Introduction
Introduction
Introduction
Chapter one:
INTRODUCTION
- A camera transforms every thing in front of its lens into a flat picture, and
television transmits moving images to a defined surface.
- We live in 3 dimensional world, what we see in front of us is not a flat picture.
look back, left, right, front…..up and down (what you will see?)
If we picked up an object, turned around in our hands Q: (what you will
notice?)
THE THREE-DIMENTIONAL WORLD
Answer: each movement of the object displays a different shape. Q: (why?)
Answer: because the relationship between the object and our eyes has
changed.
Similarto 2 d im
T H E TWenOs-iDonIMalENdeTsIOigNnAbLuDt
EcSoInGcNernedwiththe3 dimensional world.
it is more complicated because variousviews must be
considered from different angles
it is less complicated because it deals with real forms and
materials in actual space.
Accordingly, the problems of 3 dimensional design is representing
it on paper.
V
Foreachdirection,wecaninstituteaflatplane, accordingly,
V we can have:
T
H - A vertical plane
THE T H R E E P R I M A R Y DIRECTIONS
- A h or izo n t al pl an e
- A transverse plane.
It marks:
-the 2 ends of a line,
-the single place where lines intersect,
-the meeting of lines at a corner of a plane, and
-the angle of a solid form.
a. CONCEPTIONAL ELEMENTS:
2. Line:
-Created as a movement of a point. Its path becomes a line.
-A conceptual line has no breadth or depth. It has position and direction.
It marks:
-The border of a plane,
- the place where 2 planes join or intersect each other.
a. CONCEPTIONAL ELEMENTS:
3. Plane:
-Created as a movement of a line in a directional movement.
-A conceptual plane has length and breadth, but no depth.
4. Volume:
-Created as a movement of a plane in a directional movement.
-A conceptual volume has length, breadth and depth. But no weight.
1. Shape:
- It is the outward appearance of a design.
- The main identification of its type.
2. Size:
- It is the greatness or smallness which can be established the
way of comparison.
- Can be measured on any 3 dimensional form in term of (length,
breadth and depth) or (height, width and thickness).
Accordingly, its volume can be calculated.
b. VISUAL ELEMENTS:
3. Color:
- It is light or dark value, which we can distinguish the
form from its surrounded environment.
- Can be natural (the original color of the material is
represented) or artificial (the original color of the
material is covered by a coat of paint, or transformed
by treating with some other method).
4. Texture:
- Refers to the surface characteristics of the
material used in design.
- It may be natural or treated.
- It may by smooth, rough, matt or glossy as
determined by the designer.
C. RELATIONAL ELEMENTS:
1. Position:
Must be ascertained by more than one of the 3 basic
views.
To be able to do that
We have to know how a point is related to the front/rear,
top/bottom and side planes of the imaginary cube.
2. Direction:
Also must be ascertained by more than one of the 3
basic views.
Because
A line could be parallel to the front/rear planes but
oblique to all other planes of the imaginary cube.
C. RELATIONAL ELEMENTS:
3. Space:
Itcanbeseenaspositively unoccupied, occupied,
or internally hollowed
4. Gravity:
It has an effect on the stability of the design. We can
not have forms in mid air without hanging or
anchoring them in some way.
Moreover, some materials are heavy and some are
light, the material used determines the weight
oftheformaswellasitscapacitytobear
gravitational loads of other forms on top of it.
Accordingly
All 3 dimensional structures are subject to the laws
of gravity
d. CONSTRUCTIONAL ELEMENTS:
2. Edge:
-When 2nonparallelplanesarejoinedtogetheralongone
conceptual line, an edge is produced.
-It can be projected outward or inward.
3. Face:
- A conceptual planes of the 3 dimensional forms is a faces.
- Faces are external surfaces which enclose a volume.
PointLinePlaneVolume ShapeSizeColorTexture
Structure governs the way a form is built, or the way a number of form are
put together.
The external appearance of a form can be complex, while its structure is
relatively simple.
Sometimes, the internal structure of a form may not be immediately
perceived. Once this is discovered, the form can be better understood.
- Smaller forms which are repeated with or without variation to produce a larger
form are referred to as unit forms.
A unit form may be made of smaller components, which can be called sub-
unit form.
A larger unit may be made of two or more unit forms, they are called super-
unit form.
REPETITION AND GRADATION
UNIT FORM
-Repetition means that the unit forms are identical in shape, size, color and
texture.
-Shape is the most important visual element of unit forms, so that we can have
unit forms repeated in shape but not in size.
Gradation is required a sequential arrangement to be recognized.
We can have gradation in shape, with the shape changing slightly from one
unit to the next. We can also get a gradation in size with a repeated units in
shape.