Acc Ta Compilation

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THEORY OF
ARCHITECTURE
QUESTIONS
1
QUESTION NO.Master
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Represented by a building which meets in a satisfactory manner the

requirement of logical function, solid construction and beautiful
composition?
a. Architecture
b. Engineering
c. Interior Design
d. Fine Arts
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ANSWER NO. 1:
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a. Architecture - the art or practice of designing and constructing

buildings.
b. Engineering - is the use of scientific principles to design and build
machines, structures, and other items, including bridges, tunnels, roads,
vehicles, and buildings.
c. Interior Design - make indoor spaces functional, safe, and beautiful by
determining space requirements and selecting essential and decorative
items, such as colors, lighting, and materials.
d. Fine Arts - creative art, especially visual art whose products are to be
appreciated primarily or solely for their imaginative, aesthetic, or
intellectual content.
3 3
QUESTION NO.Master
A kind of spatial organization which consists of repetitive cellular spaces

grouped by proximity or by the sharing of a common trait or
relationship?
a. Centralized
b. Radial
c. Clustered
d. Grid
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ANSWER NO. 2:
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a. Centralized - consist of a number of secondary forms
clustered about dominant, central, parent forms.
b. Radial - are compositions of linear forms that extend out ward

from central forms in a radial manner.
c. Clustered - consist of forms that are grouped together by

mity or the sharing of a common visual trait.
d. Grid - are modular forms whose relationships are regulated by

-dimensional grids.
5 5
QUESTION NO.Master
It is the vertical or horizontal axis of the mass is called?
a. Volume
b. Length
c. Width
d. Direction
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ANSWER NO. 3:
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a. Volume - the amount of space that a substance or object

occupies, or that is enclosed.
b. Length - is describing how long the object is.
c. Width - is describing how wide an object is.
d. Direction
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QUESTION NO.Master
It is a form whose parts are related to one another in a consistent and

orderly manner. They are stable and symmetrical about one or more
axis is called?
a. Irregular forms
b. Form
c. Regular forms
d. shape
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ANSWER NO. 4:
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a. Irregular forms – are those whose parts are dissimilar in nature and
their relation to one another in an inconsistent manner. They are
generally asymmetrical and are dynamic than regular forms.
b. Form – the external appearance of a clearly area, the shape of a
thing.
c. Regular forms - The sphere, cylinder, cone and cube are examples of
regular forms. These forms can be changed by the addition or
subtraction of elements, but can still remain regular.
d. Shape – common primary shapes are square, triangle, circle.
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QUESTION NO.Master
An organizational transformation where transformation occurs by

altering one or more of its dimensions and still retain its identity as a
member of a family of forms?
a. Additive transformation
b. Dimensional transformation
c. Subtractive transformation
d. All of the above
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ANSWER NO. 5:
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a. Additive transformation - A form can be transformed by the
tion of elements to its volume. The nature of the additive
ermine whether the identity of the initial form is
b. Dimensional transformation - a form can be transformed by

ing one or more of its dimensions and still retain its family
for example, can be transformed into other
by altering its height, width, or length. It can be
orm, or stretched Into a linear one.
c. Subtractive transformation - A form can be transformed by

racting a portion of its volume. Depending on the extent of the
ractive process, the form can retain its initial identity, or be
o a form of another family. For example, a cube can
y as a cube even though a portion of it is removed,
ed slowly into a polyhedron approximating a sphere.
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Thank You
Presented by: Carlo G. Jovita
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By: John Derin Colado

Theory of architecture: q&a
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1. Represented by a building which meets in a satisfactory manner
the requirement of logical function, solid construction and
beautiful composition.
A. Architecture
B. Engineering
C. Planning
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Click toANSWER:
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A. ARCHITECTURE
Engineering-is the use of scientific principles to design and

build machines, structures, and other items, including
bridges, tunnels, roads, vehicles, and buildings.
Planning- is the process of thinking about the activities

required to achieve a desired goal. It is the first and foremost
activity to achieve desired results. It involves the creation
and maintenance of a plan, such as psychological aspects
that require conceptual skills.
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2. A stage in modernism where structural systems
and utilities such as pipes, ducts are are exposed.
A.Radicalism
B.Brutalism
C.Expressionism
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ANSWER:
B. BRUTALISM
Radicalism-In political science, the term radicalism is the belief that

society needs to be changed, and that these changes are only possible
through revolutionary means.
Expressionism- is a modernist movement, initially in poetry and

painting, originating in Northern Europe around the beginning of the
20th century
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3. An environmental concept where each design component
becomes an essential part of the whole such when one is
removed, the composition is incomplete.
A. Evolutionary architecture
B. Environmental theory perception
C. Organic Architecture
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ANSWER:
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ORGANIC title style
ARCHITECTURE
Evolutionary architecture-The first principle of evolutionary architecture

is to enable incremental change in an architecture over time.
Environmental theory perception-Environmental perception has

commonly been defined as awareness of, or feelings about, the
environment, and as the act of apprehending the environment by the
senses.
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4. A term that refers to the edge contour of
a plane or the silhouette of a volume.
A.Form
B. Mass
C. Shape
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ANSWER:
C. SHAPE
Form – is the shape, visual appearance, or configuration of an

object. In a wider sense, the form is the way something
happens.
Mass- is both a property of a physical body and a measure of

its resistance to acceleration when a net force is applied.
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5. A type of concept which literally relates form
with other objects or processes.
A. Essence
B. Metaphors
C. Analogy
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ANSWER:
C. ANALOGY
Essence -is a polysemic term, used in philosophy and theology

as a designation for the property or set of properties that make
an entity or substance what it fundamentally is, and which it has
by necessity, and without which it loses its identity.
Metaphors-is a figure of speech that, for rhetorical effect,

directly refers to one thing by mentioning another.
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ACC
TOPIC: THEORY OF ARCHITECTURE
TRICIA MARVI P. NAVARRO
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THIS IS ONE OF A APPARENT MAGNITUDE
AND RELATIVE SIZE
THE FOUR
TYPES OF CUES
THAT ARE USED
IN DEPTH
PERCEPTION. IF B HEIGHT IN PLACE
ONE OBJECT
APPEARS TO
CUT OFF THE
VIEW OF
ANOTHER, WE C TEXTURE
USUALLY
PERCEIVE THE
FIRST OBJECT
AS NEARER.
D SUPERPOSITION
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APPARENT MAGNITUDE and RELATIVE SIZE
If there is an array of like objects of different sizes,
the smaller ones are perceived as being farther
away.
HEIGHT IN PLACE
As we look along a flat plane, objects farther away
appear to be higher, so that we can create the
impression of depth for objects of the same size by
placing them at different heights.
TEXTURE
For irregular surfaces such as rocks or waving
surface of the ocean, there is a gradient of texture
with distance so that the 'grain' becomes finer as
distance becomes greater.
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A ILLUSION OF DEPTH
THE FALSE
DEPTH CUES
THAT MAKES
THE PERSON
GOING DOWN
B VISUAL DEPTH
THE STAIRS
APPEAR TO BE
GOING UP
FROM WHERE C PARADOX OF DEPTH
HE CAME.
D CONTRADICTORY
DEPTH FACTOR
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VISUAL DEPTH
Despite the fact that the observer 'sees' and 'knows' in
reality and feels with his feet that the floor is
composed of plane mosaic stones, it is impossible to
avoid a perception of depth.
ILLUSIONS OF DEPTH
The illusion, the Transformation of what is real into
what is believed to be real, has been a standard
architectural technique since the renaissance.
CONTRADICTORY DEPTH FACTORS

in this figure, it is perceived that the bigger square is
nearer. However, due to the factor of height location,
the bigger square can be farther away.
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A ADJACENT SPACE
CONSISTS OF
TWO SPACES
WHOSE
FIELDS
B SPACE WITHIN A SPACE
OVERLAP TO
FORM A ZONE
OF SHARED C SPACE LINKED BY A
COMMON SPACE
SPACE.
D INTERLOCKING SPACE
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ADJACENT SPACES
This allow each space to be clearly defined and to
respond, each its own way, to its functional or
symbolic requirements.
SPACE WITHIN A SPACE

A large space can envelop, and contain within its
volume, a smaller space. Visual and spatial continuity
between the two spaces can be easily accommodated,
but the smaller, "contained" space depends on the
larger, enveloping space for its relationship to outdoor
space.
SPACE LINKED BY COMMON SPACE

Two spaces that are separated by distance can be
linked, or related to each other, by a third,
intermediate space. The relationship between the two
spaces will depend on the nature of the third space to
which they share a common relationship.
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THE OVERALL SHAPE
OF A BUILDING
A BUILDING ENVELOPE
AFFECTS THE
AMOUNT OF ENERGY
B
IT WILL CONSUME. IN
GENERAL, A ______ BUILDING CONFIGURATION
RESISTS UNWANTED
HEAT TRANSMISSION
FOR A GIVEN
ENCLOSED VOLUME, A
BUILDING SHOULD BE C BUILDING INTERIOR
CONSTRUCTED WITH
MINIMUM EXPOSED
SURFACE AREA.
D BUILDING ENCLOSURE
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BUILDING ENVELOPE
The envelope of a building is not merely a set of two-
dimensional exterior surfaces, it is a transition space.
This transition spaces, which forms the envelope, is a
place where people indoors experience something of
what the outdoors is like at the moment, and where
people outside get a glimpse of the functions within.
BUILDING INTERIOR
A look at the interior of a building and its dependence
on mechanical and electrical equipment can serve to
illustrate some basic design choices. Away from the
perimeter and its visible interaction with climate and
other outside forces, the interior is potentially an
isolated environment.
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PRIOR TO ACTUALLY A BUILDING APPROACH
ENTERING A
BUILDING'S INTERIOR,
WE APPROACH ITS
ENTRANCE ALONG A
PATH. THIS IS THE
B BUILDING ENTRANCE
FIRST PHASE OF THE

CIRCULATION SYSTEM,
DURING WHICH USER
ARE PREPARED TO
SEE, EXPERIENCE, AND
C CONFIGURATION
OF THE PATH
USE THE BUILDING'S
SPACES.
D PATH-SPACE RELATIONSHIP
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Click toBUILDING
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ENTRANCE
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From Outside to Inside
Entering a building, a room within a building, or a defined field
of exterior space, involves the act of penetrating a vertical plane
that distinguishes one space from another, and separates "here"
from "there".
CONFIGURATION OF THE PATH

All paths of movement, whether of people, cars, goods or
services, are linear in nature . And all paths have a starting
point, from which we are taken through a sequence of spaces to
our destination.
PATH-SPACE RELATIONSHIP
Edges, nodes, & terminations of the Path.
Paths may be related to the spaces they link in the following
ways. Paths may:
a. Pass by Spaces
b. Pass through Spaces
c. Terminate in a Space
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ACC
JOSHUA ARZAGA BALLONADO

BS ARCH 5TH YEAR
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Transformation: a form can be transformed by altering one or
more of its dimensions and still retain its identity as a member
of a family of forms.
A.Dimensional Transformation
B.Subtractive Transformation
C.AdditiveTransformation
D. Anthropometrics
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A form can be transformed by subtracting a portion of its volume.
D. Anthropometrics
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A form can be transformed by the addition of
elements
to its volume.
D. Anthropometrics
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A study of measurements
of the human body
A.Anthropometrics
B.Ergonomics
C.Dimensional Transformation
D.Subtractive Transformation
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A.Anthropometrics
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An applied science concerned with the of characteristics
of people that need to be considered in the design of
devices and systems in order that people and things will
interact effectively and safely.
A.Anthropometrics
B.Ergonomics
C.Dimensional Transformation
D.Subtractive Transformation
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B.Ergonomics
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Is more subtle and elusive, and is more difficult to attain. It attempts

to satisfy the eye without any effort to place equal masses at similar
distances from the center of the composition.
A: Symmetrical Balance B: Gravitational Balance
C: Unsymmetrical Balance D: Formal Balance

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Is more subtle and elusive, and is more difficult to attain. It attempts

to satisfy the eye without any effort to place equal masses at similar
distances from the center of the composition.
A: Symmetrical Balance B: Gravitational Balance
C: Unsymmetrical Balance D: Formal Balance

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This kind of composition is the complete adaptation to its

surroundings and is often far removed from conscious composition.
A: Gravitational Balance B: Radial Balance
C: Symmetrical Balance D: Unsymmetrical Balance

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This kind of composition is the complete adaptation to its

surroundings and is often far removed from conscious composition.
A: Gravitational Balance B: Radial Balance
C: Symmetrical Balance D: Unsymmetrical Balance

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A kind of rhythm that if equally spaced windows are introduced

on the unbroken wall, then regular repetition is present.
A: Regular Rhythm B: Progressive Rhythm
C: Unaccented Rhythm D: Accented Rhythm

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A kind of rhythm that if equally spaced windows are introduced

on the unbroken wall, then regular repetition is present.
A: Regular Rhythm B: Progressive Rhythm
C: Unaccented Rhythm D: Accented Rhythm

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A kind of rhythm that if the openings or details are arranged in such a manner
that some are more important than others, then the eye grasps the significance
of this relationship and pauses longer in contemplating the larger elements.
A: Accented Rhythm B: Flowing Rhythm
C: Unaccented Rhythm D: Alternating Rhythm

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A kind of rhythm that if the openings or details are arranged in such a manner
that some are more important than others, then the eye grasps the significance
of this relationship and pauses longer in contemplating the larger elements.
A: Accented Rhythm B: Flowing Rhythm
C: Unaccented Rhythm D: Alternating Rhythm

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A phenomenon wherein drawings consisting of black lines, any line which surrounds an
area, and which is recognized as representing an object is quickly picked out by the
observer, and it then seems to him to stand out from the background in an obvious
manner.
A: Fluctuation B: Reversible Figure
C: Stereoscopic D: Figureground
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A phenomenon wherein drawings consisting of black lines, any line which surrounds an
area, and which is recognized as representing an object is quickly picked out by the
observer, and it then seems to him to stand out from the background in an obvious
manner.
A: Fluctuation B: Reversible Figure
C: Stereoscopic D: Figureground
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1. Unsymmetrical Balance: Is more subtle and elusive, and is more difficult to attain. It attempts
to satisfy the eye without any effort to place equal masses at similar distances from the center of
the composition.
2. Gravitational Balance: This kind of composition is the complete adaptation to its surroundings
and is often far removed from conscious composition.
3. Unaccented Rhythm: A kind of rhythm that if equally spaced windows are introduced on the
unbroken wall, then regular repetition is present.
4. Accented Rhythm: A kind of rhythm that if the openings or details are arranged in such a
manner that some are more important than others, then the eye grasps the significance of this
relationship and pauses longer in contemplating the larger elements.
5. Figureground: A phenomenon wherein drawings consisting of black lines, any line which
surrounds an area, and which is recognized as representing an object is quickly picked out by the
observer, and it then seems to him to stand out from the background in an obvious manner.
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ACC
Theory of Architecture
Submitted by: Janrick C. Damasco
Submitted to: Ar. Rolem L. Basiya PhD
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1.) Birth place of skyscrapers.
A. Chicago
B. Florida
C. New York
D. Los Angeles
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Click to edit Master title styleA. Chicago
Land values tend to be expensive in one central district,
and that's in general why skyscrapers at least start to
cluster in Chicago.
Home Insurance Company Building, Chicago, designed by William Le Baron

Jenney, 1884–85 (demolished 1931).
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2.) Designing the
building and spaces
within it to benefit from natural light,
ventilation and even temperature?
A. Passive Design
B. Organic Architecture
C. Passive Cooling
D. Vernacular Design
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A. PASSIVE DESIGN
• Is design that takes advantage of the climate to maintain a comfortable
temperature range in the home. ... Passive design utilizes natural sources of
heating and cooling, such as the sun and cooling breezes.
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3.)toIneditPhilippines
Click setting, where shall be the
Master title style
orientation of bedroom windows?
A. NORTH
B. SOUTH
C. EAST
D. WEST
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C. EAST
• East facing rooms benefit from early morning solar gain thus they are
ideal as bedrooms, as kitchen and as breakfast areas. During the
summer and the afternoon, east orientation allows the natural
cooling of a room.
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4.) The branch of philosophy that deals
Click to edit Master
with title style
the nature of art, beauty, and
taste with a view to establishing the
meaning and validity of critical
judgments concerning art.
A. Architecture
B. Taste
C. Aesthetics
D. Beauty
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C.
Click to edit Master title style Aesthetics
• The concepts of expression, representation, and the nature of art

objects will then be covered, Like painting and sculpture, architecture
can be considered a visual art to which the philosophy of aesthetics
can be applied.
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5.toAedit
Click color thattitlefeels
Master style flat and lifeless, yet it provides
enormous support to the other hues.
A. White
B. Black
C. Purple
D. Gray
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D. GRAY
• Gray is a neutral color, As a stand-alone color gray can be calming or
oppressive, depending on the intensity of the shade, and when paired
with brighter colors it can be a beautiful complementary color. When
infused with pinks, greens, or blues, such as dove gray or sea foam,
gray has the ability to take on the hues of these colors in a way that
gives gray a completely fresh look.
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T.A QUESTIONS
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• 1.It is the state or quality of being combined into one, as the ordering
of elements in an artistic work that constitutes a harmonious whole
or promotes a singleness of effect. What is it called?
• a.Unity c. Orientation
• b.Line d. Rhythm
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•Unity
• Line - Points/dots connected to each other. Mark or a stroke, long in proposition
to its width made by a pen, pencil, paper, chalk, tool, etc.
• Orientation -Ability to locate oneself in the environment.
• Rhythm - The reoccurrence or repetition of architectural elements, shapes,
structural bays which may be regular or complex
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• 2.Parts are dissimilar in nature and their relation to one another in an

inconsistent manner. They are generally asymmetrical and are
dynamic .
• a.Regular forms c. Color

• b.Irregular forms d. Rhythm
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•Irregular
forms
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• 3. Unlimited or indefinitely three-dimensional expanse in which all

materials are located and all events occur.
• a.Balance c. Contrast
• b.Composition d.Space
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•Space
Balance - It is the equal distribution on axis or equilibrium
Composition - Act of containing parts or elements to result in a state or product.
Contrast - Opposition, different, to compare difference or likeness.
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• 4.The representation of that space in the computer and of location of

object.
• a . Virtual Space c. Measured Space

• b. Real Space d. Outer Space
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•c. Measured Space

Real Space - Actual objects in actual physical space.
Virtual Space - Electronic spaces created to be portrayed to users but not explicitly
to the real world
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• 5. A color that is peaceful and tranquil, reduces excitability and

therefore helps one to concentrate.
• a.Yellow c. Blue
• b. Red d. Orange
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• C. Blue
Blue calls to mind feelings of calmness or serenity. It is often described

as peaceful, tranquil, secure, and orderly. Blue is often seen as a sign of
stability and reliability.
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QUESTION AND ANSWER IN ACC
BY: VALENCA, JERLEE FAYE IZA
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91
ANS.
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The convex hull of two opposite edges of a regular

icosahedron forms a golden rectangle. The twelve vertices
of the icosahedron can be decomposed in this way
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A Fibonacci rectangle is a rectangle with side lengths x and y. Naturally, one can
construct such a rectangle by successively introducing squares of side lengths
Modulor scale - Le Corbusier

succinctly described it as "a
measure based on
mathematics and the human
scale
Pythagorean rectangle - A diagonal of a rectangle cuts the rectangle into 2 right triangles with sides
equal to the sides of the rectangle and with a hypotenuse that is the diagonal. All you need to do is use
the pythagorean theorem: where a and b are the sides of the rectangle and c is the length of the
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diagonal.
A structure of parallel colonnades supporting an open roof of beams and crossing
rafters or trelliswork, over which climbing plants are trained to grow.
Arbor
Belvedere
Pergola
Trellis
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ANS.
The mental construct of the temporal-spatial experience that occurs as individual
ascribes meaning to settings, through environmental perception and cognition.
Arbor
Belvedere
Pergola
Trellis
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Arbor:to edit Master title style
"A shelter of shrubs and branches or of latticework
intertwined with climbing vines and flowers."
Belvedere:
"A building, or architectural feature of a building,
designed and situated to look out upon a pleasing scene."
Trellis:
"A frame supporting open latticework, used as a screen
or a support for growing vines or plants."
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Arbor
Light and color
Form
Shape
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ANS.
Arbor
Light and color
Form
Shape
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ANS.
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According to this Architect “Architecture is the masterly, correct and
magnificent play of masses brought together in light. Our eyes are made to see
forms in light. “
Frank Lloyd Wright
Frank Gehry
Le Corbusier
Frank Lloyd
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ANS.
According to this Architect “Architecture is the masterly, correct and
magnificent play of masses brought together in light. Our eyes are made to see
forms in light. “
Frank Lloyd Wright
Frank Gehry
Le Corbusier
Frank Lloyd
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Villa Savoye
Charles-Édouard Jeanneret, known as Le Corbusier, was

a Swiss-French architect, designer, painter, urban
planner, writer, and one of the pioneers of what is now
regarded as modern architecture.
108
Click to edit Master title style was an American architect,
designer, writer, and educator. He
Fallingwater
designed more than 1,000

structures over a creative period of
70 years. Wright believed in
designing in harmony with
humanity and the environment, a
philosophy he called organic
architecture.
Walt Disney Concert Hall

American architect and designer,
residing in Los Angeles. A
number of his buildings,
including his private residence,
have become world-renowned
attractions
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A. Central Organization
B. Linear Organization
C. Radial Organization
D. GRID Organization
A type of spatial organization that usually consists of repetitive spaces which are alike
in size, form, and function. These spaces can be interconnected directly, or be linked
through another linear independent and distinct space.
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B. Linear Organization
111
B. Clustered Organization
C. Radial Organization
D. Linear Organization
This type of spatial organization is used to connect spaces using proximity or the
sharing of the common visual trait of relationship.
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B. Clustered Organization
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B. Cluster Organization
C. GRID Organization
D. Linear Organization
This type of spatial organization consists of forms and spaces whose position in
space and their interrelationships are regulated by a type of a plot or
three‐dimensional field. 114
C.GRID Organization
115
A. Axis
B. Symmetry
C. Line
D. Shape
Is a line connecting two points in space, about which forms can be arranged in an
asymmetrical or symmetrical, balanced manner. It is an imaginary line that can
denote structure, procession, direction, views, line of rotation and so on. An axis is
used to align elements in the design, and to arrange and plan spaces. 116
Click to edit Master title style A. Axis
Symmetry – an object that is equally proportioned, harmonious and balanced around a specific line. In geometry a
symmetrical figure is the one that when bisected by an axis is divided into two areas which are mirror images of one
another. Symmetrical composition i.e. axial composition this is a composition balanced around an axis.
Line - An extension of a point, elongated mark, connection between two points, the effect of the. edge of an object.
Shape - is a two dimensional area confined by a actual line or implied line. In drawing shapes are created when the ends of
lines are joined to enclose areas.
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A. Pattern
B. Transformation
C. Rhythm
D. Hierarchy
Is the articulation of spaces and forms in order of importance. The articulation is

achieved by differentiating size, shape, colour, placement of forms and spaces
relatively to each other. 118
D. Hierarchy
Transformation - is the principle by which an architectural concept, structure or organisation can be altered through a
series of discrete manipulations and permutations in response to a specific context or set conditions without loss of
identity of the concept. Transformation of form is achieved by changing size, shape, rotating, stretching, morphing and
so on.
Pattern - Pattern refers to groups of elements or motifs that repeat in a predictable manner. It is a structure that
organizes parts of a composition.
Rhythm - Rhythm is a unifying movement characterised by a patterned repetition or alteration of formal elements or
motifs in the same or modified manner. Rhythm differs from repetition in that in the former the shapes change but it is
still recognizable, whereas in the later the shape remains constant.
119
1.) Which of the following is not one of the needs of man?

a.) Physical
b.) Emotional
c.) Psychological
d.) Intellectual
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C.) Psychological
121
2.) What is the general terrain or contour of the surface of the
entire country?
a.) Terrain
b.) Landscape
c.) Topography
d.) Climate
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C.) Topography
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3.) Which of the following colors represents rage or passion? It is
exciting and stimulates the brain. It has an aggressive quality and is
frequently associated with violence and excitement.
a.) Red
b.) Orange
c.) Brown
d.) Yellow
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A.) Red
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4.) Who of the following people began his study in 1942 and
published the “Modulor” a harmonious measure to the human
scale universally applicable to Architecture and Mechanics.
a.) Antonio Gaudi
b.) Frank Lloyd Wright
c.) Philip Johnson
d.) Le Corbusier
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D.) Le Corbusier
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5.) Which type of rhythm means: the continuity of a series of arches
forming an arcade?
a.) Rhythmic use of color
b.) Rhythm of motion
c.) Rhythmic use of line
d.) Rhythm of direction
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D.) Rhythm of Direction
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Topic: PRINCIPLES OF DESIGN

1. It is the defining elements include the overall shape of the building, its
materials, craftsmanship, decorative details, interior spaces and features,
as well as the various aspects of its site and environment.
a. SCALE AND PROPORTION
b. CHARACTER
c. ARCHITECTURE
130

1. It is the defining elements include the overall shape of the building, its
materials, craftsmanship, decorative details, interior spaces and features,
as well as the various aspects of its site and environment.
b. CHARACTER
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2. It is achieved by the consistent use of lines, color, material, and/or
texture within a design.
a. LINE
b. UNITY AND HARMONY
c. RYTHM
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2. It is achieved by the consistent use of lines, color, material, and/or
texture within a design.
b. UNITY AND HARMONY
133

3. Parts of the design that are equally distributed to create a sense of
stability. Both physical and visual balance exist.
a. ASYMMETRICAL
b. BALANCE
c. SYMMETRICAL
134

3. It is a part of the design that is equally distributed to create a sense of
stability. Both physical and visual balance exist.
b. BALANCE
135

4. It is the repeated use of line, shape, color, texture or pattern.
a. CONTRAST
b. RYTHM
c. PROPORTION
136

4. It is the repeated use of line, shape, color, texture or pattern.
b. RYTHM
137

5. It is defined as an area or object within the artwork that draws attention
and becomes a focal point
a. RADIAL BALANCE
b. EMPHASIS
c. SUBORDINATION
138

5. It is defined as an area or object within the artwork that draws attention
and becomes a focal point
b. EMPHASIS
139
ACC
RAISHANNE DOXY D. CAWALING
BSARCH4
140
1. A Roman Architect who wrote the oldest research in Architecture “
Ten books on Architecture” or “de architectura”
A. LEON BATTISTA ALBERTI

B. MARCUS VITRUVIUS POLLIO
C. LUDWIG MIES VAN DER ROHE
D. FRANK LLOYD WRIGHT
141
1. A Roman Architect who wrote the oldest research in Architecture “
Ten books on Architecture” or “de architectura”
B. MARCUS VITRUVIUS POLLIO

Marcus Vitruvius Pollio, a Roman architect and engineer
flourishing in the first century B.C., was the author of the
oldest and most influential work on architecture in
existence. For hundreds of years, the specific instructions he
gave in his "Ten Books on Architecture" were followed
faithfully, and major buildings in all parts of the world reveal
the widespread influence of his precepts.
142
2. Master
Click to edit One oftitleVitruvian’s
style founding
principles of architecture that refers
to the stability of a building.
A. FIRMITAS
B. TRINITAS
C. VENUSTAS
D. UTILITAS
143
2. Master
style founding
to the stability of a building.
A. FIRMITAS
It should stand up robustly and remain in good condition —
be durable.
144
3. Master
stylefounding
to the FUNCTION of a building.
A. FIRMITAS
B. UTILITAS
C. TRINITAS
D. VENUSTAS
145
3. Master
stylefounding
to the FUNCTION of a building.
B. UTILITAS
It should be useful and function well for the people using it
— be functional.
146
4.Master
Click to edit Referstitleto
stylethe
type of space that
directs you or guides you from one
space to another.
A. POSITIVE SPACE
B. NEGATIVE SPACE
C. DIRECTIONAL SPACE
D. NONDIRECTIONAL SPACE
147
4.Master
Click to edit Referstitleto
stylethe
type of space that
directs you or guides you from one
space to another.
C. DIRECTIONAL SPACE
148
5.Master
Click to edit It is title
composed
of a dominant
style
central space, with secondary spaces
grouped around it.
A. CENTRALIZED ORGANIZATION
B. LINEAR ORGANIZATION
C. CLUSTERED ORGANIZATION
D. GRID ORGANIZATION
149
A. CENTRALIZED ORGANIZATION
150
Click toQUESTION
NO.1
A.Walter Gropius
·Architect of the “Seagram building” B.MIES VAN DE ROHE

New York.
C.LOUIS SULLIVAN
B.CESAR PELLITIC
151
Answer
Mies van de
Rohe
152
A.
Walter Gropius: Walter Adolph Georg Gropius was a German architect
and founder of the Bauhaus School
C.
Louis Sullivan: Louis Henry Sullivan was an American architect, and
has been called a "father of skyscrapers" and "father of modernism”
D.
Cesar Pelli: was an Argentine-American architect who designed some
of the world's tallest buildings and other major urban landmarks
153
Click toQUESTION
NO.2
A.FREI OTTO
·GERMAN ARCHITECT WHO WAS RESPONSIBLE FOR BRINGING THE TENT INTO THE
20TH CENTURY, IT WAS HIS SPECIAL GIFT TO SEE MINIMAL LIGHTWEIGHT STRUCTURE B.FRY MAXWELL
AS LIBERATING AND A BRIDGE TO THE NATURAL OR ORGANIC STRUCTURE.
C.EERO SAARINEN
B.MICHAEL GRAVES
154
Answer
Frei Otto
155
B.
Fry Maxwell: was an English modernist architect, writer and painter.
C.
Eero Saarinen: Eero Saarinen was a Finnish-American architect and
industrial designer noted for his wide-ranging array of designs for
buildings and monuments
D.
Michael Graves: Michael Graves was an American architect,
designer, and educator
156
Click toQUESTION
NO.3
A.PAUL RUDOLPH
·ARCHITECTURE IS A PERSONAL EFFORT” REMARKED BY

B.ADOLF LOOS
C.FREI OTTO
B.ALDO ROSSI
157
Answer
Paul Rudolph
158
B.
Adolf Loos: Be truthful, nature only sides with truth
C.
Frei Otto: We have big, big problems - flooding, earthquake, and
many foolish things which now people are doing - I mean, these self-
made catastrophes
D.
Aldo Rossi: One can say that the city itself is the collective memory
of its people, and like memory it is associated with objects and
places. The city is the locus of the collective memory.
159
Click toQUESTION
NO.4
A.CUBE
·A PRISMATIC SOLID BOUNDED BY "SIX" EQUAL SQUARE SIDES, THE ANGLE BETWEEN
ANY TWO ADJACENT FACES BEING AT RIGHT ANGLE? B.UNRECOGNIZABLE FORM
C.SQUARE
B.HEXAGON
160
Answer
Cube
161
Click
B.
to edit Master title style
Unrecognizable form: incapable of being identified or recognized
C.
Square: showing one side only
D.
Hexagon: a plane figure with six straight sides and angles.
162
Click toQUESTION
NO.5
A.TEXTURE
·A PHENOMENON OF LIGHT AND VISUAL PERCEPTION THAT

MAY BE DESCRIBED IN TERMS OF AN INDIVIDUAL'S B.DESATURATION OF SURFACE
PERCEPTION OF HUE, SATURATION AND TONE VALUE. IT
DISTINGUISH A FORM FROM ITS ENVIRONMENT?
C.COLOR
B.DAYLIGHT
163
Answer
color
164
Click
A. to edit Master title style
Texture: the feel, appearance, or consistency of a surface or
substance
B.
Desaturation of surface: to cause to become unsaturated desaturate
carbon chains
D.
Daylight: In general, daylight is the primary source of light in
buildings
165
Questions
166
1. Who wrote “Treatise de Architectura”
A.Callimachus
B. Ictinus
C. Vitruvius
167
C. Vitruvius
168
2. Master
Click to edit Considered
title styleas the first architectural style
independent of the antiquity in Europe
Since the Gothic Period
A.Gothic architecture
B.Art Nouveau
C. Romanesque
169
B. Art Nouveau
170
Click 3.
to The characteristic
edit Master outline outline or surface configuration
title style
of a particular form and the principal aspect by which we
identify form?
A. Texture
B. Form
C. Shape
171
C. Shape
172
4. Indicate a position in a space?
A. Point
B.Plane
C.Volume
173
A. Point
174
Is characterized by Bold Forms, Harsh Proportion and
Rough Materials such as Exposed/Rough Concrete Steel
and wood.
A.Baroque
B.Postmodern Architecture
C.Brutalism
175
C. Brutalism
176
ACC
(fri 1:00-4:00pm)
Jan francis famoso

Bsarch 4
177
It refers to the quality of surface treatment,
associated with materials.
A. Tone
B. Texture
C. Mass
D. Volume
178
Answer:
B. Texture
• the feel, appearance, or consistency of a surface or substance:
179
One of the Principles of Composition which is also
known as "Formal Architecture"
A. Scale
B. Balance
C. Proportion
D. Unity
180
Answer:
B. Balance
• is a psychological sense of equilibrium. A balanced design has a unity
of composition
181
An architectural term which is known to be the
free from any historical style
A. Futurism
B. Modernism
C. Art Nouveau
D. De stijl architecture
182
Answer:
C. Art Nouveau
• is an international style of art,
architecture, and applied art,
especially the decorative arts,
known in different languages by
different names: Jugendstil in
German, Stile Liberty in Italian,
Modernisme català in Catalan,
etc
183
Architecture that combine new ideas with
traditional forms
A. New modernism
B. Modernism
C. Post-modernism
D. Metabolism
184
Answer:
C. Post-modernism
• Postmodernism is a broad movement that developed in the mid-to-
late 20th century across philosophy, the arts, architecture, and
criticism, marking a departure from modernism.
185
ClickA
toconcept
edit Masterfor
titlethe
styleform, structure and features
of building or other construction, represented
graphically by diagrams plans or other drawings
A. Idea
B. Concept
C. Scheme
D. Design concept
186
Answer:
D. Design concept
is the core idea driving the design of a product, explained via a
collection of sketches, images, and a written statement
187
ACC
188
1.) A stage in modernism where structural
systems and utilities such as pipes, ducts
are exposed.
• a. Radicalism
• b. Brutalism
• c. Expressionism
• d. All of the above
189
1.) A stage in modernism where structural
systems and utilities such as
pipes, ducts are exposed.
• b.) Brutalism
190
consists of repetitive cellular spaces
grouped by proximity or by the
sharing of a common trait or
relationship
• a. Centralized
• b. Radial
• c. Clustered
• d. Grid
191
2.) A kind of spatial organization which
consists of repetitive cellular
spaces grouped by proximity
or by the sharing of a
common trait or relationship
• c.) Clustered
192
3.) An Environmental concept where each
design component becomes an
essential part of the whole such
when one is removed, the
composition is incomplete.
• a. Evolutionary Architecture
• b. Environmental Theory Perception
• c. OrganicArchitecture
• d. Post modernism
193
design component becomes an
essential part of the whole such when
one is removed, the composition is
incomplete.
• c.) Organic Architecture
194
4.) A term that refers to the edge
contour of a plane or the
silhouette of a volume.
• a. Form
• b. Mass
• c. Plane
• d. Shape
195
4.) A term that refers to the edge
contour of a plane or the
silhouette of a volume.
• d.) Shape
196
5.) All are bases
of proportion
except.
• a. Materials Proportion
• b. Manufactured Proportion
• c. LogicalProportion
• d. Structural Proportion
197
5.) All are bases of proportion except.
• c.) Logical Proportion
198
ACC VILLAFLOR, RICHMOND

BS ARCH
199
1.) The Architect who is known to be the "Father of Fantastic Architecture"
A. Adolf Loos
B. Alvar Aalto
C. Antonio Gaudi
D. Louis Khan
200
Answer:
C. Antonio Gaudi
Antoni Gaudí i Cornet was a Spanish architect known as the greatest

exponent of Catalan Modernism. Gaudí's works have a highly
individualized, sui generis style. Most are located in Barcelona, including
his main work, the church of the Sagrada Família.
201
2.) Architect of "Notre Dame du Haut, Ronchamp
A. Mies van der Rohe

B. Le Corbusier
C. Louis Khan
D. Eero Saarinen
202
answer:
B. Le Corbusier
• World Heritage Corb: next up in our series on the 17 buildings by Le
Corbusier that have been added to UNESCO's World Heritage List is the
architect's Chapelle Notre Dame du Haut, the small chapel in
Ronchamp, France, that has become one of his most iconic designs.
203
Click to edit
3.) Master
Architect oftitle style
Petronas Towers in Malaysia which is the worlds tallest building
in 2001
A. Norman Foster
B. SOM
C. Cesar Pelli
D. KPF
204
Answer:
C. Cesar Pelli
• César Pelli was an Argentine-American architect who designed some
of the world's tallest buildings and other major urban landmarks. Two
of his most notable buildings are the Petronas Towers in Kuala Lumpur
and the World Financial Center in New York City.
205
4.) Different historical styles combined and termed as
A. Classicism
B. Realism
C. Eclecticism
D. Romanticism
206
Answer:
C. Eclecticism
• is a nineteenth and twentieth-century architectural style in which a single

piece of work incorporates a mixture of elements from previous historical
styles to create something that is new and original.
207
Click
5.) to
oneedit Master
of the title
principles style
of composition which is also known as “formal
architecture”.
• A. Scale
• B. Balance
• C. Proportion
• D. Unity
208
Answer:
• B. Balance
• Formal balance, also called symmetrical balance, is a concept of
aesthetic composition involving equal weight and importance on
both sides of a composition.
209
ACC TA
210
1) In the theory of architecture, which of these is not considered “a
fundamental impulse of man?”
a. Desire for preservation
b. Desire for recognition
c. Desire for response
d. Desire for happiness
211
d. Desire for
happiness
212
⚫ 2) Which of these is true for buildings in warmer climates?
⚫ a. The colors used are subdued.
⚫ b. The architecture is severe.
⚫ c. Buildings are more flamboyant.
⚫ d. Roofs are steep
⚫
213
c. Buildings are
more flamboyant.
214
⚫ 3) which of these is true for buildings in colder climates?
⚫ a. Plans are open and include patios.
⚫ b. Roofs are flat and colorful.
⚫ c. Windows are small.
⚫ d. Sculpture and mouldings are deeply curved.
215
d. Sculpture and mouldings are

deeply curved.
216
⚫ 4) What color has the effect of rage or passion?
⚫ a. Orange
⚫ b. Yellow
⚫ c. Pink
⚫ d. Red
⚫
217
d.
Red
218
⚫ 5.) A ____ marks a position in space having no length, width or
depth, therefore it is considered static.
⚫ a. Volume
⚫ b. Plane
⚫ c. Line
⚫ d. Point
219
d.
point
220
ACC.
Review and Comprehensive
Examination of Architectural Courses
THEORY OF ARCHITECTURE
GHAYLE R. HERMOSURA
BSARCH 5
AR. ROLEM BASIYA
INSTRUCTOR
221
1. Refers to the name of a color.
a. Tint
b. Red
c. Hue
d. Tone
222
c.toHue
Click edit Master title style
223
2.toAn
Click art
edit which
Master titleseeks
style to harmonize in a building
the requirements of beauty, strength, and utility.
a. Planning
b. Architecture
c. Design
d. Engineering
224
b.toArchitecture
225
3. It is an Architecture based on the primary
consideration of function but with reservations for
historic styles as basis of design.
a. Traditional modernism
b. Pure functionalism
c. Decorative functionalism
d. Structural style
226
a.toTraditional
Click modernism
227
4.toItedit
Click allows
Masterthe horizontal
title style travel from one part
to another.
a. Foot path
b. Corridor
c. Flooring
d. Pathways
228
b.toCorridor
229
5. This grows more logically from a circular
patterns but is often used over square plans by
means of pendentives.
a. Tiers
b. Vaults
c. Roof
d. Domes
230
d.toDomes
231
THANKYOU AND GODBLESS EVERYONE!

STAY SAFE <3
232
ACC
REVIEW AND COMPREHENSIVE EXAMINATION OF ARCHITECTURAL COURSES
SUBMITTED BY: EVIE C. ALBANIA
SUBMITTED TO: AR. ROLEM BASIYA
233
It is
Click theMaster
to edit comparative
title style study of
the measurements and capabilities of the human
body.
• A.Anthropometrics
• B.Anthropomorphism
• C.Ergonomics
• D. Analogy
234
• A.Anthropometrics
• B.Anthropomorphism
• C.Ergonomics
• D. Analogy
235
2. It is the manner of arranging and coordinating the
parts of a composition so as to produce a coherent
image.
• A.Parti
• B.Form
• C.Variety
• D.Massing
236
• A.Parti
• B.Form
• C.Variety
• D.Massing
237
Click to edit Master
3.According title style
to Edward Hall, who created the concept of Proxemics, there are four
different zones of interpersonal space or psychological "bubble". The subjective
dimension of space measured 4 feet to 8 feet (or 1.2m to 2.4m) from a person is known
as:
• A.Public Distance
• B.Personal Distance
• C.Intimate Distance
• D.Social Distance
238
• A.Public Distance
• B.Personal Distance
• C.Intimate Distance
• D.Social Distance
239
4.It is the relation between the part of
composition and a certain abstracts of unit of
measurements?
• A. Generic scale.
• B.Balance
• C.Scale
• D.Proportion
240
• A. Generic scale.
• B.Balance
• C.Scale
• D.Proportion
241
5.It is consist of forms that are grouped together
by proximity or the sharing of a common visual
trait.
• A.Grid forms
• B.Centralized forms
• C. Radial forms
• D.Clustered forms
242
• A.Grid forms
• B.Centralized forms
• C. Radial forms
• D.Clustered forms
243
ACC
BS ARCH 5 (F 1:00PM-4:00PM)
THEORIES
OF
ARCHITECTURE
244
UTILITAS
VENUSTAS
1) Roman architect Vitruvius b
Pollio identified three
elements necessary for a
well-designed building. What ORO, PLATA,
element describes the
aesthetic quality associated c MATA
with the goddess Venus?
FERMITAS
d
245
Utility provided an efficient
UTILITAS
Click to edit Master title style arrangement of spaces
mechanical systems to meet the
and
functional needs of its occupants.
Is the aesthetic quality

associated with the goddess VENUSTAS
1) Roman architect Vitruvius
Venus, imparted style, b
Pollio identified three proportion, and visual beauty.
elements necessary for a
well-designed building. What
translates to gold, silver and death. ORO, PLATA,
element describes the When climbing the steps, each word
corresponds to a stair tread.
aesthetic quality associated c MATA
with the goddess Venus?
Firmness or physical strength FERMITAS
secured the building's structural
integrity. d
246
POST-
Click to edit Master title style MODERNISM
DE-
2) Philosophy is the key
component in the analysis of
b CONSTRUCTIVISM
an architect's practice, what

describes a mode of
PHENOMENOLOGY
knowledge of nature and
human life that is interested
in relationships rather than
c
individual objects?
STRUCTURALISM
d
247
Postmodernism is an eclectic, colorful style of architecture and the
decorative arts that appeared from the late 1970s and continues in
POST-
some form today. Postmodern buildings had curved forms, decorative
elements, asymmetry, bright colors, and features often borrowed from
MODERNISM
earlier periods. Colors and textures were unrelated to the structure or
function of the building.
Deconstructivism is a movement of postmodern architecture which

appeared in the 1980s. It gives the impression of the fragmentation of DE-
b
the constructed building, commonly characterized by an absence of
2) Philosophy is the key
obvious harmony, continuity, or symmetry. It is also characterized CONSTRUCTIVISM
component in the analysis of
by surface manipulation, fragmentation, and non-rectilinear shapes
which distort and dislocate architectural conventions concerning
an architect's practice, what
structure and envelope.
describes a mode of
is the manipulation of space, material, and light and shadow to create a
PHENOMENOLOGY
knowledge ofmemorable
nature and
encounter through an impact on the human senses. This
theory promotes the integration of sensory perception as a function of a
human life that
built is interested
form. The purpose of the phenomenological approach is to
illuminate the specific, to identify phenomena through how they are
in relationships rather than
c
perceived by the actors in a situation.
individual objects?
STRUCTURALISM
The basic idea behind structuralism is
that individual and collective behaviors
emerge from some underlying structure.
d
248
TEXTURE
SHAPE
b
3) An architectural design
element that allows the
viewers to see the building MASS
and makes them imagine
how it would feel. c
COLOR
d
249
Texture can make or break a structure or TEXTURE
building when it comes to design. It can
Click to edit Master title style be a crucial part or architecture, creating
pattern or rhythm and allowing the
viewer to believe the piece moves
through space
shapes can successfully create an outstanding and
effective graphic design. The mood and message of SHAPE
the design may be enhanced by altering its shape
in terms of form, color and size. Shapes may be
soft, curved, rounded, angled or sharp, and each
b
3) An architectural design conveys a different type of mood or emotion.
element that allows the
viewers to see the building
Massing influences the sense of space which the
building encloses, and helps to define both the
MASS
and makes them imagineinterior space and the exterior shape of the
how it would feel. building. Mass combines with shape to define
form. Mass refers to the size or physical bulk of a
c
building, and can be understood as the actual size.
Color plays a significant role in the perception of a COLOR

space in the human mind. When lighter shades are
used, it makes the space appear bigger. On the
other hand, using darker shades make the same
space look smaller. Hence colors can be used to
d
adjust the proportion of a building space.
250
PLACEMENT
FORM
b
4) An architectural design
principle that aims to create a EMPHASIS
focal point in the design.
c
PROPORTION
d
251
Typically in design, related elements should be PLACEMENT
Click to edit Master title style grouped together so that they will be viewed as a
group. A good sense of proximity in design can help
differentiate visual elements to reduce visual
clutter and make design more comprehensible.
Form refers to the shape or configuration FORM

of a building. In Architecture,
“Architectural form is the point of contact
between mass and space
b
4) An architectural designThe aim is to create a focal point in the
principle that aims to create a an eye-catching part that stands
design: EMPHASIS
focal point in the design. out, distinct from the rest of the design
elements. You can use lines, shapes,
colors, textures, size, etc., as well as many
c
other elements to create emphasis.
to balance out the horizontal and vertical
dimensions of a building in order to create an
PROPORTION
overall sense of visual harmony. Proportion plays
an important role in all three, as it provides
guidelines for laying out useful spaces, for
d
designing structural systems, and for creating an
aesthetically pleasing environment.
252
ZAHA HADID
FRANK LLOYD
b WRIGHT
5) An architect who was

famous for his philosophy TOM WRIGHT
“ORGANIC ARCHITECTURE”.
c
LOUIS KAHN
d
253
Zaha Hadid was an architect known for her ZAHA HADID
Click to edit Master title style radical deconstructivist designs. She was
the first woman to be awarded the
Guangzhou Opera House, China
Pritzker Architecture Prize, in 2004.
was an American architect, designer,

writer, and educator. He designed more
FRANK LLOYD
than 1,000 structures over a creative
period of 70 years. Wright believed in
designing in harmony with humanity and
b WRIGHT
Fallingwater (Fayette County, the environment
Pennsylvania)
5) An architect who was is a British architect best known as the designer of
famous for his philosophythe Burj Al Arab in Dubai, United Arab Emirates. He TOM WRIGHT
said that “If you can draw a building with a few
“ORGANIC ARCHITECTURE”. sweeps of the pen and everyone recognizes not
only the structure but also associates it with a
place on earth, you have gone a long way towards
c
creating something iconic”
Burj al Arab, Dubai-UAE
Louis Khan is an American architect who LOUIS KAHN

lived in Philadelphia. Louis has been
fascinated by history and the ancient ruins
of our World, making this his inspiration in
d
making his very own architectural design.
Salk Institute, La Jolla,
California 254
KRISTOFFER ROYCE E. MANDID

BS. ARCH 5
© Copyright, Contact or Publishing Information Here

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Represented by a building which meets in a satisfactory manner the

a. Architecture - the art or practice of designing and constructing

A kind of spatial organization which consists of repetitive cellular spaces

b. Radial - are compositions of linear forms that extend out ward

c. Clustered - consist of forms that are grouped together by

d. Grid - are modular forms whose relationships are regulated by

It is the vertical or horizontal axis of the mass is called?

a. Volume - the amount of space that a substance or object

b. Length - is describing how long the object is.

c. Width - is describing how wide an object is.

It is a form whose parts are related to one another in a consistent and

d. Shape – common primary shapes are square, triangle, circle.

An organizational transformation where transformation occurs by

b. Dimensional transformation - a form can be transformed by

c. Subtractive transformation - A form can be transformed by

By: John Derin Colado

Engineering-is the use of scientific principles to design and

Planning- is the process of thinking about the activities

Radicalism-In political science, the term radicalism is the belief that

Expressionism- is a modernist movement, initially in poetry and

Evolutionary architecture-The first principle of evolutionary architecture

Environmental theory perception-Environmental perception has

Form – is the shape, visual appearance, or configuration of an

Mass- is both a property of a physical body and a measure of

Essence -is a polysemic term, used in philosophy and theology

Metaphors-is a figure of speech that, for rhetorical effect,

CONTRADICTORY DEPTH FACTORS

SPACE WITHIN A SPACE

SPACE LINKED BY COMMON SPACE

FIRST PHASE OF THE

CONFIGURATION OF THE PATH

JOSHUA ARZAGA BALLONADO

Is more subtle and elusive, and is more difficult to attain. It attempts

A: Symmetrical Balance B: Gravitational Balance

C: Unsymmetrical Balance D: Formal Balance

Is more subtle and elusive, and is more difficult to attain. It attempts

A: Symmetrical Balance B: Gravitational Balance

C: Unsymmetrical Balance D: Formal Balance

This kind of composition is the complete adaptation to its

A: Gravitational Balance B: Radial Balance

C: Symmetrical Balance D: Unsymmetrical Balance

This kind of composition is the complete adaptation to its

A: Gravitational Balance B: Radial Balance

C: Symmetrical Balance D: Unsymmetrical Balance

A kind of rhythm that if equally spaced windows are introduced

A: Regular Rhythm B: Progressive Rhythm

C: Unaccented Rhythm D: Accented Rhythm

A kind of rhythm that if equally spaced windows are introduced

A: Regular Rhythm B: Progressive Rhythm

C: Unaccented Rhythm D: Accented Rhythm

A: Accented Rhythm B: Flowing Rhythm

C: Unaccented Rhythm D: Alternating Rhythm

A: Accented Rhythm B: Flowing Rhythm

C: Unaccented Rhythm D: Alternating Rhythm

A: Fluctuation B: Reversible Figure

A: Fluctuation B: Reversible Figure

Home Insurance Company Building, Chicago, designed by William Le Baron

• The concepts of expression, representation, and the nature of art

• 2.Parts are dissimilar in nature and their relation to one another in an