Song Analysis - Aidan Hargett

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Aidan Hargett

Stanard

ENG 1201

1 July 2021

Analysis of MGMT’s “Kids”

“A baby is born / crying out for attention,” sings MGMT’s Andrew Vanwyngarden in

“Kids,” a song that seems, at first glance, innocent and cheerful. However, this line, as well as

the entire song, alludes to something deeper and more pessimistic about humanity. When people

are first born, they are instinctively selfish as they cry out for attention, humans selfishly crave

attention. The entirety of the song depicts the greed of humanity, and the inability of humans to

directly see the effects of their consequences on the Earth, all due to the infatuation with the

briefness of life. The uniqueness of MGMT’s music allows for the audience to perceive their

songs in completely different ways, simply through the way other artists perform the songs and

what visual elements complement the song. This is exactly the case with Colin & Carloine’s

cover of the 2008 hit. The presentation and performance of “Kids” by Colin & Caroline

promotes a much warmer feeling and message, one of love. Throughout the performance and

music videos of both renditions of “Kids,” MGMT and Colin & Caroline use many visual and

stylistic elements to promote two entirely different narratives.

Visual elements often have the largest impacts on an audience, music videos are no

exception to this. These visual aspects, as powerful as they are, may determine the entire

meaning, tone, and narrative of a song, as exemplified in both versions of “Kids.” MGMT’s

visuals for their music video had such a realistic and profound impact on the audience that it
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often drew children's rights protests. The beginning of the video consists of a lonely child, first in

his crib, being traumatized and followed by monsters, which continues throughout the video. As

expected, the child reacts in horror, attempting to flee every chance he gets. MGMT purposefully

does this as it not only represents and alludes to a deeper and more somber meaning to the lyrics,

but it also engages with the audience’s sense of morality, emotionally engaging them within the

video.

On the contrary, Colin & Caroline powerfully depict different stages and feelings of love.

Colin & Caroline’s video starts out with a few scenic cuts between lakeside views, and peaceful

forests, completely different from the imagery shown in MGMT’s video. The two are smiling

throughout their performance, there are soft cuts and the zooms in on their fingers as they play

their respective instruments. This relaxed form of motion picture allows the audience to feel

more relaxed and conveys a much warmer feeling entirely. This entire music video includes the

artists themselves, but MGMT’s version only shows the band once, most of the video follows the

character, a little boy. Colin & Caroline’s video, in harmony with the style of the music in the

video, convey a duet between two lovers, both growing and maturing, experiencing different

stages of love throughout their lives: maternal, platonic, and eventually, romantic love at the end,

between each other. The ability for visual elements to alter the meaning of two versions of

identical songs indicate its importance in the depiction of a narrative in any form of media.

Another strong tool in musical narration, and arguably the most important, is style. The

two different renditions of “Kids” epitomize this. Andrew Vanwyngarden sings as the only

vocalist in MGMT’s version of “Kids,” already isolating the song to a single person, giving him

sole control over how he uses his voice to portray his emotion. MGMT’s version also contains a

very strong electronic element and a dominant percussive sound, driving the tempo quickly from
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the start. On top of this, the vocals are distorted throughout the song, including lots of reverb and

compression, this gives the song a very distorted and disassociated sound. Throughout the song,

many pauses between verses are elongated by synthesizer solos, as well as the inclusion of a

children’s voice screaming, further adding to the uncertainty and uneasiness of the song, which

advances the darker theme. Colin & Caroline’s cover of the song contains elements that could

not be further than the opposite of MGMT’s style. By simply changing the instrumentation and

number of vocalists used in songs, artists can entirely alter the meaning behind certain tracks.

Colin & Caroline first sing in duet, this classically and historically represents a love song. The

two also dramatically slow the song down from its original brisk pop tempo and, in combination

with the sounds of acoustic guitar and piano, promote a calm and romantic feeling using the

acoustic sound. The most important element in a music video is the song itself, this also includes

the way certain stylistic elements complement the overall message the artists are trying to

convey.

The complex and sophisticated nature of creating music videos goes into many different

things. Every element of a video must be specifically tailored to the message that the artists wish

to deliver, even something as simple as the facial expressions the characters in the video make

may change the meaning behind an entire verse. The use of different instrumentation and style is

also just as important as any visual element in delivering this message to the audience. MGMT’s

more standard use of typical pop elements promotes their darker theme that expresses the nature

of human greed, while Colin & Caroline harmonically depict the different stages of love that one

may feel throughout their life. The two versions of “Kids” by MGMT and Colin & Caroline

typify the detailed nature, structure, and thought that goes into video production.
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Works Cited

Vanwyngarden, Andrew W, and Benjamin N Goldwasser. MGMT - Kids (Official HD Video).

YouTube, Sony Music Entertainment, 25 Oct. 2009, www.youtube.com/watch?

v=fe4EK4HSPkI&ab_channel=MGMTVEVO. Accessed: 1 July 2021.

Healy, Colin. Kids - MGMT (Colin & Caroline Cover). YouTube, TuneCore, 27 June 2013,

www.youtube.com/watch?v=pg2tqtXXC0w&ab_channel=Colin%26Caroline. Accessed: 1

July 2021.

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