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    Angelus Ad Virginemp

    Uploaded by

    Noemi Rosalba Suárez Hernández
    The document is a musical score for the hymn "Angelus ad Virginem" from the 13th century. It contains the musical notation for four vocal parts - soprano, alto, tenor and bass. The score includes the lyrics and musical notes for each part across multiple verses of the hymn.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Angelus Ad Virginemp

    Uploaded by

    Noemi Rosalba Suárez Hernández
    9 views3 pages
    The document is a musical score for the hymn "Angelus ad Virginem" from the 13th century. It contains the musical notation for four vocal parts - soprano, alto, tenor and bass. The score includes the lyrics and musical notes for each part across multiple verses of the hymn.

    Original Title

    Angelus_ad_virginemP

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document is a musical score for the hymn "Angelus ad Virginem" from the 13th century. It contains the musical notation for four vocal parts - soprano, alto, tenor and bass. The score includes the lyrics and musical notes for each part across multiple verses of the hymn.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    9 views3 pages

    Angelus Ad Virginemp

    Uploaded by

    Noemi Rosalba Suárez Hernández
    The document is a musical score for the hymn "Angelus ad Virginem" from the 13th century. It contains the musical notation for four vocal parts - soprano, alto, tenor and bass. The score includes the lyrics and musical notes for each part across multiple verses of the hymn.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    Angelus

    ad Virginem
    Anonymous 13th Centuey

     = 120
               
    Soprano                  
          
              
    Alto                 
              
                      
            
             
    Tenor     

                        
                 
    Bass
     
    8
            
    S.    
          
     

    A.              
           
      
                   
    T.
        

         
    B.
               
     
    13
          
    S.                       

           
       
    A.
         
        
      
           
                 
    
        
    T.
       
             
    B.        
        
         
    18
            
    S.                     

    A.                   
      
       
                        

    T.
       

    B.
                           
      

    23
       
    S.        
             
       
       
     
    A.                    
          
     
                       
    T.       

                
    B.
                 

           
    28

    S.              



    A.                   
           
      
       
                  
    T.    

         
              
    B.
           

    2
          
    33
              
    S.             

                       
    A.
       
        
                 
     
      
    T.      
          
                  
    B.
        

    39
            
          
    S.
                   

    A.                  
             
                   

    T.     

    B.
                       
        

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