How To Play Bossa Nova Guitar
How To Play Bossa Nova Guitar
How To Play Bossa Nova Guitar
Bossa tunes are great fun to play on guitar as the comping techniques fit nicely on the
instrument and are fairly easy to play.
Some common bossa tunes you can apply the techniques from this lesson to are ‘Blue
Bossa’, ‘How Insensitive’, ‘Black Orpheus’, ‘Girl From Ipanema’ and ‘Wave’.
Bossa Nova guitar, like other jazz styles is about keeping a groove the audience can tap
their foot to which means that we need to keep a solid rhythm throughout the piece.
Think of it like playing a funk tune where you keep playing the same 16th note type
rhythms throughout the song over and over again. Even though there’s a lot of
repetition, some funk tunes only consistent of one or two chords and no one ever gets
bored of it because the music has a strong and catchy groove.
The first step is playing bossa nova guitar is learning a common bossa nova rhythm that
the chords to a tune can be applied to.
When I have taught this rhythm to my student’s they sometimes find it hard to play on
guitar straight away so I recommend putting the guitar down first, and either tapping
your foot on four or putting a metronome on all 4 beats, then clapping the rhythm until
it feels comfortable.
This rhythm should be memorized so it’s integrated within you playing so you know
what you’re playing.
Usually the second bar is a trickier because it starts on the off beat so isolate it and
keeping looping it and when you feel comfortable play both bars together.
Once you feel comfortable with this rhythm the next step is to add some chords. In this
exercise I’ve used the same rhythms from the first example and added a C-9 chord for
you to play the rhythms with.
Once you feel comfortable with the chords, the next step is to add a bass line.
Bossa Nova bass lines are quite simple and are usually just on beats one and three of the
bar. Harmonically the notes tend to be a root descending to a fifth below, almost like a
country bass line.
This bass line might sound simple by itself but provides a solid foundation when mixed
with the more syncopated comping patterns.
Practice on one chord for as long it takes for the rhythm to feel completely solid then
start to apply these rhythms, chords and bass lines to a full bossa nova progression.
Every guitarist has their own right hand techniqiues, but most play bossa nova with their
fingers or pick and fingers. The good news is that you don’t have to be a master finger
style player to use your fingers for bossa nova comping.
To use your fingers, play the bass notes with your thumb and hit the three chord notes
with your three fingers. I hit the ‘D’ string with my first finger, ‘G’ string with the 2nd
finger and ‘B’ string with the 3rd.
You will also find that you sometimes need to make big jumps across the neck to keep
bass lines going.
Keeping a solid bass line is more important than smooth voice leading. For example it’s
more important to keep a bass line constantly going using simple chords rather than
trying to find the hippest chords you know
Purchase the “30 Days to Better Jazz Guitar Comping Ebook” with 20 pages of extra
material, lessons and audio examples!
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