Questioned Documents
Questioned Documents
Questioned Documents
QUESTIONED DOCUMENTS
DOCUMENT
- any material which contains marks, symbols or signs, either visible or partially visible or invisible, that
may presently or ultimately convey a meaning or message to someone
- usually in the form of pencil, ink writing, typewriting or printing on paper
QUESTIONED DOCUMENT
- any document in which some issue has been raised or which is under scrutiny
- a document may be questioned in whole or in part with respect to its authenticity, identity or authorship,
origin, or the relation among its parts or its relation to other things
DISPUTED DOCUMENT
- suggests that there is an argument or controversy over the document
A. PRINCIPLES OF WRITING
WRITING
- the result of a very complicated series of acts, being as a whole a combination of certain forms which
are the visible results of mental and muscular habits acquired by long, continued effort
- a combination of certain forms which are the very visible result of mental and muscular habits
WRITTEN FORM
- a record of a motion and mature writing by many repetitions which become an unconscious coordinated
movement
HANDWRITING
- a visible effect of bodily movement which is an almost unconscious expression of fixed muscular habits,
reacting from fixed mental impressions of certain ideas associated with script form
CURSIVE WRITING
- writing in which the letters are for the most part joined together
HAND MUSCLES IN THE HANDS WHICH FUNCTION IN THE ACT OF WRITING
1) EXTENSOR MUSCLES
o push up the pen to form the upward strokes
2) FLEXOR MUSCLES
o push down the pen to form downward strokes
3) LUMBRICAL MUSCLES
o combine with the extensor and the flexor to form lateral strokes
MOTOR COORDINATION
- the delicate way in which the various muscles - used in writing - work together to produce written forms
WRITING MOVEMENTS
1) FINGER MOVEMENT
o the use of thumb, index and middle fingers in writing
o usually employed by children and illiterates
o mostly employed in vertical writing and mainly in all printed styles of writing
o almost always employed in forgery
o writing produced is characterized by the following:
a) lacks of clear-cut, smooth and regular lines
b) contains numerous broad curves
c) has irregular connection between letters and letter parts
d) often appears slow and labored
e) lacks rhythm
f) shading is pronounced
2) HAND MOVEMENT
o involves action of the hand as a whole, with fingers playing a minor role
o pivot of lateral motion is the wrist
o the connections at the tops and bottoms of letters are very narrow and angular
o produces illegible and scratchy writing
3) FOREARM MOVEMENT
o writing is produced by movement of both hand and arm and sometimes, fingers
o elbow is the pivot of lateral movement
o gives great command of the hand and the most complete lateral freedom
o shows the greatest freedom and speed as evidenced in the strokes by:
a) force and continuity of motion as shown by smooth, clear-cut, rapid, symmetrical strokes indicative
of rhythm
b) slight shading is produced
c) radius of lateral motion is longer than in finger and hand movement
d) more even base line
e) uniformity in size of letters
f) smooth, regular long strokes and curves
4) WHOLE ARM MOVEMENT
o involves action of the entire arm without rest and is employed in very large writing
o writing produced is that which is forged with the greatest difficulty
o those characteristics which are highly personal or peculiar to a particular person and is unlikely to
occur in other instances
WRITING CHARACTERISTICS
SYSTEM OF WRITING
- the combination of the basic design of letters and the writing movement as taught in school
- the particular style or system of writing practiced or learned in childhood
HABIT
- any repeated element or detail which may serve to individualize writing
SIGNIFICANT WRITING HABIT
- any characteristics of handwriting which is sufficiently unique and well-fixed to serve as a fundamental
point in the identification
FORM
- shape or design of the individual letters which includes the following:
a) straight line
b) curves
c) angles
d) retracing
e) connections – either circular, oblong or elliptical, or angular
f) size
g) slant – the slope of writing in relation to the base line; the angle or inclination of the axis of letters
relative to the baseline
h) spacing
i) proportion – a hidden feature of writing
LINE QUALITY
- the visible record in the written stroke of the basic movements and manner of holding the writing
instrument
- derived from a combination of factors including:
a) skill
b) speed
c) rhythm
d) shading
e) pen pressure
f) pen position or pen hold
g) tremor
h) movement
SKILL
- relative degree of the ability of the writer and a specimen of handwriting usually containing evidence of
a writer’s proficiency
RHYTHM
- that element of the writing movement which is marked by regular or periodic recurrence
- harmonious recurrence of stress or impulse or motion
- the balanced quality of movement, producing a natural and not a constrained or artificial result
- it may be classified as smooth, intermittent or jerky in its quality
SPEED
- can be classified into four divisions:
a) slow and drawn
b) deliberate
c) average
d) rapid
SHADING
- the widening of the ink stroke due to added pressure on a flexible pen point or the use of a stub pen
- the more obvious increase in the width of strokes
PEN EMPHASIS
- the act of intermittently forcing the pen against the paper surface with increased pressure
PEN POSITION OR PEN HOLD
- the relationship between the pen point and paper
- the angle between the ribs of the pen and the line of writing
- the manner of holding the pen or the writing instrument
PEN PRESSURE
- the average force with which the pen contacts the paper
- one of the most personal and hidden writing characteristics
- describes the proportions of strokes to each other in width as affected by shading and by unconscious
emphasis
PEN LIFTS
- an interruption in a stroke caused by removing the writing instrument from the paper
- one of those inconspicuous and unconscious writing habit
- disconnections between letters and letter combinations
TREMOR
- deviations from uniform strokes or the lack of smoothness apparent even without magnification
- shown by:
a) lack of uniformity of speed in making pen strokes
b) pen stops
c) involuntary horizontal and vertical movements
d) involuntary pen pressure ( also called vertical tremor )
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- caused by:
a) lack of skill on the part of the writer
b) self-consciousness of the writing process
c) hesitation resulting from copying or imitation
d) uncontrollable nervousness of the writer
e) clumsiness partly due to lack of clear mental impression of the form being made
PATCHING
- retouching or going back over a defective portion of a writing stroke
RETOUCHING
- synonymous with patching
RETRACING
- any stroke which goes back over another writing stroke
KINDS OF TREMORS
1) GENUINE TREMORS
o caused by:
a) age
b) illiteracy
c) weakness
2) TREMOR OF FRAUD
ALIGNMENT
- the relation of successive characters or letters of a word, signature or line of writing to an actual or
imaginary base line
RUBRIC OR EMBELLISHMENT
- additional, unnecessary strokes not required for legibility of letter forms or writings but incorporated in
writing for decorative or ornamental purposes
NATURAL VARIATIONS
- these are normal or usual deviations found between repeated specimens of any individual handwriting
- partial changes, alterations and modifications in the normal formation of the alphabetical characters
HOLOGRAPHIC DOCUMENTS
- any document which is completely written and signed by one person
SIGNATURE
- is one’s name written by himself on a document as a sign of acknowledgment
EVIDENTIAL SIGNATURE
- a signature signed at a particular time and place, under particular conditions, while the signer was at a
particular age, in a particular physical and mental condition, using particular implements and with a
particular reason and purpose for recording his name
SIMULATED SIGNATURE
- a free-hand drawing in imitation of a model signature
MODEL SIGNATURE
- a genuine signature which has been used to prepare an imitated or traced forgery
CLASSES OF DISPUTED SIGNATURES
1) SIMPLE FORGERY
o forged signatures where no attempt has been made to make a copy of facsimile of the genuine
signature of the person purporting to sign the document
2) FORGED SIGNATURES OF FICTITIOUS PERSONS
3) TRACED FORGERY
o forged signatures which closely resemble the genuine signature since they have been produced by
a tracing process
4) SIMULATED FORGERY/ COPIED FORGERY
o forged signatures which resemble the genuine signature written free-hand
5) Genuine signatures which the writers are unwilling to accept as genuine
6) Genuine signatures obtained by trickery
7) Genuine signatures deliberately written illegibility or in an unusual manner to afford signatories some
plausible grounds for disclaiming them
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INDICATIONS OF FORGERY
INDICATIONS OF GENUINENESS
ALTERATIONS
- may be made in any of the following means:
a) ERASURE – the removal of writing, typewriting or printing from a document through either
mechanical or chemical means
b) ADDITION – any matter made a part of the document after its original preparation
c) SUBSTITUTION – the replacing of the original writing, or part of such writing, with another
d) INSERTION OR INTERLINEATION – the addition of writing and other material between lines or
paragraphs, or the addition of a whole page to a document
e) OBLITERATION – the blotting out or smearing over the writing to make the original invisible or
indecipherable
STANDARDS OF COMPARISON
STANDARDS
- those things whose origins are known and can be proven and can be legally used as samples to
compare with other matters in questions
- consist of the known, authenticated writing of a person
CLASSIFICATION OF STANDARDS
1) PROCURED OR COLLECTED
- those which can be obtained from files of documents executed in the course of a person’s day-to-day
business, official, social or personal activities
- these serve as the best and most appropriate standards in the determination of the genuineness of a
questioned signature or writing
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2) REQUESTED
- those which are given or made at the request of an investigator for purposes of making a comparative
examination with the questioned writing
- these serve as appropriate standards in determining the identity or authorship of anonymous letters
EXAMINATION
- the act of making a close and critical study of any material
COMPARISON
- the act of setting two or more items side by side to weigh their identifying qualities
1) MAGNIFYING LENS
2) SHADOWGRAPH
3) STEREOSCOPIC BINOCULAR MICROSCOPE
4) MEASURE AND TEST PLATES
5) TABLE LAMPS
6) TRANSMITTED LIGHT GADGET
7) ULTRAVIOLET LAMP
8) INFRA-RED VIEWER
1) MICROSCOPIC EXAMINATION
o any study or examination which is made with the microscope in order to discover minute physical
details
4) INFRA-RED EXAMINATION
o employs invisible radiation which is recorded on specially sensitized photographic emulsions
1) ANALYSIS
o the observation or determination of the properties or characteristics of the writings
f) COMPARISON
o the study of the properties and characteristics of writings of unknown origin in relation to records of
known origin
g) EVALUATION
o the identification of similarities and dissimilarities in properties and characteristics of writings to
reach the conclusion regarding the identity, origin, genuineness and other subject of dispute
concerning such writing
CONCLUSION
- results from relating observed facts by logical, common sense reasoning in accordance with established
rules or laws
OPINION
- the document examiner’s conclusion
1) They should not be cut, torn or in any manner mutilated in the slightest degree.
2) They should not be touched with an eraser of any kind, nor with pen, pencil or sharp instrument.
3) They should not be folded in any new place, nor should it be folded and unfolded unnecessarily.
4) They should not be allowed to get wet.
5) No chemical analysis should be made on the document by either parties. Only those who are
authorized and qualified shall conduct such chemical analysis, as chemicals applied may injure or
deface document.
6) Portions of the document that are of particular importance such as signatures, amounts or dates should
not be encircled in any manner that the strokes or portions are affected.
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