you stand on
and churches are all shoehorned into the winding an east coast beach) and lured by the trade
alleys that dissect the city, their corrugated iron roofs opportunities opened by maritime roads, over
fused by tangles of power lines and bougainvillea, the centuries their cultures have slowly become
pierced by the occasional minaret. stratified onto the original Swahili bedrock.
At every twist and turn of the narrow lanes – From the 10th century, traders from Shiraz in
designed when donkey carts were the only form of Iran and Hadramaut in Yemen settled along the
transport you’ll find ornate carved doors, old Arabic Swahili coast, known as Zanj, unifying it under
lanterns or steps to an ancient mosque — clues to Islam. Yemenis built the earliest mosque in 1107
Image: © Nick Johanson/shutterstock
the rich history of this UNESCO World Heritage in Kizimkazi (60km from Stone Town). But it was
Site. The hum of pedal-powered sewing machines, the Omani Arabs that were the most in uential,
Left: Aerial view a sudden blast of the call to prayer and the chime of establishing Zanzibar as a vital trading port in 1698
of Stone Town, bells from the Hindu temple provide an atmospheric and building a defensive fort at Forodhani Gardens.
Zanzibar City sound track. These close-knit quarters have led to a Such was the importance of the island’s trade that
Images by Sarah neighbourly and friendly feel. Men gather on stone around 1832 they shifted their seat of power from
Crake unless benches called baraza, as they have done for time Muscat. The first Sultan Said established expansive
otherwise indicated immemorial, and everyone seems to know each clove plantations, followed by cinnamon, cumin,
Image: © Pearl-diver/shutterstock
”
Richard Burton, the British explorer commented: “the higher the
house the bigger the door the heavier the lock the mightier the studs,
the more pretentious the owner”
port on the trade routes. He set about converting of the house, doors were commissioned even
the ground oor for his import-export business, before land was bought and then passed down
extending the upper oors into living quarters - through generations. The more ornate designs
known as niche duhan - and adding Indian details, expressed the wealth and status of the owner.
such as latticework balconies. These balconies Richard Burton, the British explorer commented:
allowed women to move around outside, yet still “the higher the house the bigger the door the
remain private. heavier the lock the mightier the studs, the more
This blend of vernacular and overseas artistic pretentious the owner.”
traditions is most visible in Zanzibar’s iconic The wealthiest Indian trader on the island
doors. Indian craftsmen developed existing Swahili was Tharia Topan, Sultan Bargash’s financial
and Arabic traditions adding intricate lotus and customs chief. An Ismaili known for his
blossom motifs and jewel-coloured stained glass, business integrity, in 1887 he commissioned The
reminiscent of the havelis (mansions) of north- Old (Ithnashiri) Dispensary as a hospital to mark
west India. Enormous brass spikes, used to deter Queen Victoria’s Golden Jubilee. A wonderfully
elephants in India, became a design statement. opulent building with several stories of wooden
A chain design running around the edges of a verandas and loggias, the mint-green lattice
doorway, symbolised security – or, as several local facade is exquisite when bathed in sunlight.
guides explained – were a sign that the owner of Topan’s house, now a restored boutique hotel
the house was in the slave trade. Craftsmen also called Emerson on Hurumzi, has an impressive
drew on seafaring themes such as wave designs 80-foot pavilion from which Topan could have
and fish scales, or Arabic geometric patterns and comfortably kept his eye on the port’s activities.
Quranic inscriptions. As the most important part Many Indians who emigrated to Zanzibar, were
Image: © Sun-shine/shutterstock
Recommended things to
see or do in Stone Town
WALKING TOURS
Getting lost in the atmospheric maze-like lanes
is an exciting experience, but as night falls,
dimly lit alleys can start to seem eerie. Although
Stone Town is cosy and safe, first timers
should consider hiring a guide to point out key
landmarks and help establish bearings. Hotel
sta are often happy to walk with you and help
find a restaurant in the evenings.
CUBIST LAMP
Prague is famous over for its Gothic,
Renaissance and Baroque architecture
but less so for its contribution to
FAMOUS SAINT Cubism. As well as several Cubist
No visit to Prague is complete without houses dotted around the city, Prague
a stroll across Charles Bridge. The boasts the world’s only Cubist lamp
16-arched medieval crossing is lined post on ungmannovo n m st .
with Baroque statues, most famously
that of Saint John Nepomuk, a priest
drowned by royal decree for not BAROQUE GARDEN
divulging secrets from the confessional. During the 17th century, Catholic
aristocrats transformed the area
beneath Prague Castle into a district of
Baroque palaces. Many had Italianate
gardens attached, including the
magical Vrtba Garden (Vrtbovská
zahrada) on Karmelitská.
VELVET REVOLUTION
The Velvet Revolution of 1989 marked the
end of Czech Communism. This striking
memorial of outstretched hands is
located where the revolution began, in an
arcade at N rodn t da 16, where police
forcibly broke up a public march.
GOLDEN STREET
Prague Castle is in reality a walled
palace and cathedral complex founded
a thousand years ago. One of its most
charming corners is Golden Lane (Zlatá
uli ka), a street of tiny houses tight
against the ramparts occupied first by
goldsmiths and later by artillerymen.
ALCHEMIST'S QUEST
Colourful King Rudolf of
Bohemia was a devotee
of astrology and alchemy,
considered mainstream
scientific fields in
Renaissance Prague.
He never found the
Philosopher’s Stone but
his mysterious obsession
is recalled in this fresco in
Old Town Square.
CZECH HOLLYWOOD
Prague’s Barrandov film studios have
rightly been dubbed the ‘Hollywood of the
East’. Established in the early 1930s, they
have survived both Nazi and Communist
regimes and more recently played host to
both Tom Cruise and James Bond.
JEWISH GRAVES
The Jews arrived in Prague during the 12th Discover more with
century and stayed in the Josefov district Only in Prague
by Duncan JD Smith
until the 1890s, when the area was cleared.
Published by
What remains is a handful of historic
The Urban Explorer
synagogues and an ancient cemetery filled www.onlyinguides.com
with higgledy-piggledy gravestones.
Lazer
20 Timeless Travels • Summer 2019
Three decades ago, Australian archaeologist Dr Estelle Lazer gained international attention by
taking a rigorous, scientific approach to the human remains at Pompeii. More than any other aspect
of the site, the skeletons of victims of the eruption of Mount Vesuvius have piqued our interest.
But, according to La er, the value of human remains was not appreciated as a scientific resource .
Rather they were subject matter for myth and fiction.
S
ince the early 18th century there undertaking new research, participating in This work represents the first scientific
has been a steady stream of prose, television documentaries on Pompeii and research that has ever been performed
poetry, television, film and even speaking to audiences around the world. on these ama ing finds that re ect the
an opera about the lives of Pompeians, We caught up with Estelle to ask her about disaster that destroyed settlements around
much of it inspired by the bones. The her latest work – using modern medical the Bay of Naples. It is non-invasive, which
creation of plaster casts of the victims imaging techniques on site at Pompeii. means that we can-do high-level research
from some skeletons in the 19th and early without damaging the casts.
20th century did nothing to reduce this Estelle, what are you working on
tendency for 'romancing the bones', as right now? Who is behind the new research?
she once put it. Estelle undertook the first My current project involves X-raying Who is funding it?
ever comprehensive and systematic study and CT scanning all the casts of the The Pompeii Cast project is being
of the bones (not the casts), painstakingly Pompeian victims that have been made conducted as a joint project between the
sorting, examining and classifying what to date. My initial work involved skeletal University of Sydney and the Pompeii
she found. “The human bones were not identification from individual bones Archaeological Park (PAP). We have a
discarded,” she says, “but stored in piles, from skeletons that had been poorly Memorandum of Agreement that was
along with other finds from Pompeii, in stored. In theory, the plaster casts of the initiated by the PAP in recognition of
ancient buildings on the site that were victims encapsulate entire skeletons. This the importance of this study and which
not accessible to the public. The bones indicated that there was the potential to makes us partners. Our team is multi-
became mixed up and were left largely significantly increase our knowledge of disciplinary and multi-national, with
unstudied for centuries.” the victims as making diagnoses from researchers from the University of Sydney,
Estelle’s research provided a unique complete skeletons is far more reliable the New South Wales Division of Forensic
snapshot of the people who were living in than from individual skeletal elements. Medicine, the niversity of Notre Dame,
Pompeii in 79 CE scientifically speaking
“a large sample of an ancient population
who all died of the same cause at the
same time”. She discovered evidence of
age-related disorders that suggested that
a significant proportion of the population
was reaching old age and she found that
the sample of victims appeared to re ect a
random sample of a normally distributed
population, not just the old and infirm
who could not escape the eruption.
While Estelle’s initial research remains
an important breakthrough in our
approach to studying the past, she has not
rested on her laurels. A typical year sees
her making several visits to Pompeii and
”
the Philips technology company and even
a local hospital in the region.
Much of the project has been supported
by a TV documentary jointly produced by We are using the most up-to-date medical imaging
the BBC, Smithsonian and the Franco-
equipment available to us. CT scanning provides us
German Arte network, and another for
Channel 5 in the UK. In April 2019 we also with the most comprehensive documentation of a
filmed a third documentary for National cast and its contents
Geographic, which involves the X-ray of 1
casts found in the so-called Garden of the
Fugitives at Pompeii. which the victims met their fate, they are by vibration during transportation.
often in positions that make it impossible Subsequently, we have been able to take
What kind of medical imaging for them to fit into a conventional CT some of the more robust casts o site to
equipment are you using? scanner. These casts are being examined the nearby hospital in specially designed
We are using the most up-to-date medical with state-of-the-art portable digital containers. The technology for portable
imaging equipment available to us. CT X-ray technology. This technology was digital X-rays has been improving since
scanning provides us with the most originally developed for large animals such we started the project and the equipment
comprehensive documentation of a cast as elephants or race horses. It is perfect has become smaller and lighter. The
and its contents. They provide us with a for Pompeii as it can be taken into tight X-ray generator can now operate with
series of X-ray slices that can be stitched spaces without compromising the unique batteries and without cables. Images can
together by computer programs and archaeological remains. be reviewed almost immediately on a
which then can provide images of the computer screen or tablet.
contents of the cast from any direction. How do you get X-ray equipment The casts cannot be manipulated. We
Post processing enables us to onto an archaeological site? You have to work around them. This can be
reconstruct both the outside and the can’t tell a plaster cast to hold its extremely challenging, especially when
inside of the casts. We can identify breath or turn around, so how do they are lying on the ground, as is the
di erent densities of plaster, which tells you perform the X-ray? case for the majority of the casts that are
us how the casts have been created and In 2015, Philips brought a 16-slice hospital displayed outside in or near their original
restored over time. We are able to isolate CT scanner onto the edge of the site by find spots.
individual elements within the casts so truck. It was set up just outside the ancient
that they can be studied both in detail wall at the southern side of Pompeii, near What has been your most
and from any angle. In addition, the data the amphitheatre. Casts were carried remarkable discovery to date in
we collect enables us to make a D print across the site to the machine by restorers this new research?
of the bones embedded in the plaster. on a stretcher that was specially designed It has become apparent that there was as
Unfortunately, because of the manner in to ensure that the casts were not damaged much art as science in the manufacture
of the casts of the victims. We have 19th and early 20th centuries for the soon after fieldwork is completed. I
discovered that in a number of cases, enjoyment of visitors to the site. We have also been giving public lectures to
considerable numbers of bones were have also embarked on an oral history large audiences across the world since
removed prior to casting and reinforcing of people who have worked on the the project started, We also have a blog
rods and staples made of iron were production of casts or have at least spoken site, www.castprojectpompeii.org which
inserted to strengthen the casts. In the to restorers who are no longer alive. will be linked to the o cial Pompeii
case of the dog, which was found in the Archaeological Park (PAP) website. We
so-called House of Orpheus in 1874, There’s always enormous interest plan to publish a popular book at the
all the bones were removed prior to in Pompeii, both from the end of the project and hope to develop a
casting and much metal was introduced. academic community and the travelling exhibition with the PAP and the
Examination of the plaster tells us that general public. How is your work new museum at the University of Sydney.
it was constructed out of six or seven being disseminated to a broader
di erent pieces. audience? Of all the archaeological sites
This aspect of the project is extremely One of the advantages of working on known to us, Pompeii is perhaps
important as it is essential that we can television documentaries is that the the one most steeped in legend
identify what dates to the 1st century results of our research are disseminated and even fiction. Has your
CE and what has been ‘improved’ in the to large audiences across the world fairly recent, science-based research
overturned any widely held
beliefs about the ancient
Roman world, or at least given
them a nudge?
The casts have spawned their own
mythology and stories have been invented
about these victims, purely on the basis of
superficial inspection and circumstantial
evidence. For example, pretty much every
cast with a vaguely distended abdomen
was interpreted as a pregnant female.
Our research does not support this
and in some cases indicates that these
individuals are not even female.
Similarly, a cast that was said to have
been a crippled old beggar turns out
to be a sturdy young individual with a
miscast hand that had previously been
I
n Wales, you have to start with mountains
and hills. There’s probably an ordinance
written somewhere, and, to be fair, it makes
a lot of sense. They frame so much, and
insinuate themselves into your fondest
memories. Think of the castles silhouetted on
rocky outcrops, the wooded hills steaming with
moisture ghost-grey on black-green as you drive
through spring rain, the dusting of snow on the
raw, wild hills at the heads of the valleys, or the
rearing masses of Blorenge and Sugarloaf giving
fortunate towns like Abergavenny uniquely
sculptured horizons. Take the winding road at Pen-
y-Pass, walled with aged pale green slopes and a
spilling scree, or the awe-inspiring Mordor of slate
towering amazingly over Blaenau Ffestiniog. The
mountains would be enough reason to come.
But it would be unfair to think of the heights
alone. Look in between at the beautiful valleys,
the rolling farmland thick with sheep and set
with farmhouses stark white against the verdancy.
In the evening light, it’s transporting to look at.
Hard as it is to choose a view, I’d single out Tintern
Abbey. The Cistercians had a talent for picking
beautiful locations for their houses, and Tintern
has a fair claim to be the most spine-tinglingly
sited of them all, not just in Wales, but in all
Britain. It stands in the Wye Valley, whose steep
thickly-wooded ramparts and winding river close
it o from prying eyes, as the monks wished. It
feels like a Tolkienesque hidden kingdom, a Welsh
Gondolin. As the Romantics who came here in a
”
urry in the time of Turner and ordsworth knew,
it’s always beautiful, but I think particularly of a
crisp autumn evening, the sky powerfully blue, a
bone white moon etched into it over the tower, the The isolated mediaeval chapel of St. Govan...
great skeleton of the beached abbey warmly honey it stands in its little sea-bashed rocky nook,
coloured beneath. Stand in line with the transepts
and gaze at the layers within, alternately catching ragged headlands marching off into the distance.
light and shade. The poetry and the painting are You expect a wizard or a weary Jedi to step out
there already, waiting for you to catch them.
As well as this, for scene-setting, there’s
to meet you, and it’s completely wonderful
some truly amazing coastline. I’d happily
challenge anyone to go to the Gower Peninsula
or Pembrokeshire and claim these aren’t among familiar if you know your wider British history –
Previous pages:
the finest shores they’d seen. I think of the lovely Romans, Normans, Vikings and so on, but all with
lan teffan a tle
view over the headland and islets at Newgale or a di erent avour here, and blended with a deep
the yacht-strewn inlet at Solva, crowned with an and particularly Welsh history that, as you’ve seen Left, top: Tintern
Abbey
Iron Age fort. Most of all, I’d think of the isolated already, is written everywhere. There’s a feast of
mediaeval chapel of St Govan. There it is, a little monuments from the Neolithic and Bronze Ages Left, bottom: The
house nestled in a fissure of rock, reached by from the huge finely-perched slabs of the tomb Gower Peninsular
supposedly uncountable steps, dedicated to one chamber at Pentre Ifan to Anglesey’s Bryn Celli Above: The
of Wales’ numerous dark age saints. It stands in Ddu burial mound, millennia old. Wait around Mediaeval chapel of
its little sea-bashed rocky nook, ragged headlands a few centuries, pass the Iron Age and watch the St. Govan
marching o into the distance. ou expect a wi ard Romans force their way in through the fierce tribes All photos: © Peter
or a weary Jedi to step out to meet you, and it’s of the Silures and Ordovices. Sommer Travels
completely wonderful. Visit the formidable legionary fortress at unless otherwise
With this as a stage, how could the historical Caerwent with the serried barrack blocks of the stated
story not be fascinating? There are elements soldiers of the Second Augusta, their grand military
Image
vhertum CC B -SA .0
Image
Image
trying to take Kidwelly, the swashbuckling De practically from yesterday. ou can take their tale
Clares – Strongbow, the Red Earl and the rest, the through their transformation into Tudor houses Left, top: Latticework-
grasping Despensers, Tudors destined for greater or ruins to the Gothic pinnacle of Cardi Castle, reinforced door at
he to a tle he e
things. We could speak of the extraordinary ‘water remodelled as a fairy tale by the unbelievable
ate e an a e
commanding machine’ at Raglan, or the desperate coal-powered wealth of the Victorian Marquess the oldest known castle
civil war siege that won its Marquess honour and of Bute. It allows me to leave as I began with the doors in Europe, and
a broken early death, or the sad story of Llywelyn memory and image these places bestow on you. the oldest mortice and
tenon joints in Britain
Bren, brutally killed though his opponents spoke At Cardi , it’s the Arab room. Its golden ceiling
for his life. Too much for now: if you want to hear, rooted me to the spot when I first looked at it. Left: St David's
maybe come on a tour, and then you’ll see the It demands you look up, hypnotises you with its athe al
magnificent sites themselves. There’s Chepstow, on ever-receding layers. And that’s about as suitable a Pembrokeshire
an awesome slab-sided blu high over the lovely metaphor as I can find for coming and being drawn
Above: The motte and
bend of the Wye or the gargantuan, stupefyingly in by the layered history of this sublime country. hell ee o a iff
big Caerphilly with its colossal dams. The Babel- Mountains? Sure, but that’s just for starters. a tle
high tower at sprawling Pembroke rewards you
with a superb, vertiginous view, if your knees can
If you've been inspired to visit Wales, or to explore Britain, Peter Sommer
stand the climb. It’s got great depths, too: the huge
Travels o er a range of expert guided tours in the , o ering insights into
and atmospheric Wogan Cave, far below the crag
the nation s history. They also o er a selection of European trips, exploring
of the castle was first visited by humans around history on the Continent. Visit: www.petersommer.com
ten thousand years ago, so the mediaeval parts are
Join the Advancing Women Artists foundation for its annual 5-day Sojourn in October 2019.
Tour proceeds support the restoration of art by women in Florence’s museums and storehouses.
Art Roundup
Latest in art news and exhibitions
SA2.0 de
renovation, the Gruuthuse palace and
museum reopened in May. Displaying
eingart , CC B
objects that were part of life in Bruges
between the 1 th and 19th centuries, the
newly renovated museum tells the story
of the three grand ages of Bruges: the
Image Hans
palace’s Burgundian heyday, the 17th and
18th centuries and finally the ‘reinvention’
610 Squadron. Image © from the Bob Ogley Collection of Bruges in the 19th century neo-Gothic
style that is so typical of the city today.
New Statue of Liberty
Renovated over three oors, it includes
Museum opens a magnificent collection of its original
A new Statue of Liberty Museum artefacts of lace, goldware, furniture,
opened recently in May on Liberty and ceramics and there is also a majestic
Island, to celebrate the Statue of new entrance hall. Its attic room also
Liberty’s history, in uence and legacy o ers a great view of the city. For more The courtyard of the newly
re tored ruut u e u eum in ru e
in the world. The new museum is part information see: www.visitbruges.be/en
of a $100 million Liberty Island-wide
beautification e ort that’s being funded
by the Statue of Liberty-Ellis Island NGS and V&A join forces to
Foundation. The new museum merges purchase portrait of James Adam
landscape and building, with the new
museum’s roof planted with native The Victoria & Albert Museum and National
meadow grasses, and o ers visitors Gallery of Scotland have recently acquired
sweeping, panoramic views of Lady a portrait of ames Adam (17 2-94) by the
Liberty, Lower Manhattan, and all of Italian artist Antonio ucchi (1726-9 ), thanks
New York Harbour. to a major grant from national charity Art
Fund. ames, an architect and designer, came
from a family known as Scotland’s foremost
Seven Van Gogh sculptures architects of the 18th century. His portrait was
unveiled painted while he was on a grand tour of Italy in
A British artist’s sculpture of Van 176 . The painting is currently on show at the
Gogh has been unveiled in the grounds Scottish National Portrait Gallery, Edinburgh
of the French Hospital where Van Gogh before going on display in the V A’s British
was treated for his severed ear. The Galleries in London later this year. It will then
sculpture is part of a new Britain and alternate between the two galleries.
Europe Van Gogh Sculpture Trail and
is part of a year-long project A Year New contemporary art
With Vincent by award-winning artist centre in Tashkent,
Anthony Padgett. Seven sculptures (each
a di erent colour) will be permanently
Uzbekistan
sited in England, France, Holland and Uzbekistan has opened a new art
Belgium, at locations chosen after careful centre to try to and help ‘boost’
research into the life of Van Gogh. For the country’s art scene. Based in a
more information visit: former power station, the Centre for
www.ayearwithvincent.co.uk Contemporary Art in Tashkent plans
to combine contemporary art, cinema,
educational initiatives, experimental
theatre and modern choreography with
institutional forms that are new for the
country, like art residencies and children’s
workshops. Moscow’s Garage Museum of
Contemporary Art has partnered with the
centre to create an inaugural programme
of workshops.
Talking maps
Image: © Fitzwilliam Museum
Image
set’ of the 18 0s to the late etchings of Brussels and Amsterdam.
The exhibition also o ers the opportunity to see a spectacular
impression of The Doorway - one of a series of twelve prints
known as the ‘First Venice Set’. histler’s progression from crisp
Red Carpet by
realism to atmospheric impressionism can be seen in his images Grayson Perry,
of London and the Thames. 2017
LEONARDO’S ITALY
A SIX NIGHT HOLIDAY | 20 OCTOBER 2019
To mark the 500th anniversary of Leonardo da Vinci’s death, join our new tour following in the footsteps of Leonardo,
from the small Tuscan village where he was born, to his magnificent masterpiece ‘The Last Supper’ in Milan.
We will begin with the city in which Leonardo spent 17 years of his life, Milan. We shall explore the Duomo and the Castello
Sforzesco, where we will see the Sala delle Asse in which Leonardo’s elaborate wall paintings have just been unveiled, as well as the
church of Santa Maria della Grazia, where we have a timed entrance ticket to see the Last Supper. We then
travel by high speed train to Florence, where highlights include the Leonardo room at the Uffizi and
the Leonardo Museum with reconstructions of some of his greatest inventions. We shall also make
two day trips – to Leonardo’s birthplace,Vinci, and to Arezzo, where we see the thirteenth century
Buriano Bridge.
Price from £2,798 per person (single supp. £450) for six nights including flights, accommodation with
breakfast, three dinners, three lunches, all sightseeing, entrance fees and gratuities and the services of the
Kirker Tour Lecturer.
eor e ra ue , Portrait o Pi a o
Mus e national Picasso-Paris, RMN-Grand Palais Franck Raux
works and personal archives, in all their statement. French and foreign loans
diversity, will be shown alongside a enhance the exhibition’s approach and
selection of explanatory items (press bring a fresh perspective on the subject.
Image
John Hoppner, Arthur Wellesley, 1795
Arthur was 27 years old and a Colonel Napoleon’s Imperial crest.
masterpieces by Paul lee and his Expressionism, Cubism and Concrete Art
illustrious circle of friends from the to Surrealism, from figurative art to pure
collections of the entrum Paul lee and abstraction. At the same time, it follows
the unstmuseum Bern. Throughout his lee’s development as an artist from his
Wassily Kandinsky Leichte onstruktion,
life, lee cultivated relationships with earliest beginnings to his late work.
At a glance...
MELBOURNE, AUSTRALIA
ulian Ro e eldt n t e and o rou t
National Gallery of Victoria, International
Showing until 29 September
VIENNA, AUSTRIA
Sean Scully. Eleuthera
Albertina
Showing from 7 une - 8 September
Image
GHENT, BELGIUM
e olle tion i li t or a uture
o n Ru in, Study of Spray of Dead Oak Leaves,
S.M.A.K
Showing until 29 September
Ruskin bicentenary celebrated in 2019 MONTREAL, CANADA
by Theresa Thompson ierr u ler Couturi ime
Museum of Fine Arts
T his year marks the bicentenary of the birth of ohn Ruskin, the
art critic, educator, gifted painter, social reformer, and polymath.
A man of many passions and a writer who commanded tremendous
Showing until 8 September
NEWCASTLE, ENGLAND
respect - writing on an astonishing array of topics, from art and
i toria and l ert ur ive in ater olour
architecture to craftsmanship, from nature to religion to social justice -
Laing Art Gallery
he was a force to be reckoned with in Victorian England.
Showing from 21 une - November
He was the man who championed the artist M Turner, regarding
him as the greatest painter of the age, arguing in his book, odern
Painters (184 ) that Turner recorded the truth of nature - a mountain,
BERLIN, GERMANY
a stone, ‘the marvellous unexpectedness of trees’ - as no painter erman e end mile olde and t e a i
before him had ever done. A few years later he would champion the Re ime
Pre-Raphaelite Brotherhood, formed in 1848, a group of artists that Hamburger Bahnhof-Museum für Genewart
were in uenced by Ruskin’s theories. He urged them to ‘go to Nature, Showing until 1 September
rejecting nothing, selecting nothing and scorning nothing’.
The depth and breadth of Ruskin’s thinking is immense. In a THE HAGUE, NETHERLANDS
burgeoning industrial age he commented on its impact on both Rem randt and t e aurit iu
people and the environment; he encouraged a sustainable relationship Mauritshuis
between people, craft and nature his writing was often highly Showing until 1 September
moralistic; and he was a staunch advocate of life-long-learning...Tolstoy
later wrote that “He was one of those rare men who thinks... what EDINBURGH, SCOTLAND
everyone will think and say on the future. Ru ia, Ro alt t e Romanov
As part of the international celebrations taking place throughout The Queen’s Gallery, Palace of
the year, a new exhibition o n Ru in rt onder (showing until 15 Holyroodhouse
September at the Millennium Gallery, She eld) explores how Ruskin Showing from 29 une - 1 September
championed the joy that nature can bring to our lives and the sense
of awe it can evoke within us. Ruskin’s passion for nature began in LUCERN, SWITZERLAND
childhood with a fascination for minerals and mountains and, for him,
Turner. The Sea and the Alps
appreciating its beauty was just as valuable as any scientific knowledge.
Kunstmuseum, Luzern
rt onder celebrates how artists have captured the incredible
Showing from 6 uly - 1 October
spectacle of nature. Discover da ling highlights from the Guild of St
George’s Ruskin Collection, including botanical and ornithological
NEW YORK, USA
studies and jewel-like mineral specimens, alongside significant national
loans and new commissions by contemporary artists Timorous Beasties a ter ie e o ren aien e
and Dan Holdsworth. The Frick Collection
Find out more about the Ruskin bicentenary celebrations taking Showing until 22 September
place throughout 2019 at ruskin200.com
A
new exhibition of previously
unseen works in the UK has opened
at Sir Alfred Munnings' home in
Essex. Principally known as an equestrian
painter, he also found fame as a war artist
during WW1. Apprenticed to a Norwich
printer and studying art in the evenings,
Munnings quickly proved his prodigious
talent and accepted his first oil painting
portrait commission at the age of only 19,
and this is on display at the museum.
Serving in eastern France with the
Canadian Expeditionary Force in
1918, Munnings sketched and painted
landscapes, battle scenes and, naturally,
horses, to document life on the fighting
front and the vital logistical work taking
place behind the lines.
Now, for the first time in 100 years,
Above: Halt on the March by a Stream at Nesle, 1918, by Sir Alfred Munnings
forty-one wartime paintings by Munnings © Beaverbrook Collection of War Art, Canadian War Museum;
are returning to the UK on tour from the Below: Tea in the Chateau, 1918, Sir Alfred Munnings © The Munnings Art Museum
Canadian War Museum, Ottawa. In this
once-in-a-lifetime display at his former along with the finished paintings bring was depicted as a dignified one, not of
home, Castle House in Dedham, the the reality of war to life a 101 years on. imperious glory but of duty and fortitude.
paintings are shown side by side with the His depictions are almost not war like. We see men resting in Halt on a March by
surviving sketchbooks that inspired them. O cers in uniform are sometimes the a stream at Nesle which if the uniforms
This is the first time these sketchbooks only clue. A group of men relaxing by a had been changed to blazers and boaters
have ever been on public display together lake with their horses taking water is a would have shown a typical Edwardian
with the finished pictures, and provide a striking example of this. Sunday afternoon anywhere in Europe.
unique view of life ‘behind the lines’—in On the whole these are bright verdant The house was his home for 40 years
every sense of that phrase. images not of war but the dignity behind and o ers us an insight into the material
What makes this exhibition so con ict. Munnings never painted a gains of a hugely important and successful
compelling are the sketchbooks that battle scene as such the closest is A artist’s existence. You can also see his
accompany the paintings. It is rare to see Gallant Charge that touches on the studio, which he transported from his
a war artist’s work in development and action with Canadian Cavalry depicted previous house. Again, like his home, it
the quality of the preparatory work which in full glorious gallop. Another, A Patrol feels as if he has just popped out with the
is more muted in colour and mood unfinished canvases and paints still in use.
showing a lone soldier with three horses. The museum holds over 6 0 oils
Has he lost his comrades? Is he bringing and 4,000 paper works with around
reinforcements or rounding up strays? 1 0 on display at any one time. This
We don’t know but the colour palette is a fascinating and well-curated
to me signifies a sombre mood that is museum providing the viewer with
inescapable from the horrors of war. the vast spectrum of Munnings' work
Life behind the atrocities of the trenches and importantly showing the journey
was a much calmer a air with man and he undertook through life. The early
beast bonding and working together as sketches and satirical works are
equals. A parallel not stretched to the particularly good and o er a balance to
o cers and conscripts. Munnings war the more sombre war pieces.
NEW EXHIBITION
MOONSCAPES
Landing on 2 April 2019
Orbiting until 23 June 2019
‘The beginning of a new world ‘ will run from June 1 to September 29, 2019.
For more information go to: https://krollermuller.nl/en/the-beginning-of-a-new-world.
The Kröller-Müller Museum is a place The exhibition 'The beginning of a new world’' shows seeking to document the development of modern
where things of beauty come together. the development of modern sculpture through the sculpture at an international level. Hammacher’s
The unique combination of art, nature and eyes of Bram Hammacher, director of the Kröller- most famous achievement is the museum’s
architecture guarantees visitors a truly Müller Museum from 1948 to 1963. Upon his sculpture garden, which opened in 1961 and
unforgettable experience. appointment, Hammacher chooses a new direction: measures 25 hectares.
B
eing born between 1525-30 and Often referred to as ‘peasant’ Bruegel or unpredictable idiom narrative of his life. A
dying in 1569 saw Pieter Bruegel Bruegel the Elder to di erentiate him voiceover talks us through the life and times
placed in a fascinating period for from his sons, he specialised in genre of Pieter Bruegel in the first person making
European art and culture. It was a time of painting packed with the poor and it seem all the more real. At one point such
change and he was the most significant a icted. Often used to frame a landscape, was the realism of the experience a seascape
painter in the Flemish Renaissance and these microcosms are the principle appeared on the walls and moved across the
an incisive in uence on the Dutch Golden focus of Beyond Bruegel a Plein Publiek oor with an accompanying sound e ect
Age of painting. Bruegel was a prodigious multimedia expo at the Dynastie Palace in of lapping waves. I found myself moving to
talent, as a younger man working as a central Brussels. avoid the water as it washed over my feet.
printmaker it was only in middle age that First there’s a large electronic gallery If you know about Bruegel then this
he really saw his work ourish. sing with six screens showing synchronised will entertain and strengthen your resolve
the then expensive medium of oils he pictures of his work with close ups and to discover more, and if you know very
captured the worker, the unwashed, the line drawings accompanied by music. little this will open a new chapter in your
downtrodden and made them the focus of This I realised afterwards was to soften life about a painter whose work is under
large canvases. He never painted a portrait me up before the main event. appreciated. Another joy of this 360°
of a nobleman or royal in an era when Another room, much larger, about the experience is that the magnification of the
this was the bread and butter income for si e of an indoor football pitch o ering a paintings and elements within them shows
most painters. After an in uential trip to blank canvas of bare white walls and a black what a skilled exponent of his craft he was.
Italy where he studied painting and art he ceiling. The lights dimmed and gently at The detail in minor characters is incredible
returned in 1555 to live in Antwerp. In 1563 first but building to a phantasmagorical with every brushstroke there to be seen in
he moved to Brussels where he married Bruegel event like no other. His paintings all its glory. This is surely the way forward
and stayed until his death. He produced have been curated and edited in a way for so many artists’ work to re-evaluate
such masterpieces as Winter Landscape that brings them to life. The images pass and appreciate, imagine somebody like L S
with Ice-skaters, The Peasant Wedding and across the walls and oor creating a truly Lowry or René Magritte given this type of
Bird-trap during his time in the city. immersive experience. Characters are treatment? How wonderful that would be.
Brussels is the epicentre of a year isolated from famous and not so well Showing until 31 January 2020.
commemorating his death 450 years ago. known paintings and animated to create an www.beyondbruegel.be
Castle of Gaasbeek
There are numerous events and The project is a worthy one that encourages painter and printmaker, but also as a citizen
displays across the whole of Belgium to the viewer to explore and probe a little of a rapidly changing time.
commemorate this year of Bruegel and only deeper into what was a fascinating life and For more information see:
some of them are listed here. to journey through his works, not only as a emi hma te om en
D ismiss thoughts of When The Boat Comes In or Spender, that 90s TV detective series incarnation of Jimmy
Nail, Newcastle is on the up and it means business when it comes to the arts. First things first: it is a beautiful
city despite cinema depicting it as somewhere gritty. Viewers of Michael Caine’s turn as a gangster looking for
answers to his brother’s sudden death in Get Carter will have seen a drab, rundown almost black and white city.
Now it simply bursts with colour; cleaned up buildings, cool restaurants and bars and landmark arts buildings
abound. This is a city that has thrived on its success and good fortune, only to see a decline in industry and
commerce, but has now reinvented itself into a jewel of the North.
Heritage Walks
4 Between April and October there are
around 40 walking tours throughout
the city. Lasting up to two hours and costing just
these informative insights to specific locations,
history and heritage are all conducted by trained
and qualified volunteers working in association
with the Newcastle Gateshead Initiative.
These are all non-booking, just turn up events,
that give one a view of the city that’s easy to miss if
you just run between galleries. A word of warning:
it should be noted that Newcastle has some steep
Right and middle: Sites
hills and steps. Usually held on Sunday afternoons
on the heritage walk
and ednesday evenings, it’s possible to purchase
a season ticket. Bottom: Tyne Bridge
The Bridges
5 Like Porto, Newcastle has seven
bridges, each distinct and of purpose.
ou can’t avoid them when you’re in the city,
as crossing to Gateshead you’ll have to use one
of them. The most famous, and a symbol of
Newcastle is the Tyne Bridge. Built by Dorman
Long Co and opened in 1928 by ing George V,
the designers Mott Hay and Anderson went on
to design the Forth Road Bridge. The span is 89
metres and at its tallest it measures 59 metres.
The Gateshead Millennium Bridge is the latest
addition, erected in 2000 and has a pedestrian
and cycle crossing that swings open to let taller
craft through. It is a glorious arch that as you
walk across o ers the eye a di erent shaped
curve. It is so e cient that it only takes 4 minutes
and 0 seconds to fully open. It is a ectionately
known as the blinking eye bridge.
Situated between the Tyne Bridge and
the High Level Bridge is the quirky Swing
Bridge. Opened in 1876 it was paid for by the
industrialist illiam Armstrong, inventor of the
hydraulic accumulator, modern armaments and
philanthropist. It swings 60 to allow ships to
pass either side of the pivot. The bridge is still
powered by hydraulics today and is a grade II
listed building.
Newcastle is a splendid, architecturally rich city to Direct trains run to Newcastle upon Tyne from London ing’s Cross station
wander around. The memories of grit and granite and take c. hours. Flights from London take just over an hour. Newcastle’s
are all around and worth seeking out. The back airport is an international hub with direct ights to a number of European
alleys and side roads make for the discovery of a cities and Emirates ights direct to Dubai.
Britain long gone just make sure you’re wearing For more information visit www.visitnewcastle.com
stout shoes!
T H E H I D D E N G E M O F M O N AC O
#NewColumbusMonteCarlo
+377 92 05 90 00 I 23 avenue des Papalins I MC 98000 Monaco I www.columbushotels.com
T
he conservation project, executed building in 1446, they commission a secret. The ‘hunch’ these women had that
by Elisabeth Wicks and Nicoletta painting to act as their ‘poster’, logo and day in the museum led to what turned out
Fontani, was personally funded by symbol for the new Institute. to be the “greatest discovery of my career,”
Advancing Women Artists (AWA) founder Flash forward 600 years to 2013, the says Wicks, who with fellow conservator
Jane Fortune, who decided to support this very same painting sits in a museum Nicoletta Fontani, spent close to 30
work by Domenico de Michelino (despite within the original building. Two women, months preparing the work for display in
being a male artist). The project led the an American and an Italian, are tasked the Innocenti, which boasts one of the
restoration team on a journey to uncover with the restoration of the work due rarest collections of children’s history in
the story of the city’s forgotten children, to be displayed after a renovation and the world.
and the women who saved them. reopening of the museum.
atti tella an hi ue t
he lm emi e he a to The film took a full five years to complete
It is 1410 and there is a huge social The conservation Madonna of the and in the 90-minute feature-length
problem in Florence. Babies are Innocents was commissioned after Jane documentary film, Battistella explores
abandoned and dying at an alarming Fortune and Elizabeth Wicks became the themes of art, motherhood,
rate. To solve the problem Florence’s curious about the young Madonna figure Florentine humanism and how a
humanists organise and build a hospice depicted in The Innocenti’s work. They progressive-thinking Renaissance
for babies to assist young mothers. To were particularly intrigued by her facial society created one of the first children’s
celebrate the completion of the new expression. It seemed she was hiding a hospitals in the world.
: ell u a out the Inno enti In titute everyone feared. So, not only did the Innocenti
an hat it a li e to lm the e save the child in body, they saved its soul, because
DB e are the first non-Italian film crew and they made certain it would no longer be destined
only the second ever to film inside the Innocenti for Limbo. These children were given a surname
archive which hosts hundreds of thousands of and, even if they didn’t survive, at least they
documents. Throughout its 400-year history, close would go to Heaven (or not end up in Limbo!)
to 600,000 children were saved. As an orphanage, In Florence, the Institute became their family so
the Institute was active until the 1950s. As early they took the family name, Innocenti. Elsewhere e t: It a the ga e
as 1421, the Innocenti would anonymously take in Italy at this time, these children were named that a tu e them
in abandoned children, most of whom were ‘Foundlings’ or worse, Bastardini (little bastards). on e ato li a eth
i an oun e
girls. Some of these babies had been born out In Florence, they were called ‘Innocents’, who ane o tune loo e
of wedlock; there were also instances of wealthy deserved a chance at life, even in the afterlife. into thi a onna e e
people impregnating servants to use as wet nurses an elt he a hi ing a
for their own children, abandoning the servant’s : he Inno enti i one o the ea lie t e et In ee he a
t lo en e Inno enti
child. Once a child was left at the Institute, he o hanage in the o l I e al o hea ou u eum The Madonna
or she would be named, registered and baptised all it a et nu ing u ine of the Innocents a
almost immediately and given Florentine DB: Essentially, yes. Until the advent of a o te a a ull ale
citizenship. pasteurised cow milk, breast milk was the only e to ation an no
the o e t i o e ie
way to feed babies, so women were often hired ha e een e eale in a
: hat ene t i the get om eing from the countryside and they would take the ull length eatu e lm
iti en o lo en e babies to live with them. Some would live at the a i atti tella
DB: This is important because, according to the Innocenti and provide services to the Institute. emie ing in lo en e
(an a oun the o l )
Renaissance mentality, abandoned babies who They would have been paid 50 soldi a month. thi S ing
were not baptised, ended up in Limbo, which Agatha Smeralda, the first child registered at
elo : li a eth i
was a fate worse than death or even Hell. It was the Innocenti in the mid-fifteenth century, had an i oletta ontani
a mysterious place that no one understood and three wet nurses, but she did not survive to her o ing on the ainting
first birthday. Often the women would take on represents these children’s chance, not just to
a child, take the money and use it to feed their survive but to thrive. The Innocenti did not just
own children. These women were malnourished want to save babies; it wanted to feed, clothe and
themselves. The infant survival rate was very educate them. That was typical of the Humanists.
low, during some periods as low as ten percent
of children survived, nonetheless they tried : hat o ou ant eo le to ta e a a
desperately to save them. om ou lm The Innocents of Florence?
DB: I want people to understand that there are
: hat an ou tell u a out a onna o certain values we haven’t lost. There are examples
the Inno ent of real systems that were put into place in the
DB The Innocenti chose the figure of a young Renaissance, in the wealthiest city in the world,
mother of child-bearing age to represent Florence. I would like people to tune into the
the institute, and be its banner or logo. For fact that wealthy Florence was concerned about
Christians, this would have meant seeing a young its most fragile citizens, for their soul, health,
Madonna, as she opens her cloak to shelter wellbeing and life. It wanted them to be part of
babies, but we need to remember that her cloak their great society, so much so, that as soon as
was made of silk because the Innocenti was a child was given to the Innocenti, they would
founded by Florence’s silk guild. The Institute receive Florentine citizenship. So, there was a
was founded as a lay organization, and while model for this kind of social assistance, and this
she can be seen as a Biblical Madonna, rather is still something we talk about in the news media
than holding the Christ Child, she is protecting on a daily basis. It wasn’t less complicated then,
sixteen children. She is the “Madonna of the but they tried to create real solutions.
Innocents”. The painting shows three age groups:
new-born babies in swaddling clothes, older : o ou eel ou lm e to e hi to
toddlers breaking out of their rags, and then, DB: I’ve simply realised that we can look at an
young children, wearing smocks. So, the painting example from the past and it can be useful to
us. It is a tragedy to watch a building crumble
or to see artwork decay, but the greatest tragedy
is to lose a philosophy of an entire population.
We need to preserve their way of thinking, the
idea of running a society, based on a humanist
philosophy centred around what it meant to be a
citizen and how they experienced society through e t: he e to e
beauty… the beauty of the city scape, the beauty ainting, Madonna of
of its art. I do not look at the past for the past’s the Innocents
sake. I look at it in connection to the modern elo : a i atti tella
: hat a it li e to ma e thi mo ie
DB: It was a profound experience. We were
looking at a historical context where women
gave up their children, where orphans fought
for survival, and women have truly been at the
forefront of this restoration, just like they were at
the forefront of the Innocenti Institute. I learned
a lot from watching the restoration, seeing these
conservators going over a canvas inch by inch,
to make sure that it was cleaned and restored.
It was like a parallel process, the institute was
doing what the restorers were doing. And these
particular conservators showed such gentleness
and patience. I don’t know of too many men
who can do that kind of detailed daily work. But
women are willing to do that, to care for a piece
like that. And the men say: ‘Let the women do
that’. As I man, I don’t know if I could go over
that canvas in such painstaking detail. I would
never call conservation ‘women’s work’, but I do
recognise that it takes a special brand of patience,
that these women, in particular have taught me
and I created the film with those lessons learned.
: Ho ha the o e t en i he ou a a
o umenta ma e
DB My camera was there to film Eli abeth icks
and Nicoletta Fontani as they found the biggest
highlight of their career, with a rolling camera
pointed right at them. That’s what documenting
is, that is why I am a documentary maker…
Elizabeth told me that, when she was restoring a
work by Michelangelo, she found a thumbprint
inside the piece Then she said that finding the
secrets behind the Innocenti Madonna was even
more memorable than that. Essentially, the
two restorers found another work behind the
Madonna’s painted surface. Their restoration
changed the painting’s attribution, and therefore,
changed its life. But I don’t think it changed the
impact of the image. Nicoletta says that to work
a masterpiece that’s beautiful and famous is a
wonderful experience, but that to be involved in
a process like this one, means they have to delve
deeper and find new things.
Above from left to right: Waves of paratroopers land in the Netherlands; The remains of Nijmegen after the battle;
The bridge at Arnhem after the British paratroops had been driven back
O
peration Market Garden was an important campaign during the
“
An important message is being
handed down to the younger
generation: freedom must not be
taken for granted
these men had made. This year and next will probably
be the last major celebrations that they will attend, and
you can tell as they wipe their tears away, they are still
remembering the friends and comrades that they lost.
A lot of attention is centred on the town of Arnhem,
as this is famous from the film and for the fierce
fighting to take the bridge. hen walking around the
town, Nico, my guide, kept pointing out British ags
and saying how much the people of this area loved the
British. When I asked why, he replied it was because
of Operation Market Garden. “But it was a failure,” I
said. “Why should they like the British so much when
they lost the battle here?” “Because it gave them hope
of freedom,” Nico said. “Before that, they had thought
that no-one cared about them, had forgotten them:
but the British gave them hope.”
This remark gave me a whole new perspective, not
only on the battle, but also the relationship between
our countries. We are so lucky in England – we have not
been conquered since the 11th century. As a nation we do
not know what it is like to live without our freedom.
A new information centre has been built near the
bridge at Arnhem (which had 1 ,000 visitors in the first
three months after it opened), and it includes a video Image: © John Waddy
PLACES TO VISIT:NETHERLANDS
H
elene Kröller-Müller was a
passionate collector of works
by Van Gogh, Picasso and not finished when the war began in 19 9, also helped to reinstate the art so the
Mondrian and her aim in life was but on 22 July 1940, the entire collection museum could open quickly to the public
to build a museum for her unique collection was moved there. The works of art were once more. The museum was o cially
and donate it to the Dutch people. The packed in order of value and transferred reopened on 6 October 1945.
Great Depression meant that her dream to the shelter in small groups. It took a After the war, the museum’s first
couldn’t come true, so when she died in week to transfer all the works of art, but curator, Willy Auping Jr, bought the Van
1939, she left her collection to the State of once they were safe, the museum closed Gogh masterpiece, The Potato Eaters.
the Netherlands, on the condition that they its doors to the public. This painting, along with those previously
would build a museum to house it. In the final years of the war, the museum purchased by Helene, meant that ‘the
After her death, a new director Sam served as a hospital for the Red Cross. It collection of works from his Dutch
van Deventer and curator Willy Auping Jr accommodated 310 adults and 40 children. period’ was now complete and was ‘a
shared the responsibility of protecting the The patients were housed in the Van de crown on the collection’.
museum and collection during the war. Velde wing and St Hubertus hunting lodge To see a timeline of stories about the
Helene had started building a bomb served as the nurses’ accommodation. museum, Helen Kröller-Müller, and the
shelter before her death, in a sand dune in On the 15 April 1945, the museum museum during the Second World War,
the Veluwe National Park nearby. It was was liberated by the Canadians, who see www.krollermuller.nl/timeline.
H
ELENE KR LLER MÜLLER advisor, HP Bremmer, Helene and her
was a leading European husband purchased some 12,000 works
art patron of the early 20th of art between 1907 and 1922, thereby
century, and one of the first building one of the largest private art
women in Europe to acquire a major art collections of the twentieth century. They
collection. Born in Germany in 1869, also acquired nearly 300 works by Van
she married the Dutchman, Anton Gogh, making it the largest private Van
Kröller in 1888. Under the leadership Gogh collection in the world. It has been
of Anton, Müller and Co (the company said that Helene was the first to recognise
founded by Helene’s father), grew into a his talent. Her passion for his oeuvre and
highly profitable company and with the her exhibition of his work undoubtedly
acquired assets Helene was able to start contributed to his international
her art collection in 1907. recognition and fame.
Guided by in uential art critic and www.krollermuller.nl
“It took a week to transfer all the works of art [to the bunker], but once they
were safe, the museum closed its doors to the public.”
my ri e in a bag attached to my leg, but the bombs and shells were landing all looking at that bastard any more’, and
somehow when I pulled my cord they around us. Suddenly there was a big crash some of the German soldiers clapped!
became loose and spiralled to the ground, and some German troops would rush
narrowly missing one of my soldiers who through and then ours would rush back. Life in the POW camp
swore at me roundly. When I landed Eventually the Germans took over and “Our Stalag was for other ranks of all
alongside him, however, he had the they established a firing position in the nationalities, including 15,000 Russians,
decency to salute and said ‘sorry sir!’ ruined window of the room I was in. I 5,000 French and 5,000 British and a
remember our Medical O cer shouting small compound with 0 o cers who had
On the landings of at them that this was contrary to the been captured in Greece and Yugoslavia
Operation Market Garden Geneva convention, as the Germans had during special operations. As the Germans
“We were dropped on the correct drop set up a machine gun in the window with retreated, they moved the prisoners
zone, but it was eight miles away from our a Red Cross ag hanging over it. further south as they wanted to use them
objective. And this was a typical mistake “Afterwards when all the wounded were as potential hostages, so our small bunch
of so many airborne operations where do left behind, I was taken to a German-run of ex-airborne o cers now were joined
you drop the parachute troops? (Nowadays Dutch hospital in Apeldoorn it was by o cers that had been captured at
an operation is not on if you can’t drop the quite comfortable actually and I was just Dunkirk. While prisoners, they had been
troops close to the objective). dumped on the bed with all I had, which allowed to have their uniforms and clothes
We were dropped on the second day was my battledress jacket and my khaki sent out. So they were in full service dress
and that was one of the mistakes of the shirt. I had field dressings all around my with shiny brass buttons and Sam Brownes
campaign. I’m afraid our Divisional head and there were some German SS while I had been captured with only my
Commander, a good man, who was an troops in the ward all nattering away, and battle jacket and khaki shirt and wore
experienced infantry soldier but not an because I could speak German, I could scrounged trousers etc from the French
airborne one, landed too many non- understand what they were saying. They and Americans. Our little hut of about
essential fighting troops on that first day believed that we were cousins and we should o cers came under the command
a lot of the glider troops and HQ troops be fighting together against the Russians. of a Colonel in the Welsh Guards who
”
But there were two parachute brigades left in England, ours
and the Polish brigade, and what he should have done is not
land all the administrative and glider troops but do what the
Americans did, and put all the parachute troops in first
spent the first 24 hours sitting on their “Eventually I was put in another ward had been at Dunkirk. After roll call with
backsides on the landing zones. There to the soldiers so I couldn’t instruct the Germans, they would hand over to
were only two under-strength parachute them to escape, not that there was a lot the senior British o cers to dismiss the
regiments that were sent to the bridge, of that going on, and in the ward of 18 parade. Our hut was told to stand by
and only one got there. beds opposite the door of my little room I as everyone else was dismissed and the
“Whereas General Gavin, the American could hear the German soldiers crying for
commander of the 82nd Airborne their mothers in the night and the English
Division, to the south had about eight soldiers telling them to shut up.
bridges to capture, and his tactic was
to get what, he said, was the maximum Time in hospital
number of bayonets to attack and hold “I was in hospital for about six weeks and
the bridges. He used two parachute then sent to a ‘hospital’ in Bavaria: Stalag
brigades together to attack each bridge VIIA. It was called a hospital because it
and so they succeeded. had wooden huts. About a week after
arriving, a big, blonde German nurse came
On being wounded into my room and said ‘your soldiers are
“I thought, once or twice, I might not being disrespectful to the Führer’. I found
make it. The second and third times I was out there had been a big ward of 24 beds
injured was when I was in the Medical with both German and British soldiers
Corp dressing station in Oosterbeek together. One day, one of our soldiers olonel ohn a
and we were literally in the midst of the got out of bed and turned over a picture at the th anni e a o e ation
fighting. I was in a Dutch house and of Hitler to the wall saying ‘I can’t stand a et Ga en
Colonel came over to us and said ‘I am (dressed in pink shorts, no idea why), the Dunkirk chaps they must see them
absolutely appalled at the standard of your when he saw the ag on the church clock but they weren’t interested.
turnout’. The New ealand o cer behind tower and exclaimed ‘kiss my naked ass!’ “We had been given such a tremendous
me just told him where to go. “When we were liberated, all the reception by the Americans when they
“I was in camp for 3 months. As soon as Dunkirk o cers tried to take command liberated us, but my friend predicted when
I arrived in early December, the Swiss Red and issued orders saying that no one we arrived in England we would be given a
Cross interviewed me, took my particulars could leave camp and if they did so they packet of Woodbines and a cup of stewed
and told my parents I was alive. They would be court-marshalled. tea and we were. But it was home.
received the message on Christmas Eve But we six Airborne o cers found a “The British had set up camps to receive
they had previously been told I was dead. little trolley that the Germans used to ex POWs and we all went to the camp
“Conditions in the camp were very move potatoes about and walked out of cinema and the chap on the stage said
di cult and after the war the Camp the camp. A Dunkirk o cer at the gate ‘we will send you out of here properly
Commandant was convicted of war tried to stop us but we said we are airborne dressed, but you have to go through 18
crimes for killing Russian prisoners. The troops and we’d just got information on stages first.’ e were all dressed like
Russian prisoners were starving and our secret wireless that the RAF are going gypsies and four hours later I came back
they had stolen some meat and hidden to drop supplies over the hill. ‘Oh good’ he with back pay, advance pay, battle dress
it underneath the oor of their hut. One said and so o we went, dumping our little and so forth. It was about 8pm at night
of the guard dogs found the meat so they wagon about half a mile away and then we when we finished, so my friend and I
killed the dog. In future, when ‘testing’ a carried on to the local village and took over spent the night going around London.
new guard dog, the Commandant would the pub, asking the woman running it for Every bar was full of Americans and
take Russian prisoners out of the camp beer, bed and a bath. British and the drink was owing.
and let the dogs chase and kill them. e were in pub for five or six days The As an advisor on the film, A
Russian prisoners were out looting and Bridge Too Far
On being liberated getting their own back. But eventually we “I do NOT recommend that film - it
“Just before we were liberated, we knew heard we were leaving and were taken in turned out to be an American film for
that the Americans were nearby, as we’d American trucks to the American airfield American audiences. I was military
heard on our secret radio and late one where there were Dakotas waiting for us. advisor, but neither I, nor Richard
evening we could hear artillery fire a e ew to Reims, and were dumped Attenborough, were allowed to alter one
few miles away. The next morning the there, but the Americans looked after word of the script. I did try to change
Germans were starting to relax, so we us, put up tents and gave us food and one big scene, the one with Robert
didn’t have to go into the huts and we we were told that the RAF would come Redford capturing Nijmegen bridge
could hear the battle about five miles away. and get us the next day. But the next day (rather than a sergeant in the Grenadier
“Therefore we were all outside to see was D-Day and so the whole of Bomber Guards). A message came back from New
the American tanks come over the hill Command were drunk! So a day later York: ‘Tell the Colonel I make movies for
and roar past our camp and about an hour 80-90 Lancaster bombers came to get us money, not history. Besides I’m paying
later on the church tower in the nearby and we had to squash 30 people into the Redford three million bucks’. Redford
German village, we saw the American bombers. I sat in the mid-upper turret was only with us for three days! Richard
ag raised. I was standing behind an and it was a lovely May day. I saw the was very good to work with, although we
American Air Force o cer at the time white cli s and clambered down and told disagreed about Ghandi...”
Text © Tom Harper. Pietro Vesconte’s world map in the style of a portolan chart, c.1 2 Add. MS 27 76 , . 187v 188 . British Library Board
Revealed
070-078 ANGKOR.indd 70 16/05/2019 17:25
Archaeologist Dr Damian Evans is using ground-breaking lidar technology
to discover the long-hidden secrets of the Cambodian jungle
F
or more than one and a half centuries,
explorers and scientists alike have
”
relied on the machete to clear the dense
vegetation that obscures much of the
remains of the great medieval civilisation
of Angkor, which ourished across mainland [We discovered] that Angkor was actually the largest
Southeast Asia from the 9th to 15th centuries AD.
Until the last few years, that is.
integrated settlement complex of the pre-industrial
In July 2012, I sat with Roland Fletcher, a Professor world, a sprawling conurbation comparable in size
in the Department of Archaeology at the University to modern-day Sydney
of Sydney, in an air-conditioned o ce at the
University’s Robert Christie Research Centre in
Cambodia. By then I had spent many years in charge to address broader questions about the context
of the Centre, and had settled into the workaday of the temples: who exactly were the people who
routine of overseeing the University’s archaeological built them, where did they live, and how were
programmes at Angkor, but this was no ordinary they so successful in the harsh and unforgiving
day: we had just taken delivery of the results of a environment of monsoon Asia? Perhaps most
landmark aerial survey, which deployed an airborne importantly, what happened to them?
laser scanner strapped to the side of a helicopter. The problem for archaeologists had always
The whole project had been something of a been that houses of stone were reserved for the Previous pages: An
aerial view of Bakong,
gamble: several years of planning and a quarter of gods, and that the stu of everyday life was mostly the central state
a million dollars invested in a technology that had non-durable material – houses made of thatch, temple of the late 9th
never been used for archaeology anywhere in Asia. and even royal palaces made of wood – that century at the centre
The laser scanner, or ‘lidar’, had the potential to has long since disappeared. In 1992, however, of an urban network
that has been mapped
see through dense forest canopy and reveal traces Professor Christophe Pottier of the École Française in detail using lidar
of the civilisation remaining on the forest oor, d’Extrême Orient (French Institute of Asian
Below: The lidar team,
but no-one was entirely sure that it would work, studies, or EFEO) noted that traces of the remains
Damian Evans second
or that there would be anything much to see even of ponds, occupation mounds, village shrines, from the left
if it did. As a map derived from four billion laser roadways and canals could still be discerned
All images : ©Damian
measurements of Angkor slowly unfolded on the from the air. It was the fabric of the urban and Evans unless
screen of a high-performance computer, however, agricultural network of greater Angkor. Pottier otherwise stated
we watched in awe as entire cities were revealed
for the first time beneath the jungle of northwest
Cambodia, and realised that the age of the
machete had just drawn to a decisive close.
Past research
The great monuments of Angkor, along with their
inscriptions and artworks, have long fascinated
scholars, and over the past century a huge body
of work has been produced on these aspects of
Khmer civilisation, mostly by French scholars.
In the 1990s, as decades of con ict in Cambodia
finally wound to an end, the arrival of modern
archaeological methods sparked a renewed
interest in Angkor, but with an entirely di erent
focus. For the first time, scholars began seriously
Above: An aerial
view of Angkor Wat,
with the West Baray
reservoir in the
background, and
vegetation obscuring
the archaeological
landscape
Right: A lidar image
of Angkor Wat
from the 2012 lidar
acquisition, showing
the patterned
archaeological
landscape
underneath the
vegetation
”
We watched in awe as entire
cities were revealed for the
first time beneath the jungle of
northwest Cambodia
LIDAR TECHNOLOGY
Airborne laser scanning revolves around
a technology called light detection and
ranging (lidar, sometimes LiDAR or LIDAR),
which is analogous in some ways to
the more familiar technology of radar.
Instead of radio waves, however, a lidar
instrument sends out a laser pulse, which
is then reflected back to the instrument by
any object or surface that the laser beam
encounters. The instrument measures
the time that it took for the reflection
to return, which it uses to calculate the
distance between the instrument and the
reflective surface: the longer the time, the
more distant the surface is.
Given enough of these measurements
taken looking down from an aircraft,
incredibly detailed three-dimensional of painstaking analysis and di cult fieldwork.
models of the landscape can be created. Most troubling of all was the fact that vast swathes
The lidar used in the Angkor mission of the new archaeological map consisted of
emitted about one million laser pulses
nothing more than white space, where forest cover
every four seconds, acquiring an
prevented conventional technologies like satellites
enormous amount of data in a 600-metre
and airborne radar from identifying any traces of
wide swath along the flight path of the
the civilisation that might remain etched into the
helicopter. The laser light does not actually
penetrate or ‘see through’ vegetation: for surface of the landscape. Question marks loomed
archaeological applications, the idea is over issues like the completeness of the work, and
to bombard every square metre of the the accuracy of the conclusions drawn.
landscape with so many laser beams that
at least a handful of the laser pulses are Getting started
likely to find tiny gaps in the foliage, hit the For several decades, the very few archaeologists
ground, and reflect back to the sensor. in the world who specialise in remote sensing
have always been looking forward to the ‘next
big thing’ on the horizon, as new technologies, technology in a similar context at a Mayan site in
often developed initially for military applications, Belize, however, and given momentum by seed Above: Face towers
slowly transformed into relatively inexpensive money from the National Geographic, I spent amid the jungle at
the remote temple
commercial applications. In the 1990s it was radar, years essentially going door-to-door seeking the complex of Banteay
which Sydney University was a world leader in participation of the various other international teams Chhmar, built by king
using for archaeological research (my Honours and working at Angkor. Jayavarman VII in the
PhD theses at Sydney both revolved around using Eventually, by 2011, enough small contributions late 12th early 13th
centuries CE
it at Angkor); in the late 1990s and early 2000s it had been raised to make the project viable.
was very high-resolution conventional imagery, of Convincing the Cambodian authorities of the Right, top & middle:
The helicopter
the kind we commonly see these days in Google merits of the idea was a di erent matter entirely
u ing the ight
Earth; and in the last few years, it has been lidar. the permissions process took six months, operations, with the
In 2005, Fletcher and I began to hatch a plan to involved several di erent ministries, required an lidar instrument
use lidar’s capacity to ‘see through’ the forest to fill in unprecedented exemption from the no- y one mounted within a
pod on the right-
those blank spaces on the map. above Angkor Wat, and went all the way up to Prime
hand skid.
The problem was that no-one had ever used lidar Ministerial level. In the end, eight di erent teams
Right, Bottom:
for archaeology anywhere in Asia before. It was representing seven di erent countries committed
The technical crew
an untested technology in this specific context, support, in what would turn out to be the broadest at work in the
and many researchers working in Cambodia were research cooperation ever achieved in Cambodian helicopter during the
sceptical that the instrument could see through the archaeology, and the largest archaeological lidar 2015 lidar acquisition.
Photo: Erika Pineros
dense vegetation that surrounds the temples and acquisition ever undertaken anywhere in the world.
deliver worthwhile results. No-one was prepared Above images:
to commit the six-figure sum the mission required. New cities discovered Francisco Goncalves
Encouraged by a successful application of the In April 2012 the Indonesian branch of a
Above: Unexplained, geometric linear patterns associated with major temples across northwest Cambodia. i a te hnolog lte out
the egetation to ee hat i le t on the u a e he t image ho a e iou l un no n ma o it uilt a oun a tem le at eah
Khan of Kompong Svay and connected by road to Angkor, while the other photos show linear patterns near temple cities like Preah Khan
the method had largely evaporated, and has now degree of human transformations of tropical forest
given way to enthusiasm. Within two years of environments has been underestimated until now. For more
publishing the results from the 2012 campaign, I The conventional idea of tropical forests in prehistory information
secured a 1.5 million Euro grant from the European is of wild and inhospitable places, but we are on Damian’s
Research Council for a greatly-expanded campaign beginning to see them as laboratories of innovation
research see:
covering all of the major sites of the Khmer Empire, and complexity, and as hotspots for domestication
and moved from the University of Sydney to join and the emergence of early urbanism. It turns out www.efeo.fr
Pottier at the EFEO in Paris. Completed in 2015, that humans profoundly transformed these places in
www.angkorlidar.
this acquisition extended the original 350 square the past, which changes our big-picture perspective org
kilometre coverage to well over two thousand, on human transformations of the Earth’s surface over
o ering an extraordinary archive of traces of human the long term, and has implications for how we trace Follow him
on twitter:
activity inscribed into the surface of the landscape. the origins of the Anthropocene.
@ArchaeoAngkor
The results, according to Fletcher, are “a total There are also implications for site preservation
game-changer” for archaeology in the region. Just and heritage management, as illegal logging, Read his latest
recently, a group of prominent Mayan scholars corporate land concessions and rapid urban book: Michael
published an article in which they likened the expansion threaten the delicate traces of the D. Coe & Damian
Evans: Angkor
emergence of lidar to the advent of carbon dating, Angkorian civilisation that remain inscribed into
and the Khmer
in terms of its importance for the study of tropical the landscape around the temples. These are urgent Civilization, Thames
forest civilisations; they too plan additional, more issues, and NESCO is at the forefront of e orts to & Hudson, 2018
extensive lidar acquisitions. A collaborative network extend the lidar coverage in Cambodia in order to
of researchers interested in the archaeological fully understand the spatial extent of the remnant
applications of lidar is rapidly emerging, not only cultural heritage.
in Southeast Asia and Mesoamerica but in other This dry season, sta and volunteers from a wide
regions as well, bound by a common interest in the range of international teams are working in the
ability of lidar to provide extraordinary insights field with Cambodian colleagues to confirm and
into interactions between humans and their document new sites so that they can be protected.
environment in the distant past. We convened the The thrill of discovery is only partially o set by the
first international meeting of archaeologists using di culty of the task, which often involves trekking
lidar in December 2018 at the EFEO in Paris, in deep into the dense forests of northwest Cambodia;
order to compare notes. Everywhere we look with as it turns out, the machete is not quite redundant
the lidar instrument, we get the sense that the around here just yet.
Ancient Syria. A three The Traveller's Guide History Day by Day. A Savage Dreamland.
thousand year history to Classical Philosophy 365 Voices from the past Journeys in Burma
Taking to the Air. Epic Continent. A Line in the River. Angkor and the Khmer
An illustrated history Adventures in the Great Khartoum, City of Civilization
of flight Stories of Europe Memory Michael D. Coe &
Lily Ford Nicholas Jubber Jamal Mahjoub Damian Evans
British Library ohn Murray Bloomsbury Thames Hudson
Published September 2018 Published May 2019 Published March 2019 Published November 2018
Price 2 .00 Price 20.00 Price 10.99 Price 24.9
T he possibilities of ight
have long fascinated us.
Each innovation captivated a
ourneying from Turkey to
Iceland, ubber takes us on
a fascinating adventure
I n 19 6, Sudan gained
independence from Britain.
On the brink of a promising
T he ancient city of
Angkor in Cambodia has
fascinated scholars and visitors
broad public, from those who through our continent s most future, it instead descended alike since its rediscovery in
gathered to witness winged enduring epic poems to learn into civil war and con ict. the mid-19th century. The
medieval visionaries jumping how they were shaped by their hen the 1989 coup brought beauty and multiplicity of
from towers, to those who times, and how they have a hard-line Islamist regime to the sculptures that adorn
tuned in to watch the moon since shaped us. power, amal Mahjoub s family its temples and structures
landings. The great European epics were among those who ed. are striking, its sheer si e
Throughout history, the were all inspired by moments Almost twenty years later, he overwhelming in the
visibility of airborne objects of seismic change The returned. archaeological world, nothing
from the ground has made Odyssey tells of the aftermath Rediscovering the city in equals it. This concise but
for a spectacle of ight, with of the Trojan ar, the primal which his formative years were complete and authoritative
si eable crowds gathering for con ict from which much spent, Mahjoub encounters survey of hmer culture has
eighteenth-century balloon of European civilisation was people and places he left now been thoroughly updated
launches and early twentieth- spawned while The Song of the behind. The capital contains to incorporate new discoveries
century air shows. Nibelungen tracks the collapse the key to understanding that will completely rewrite
Taking to the Air tells the of a Germanic kingdom on the Sudan s divided, contradictory history.
history of ight through the edge of the Roman Empire. nature and while exploring nowledge of the
eye of the spectator, and later, Reaching back into the hartoum s present its site, however, has been
the passenger. Focusing on ancient and medieval eras changing identity and shifting revolutionised by cutting-edge
moments of great cultural in which these defining moods its wealthy elite and technology airborne laser
impact, this book is a visual works were produced, and neglected poor Mahjoub scanning (LiDAR) which has
celebration of the wonder of investigating their continuing also delves into the country s revealed previously unknown
ight, based on the large and in uence today, Epic Continent troubled history. His search details about cities, unveiling
diverse collection of print explores how matters of for answers evolves into a a complex urban landscape
imagery held by the British honour, fate, nationhood, thoughtful meditation on with highways and waterways.
Library. It is a study of how sex, class and politics have the meaning of identity, both These discoveries profoundly
ight has been thought of and preoccupied the people of personal and national. transform the assumptions
pictured. Europe across the millennia. A Line in the River combines about the development
In these tales, soaked lyrical and evocative memoir and supposed decline of
in blood and fire, ubber with a nuanced exploration of Angkor. In this new edition,
discovers how the world of a country s complex history, archaeologists Michael Coe
gods and emperors, dragons politics and religion. The and Damian Evans, present
and water-maidens, knights result is both captivating and for the first time in book form
and princesses, had a deep revelatory. the results and implications
impact on European identity of these ground-breaking
and still resonate today. revelations.
everywhere i go,
i find a poet has
been there before me
Sigmund Freud
SYBILLE BEDFORD
NICOLAS BOUVIER the long-term legacy of Nazi of the Anglo-Saxon built
violence among perpetrators as environment and its
well as victims. She shows that inhabitants. John Blair, one
up to a million people were of the world's leading experts
involved in the extermination on this transformative era
of Jews in Hitler’s death camps, in England's early history,
yet only 6,600 were convicted. explains the origins of
Reckonings expands our towns, manor houses, and
understanding by exploring castles in a completely new
the lives of individuals across way, and sheds new light on
a full spectrum of su ering the important functions of
and guilt, each one capturing buildings and settlements in
one small part of the greater shaping people's lives during
Warriors Portrait of a story. The book explores the the age of the Venerable Bede
Life and death among the Somalis Turkish Family
GERALD HANLEY
I R FA N O RGA
disjuncture between o cial and King Alfred.
myths about dealing with the Building Anglo-Saxon
past, on the one hand, and England demonstrates
the extent to which the vast how hundreds of recent
majority of Nazi perpetrators excavations enable us to
evaded justice, on the other. grasp for the first time how
The Holocaust is not mere regionally diverse the built
history, and the memorial environment of the Anglo-
landscape barely hints at the Saxons truly was.
maelstrom of reverberations of Featuring a wealth of colour
the Nazi era at a personal level. illustrations throughout,
Reckonings illuminates the Building Anglo-Saxon England
stories of those who remained explores how the natural
outside the media spotlight, landscape was modified to
situating their experiences in accommodate human activity,
keeping the best changing wider contexts, as both and how many settlements-
travel writing alive persecutors and persecuted -secular and religious—were
sought to account for the past, laid out with geometrical
www.travelbooks.co.uk forge new lives, and make sense precision by specialist
of unprecedented su ering. surveyors.
Al Ain
one of the world’s oldest continuously
inhabited places
Al Ain, the Emirate of Abu Dhabi’s second city, is an oasis of peace and calm
as well as home to one of the world’s oldest continuously inhabited places.
Matilda Hickson went to discover both the ancient sites and modern history
Image: © Shutterstock/PiakPPP
W
hy on earth do you want to go time are unparalleled in the current knowledge of
to Abu Dhabi?” a friend asked the UAE and broader region.
me. “It’s a resort destination Al Ain provided a true landscape of opportunity.
– not your sort of thing at People were able to not only grow crops in the
all.” But I knew something fields but they also began mining copper and
they didn’t. About 18 months previously, I had seen stones from the nearby mountains. Copper was
a news item about excavations at a site in Al Ain, the oil of the Bronze Age: much prized and
about an hour and a half’s drive from Abu Dhabi. needed by expanding economies throughout the
I had researched more and found that Al Ain was known ancient world. The copper was mined
actually a UNESCO World Heritage listing, made and processed in Al Ain, then transported to the
up of a number of di erent sites. I was now on a coast as ingots on the trade routes that had been
mission to find out more. established during the earlier Neolithic period.
Abu Dhabi is one of seven Emirates that make With their knowledge of the sea, these Bronze Age
up the United Arab Emirates (UAE). It started entrepreneurs established a trading port on Umm
as a poor fishing community that then found a An Nar Island, right next to the modern city of Abu
degree of prosperity with its pearl industry, but Dhabi. It was to become a hub for international
it was when they discovered oil that the region trade, just like Abu Dhabi is today. It was this 8,000
blossomed and developed. In 1971 -72 Abu Dhabi years of continuous occupation that led UNESCO
was one of seven regions that joined together with to declare Al Ain a World Heritage Site in 2011, the
Ajman, Dubai, Fujairah, Ras Al Khaimah, Sharjah first such site in the AE.
and Umm Al Quwain to become the UAE and it is
also the capital of the UAE. Jebel Hafeet Tombs
In Spring this year, I was at last able to visit Abu Jebel Hafeet is the highest peak in the emirate of
Dhabi and the city of Al Ain. Two very di erent Abu Dhabi and the second highest in the UAE.
destinations, Abu Dhabi city is indeed made up I could see this craggy rocky mountain every
of shiny new high-rise buildings and many resort morning in the distance from my hotel balcony:
hotels while Al Ain is a peaceful oasis, full of palm the brown limestone contrasting with the yellow-
trees, bordered to the east by the Hagar Mountains coloured sand and the green of the palm trees.
and the dunes of the Al Rub’al Khali (the Empty
Quarter) to the west.
Archaeological discoveries throughout the UAE
have consistently revealed a rich history stretching
back thousands of years. Given the challenging
climate, the original inhabitants of the region often
lived in one place then moved to another when the
climate changed or new resources were discovered.
But an exception to this pattern has been found in
Abu Dhabi’s second city of Al Ain.
Archaeological excavations have shown that
a unique array of resources and the ingenuity of
the region’s ancestors ensured that the Al Ain
oases became a major centre from the Bronze
Age to the modern day. As one of the world’s
oldest continuously inhabited places, Al Ain with
its oases and sites was occupied in all the major
periods of the UAE’s history. The date, size and
extent of Al Ain’s archaeological sites from this
Significant fossil remains have been discovered Their contents attested to trade routes across the
here as well as 500 tombs dating back 5,000 years Arabian Gulf. Previous pages: Al
in its foothills. These tombs mark the beginning Jahili Fort, Al Ain
of the Bronze Age in the UAE and they were Hili Archaeological Park Far left: Abu Dhabi
excavated by Danish archaeologists in 1959, who Ten kilometres outside Al Ain on the road to Dubai was originally a
hing an ea l
found pottery vessels and copper artefacts within are the Hili Archaeological Gardens. Set within a
community on the
the tombs. The tombs are circular, made of rough green space are a number of ancient tombs and shores of the Persian
or undressed stones and have a single chamber. forts. The star of the show is the Hili Grand Tomb Gulf (Photo taken
which dates to c.2000 BCE. Circular in shape, like from exhibition at
Al Jahili Fort, Al Ain.
the Jebel Hafeet tombs, this one is constructed of
hi image ate
large dressed stones and is much bigger, with a to 1948)
12- metre diameter and four metres high. Whereas o e an le t: he
the earlier Hafeet tombs were probably for single tombs at Jebel Hafeet
use, the tombs at Hili were thought to be large, All images ©
multiple burials from the surrounding settlements. i ha unle
The tomb has two entrances, which are decorated othe i e tate
with engraved reliefs of humans and animal figures
(oryx). The entrances are small and about a metre
o the ground it is thought the entrance was
blocked with three stones, one with a handle,
that were removed so the new occupant could be
slid inside. There are also random circular holes,
approximately half a metre from the ground, which
were filled with another stone, which could be
removed. It is thought these holes could be for
ventilation of some sort.
Many other similar tombs have been found
throughout the Hili area, and they date to Umm 3,000 acres and contains an impressive 147,000
an-Nar period (2500 – 2000 BCE), which is named date palms. The site is split into a number of areas, Above: Views of
after the island near Abu Dhabi, on which remains starting with an area that illustrates a number of the G an om
of this culture were first discovered. ithin the di erent plants and trees that can be found in from the Hili
Archaeological Park
archaeological park are several Bronze Age forts the desert plus a new Eco Centre, which explains at Al Ain
and settlements and just outside the park was a very about desert life and the people and traditions of Top right, from
important site. Named Hili 8, it is not very exciting those who lived there. There are many instructive, left to right: The
to look at now, as the site itself has been back filled, interactive displays about the archaeological and Al Ain Oasis with
but it was here that archaeologists found evidence historical aspect of the oasis too. It also high- thou an o ate
alm an the
for the earliest agriculture in the UAE, dating to lights the measures being taken to preserve the ancient falaj system;
c.5,000 years ago. Another site just outside the delicate oasis eco-system and how to showcase the One of the interior
park shows evidence for one of the earliest falaj or preservation of traditional farming methods. ou t a o the l
irrigation systems. Here you can see the shari’a (the After visiting the Eco Centre, you are free to Ain Palace Museum;
Archaeological
word is used here in the sense of a community place wander around the oasis, on foot or by bike. The i la in the ne
- so where everyone can come to use it), i.e. where site has nearly 100 di erent varieties of vegetation visitors’ centre of
the water reaches ground level, and trace it back, with di erent plantations that are also working the Palace Museum
along its stone-lined channels to a well. farms. When I visited, the palm trees were in the Right: The
The only strange aspect of visiting the Hili process of being fertilised. This involves climbing e u i he e te io
of the Al Ain Palace
Archaeological Park is that it says it is only open to to the top of the female trees and inserting the
families. I’m still trying to ascertain if you turn up male tree’s seeds into it. The thousands of palm
singly, or as a couple, if they will let you in. trees are owned by di erent families, who have
done so for hundreds of years, and they are passed
Al Ain Oasis down through the generations. Some people own
The Al Ain Oasis has been a UNESCO world a couple of trees, while others own a whole ‘farm’.
heritage site since 2011, but it has only recently The dates are now collectively gathered and some
opened to the public. The historic oasis covers sent to the owners, while others are produced for
market. The site is irrigated by a system of wells from Abu Dhabi back to the family seat of Al Ain
and the ancient falaj system, so this is a good and lived here until Sheikh Zayed became the new
opportunity to see them in action. ruler of the Emirates in 1966. During this time,
Sheikh Zayed was the Ruler’s Representative of Al
Al Ain Palace Museum Ain, and so the palace has an important association
On the far side of the Oasis you will find the Al Ain with his life and story at this time.
Palace Museum. This was one of the residences of As with many of the archaeological sites here,
the late Sheikh Zayed bin Sultan Al Nahyan (1918- the palace has been recently restored. This
2004), the founding father and the first president means that some new areas have been added to
of the UAE. Many of the historic sites you will see receive visitors, including the magnificent tent
in Al Ain and Abu Dhabi are connected to the first in one of the courtyards. It also includes a new
family of the Emirates of Abu Dhabi. administrative building on the right as you enter,
The Al Ain Palace was built in 1937, in the but do go and explore as it has a nice exhibition
traditional architectural style of the region, which area with artefacts on display from di erent local
means there is a surrounding wall to the complex, sites. The original building areas include the
and then inside a number of di erent courtyards private family residence, outer courtyard for the
with rooms around them. After Sheikh Zayed’s relatives of Sheikh Zayed’s wife, Sheikha Fatima,
father was assassinated in 1927, the family moved and the Sheikh’s reception rooms. On the right
”
The exhibition is a lovely addition to the fort...[and] for anyone who has read
Thesiger’s books and dreamt about their own adventure in the Empty Quarter,
this is a welcome surprise
THE FALAJ
IRRIGATION SYSTEM
Matt writes It’s easy to see why yrgy stan has been listed as a
top tourist destination for 2019. It’s a country that has it all, 7000
metres plus mountains, rivers, valleys, lakes, snow, and some of
the most epic road trip vibes imaginable.
Image: © Shutterstock/Appreciate
The area between Porto and Lisbon is often overlooked in favour of the
capital, the north or even the Algarve. But Central Portugal is full of
UNESCO world heritage monasteries, castles, cave art and palaces as well as
beautiful scenery and wine. Matilda Hickson went to explore
L
isbon, the Algarve, Porto - all well-
known and popular places to visit in
Portugal. But what about Coimbra,
Batalha, Tomar and Alcobaça? The sites of Castelo Rodrigo on our first evening, and in the
in the centre of Portugal are less well- morning had time to explore the castle here before
known, but just as spectacular, as I discovered on hurrying on to Coimbra. The castle was built by
a visit that took in monasteries, prehistoric rock King Alfonso IX of Léon to protect the medieval
carvings, castles and a palace. Welcome to a small village. Strategically placed along the Coa River it
part of what Central Portugal has to o er saw many changes of ownership between Léon and
Central Portugal covers the region sandwiched Portugal over the centuries.
between Porto and Lisbon. Therefore it is easy to Leaving picturesque Castelo Rodrigo behind,
reach with ights into either city, and then a car we travelled on to Coimbra, which reminded
can be hired to easily get around. It goes without me of Porto, with its roof tops surging up from
saying that the region also has its own beaches the Mondego river to the top of the nearby hill.
”
and national park areas with wonderful outdoor
biking and hiking opportunities, but I was here to
investigate ancient ruins and buildings, together
with some excellent food and wine.
My first surprise came when we visited the The region also has its own beaches and national
prehistoric rock carvings in the Coa Valley. An
open-air Paleolithic archaeological site, the
park areas with wonderful outdoor biking and hiking
engravings were only discovered in the 1990s, opportunities, but I was here to investigate ancient
during construction for a dam in the Coa River. ruins and buildings, together with some excellent
There are thousands of drawings of horses, cows,
food and wine
bulls and other unidentified animals and human
figures too. ou can only visit the site with a guide
so do make arrangements accordingly. The first There was a Roman settlement here, Aeminum,
engravings are dated to 22,000 years ago and you and there is an aqueduct and cryptoporticus left
can see how later artists drew over the original from this period. Coimbra was the capital of the
pictures. The Park was designated a UNESCO Kingdom of Portugal between 1131 and 1255 and in
World Heritage site in 1998, and in 2010, a fantastic 1290, the University was established here, which
new museum opened near the mouth of the Coa helped turn the city into a major cultural centre.
River. They like to say it celebrates the meeting The University is the oldest academic institution
Left: Cloister of King
point of two world heritage listings in one region: I in the Portuguese speaking world and in 2013 its John I at the Monastery
was thinking perhaps rock art and Roman remains historical buildings were classified as a NESCO of Batalha
- but it turned out to be rock art and the Douro World Heritage site.
Below: The town of
wine region - naturally just as important when The university was founded originally in Lisbon Coimbra in the
exploring ancient sites. We stayed in the old village by King Denis I, and would relocate to Coimbra a setting sun
Image: © Fran ois Philipp CC B 2.0
Image: © Shutterstock/Appreciate
Clockwise from top left: Prehistoric cave art in the Coa Valley; João de
Ruão, Deposition of Christ, 1535-1540 in the Machado de Castro Museum
in Coimbra; Street art in Coimbra by the Portuguese artist, Samina, made
ith ten il magni ent lun h a ha at the Sa ientia outi ue
Hotel; The tomb of King John and Philippa of Lancaster at Batalha
ona te Inte io o the magni ent li a at the ni e it o
Coimbra, where bats protect the books
Right: The courtyard of the old royal palace of Coimbra, which is now
part of the University. Images: © C. Gibson unless otherwise stated
number of times, before finally settling here in 1 7. Church of São Tiago. There are narrow, engaging
A tour of its historical buildings is a must, and often streets to enjoy, often with fantastic art pieces,
starts from the square in front of the main entrance and don’t miss the Machado de Castro Museum,
to the University. Here there is a statue of King João which is one of the most important art museums
III who was responsible for basing the University in Portugal. Housed in a former Bishop’s Palace,
permanently in Coimbra. The first facilities to be dating to the Middle Ages, it is also on the site
created were of Arts, Law, Canon Law and Medicine. of the ancient Roman forum, and you can find
Our guide explained how every noble family was the Roman cryptoporticus on the lowest oor of
required to send one son to the University, so the the museum. The museum was named after the
ruling families of the country would therefore be Portuguese sculptor, Joaquim Machado de Castro,
educated in the same manner, ideas and ideology. and first opened in 191 . It has recently been
Buildings of note here include Saint Michael’s renovated and was awarded the Piranesi/Prix de
Chapel, started in 1 17 and finished in 17 9. It Rome Pri e in 2014. Allow yourself enough time to
has some impressive tile work and a beautiful enjoy the ancient artefacts as well as the paintings
painted ceiling. Not a great fan of the Baroque and sculpture on display.
period, it was hard not to be impressed, however,
by the Joanina library, complete with secret Batalha Monastery
staircases. There are 200,000 books here, all in The monastery at Batalha is billed as the best
perfect condition thanks to its perfect vault-like example of Gothic (mixed with a little Manueline)
atmosphere (the walls are between 2-11 cm thick) architecture in the whole of Portugal. And it doesn’t
and the door is made of teak, which lets the disappoint. Built to commemorate the Battle of
building maintain a perfect temperature. There Aljubarrota in 1385, the battle saw King John I
is also a colony of bats that keep the insects away. of Portugal pitted against King John I of Castile.
Each night, the bookshelves are covered with A decisive victory for the Portuguese heralded
leather to protect the books and each morning all independence and the founding of a new dynasty,
the bat droppings are cleared away. the House of Aviz. The Monastery of Saint Mary
There is much to see in Coimbra, and so at of the Victory was therefore started in 1386 and
least a couple of days should be spent here. The finished in 1 17. ing ohn is buried here, in the
Monastery of Santa Cruz is the burial place of Founder’s Chapel attached to the church, along with
the first two ings of Portugal and so is granted his wife, Philippa of Lancaster, and several of their
the status of National Pantheon. Other churches sons. The marriage of John and Philippa secured
included the Gothic ruins of the Monastery of the Treaty of Windsor, a long-lasting Portuguese-
Santa Clara and you can see knights buried in the English alliance, which continued through the
Image: © Alvesgasper CC B -CA .0
Napoleonic Wars and was responsible for Portugal’s a small island in the middle of the Tagus River, near
Clockwise from top left:
neutrality in World War II. the town of Vila Nova da Barquinha. A relatively The Gothic Monastery of
The monastery was built over the reigns of seven small castle, it was part of the defensive line Batalha; Angels on the
kings and had 15 architects. It was destroyed by controlled by the Knights Templar, and although roof of the Sacristy vault
Napoleonic troops in 1810 and left in ruins, but was excavations have discovered Roman remains on the at Batalha Monastery,
dating c.1430. One angel
restored in 1840 by ing Ferdinand II and became site, it is not clear when the first structure was built. is holding the shield of
a national monument in 1907, a museum in In the 1940- 0s it was used as an o cial residence King John I; The castle
1980, and in 1983 was added as a UNESCO World of the Portuguese Republic - and it was during of Almourol; Stained
Heritage site. It is home to the oldest stained glass this period that the crenellations and bartizans glass window through
a doorway at Batalha
windows in Portugal made by German craftsmen. were added, changing its basic appearance. Access Monastery
Note that in the Chapter Room there is no central is by boat, but having just missed it and with no
pillar supporting the roof. There are tombs of indication when it might return, we sneaked around
two unknown soldiers from WWI here which are the back and hopped across the river at a narrow
acknowledged by a permanent Guard of Honour. point and stormed the keep that way. Refreshingly
unperturbed by health and safety issues, you can
Almourol Castle scramble up old staircases to admire the view from
If castles are your thing, then don’t miss a chance to the top walkways, while trying to avoid plunging ten
explore the medieval castle of Almourol, which is on metres to the ground below.
Tomar Castle
Tomar Castle and its Convent of Christ is the sort
of place that will make your heart sing if you love
Templar history. Set above the town of Tomar, the
convent was originally founded by the Templar
Knights in 1118, and the castle dates to 1160 with the
stunning round church built mid 12th century and
is said to be modelled on the Dome of the Rock in
Jerusalem. Around 1190 the castle was encircled but
resisted the Moorish armies, and late in the 13th
century it became the o cial seat of the Templars
and an integral part of the resistance to the invading
Moorish armies. However, following the dissolution
of the Templar Knights in 1319, it eventually became Renaissance and called the Manueline style.) If you
the seat of a new order, The Order of Christ. look at the top of the columns, the capitals are still Top: Tomar Castle and
round church
The round church is totally stunning. The original Romanesque in style, with animals and
Above, left: Interior of
paintings and sculptures that you see now were oral motifs and there is a Romanesque depiction
the round church
done in the late Gothic and Manueline period, of Daniel in the Lion’s Den on one of the walls too.
Above, right: The
added during a renovation sponsored by King King Manuel I also rebuilt the nave in 1510, which Capitulum Window at
Manuel I starting in 1499. (Manuel I also gives his had originally been added to the church in the the Convent of Christ,
name to a style which is a mix of late Gothic and time of Henry the Navigator. Tomar
Above, clockwise from top left: The skyline of Óbidos; Bookshops can be
found everywhere (hotels, grocery stores or churches); Óbidos Castle Travel Information
ou can y to either Porto or Lisbon airports
Don’t miss the stunning window of the Chapter House on your way to reach the area of central Portugal. TAP Air
around. Known as the Capitulum Window, you can see it from the Saint Portugal operates 100 direct weekly ights
from various airports in the UK to Lisbon and
Barbara Cloister in the western facade of the nave (there are eight cloisters
Porto in the summer. They also o er direct
altogether, built during the 15th-16th centuries), and it is noted as a
fights from America and Canada and other
masterpiece of Manueline decoration and full of typical Manueline and European capitals.
maritime motifs. These include various buoys, ropes and wood as well as
To see the most sites and cover the area easily,
Order insignia - the heraldic cross, the armillary sphere, the kingdom’s coat a car is the best way to get around. But if you
of arms. The human figure right at the bottom is the designer, Diogo de prefer to be looked after, then Madomis Tours,
Arruda. The entrance to the Convent church is also Maueline style. www.madomistours.pt are recommended.
Casa da Cisterna in the old city of Castelo
Óbidos Rodrigo o ers super hospitality, and the
Finally, if you are a book lover, then Óbidos is the town for you. There is owner, Ana, is also a guide for the Coa Valley.
a large castle here, beautiful tiled churches and city walls to explore, but So you can combine somewhere to stay with
I have to admit that on this day, it was the churches that had been turned seeing the prehistoric rock carvings.
into book shops, the hotels and guest houses that were all about books See www.casadacisterna.com
and the grocer shops that sold you books with your vegetables that had my For more information visit
attention. The Portuguese delicacy of Ginja de Óbidos (alcohol in chocolate www.visitPortugal.com
cups) also went down well. The town also has its very own chocolate festival
in May each year.
Matilda travelled to central Portugal as a
There is an enormous amount to explore and discover in this central
guest of the Central Portugal Tourist Board
region of Portugal, and I would strongly urge you to leave the delights of www.centerofportugal.com and TAP
Lisbon, Porto or the Algarve to one side, and take the time to discover this airlines ta om
fascinating area too. ou won’t be disappointed.
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Human a i e in o hi e
Image: © Cotswold Archaeology
a ation to ol e m te o e ain Excavations hope to reveal the secrets of the Abbey Drain
l e t aleolithi a e a t in al an
Image: © Aitor Ruiz-Redondo
l e t hi e e e oun in e
T he glassmakers of antiquity
were exceptionally adept
A number of the earliest glass
objects from ancient Egypt, such
2nd century CE
Image: © Rijksmuseum van Oudheden
TRAVELS
“Peter Sommer Travels continue to excel. The tour was a fantastic couple of weeks of history,
archaeology and mythology combined with beautiful scenery, wonderful food and fantastic wine.”
CRUISING THE COAST OF DALMATIA: CRUISING THE AEGEAN: CRUISING THE COAST OF DALMATIA:
FROM ŠIBENIK TO ZADAR A FAMILY ADVENTURE FROM DUBROVNIK TO SPLIT
www.petersommer.com
Escorted Archaeological Tours,
Tel: 01600 888 220 Gulet Cruises and Private Charters
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