Analysis of Little Prince
Analysis of Little Prince
Analysis of Little Prince
Chapters I–III
Chapters IV–VI
Chapters X–XII
Chapters XIII–XV
Like the baobabs, the snake the little prince meets in Chapter
XVII represents a force that is harmful. He evokes the snake of the
Bible, who causes Adam and Eve’s expulsion from Eden by convincing
them to eat the forbidden fruit. The snake in The Little Prince serves a
similar function. He speaks coyly of his powerful poison and then
tantalizes the prince with the idea of sending him home. Although he
cannot strike a creature as innocent as the prince, the snake suggests
that the prince is too weak and frail for this world and alluringly
phrases an offer for a quick trip back to the prince’s planet.
Interestingly, the snake seems to need to be invited to kill.
In Chapters XVI and XVII, the narrator switches viewpoints
several times. He initially presents a very matter-of-fact way of looking
at the world, focusing on the exact number of kings, geographers,
businessmen, drunkards, and vain men the world contains. His tone
quickly becomes colorful and impassioned as he describes the global
“ballet” of the lamplighters. Then, as chapter XVII begins, the narrator
adopts a confessional tone and admits that his portrait of the earth has
not been entirely truthful, because he has focused on men, who are not
actually such a significant part of the planet. The narrator’s deceit
suggests that both the pragmatic viewpoint of adults and the
imaginative viewpoint of children have limits. At the same time, his
deceit shows his fluency with different ways of looking at the world, a
sign that his mind has been opened.
Chapters XVIII and XIX further explore how one’s perspectives
can be limited. From a stationary viewpoint, no character can
accurately assess the world. The three-petaled flower has seen only a
few men pass by in the desert, so the flower thinks men are rootless and
scarce in number. The prince hears his own echo, so he thinks that men
simply repeat what is said to them. Even a figure as enlightened and
likeable as the little prince cannot help but have his beliefs shaped by
his limited perspective of the world around him.
A change in perspective means learning new things, and the
prince’s discovery of the rose garden illustrates how painful some
lessons can be. The prince’s discovery that his rose is quite ordinary
makes him feel plain and ordinary. In a way, the prince has lived a life
like the vain man’s. Alone on his planet, he was convinced that his was
the only flower with any value
Chapters XXI–XXIII
Chapters XXIV–XXV
Chapters XXVI–XXVII
For us, as for the narrator, the story of the little prince ends in
mystery. We are left to figure out whether the prince has managed to
save his rose. At times, the narrator is sure that the prince’s life on his
planet is a happy one. Other times, the narrator hears only the sound of
tears. The only thing that is certain is that one of the prince’s first
questions, about whether the sheep will eat his rose, has emerged in the
end as the most important question of all.
The narrator does not downplay the deep pain he felt because of
his friendship with the little prince. Although the narrator mentions that
he has other friends, the departure of this one has taken as much from
him as it has given him. The story has no qualms about the fact that
losing a loved one is painful, and its ending offers no consolation that
the narrator’s wounds will heal. On one level, these final chapters are an
allegory about dealing with the death of a loved one.
In spite of all this sadness, however, the story staunchly insists
that relationships are worth the trouble. The fox and the narrator may
both lose the little prince, but their world is enhanced nevertheless—
wheat fields and night skies come alive. To emphasize this positive
aspect of lost relationships, the narrator describes his desolate final
drawing of the barren landscape where the prince fell as both the
saddest and the loveliest place in the world. The Little Prince, though it
deals with serious and even upsetting issues, emphasizes the idea that
good can be derived from sad events. The little prince learns that his
rose must die, but this knowledge fires his love for her. The relationship
between the narrator and the prince reaches new levels of intensity only
after the prince makes it clear that he will depart.