HOA&TOA
HOA&TOA
HOA&TOA
a. Villa Caprese, Rome 16. Art & architecture in the style of the Ancient Greeks & Romans, as
b. Villa Valmarana, Vicenza that of the Italian Renaissance & the English Palladian Style, in the late
c. S. Giorgio Maggiore, Venice 18th & early 19th centuries:
d. The Basilica, Vicenza a. Classical
e. Palazzo Thiene, Vicenza b. Greek Revival
c. Gothic Revival
7. The following architects are the major representatives of d. Classical Revival
DECONSTRUCTIVISM, EXCEPT: e. Renaissance Revival
a. R. Buckminster Fuller
b. Frank Gehry 17. This 19th century movement was both an aesthetic and moral
c. Daniel Libeskind crusade; as a reaction against mass-produced goods; & believed that
cheap art is impossible, because all art costs time, trouble & thought”:
d. Bernard Tschumi a. Academic Art
e. Zaha Hadid b. Ecole des Beaux Arts
c. Arts & Crafts
d. Picturesque Movement
8. The unifying structure or concept of an artistic work: e. Garden City
a. Aesthetics
b. Technology 18. The architect of FULLER FLATIRON BUILDING, NEW YORK,
c. Tectonics 1902:
d. Technics a. Henry Hobson Richardson
e. Architectonics b. Louis Henry Sullivan
c. Daniel Hudson Burnham
9. The HALL OF THE TAIHEDIAN (Hall of Supreme Harmony) is a d. William Le Baron Jenney
court located in which Chinese structure: e. William Holabird
a. The Temple of the Sleeping Buddha
b. The Forbidden City, Beijing 19. Generic term for the decorative movement in 1880 – 1910, which
c. The Temple of Heaven had many variants; displaying a wealth of vegetal curves:
d. Summer Palace a. Art Nouveau
e. Porcelain Pagoda b. Beaux Arts
c. Arts & Crafts 29. The Sun King, Louis XIV’s symbol of France’s age of power &
d. Art Deco influence:
e . De Stijl
a. Reggia of Caserta
20. A gallery or parapet projecting from the Castle wall, with openings b. the Louvre
in the floor through which to drop molten lead, boiling oil or stone c. Windsor Castle
missiles on the enemy below: d. Versailles
a. Machicolation e. the Doge’s Palace
b. Bastion
c. Battlement 30. A bracket system used in traditional Chinese construction to
d. Ballista support roof beams, project the eaves outward, and support the interior
e. Siege Tower ceiling.
a. Siheyuan
b. Zhanglou
c. Dougong
21.A vault characterized by arched diagonal arrises formed by the d. Ang
intersection of two barrel vaults: e. Gulou
a. Tunnel vault 31. The Architect of CAFFÉ PEDROCCHI, PADUA, 1816.
b. Fan vault NEOCLASSICAL/ GREEK REVIVAL Style.
c. Groin vault a. Leo von Klenze
d. Wagon vault b. Giuseppe Jappelli
c. Augustus Welby Northmore Pugin
e. Rib vault
d. Victor Horta
e. Charles Rennie Mackintosh
22. This immediately evolved from the Renaissance; a term coined to
describe the characteristics of the work of some 16th century Italian
architects whose work was less rigidly governed by the Stylist rules; an
32. The GERMAN term for ‘”Youth Style”:
unconventional use of Classical elements:
a. Sezessione
a. Baroque
b. Jugendstil
b. Rococo
c. Stile Liberty
c. Classicism
d. Modernismo
d. Mannerism
e. Art Nouveau
e. Antiquarian
33. Gothic in France is known as:
23. A monumental freestanding gateway on the approach to a Shinto
a. Sondergotik
shrine.
b. Style Ogivale
a. Thorana
c. Norman
b. Torii
d. Jugendstil
c. Pailou
e. Tudor
d. Gopuram
e. Pagoda
34. A Hindu temple, may be of the Nagara type or the Dravida type:
a. Vihara
24. Picture recess: a shallow, slightly raised alcove for the display of a
b. Vimana
scroll, painting or flower arrangement.
c. Mandapa
a. Kakemono
d. Mandira
b. Tokonoma
e. Sikhara
c. Ikebana
d. Chashitsu
35. The period or phase of English Gothic characterized by both
e. Bonsai
Geometric Tracery & Curvilinear Tracery:
a. Rayonnant Style
25. Each of the small arc openings ornamenting a Gothic window:
b. Decorated Style
a. Wheel window
c. Lancet Style
b. Cusp
d. Perpendicular Style
c. Transom
e. Flambouyant Style
d. Foil
e. Mullion
36. Which of the following is NOT a characteristic ENGLISH GOTHIC
cathedral:
26. The architect of VILLA CAPRA/ LA ROTONDA, Vicenza, 1550:
a. Exeter
b. Antwerp
a. Baldassare Peruzzi
c. Gloucester
b. Andrea Palladio
d. Canterbury
c. Giulio Romano
e. Winchester
d. Bartolomeo Ammanati
e. Giorgio Vasari
37. As the Parthenon is the Masterpiece of Greek architecture, & the
27. The FIRST GREEK CROSS plan to the S. Peter’s, Rome, Vatican Pantheon of Rome; So it remains for all ages the Masterpiece of
was made by: Byzantine architecture is the HAGIA SOPHIA, Constantinople, built by
a. Michelangelo Buonarroti the architects:
b. Carlo Maderno
a. Apollodorus of Damascus & Anthemius of Tralles
c. Raphael Sanzio
d. Donato Bramante b. Isidorus of Miletus & Marcus Vitruvius Pollio
e. Antonio da Sangallo, the Younger c. Hippodamus of Miletus & Apollodorus of Damascus
d. Isidorus of Miletus & Anthemius of Tralles
28. Published in 1485, the first architectural treatise of the e. Anthemius of Miletus & Isidorus of Tralles
Renaissance, DE RE AEDIFICATORIA, was written by:
38. Built in the 13th to 14th cents., this palace- fortress represents the high- water
a. Andrea Palladio
b. Leone Battista Alberti mark of Islamic architectural achievement in western Europe. Its name means
c. Sir William Chambers Arabic for “Red Castle”. In the Caliphal style, it was built by a succession of
d. Giacomo Barozzi da Vignola Moorish rulers in the Nasrid dynasty. One of the interior courtyards is the Court
e. Marcus Vitruvius Pollio of Lions, with its graceful arcades set atop 124 white marble columns. These
very slender columns with high dosseret blocks carry a perforated arcade-
structure of stucco, incredibly pierced & interlaced to give it a filigree- like 48. The starting gates at one end of the Circus for horse & chariot
delicacy. Identify this building: racing:
a. Diazoma
a. Al- Masjid -Al- Haram, Mecca, Saudi Arabia b. Spina
b. Alcazar, Seville, Spain
c. Cavea
c. Alhambra, Granada, Spain
d. La Mezquita, Cordoba, Spain d. Carceres
e. Dome of the Rock, Jerusalem, Israel e. Velarium
52. An open portico of columns standing in the front & the rear of a
42. Identify this structure located in Rome, 1732, designed by Niccolo Greek temple:
Salvi & finished by Panini. BAROQUE: a. Peripteral
a. Scala di Spagna b. Distyle-in-antis
b. Scala Regia c. Amphi-prostyle
c. Staircase, Biblioteca Laurenziana d. Amphi- antis
d. Fontana de Trevi e. Prostyle
e. Boboli Gardens
72. This architect was very influential through his writings, including
“Complexity & Contradiction in Architecture” (1967):
92. The following architects are the major representatives of 97. This study affirms that the mind will simplify the visual environment
ARCHITECTURAL ENGINEERING, EXCEPT: in order to understand it:
a. Bauhaus
b. SOM
c. TAC
d. Taliesin
e. Chicago School