Fools

Who Dream (Audition Song)

Benj Pasek & Justin Paul La la Land Original Soundtrack Justin Hurwitz

3
  4            
 = 80

         
Marie

Piano

3     
4
Bare foot she smiled, leapt with out look ing, and tum bled in

  43     
Piano

         
         
6

 
Pno.

 
to The wa ter was freez ing; she spent a month

 
the Seine.

       
         
        
 
Pno.




 
   
     
 

    
12

 
Hannah

Pno.


gain Here's to the

   
sneez ing, but said she would do it a

         
         
      
 
Pno.

   
         
       
18

Pno.

           
   
ones who dream, fool ish as they may seem. Here's to the

     
               
       
Pno.

   

     
       
26

Pno.


           
   

hearts that ache; here's to the mess we make.

        
5


3


                   
    
  
Pno.

   

      

 
     
      
33  = 95 Julia


Pno.

            
She cap tured a feel ing: sky with no ceil ing; the sun set in side a

 
        

   
 
 
 
 
Pno.

    
          
        
39

 
Pno.

             
frame. She lived in her liq uor, and died with a


   
       
       

 
Pno.

 

      
       
44

 
Pno.


             
flick er; I'll al ways re mem ber

    
the flame.

   

            
         
Pno.

    

     
      
49
Hannah

Pno.


       
Here's to teh ones who dream, fool ish as

       
     
        
         
Pno.

  
     
     
54

Pno.

 
         
they may seem. Here's to the hearts that

    
              
       
      
Pno.

    
       
59 ALLE


Pno.



        
ache; here's to the mess we make. She

            
  
              
       
   
Pno.

    
ss.
g li

             
   
65
 = 120 Hannah

Pno.


            
told me, a bit of mad ness is key

         
3

 
3 3

      
  
    
3

   
Pno.

 
3 3

 
3

ss. g l is
s.
g li
  
         
70


Pno.

            
to give us new col ors to

        

3 3

        
    
Pno. 3


3

 

      
ALLE

 
73

Pno.

   
     
see. Who knows

 3    
 
3
3

  
     
 
 
 
  
Pno. 3

  

 
         
 



 
 
 
76

Pno.

               
where it will lead us? And that's why they

           
3

  
    

  
 
     
Pno. 3

  
3


   
    
 = 110

          

81

   
Pno.


      
   
need us

 
So, bring on the reb els the


8

 
    
      
        
Pno.

  

    
 
                 
85

        
Pno.

        

    
rip ples from peb bles, the paint ers and po ets and pla

        
               

           
  
Pno.

 


  
      
   
   
  
90

Pno.

           

            
  
ys. And, here's to the fools who dream,

  

        
  
 
    
Pno. 7

 
  
       
  
     
95


Julia

Pno.

                
           
 
   
cra zy as they may seem. Here's to the hearts that


     
   
   
     
Pno.

  
 
      
  
101


Pno.

    
   
         
   
   
break; here's to the mess we make.

  
  
          
     
         
Pno.

.


g l is s

  
Marie


         
 = 80
107
Slower; with freedom

Pno.

      
      
I trace it all back to then,

          
3 3

         

  





Pno.  3



     
       
111

Pno.

     
       
her and the snow and the Seine.

        

  
3 3

         

   
Pno. 3

     
                 
115

Pno.

 
     
Smil ing through it, she said she'd do it a gain.

   

         
Pno.