Theory of Architecture Quiz 01 - Questionnaire

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THEORY OF ARCHITECTURE

QUIZ 01

NAME : _______________________ SCORE _________


SCHOOL : ________________________

Select the best answer of your choice.

CONCEPT OF ARCHITECTURE:
1. Architecture is the molding and altering to human needs, the
very face of the earth itself.
a. RA 9266 c. Von Schelling
b. William Morris d. John Ruskin

2. Commodity, firmness and delight.


a. Ludwig Mies Van Der Rohe c. Von Schelling
b. Adolf Hitler d. Sir Henry Weston

3. Stone document. An expression of the unity and power of the


nation.
a. Ludwig Mies Van Der Rohe c. Von Schelling
b. Adolf Hitler d. Sir Henry Weston

4. The art for all to learn because all are concerned with it.
a. John Ruskin c. Von Schelling
b. Le Corbusier d. Sir Henry Weston

5. The masterly, correct and magnificent play of masses brought


together in light.
a. John Ruskin c. Ludwig Mies Van Der Rohe
b. Leon Battista Alberti d. Le Corbusier

ARCHITECTURAL PERIODS:
6. European Architecture moved from the rectangular basilica
forms to the classically inspired Byzantine style.
a. Gothic c. Early Christian & Medieval
b. Renaissance d. Romanesque

7. European settlers in the New World borrowed ideas from their


homelands to create their own breed of Architecture.
a. American Colonial c. Georgian
b. Victorian d. Neo-Classical
8. Industrialization brought many innovations in Architecture.
This style includes Gothic Revival. Italianate, Stick,
Eastlake, Queen Anne, Romanesque and Second Empire.
a. American Colonial c. Georgian
b. Victorian d. Neo-Classical

9. In the early 20th century, medieval gothic ideas were applied


to modern skyscrapers.
a. Greek Revival c. Neo-Gothic
b. Victorian d. Neo-Classical

10. Also known as Academic Classicism or Classical Revival,


characterized by order, symmetry, formal design, grandiosity
and elaborate ornamentation.
a. Art Deco c. Arts and Crafts
b. Art Nouveau d. Beaux Arts

SPACE PERCEPTIONS:
11. Space that can be perceived through the sense of smell.
a. Olfactory Space c. Euclidean Space
b. Tactile Space d. Auditory Space

12. Space that can be perceived through the sense of touch and
feelings.
a. Visual Space c. Fictional Space
b. Tactile Space d. Auditory Space

13. Space that can be perceived through the means of


conscious and deliberate interaction with the space.
a. Existensial Space c. Fictional Space
b. Emotional Space d. Parcipatory Space

14. Space that can be perceived through the unreal means.


a. Existensial Space c. Fictional Space
b. Emotional Space d. Parcipatory Space

15. Space that are functioning even beyond their original


function.
a. Live Space c. Passive Space
b. Active Space d. Idle Space

ARCHITECTURAL ISMS:
16. It refers to the works of Van der Rohe which displayed the
use of glass and steel, display of service systems of a
building like air conditioning ducts, plumbing pipes etc.
a. Modern International c. Art Nouveau
b. Arts & Craft Movement d. Brutalism
17. A style ignoring the classic approach to design introduced
in the early 60’s in Europe.
a. Constructivism c. Deconstructivism
b. Functionalism d. Expressionism

18. It is a passionate pleading for ideas on form and space in


Architecture.
a. Constructivism c. Deconstructivism
b. Functionalism d. Expressionism

19. It is an architecture of calculation of audacity and


simplicity; an architecture of reinforced concrete, iron,
glass, and substitute for stone, wood, bricks which make
possible maximum elasticity and lightness.
a. Organism c. National Romanticism
b. Futurism d. Metabolism

20. A building must grow or blend with the environment;


sympathize with the environment/landscape.
a. Organism c. National Romanticism
b. Futurism d. Metabolism

CULTURES WITHIN A SOCIETY:


21. A model developed in Germany by Bassam Tibi, where the idea
of minorities can have an identity of their own but they
should at least support the core concepts on which the
society is based.
a. Melting Pot c. Monoculturalism
b. Multiculturalism d. Leitkultur

22. It is where culture is very closely linked to nationalism,


thus government policy is to assimilate immigrants to
mainstream society.
a. Melting Pot c. Monoculturalism
b. Multiculturalism d. Leitkultur

23. It is where all the immigrant cultures are mixed and


amalgamated without State intervention like in the USA.
a. Melting Pot c. Monoculturalism
b. Multiculturalism d. Leitkultur

24. A policy that immigrants and others should preserve their


cultures with the different cultures interacting peacefully
within one nation.
a. Melting Pot c. Monoculturalism
b. Multiculturalism d. Leitkultur
25. Totality of socially transmitted behavior patterns, arts,
beliefs, institutions and all other products of human works
and thoughts.
a. Traditions c. Culture
b. Beliefs d. Supertitions

COLOR:
26. Designating a color having low lightness and low saturation
and reflecting only a small fraction of incident light.
a. Dark c. Deep
b. Grayscale d. Tint

27. Designating a color having high lightness and low


saturation.
a. Dark c. Brilliant
b. Pale d. Tint

28. The degree by w/c a color differs from a gray of the same
lightness or brightness, corresponding to saturation of the
perceived color.
a. Value c. Chroma
b. Saturation d. Hue

29. The degree by which a color appears to reflect more or less


of the incident light, corresponding to lightness of the
perceived color.
a. Value c. Chroma
b. Saturation d. Hue

30. One of the three dimension of color, the purity or


vividness of a hue. Also called Intensity.
a. Value c. Chroma
b. Saturation d. Hue

THEORETICAL TYPES OF CULTURE:


31. "The Sharing of Ideas", it refers to an element of one
culture leading to an invention or propagation in another.
a. Acculturation c. Assimilation
b. Stimulus Diffusion d. Transculturation

32. The form of something that moves from one culture to


another.
a. Innovative Diffusion c. Tangible Diffusion
b. Stimulus Diffusion d. Diffusion

33. It refers to the replacement of the traits of one culture


with those of another.
a. Acculturation c. Assimilation
b. Stimulus Diffusion d. Transculturation

34. Direct borrowing from one culture to another.


a. Innovative Diffusion c. Tangible Diffusion
b. Stimulus Diffusion d. Diffusion

35. Adoption of a different culture by an individual.


a. Acculturation c. Assimilation
b. Stimulus Diffusion d. Transculturation

COLOR:
36. The dimension of color that is corelated with luminance and
by which visual stimuli are ordered continuously from very
dim to very bright.
a. Lightness c. Brilliance
b. Brightness d. Luminance

37. Having no saturation and therefore no hue, such as white,


black or gray.
a. Achromatic c. Monochromatic
b. Polychromatic d. Megachromatic

38. A relatively light value of a color, produced by adding


white to it.
a. Shade c. Tone
b. Tint d. Gray

39. An achromatic color between white and black.


a. Shade c. Tone
b. Tint d. Gray

40. A relatively dark value of a color, produced by adding


black to it.
a. Shade c. Tone
b. Tint d. Gray

SPACE AND BODY:


41. Study of measurements of the human body.
a. Anthropomorphism c. Anthropometrics
b. Anthropocentrism d. Ergonomics

42. An applied science concerned with the characteristics of


people that need to be considered in the design of devices
and systems in order that people will interact effectively
and safely.
a. Anthropomorphism c. Anthropometrics
b. Anthropocentrism d. Ergonomics

43. Human qualities are associated with non-human entities /


events. Qualities such as form, values and emotions.
a. Anthropomorphism c. Anthropometrics
b. Anthropocentrism d. Ergonomics

44. The human being is the most important entity in the


Universe. The world is perceived according to values and
experiences of the human being.
a. Anthropomorphism c. Anthropometrics
b. Anthropocentrism d. Ergonomics

45. Were the first to be conscious about the relationship of


man to the universe in terms of the elements it comprised.
a. Egyptians c. Protagoras
b. Vitruvius d. Greeks

COLOR WHEEL:
46. One of a pair of opposing colors on a color wheel,
perceived as completing or enhancing each other.
a. Split c. Double
b. Complementary d. Triad

47. A combination of one color and the pair of colors adjoining


its complementary color on a color wheel.
a. Split c. Double
b. Complementary d. Triad

48. A combination of 2 analogous colors and their complementary


colors on a color wheel.
a. Split c. Double
b. Complementary d. Triad

49. An arrangement of pattern of colors conceived of as forming


an integrated whole.
a. Color Wheel c. Color Mix
b. Color d. Color Scheme

50. A circular scale of the colors of the spectrum showing


complementary colors opposite each other.
a. Color Wheel c. Color Mix
b. Color d. Color Scheme

*** GOOD LUCK AND GOD BLESS FUTURE JANUARY 2023


ARCHITECTS!!!! ***

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