The Milkmaid (Vermeer) PDF

Download as pdf or txt
Download as pdf or txt
You are on page 1of 1

The Milkmaid

Johannes Vermeer (Dutch)

The Milkmaid was painted by


Johannes Vermeer in about 1657–58.
The small picture (18 x 16 1/8 in.
[45.5 x 41 cm]) could be described as
one of the last works of the Delft
artist’s formative years (ca.
1654–58), during which he adopted
various subjects and styles from other
painters and at the same time
introduced effects based on direct
observation and an exceptionally
rened artistic sensibility.
Vermeer restricted his palette mainly
to the primary colors of red, blue, and
yellow, and he favored geometric
shapes (in The Milkmaid, the right
triangle formed by the gure and the
table are balanced within the
rectangle of the picture eld). A low
vantage point and a pyramidal
buildup of forms from the left
foreground to the woman’s head lend
the gure monumentality and
perhaps a sense of dignity.
A foot warmer is on the oor behind
her, near Delft wall tiles depicting
Cupid (to the viewer's left) and a
gure with a pole (to the right).
Intense light streams from the
window on the left side of the canvas.
The painting is strikingly
illusionistic, conveying not just
details but a sense of the weight of the
woman and the table. The light,
though bright, doesn't wash out the
rough texture of the bread crusts or
atten the volumes of the maid's thick
waist and rounded shoulders
Johannes Vermeer (October 1632 – December
1675), in original Dutch Jan Vermeer van
Delft, was a Dutch Baroque Period painter who
specialized in domestic interior scenes of
middle class life. During his lifetime, he was a
moderately successful provincial genre*
(*depicts aspects of everyday life by portraying
ordinary people engaged in common activities)
painter, recognized in Delft and The Hague.
Nonetheless, he produced relatively few
paintings and evidently was not wealthy,
leaving his wife and children in debt at his
death.Vermeer worked slowly and with great
care, and frequently used very expensive
pigments. He is particularly renowned for his
masterly treatment and use of light in his work.
“Almost all his paintings," Hans Koningsberger
wrote, "are apparently set in two smallish rooms
in his house in Delft; they show the same
furniture and decorations in various
arrangements and they often portray the same
people, mostly women."

You might also like