A Rejoinder Ingles
A Rejoinder Ingles
A Rejoinder Ingles
Spirit Houses
From January 17th to August 31st, 1997 and perspectives. The exhibit empha
the Centre de Cultura Contemporania de sized the enduring magical and religious
Barcelona presented the exhibit Spñrit-Houses quality of architectural plans and mod
(5500 BCE to 300 CE): The Earliest Models in els by examining the early use of models
History. This exhibit explored representa- in the cult of the dead as dwellings for
tions of a r c h i t e c t u r e from t h e ancient the soul and, for the later technical draw
Mediterranean both as architects' models ings, the tendency to attribute architecture
and magicians' or priests' equipment. to divine or royal inspiration rather than
Spirit-Houses was the first exhibition the architect or craftsperson. Spirit-
devoted to the plans and models of antiq- Houses offered us a window, not only
uity. It showcased approximately one hundred on where and how people of the ancient
pieces, almost all originals, representing Mediterranean lived, but also the image
votive objects as well as some of the few pre- those people had of their built environ
served documents created by architects. The ment.
exhibition included a selection of works from Coinciding with this exhibit. The
the four main interactive cultures of the Centre de Cultura Contemporania de
ancient Mediterranean: Egypt, Mesopotamia, Barcelona also organized a seminar dur
Greece, and Rome. The objects were arranged ing February and May 1997 entitled The
according to culture, function (civil, mili- Models of Architects of Antiquity, under
tary, a n d religious), a n d typology. The the direction of exhibit curator Pedro
exhibition was completed by some images Azara.
of architecture in the arts of the past.
Model of a tower dating to the ca. 1600-
Spirit-Houses traced the development 1200 BCE from the middle Euphrates region Centre de Cultura Contemporania
and use of models and plans from the ear- of Syria (59.5 χ 30 χ 38 cm). de Barcelona Press Dossier, adapted
liest three-dimensional models in stone and
clay of houses, granaries, and temples to
architects' plans and models similar to those
of today, including orthographic projections
^ s
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