Boss gt3
Boss gt3
Boss gt3
Table of Contents
Questions from Prospective Owners
Q: What type of guitar works best with the GT-3? What type of pickups?
Q: What kind of Amp works best with the GT-3?
Q: Where can I hear examples of the GT-3?
Q: How does GT3 Compare against POD?
Q: How does GT3 Compare against RP-7?
Q: How does GT3 Compare against RP-14D?
Q: What are differences between GT-3 and GT-5?
Q: Can I use the pedals to turn individual effects on and off (manual mode)?
Q: Can I use the GT-3 with my electro/acoustic?
Q: Where can I get the best price on GT-3?
General Questions
Q: Does anyone know if there are ROM? upgrades available for the GT-3? What is the
latest chip version and how would I check what version mine is?
Q: What PC software is available for the GT-3?
Q: What MAC software is available for the GT-3?
Q: Where can I get good patches?
Q: Where can I upload patches?
Q: Can I use GT-5 patches?
Q: What should I use for a gig bag or case?
Q: What is the deal with Brass Eagle Paintball Case?
Q: What is Manual Mode?
Q: Is there a way I can get the GT-3 to work like stompboxes, so that each of the pedals
will control an effect?
Q: In Manual mode, is it only possible to have one set of pedal assignments for all
patches?
Connections
Q: How do I hook this thing up to my amp?
Q: How do I hook up to a computer (for recording)?
Q: How do I hook this up to a computer (for patch download)?
Q: What kind of cable do I need for MIDI? Where can I find one?
Q: What is the 4 cable method? What is the 5 cable method? What is the difference?
Q: How do I hook up an external stompbox in the OD/DS loop?
Effects
General
Q: What order do the effects go in?
Q: How do I change the order of effects?
Q: How do you use more than one parameter from the MOD group or SFX group
at once?
Q: What is BPM?
[SFX]
Q: How do I get a sound with violin like attack?
Q: How does anti-feedbacking work?
[WAH]
Q: How can I get a better wah sound?
[OD/DS]
Q: How do I hook up an external stompbox in the OD/DS loop?
Q: How do I get a Tubescreamer sound?
Q: What BOSS pedals are the names of the distortions on the GT-3 supposed to
refer to?
Q: Which stompbox works best in the OD/DS Loop?
[EQ]
Q: What is the difference between the equalizer and subequalizer?
Q: What frequencies should I adjust?
[MOD]
Q: How do I emulate an sub-octaver? Octavia?
Q: How do I improve the tracking of the Harmonizer?
Q: How can I get a whammy effect (simulating effect of whammy bar)?
Q: Why does the synth sometimes change pitch?
[DELAY]
Q: How do you use the delay to get a loop going that you can play over?
Q: How do I tap out the delay time with a footswitch?
Q: What is the difference between the Delay Time and Delay Time F. parameters?
[CHORUS]
Q: How do I simulate a Uni-Vibe?
MIDI/Additional Software
Q: What Software is available?
Q: What are sysex files? Why are people sending me files with .syx extensions and what
do I do with them?
Q: How do I save patches on my computer? / How do I download patches from my
computer to my GT-3?
Q: How do I preview patches on my computer without saving them to my GT-3?
GT-3 Banker
Q: Why does the banker give me an error saying "The File Size is wrong, extra
215 bytes"
GT-3 Editor
Q: How do I use the editor to print out my patches to a text file?
Revisions
A: Use whatever guitar you like. You will probably find that certain types of pickups will work
better with different preamp models.
If you prefer your amp's distortion, and your amp has an effects loop, you can use the 5-cable
method, as described in the connections section.
Also check the GT-3 User Sites listed at the end of this FAQ.
A number of RP-7 users will argue that the distortions sound better because of the tube. It has 4
solid state (Overdrive, Fuzz, Heavy Sustained, Grunge) and 4 tube (Clean1, Clean2, Blues,
Saturation) preamp voicings. On the Digitech web page, there is a library posted of user
patches. There you will find that most of the patches posted use the Grunge preamp, which is a
solid state preamp.
Roughly the same types of amp models are offered between the two units, although the GT-3
may offer a few more. In general, the GT-3 has the same advantages over the RP-14D as it has
over the RP-7 (see above). If the RP-14D has the same quality of digital effects as the RP-7,
than the GT-3 has the advantage in effects. The GT-3 has more patches (200 factory/140 user vs
50 factory/50 user). The RP-14D has 3 band EQ. The GT-3 has 3 band EQ, plus an independent
parametric EQ having low, high, and 2 parametric bands with adjustable resonance. The GT-3
has MIDI control, useful for storing patches (or previewing patches without entering in all the
parameters), which the RP-14D does not. Also, the GT-3 displays patch names, the RP-14D
displays only numbers.
Q: Can I use the pedals to turn individual effects on and off (manual mode)?
A: Yes, this is known as manual mode.
• http://www.wholesalemusic.com/roland/gme/index.html
• http://www.ktjmusic.com
• http://www.americanmusical.com
• http://www.zzounds.com
General Questions
Q: Does anyone know if there are ROM? upgrades available for the GT-3? What is the
latest chip version and how would I check what version mine is?
A: To check what ROM version you have, hold down [MASTER] and [PEDAL/ASSIGN] while
powering up. The most current ROM version is 1.02. It is uncertain what this revision does at
this time.
If you want to find out if your GT-3 has the faulty harmonist effect
program the following :
MODULATION
FX Select: Harmonist
Voice: 1-Voice
H1 Mode: Mono
H1 Pitch: 0
H1 Fine: 0
H1 PreDly: 0
H1 Fdback: 0
H1 Level: 100
Dir Level: 0
PEDAL ASSIGN
EXP Pedal
Target: HR: HR1 Pitch
Target Min: 0
Target Max: 12
Once you've done that and saved the patch, go to a different patch
then return to the one you just programmed.
If you now move the expression pedal back and forth and you hear two
sounds/signals you have a faulty unit.
If you rock your pedal and all you hear is one signal, and that is
the Harmonist pitch going up and down then your GT-3 is fine.
What happens with the faulty units or old chipset is that when you
return to a saved harmonist patch the second voice is introduced
which is especially annoying if you want to have just the altered
pitch and not the direct sound or second voice of the harmonist
effect.
"For the time being, please inform your customer following procedure
to avoid the problem: Even in case of 1 voice, please set 2-mono or
2
I hope this is clearer for people now. It's a very specific problem
in the GT-3 and may never affect you if you dont use the pitch
altering characteristics of the Harmonist effect. But if you want a
totally working GT-3 then I suggest you go through the motions of
having your GT-3 chip updated to version 1.02
• Version 1.02: This is the current revision. It affects the brightness of the LCD display.
• GT-3 Editor - A utility that allows for editing of patches through a GUI, as well as
previewing patches.
The software can be found at the following locations:
http://www.egroups.co
Patch Central at eGroups.com
m/files/GT-
New as of July 2000!!
3/Patch+Central/
Also check the GT-3 User Sites listed at the end of this FAQ.
Q: Where can I upload patches? A: You can always post patches to the GT-3 Mailing list. Or
to Patch Central.
Q: Can I use GT-5 patches?
A: Sometimes. Sort of. The GT-3 and GT-5 have similar parameters. If you have a GT-5 in
text format, you can make adjustments easily enough. The GT-5 contains "custom" distortion
and preamp models which the GT-3 does not, so you may have to improvise. If you have a GT-5
Sysex file, you may or may not be able to load it using the GT-3 editor program.
One concern that people have had with the case is that on the Brass Eagle website, the case is
shown with molded plastic instead of eggcrate foam. A few list members have contacted Brass
Eagle and have learned that the model with the foam is replacing the model with the molded
plastic. You can find an online retailer at:
http://www.brasseagle.com/eagleville/eVendors.html
Q: Is there a way I can get the GT-3 to work like stompboxes, so that each of the pedals will
control an effect?
A: This is called manual mode. It can be activated by pressing [MANUAL]. Or, using the quick
presets, you can set the control pedal to P10=MANUAL to allow the control pedal to change
When in manual mode, footswitches 1-4 and the Bank up and Bank Down buttons will all turn
an effect on or off. The display will also change. Instead of displaying the name and bank of the
patch, the display will show the number of a switch in reverse video, followed by the
abbreviation of the effect toggled by that switch. Effects that are on will appear in UPPER
CASE, those which are off will appear in lower case.
Q: In Manual mode, is it only possible to have one set of pedal assignments for all patches?
A: For the most part. Supposing you have footswitch 1 set to turn the OD/DS on or off,
footswitch 1 will turn the [OD/DS] on or off in every patch.
However, in the case of the [SFX] and [MOD] sections, the button will control whatever preset is
currently programmed for that section. Supposing you have one patch where the [MOD] is set to
Phaser and another where it is set to Flanger. If you enter manual mode in the first patch, set
pedal 2 to control the Phaser, exit manual mode, change to the second patch, enter manual mode,
and then depress pedal 2, you wil find that the pedal now toggles the Flanger.
Connections
Q: How do I hook this thing up to my amp?
A: This probably the greatest source of confusion for people, and depends greatly upon the type
of amp you have.
When you press [UTILITY], the first parameter which displays is one called Your Setting?.
There are five options:
• Line (Headphones)
Setup Recommendation.
Guitar Amp with In the [UTILITY] section, set Your Setting? to Power Amp
Effects Loop, not using (Combo). Plug into effects return.
guitar amp preamp
This varies widely with the amp selected, so there are no easy
answers. You WILL need to experiment to get the best tone.
On page 11 of the manual (and on a "Read Me First" note included
with the GT-3) it says:
When shipped from the factory, "Your Setting?" is set to "GT.
Amp(Combo)". To obtain better sound, we recommend setting
Amp without Effects "Your Setting?" to "Power Amp(Combo)" or "Your Setting?" is set
Loop to "Power Amp(Stack)" and connecting to RETURN or MAIN IN on
the guitar amp.
Note: When plugging into a guitar amp's input, if the amplifier has a channel switch, set it to the
normal (clean) channel.
If your sound card does not have standard MIDI jacks, you will need to connect through your
sound card's joystick port. You will need a conversion cable, which you should be able to find in
any computer store. There will be a DB-15 M connector which connects to your soundcard's
joystick port. There should be two MIDI plugs on the end of the converter cable. The one
marked OUT needs to be connected to the MIDI IN jack on the GT-3 and the one marked IN
needs to go to the jack marked MIDI OUT on the GT-3. If you have a joystick, plug it into the
conversion cable's DB-15 F connector.
Q: What kind of cable do I need for uploading and downloading patches via MIDI?
Cable4PC is one web retailer which sells the cable you will need, which is product #301. You
can see a picture of it here, and it will cost $15. Hosa also makes a cable, the SBC 195.
However, if you use this cable you will also need to get a pair of M-M standard MIDI cables as
this cable has female MIDI connectors.
5. If you have a stereo effects return, plug cable from Right output of GT-3 to Effects
Return of second amplifier.
When doing this, you will need to update patches so that the OD/DS is set to External OD/DS,
and the Preamp section should be off. The utility for Your Setting? should be set to Power Amp
(Combo). If you do not have the [OD/DS] turned on and set to External OD, you will not be
sending a signal through your guitar amp's preamp.
If you are going direct, playing through headphones, or into a keyboard/PA/etc and you use the
[OD/DS] without using the [PREAMP], you will likely find the sound to be too harsh. On the
other hand, if you run straight into the input of a guitar amplifier, you may want to use the
[OD/DS] section and not the [PREAMP] section.
Some great sounds can be created when using the [OD/DS] in conjunction with the [PREAMP].
For example, many users choose to use one of the "Metal" distortions in conjunction with either
the JC-120 or Clean Twin preamps to get a heavy metal sound. When combining distortions
with preamps, keep in mind that not every combination will sound good together - a distortion
which sounds good with one preamp might sound mushy with a different preamp and harsh with
yet another, so experiment.
Q: What amps are modeled? What do the abbreviations for the amp models stand for?
A: With the exception of the JC-120, the following list is a summary of the most popular and
most likely guesses. It is also probable that the amp modeling does not seek to recreate an exact
model of a specific amp, but rather the general qualities of a family of amplifiers.
MS1959 Marshall
A: The speaker simulation is only on when Your Setting? under the [UTILITY] button is set to
Line (Headphones), and the [PREAMP] is on. Q: Does the Amp Speaker really make a
difference when using the GT-3? A: Yes. You need to have the speaker simulation on Your
Setting? = Line(Headphones) to have the speaker simulation engaged. To get the most out of
this, you will want to have the Mic Level set to 100 and the Direct Level set to 0-10.
Q: What is the purpose of speaker placement/What does the "Mic Set." parameter do?
A: Often, when a speaker is mic'd, the microphone is placed somewhere in front of the speaker,
aimed at the center of the speaker cone. As the mic is moved or aimed toward the edge of the
speaker cone, the sound becomes darker. The Mic. Set parameter attempts to simulate the effect
of moving the a microphone relative to the center of the speaker cone. When the parameter is set
to Center, this simulates the sound of the speaker through a microphone aimed at the center of
the speaker. The other settings, 1cm-10cm, attempt to simulate the sound as the virtual
microphone is placed or aimed progressively farther from the center of the speaker cone.
Effects
Q: What order do the effects go in?
A: In most cases, the effects should go in the order they appear, from left to right, top to bottom,
on the GT-3. Some exceptions are:
• Tremolo is often used last in a chain. The slicer should probably go near the end as well.
• Synthesizer and Harmonist are often used near the front of the effects chain in order to
improve tracking.
• The Foot Volume will give different effects when used at various points in the chain. For
example, when used before delay, it allows the delay to continue repeating notes, even
after the volume is set to 0. When used post delay, it will silence the repeats from the
delay as well.
Q: How do you use more than one parameter from the [MOD] group or [SFX] group at
once?
A: You are limited to one effect from each group.
Q: What is BPM?
BPM (Beats Per Minute) is an easy way of getting the speeds of various effects to be in sync
with each other. On any effect which has a rate parameter (for example, tremolo), if you turn the
dial all the way past 100 when setting the rate, you will see BPM and a note symbol. The digital
delay also has a BPM parameter if you turn the dial past 1873ms when setting the delay time.
[SFX]
Q: How do I get a sound with violin like attack?
A: Either use the Slow Gear effect in the [SFX] section, or manually swell the note using the
expression pedal as a volume pedal. However, a string driver such as the e-bow can be used to
create such a sound.
Q: How does anti-feedbacking work?
A: Coming soon.
[WAH]
Q: How can I get a better wah sound?
A: There are a number of things you can do to improve the sound of the wah on the GT-3.
1. Try experimenting with placement of the wah in the effects chain. You may find that it
sounds better before the distortion or after.
2. You could experiment using the pedal assigns so that moving the expression pedal would
change the frequency of one of the bands on the EQ or SEQ. Try doing this in
conjunction with the wah.
4. Still yet another option is to use the expression pedal to control the sweep of the Auto
Wah effect. Settings are shown below:
[WAH]
FX Select: Auto wah
Mode: BPF
Polarity: Up
Sensitivity: 0
Frequency: 92
Peak: 80
Rate: 50
Depth: 0
Level: 80
CTL Pedal
Target: AW: Freq
Target Min: 20
Target Max: 92
5. If all else fails, you can always put a wah in the OD/DS loop. Hook this up just like you
would hook up an external overdrive or distortion.
[OD/DS]
Q: How do I hook up an external stompbox in the OD/DS loop?
A: Connect the a cable from the External OD/DS Send jack to the input jack on your stompbox.
Connect another cord between the output jack on the stompbox and the External OD/DS Send
jack on the GT-3. You will also need to update the patch so that the [OD/DS] effect is turned on
and the distortion type is set to External OD/DS. If you do not have the OD/DS turned on and
set to External OD/DS, you will not be sending a signal through your stompbox.
Q: How do I get a Tubescreamer sound?
A: One issue in getting a Tubescreamer sound is that there are many different types of
Tubescreamers (TS-808, TS-9, TS-10, TS-5, TS-7). To further complicate matters,
tubescreamers from the same line have in some cases used different components, resulting in
slightly different tones.
However, the purpose of all these boxes remains the same: to provide the sound of an overdriven
tube amp, or enhance the overdrive of an existing tube amp. In general the result is a
transparent, organic sound with singing sustain. This type of sound can be created simply with
one of the preamps and moderate use of the compressor.
If you wish to use the [OD/DS] section to create the sound you are after, you will get best results
with the Natural OD, Vintage OD, Blues, or Crunch distortion types.
Of course, there is one guaranteed way to get the Tubescreamer sound: You can simply run a
tubescreamer through the OD/DS loop as noted above.
With the preamp section, it is probably best to think of the options as representing a range or
type of preamp rather than exact recreations of a specific model. The same approach should be
taken with the OD/DS section. The OD/DS section really does not aim to mimic any of Boss's
stompboxes in particurlar, but rather to provide a wide range of overdrive and distortion options.
If you look at the table below you will probably find that using the distortion types listed below
you can come very close to sounds created with the associated BOSS stomp box. Some of these
stompboxes had some more obscure parameters such as "Contour" and "Punch", which you
would not be able to simulate using just Level/Drive/Hi/Lo controls available in the GT-3's
OD/DS section. Also, the GT-3 distortions, it seems, provide more distortion than the
associated pedal. In other words, the table below is nothing more than a rough comparison
between the GT-3 distortions and various Boss pedals:
Distortion 1 DS-1
[EQ]
Q: What is the difference between the equalizer and subequalizer?
A: In theory none. The subequalizer effect is offered for two reasons. One is that it allows two
extra parametric bands for equalization. The other is that it allows EQ to be applied at more than
one point in the chain, as EQ sounds different when applied pre or post distortion. In practice,
however, some people have reported hearing a difference between the two.
Articulation/Snap/Presence Strident
1.5 kHz - 4 kHz
[MOD]
Q: How do I emulate an sub-octaver? Octavia?
A: A sub octaver creates a pitch one octave below the note, the Octavia creates a pitch one
octave above.
Start with the following settings:
Select [MOD]
FX Select: HR
Voice: 1-Voice
Mode: Fast (Medium, Slow, or Mono will also work)
Pitch: +12 (for Octavia, -12 for Sub Octaver)
Fine: 0
Pre Delay: 0
Feedback: 0
HR1 Level: 75
Direct Level: 75
Alternately you can use the ring modulator to get a similar effect. Try the
following: Select [MOD]
FX Select: RM
Mode: Intelligent
Freq: 96 (for Octavia, 24 for Sub Octaver, 48 for a "unison" effect)
Effect Level: 75 (Mix to taste)
Direct Level: 75
Q: How do I improve the tracking of the Harmonizer?
A: The synth and harmonist sometimes do not track well. Experiment with use of compression,
and try placing the signal closer to the beginning of the chain.
[MOD]
FX Select: HR
Voice: 1-Voice
Mode: Fast, Medium, Slow
Pitch: 0
Fine: 0
Pre Delay: 0
Feedback: 0
HR1 Level: 100
Direct Level: 0
[PEDAL/ASSIGN]
EXP PEDAL: On
Target: HR1 Pitch
Min: -12 (pitch when pedal is returned)
Max: 0 (pitch when pedal is depressed)
An example of how this works can be seen in preset 78-3, PEDAL 1OCT.
Q: The auto riff function has Preset1... thru User10 phrases. Can I alter the user phrases
to my own patterns?
A: Yes. See pp21-22 of the manual for details.
Q: How do you set up the auto-riff so that you can play over it?
A: You need to set the control pedal so that it controls two parameters. For the first assignment,
set the control pedal to switch the auto-riff Hold parameter to change between Off and On. The
second assignment should set the Direct Level from 0 to 100.
[DELAY]
Q:How do you get a loop going with the delay that you can play over?
A: While it is possible to do this, the results are not perfect. One might thing that having the
Feedback set to 100 would cause the delay to repeat infinitely, but this is not the case.
Unfortunately, even with the Feedback set to 100, the signal will decay to nothing after a few
minutes.
Still, if you only need to do this for a few measures, you would need to set up the pedal
assignments so that the CTL pedal turns delay on and off. Also, when turning the delay off, the
Q: What is the difference between the Delay Time and Delay Time F. parameters?
A: The Delay Time parameter controls the delay time and the Delay Time F. parameter allows
you to fine tune the delay time. More specifically, when specifying delay times which are not
BPM based, rotating the wheel will increase or decrease the delay time in increments of 20ms.
When changing the Delay Time F. parameter, rotating the wheel will increase or decrease the
delay time in units of 1ms. When fine-tuning the delay time, you can only increase or decrease
the delay time up to or down to the nearest multiple of 20 ms. For example, if you choose to edit
a patch which has a delay time of 273ms, if the parameter window says Delay Time, rotating the
dial counterclockwise will change the value to 253 ms, and rotating clockwise will change the
delay time to 293 ms. If the parameter window says Delay Time F., you could alter the delay
time anywhere between 260 and 280 ms.
Note that the same value will appear for both Delay Time and Delay Time F.
[CHORUS]
Q: How do I simulate a Uni-Vibe?
A: The uni-vibe is an effect which looks like a wah or volume pedal, but actually has two modes,
chorus or vibrato. The foot pedal changes the speed of the effect.
EXP PEDAL is the first set of parameters.Using this menu you can set the expression pedal to
control any number of parameters. For example, supposing you wanted to use the expression
pedal to control the delay level:
Depress [PEDAL ASSIGN]
EXP PEDAL On
Target: DD: Effect Level
Min: 10
Max: 40
Depress [EXIT]
CTL PEDAL is the next set of parameters. These parameters allow you to use the control pedal
to do such things as turn an effect on or off or switch between two parameters. In many of the
presets, for example, the control pedal is used to turn the delay on or off. Here is how to do it:
ASSIGN 1-8 are a bit more complex. Each of these assigns can be used to control a different
effect parameter by means of either the control pedals, expression pedals, virtual pedals (see
below) or incoming MIDI signals. What this means is that you could step on the expression
pedal and control 9 parameters simultaneously. Or do the same thing with the control pedal. Or
you could have the expression pedal control 5 parameters and the control pedal control the other
5 parameters.
One example of what you could do with the assigns is to set up a patch so that when you move
the control pedal forwards, the sound subtly changes from a jangly chorus patch with reverb and
delay to a crunchier sound with no chorus, more delay, and less reverb. Or you could set up the
control pedal to start with a mellow phaser sound, and turn off the chorus and phaser while
simultaneously turning on distortion, delay, and increasing the reverb level.
• 81-1 FADE IN Internal Pedal will gradually fade in guitar over time
• 81-2 FADE OUT Press the CTL Pedal to have the guitar volume fade out
ASSIGN 1: On
Target: FV: Level
Min: 0
Max: 100
Source: WAVE Pedal
Source Mode: Normal
Act.Range Lo: 0
Act.Range Hi: 127
Rate: 85
Waveform: SIN
Note that if you set the Source Mode to Toggle, you will get a square wave form. In this case,
the volume will pulse on and off.
Q: Is there any way to set either the Control pedal or an external pedal to advance through
a series of patches with a single click?
A: There is no way of doing this with the CTL or Sub CTL pedals. However, with an external
MIDI pedal (such as Digitech's "The MIDI Pedal") connected through the MIDI IN port, it
should be possible.
Q: Can I get the CTL pedal to switch the expression pedal from foot volume to wah? A: In
strictest terms the answer is no because the foot volume is not an effect that can be switched on
and off. However, it is possible to have the expression pedal control the level of various other
effects, such as compressor or equalizer, which have a level parameter. Then the CTL pedal can
be assigned to turn wah on while it turns that effect off.
Q: How do I tap out the delay time with a footswitch?
A: Use the quick settings to set the CTL pedal to P1: Master BPM (Tap). Then set the Delay
Time to be one of the BPM values. When you hit the control pedal twice, that interval will be
used to mark out the tempo. Then the delay will repeat on every note interval specified. For
example, if I tap the pedal at the beginning and end of a measure, and I have the Delay time set
to BPM (1/4 note), and I am playing in time, the delay will repeat my notes on every 1/4 note.
To see an example of how tap tempo is set up, see preset 59-3, TEMPO DELAY.
Then you will be able to set each pedal to do one of three things. Either the pedal can globally
turn the Tuner on/off, or it can globally turn Manual Mode on/off, or it can be assignable in
every patch. See p.35 in the manual for details.
MIDI/Additional Software
• GT-3 Editor - A utility that allows for editing of patches through a GUI, as well as
previewing patches.
• EQ Plot - A program that will show you the EQ profile created by the GT-3's parametric
equalizer.
• GT-3 Manager - a full-featured program allowing full editing capability of the functions
of the GT-3 from your PC.
Q: What are sysex files? Why are people sending me files with .syx extensions and what do
I do with them?
A: Sysex files (files with .syx extension) are files that contain MIDI system exclusive
information. The .syx files you are receiving on the mailing list will contain data for a user
patch. If you have a MIDI connection on your PC, you can use the GT-3 Patchworks program or
the GT-3 Editor to download the patches to your GT-3. If you do not have a MIDI connection,
you can still use the Editor to view and/or print out the patches.
4. MIDI
System - Temp
Notes:
2. Some programs, such as the GT-3 Banker may not accept input from sysex files
containing system data. If you plan to use your MIDI dump with these programs
select a range of patch numbers, for example 1-1 - 35-4. If you are dumping
the data for backup purposes, select System - Temp as this will back up system
settings as well as patch data.
3. If you want to save the current patch, you can either select the number of the
patch for example 24-3 - 24-3 or you can select Temp - Temp. The advantage
of the second method is that if you download a patch created that way, and write
it to your GT-3, the patch will be written to the "Temp" area of GT-3 memory.
The disadvantage of using Temp dumps is that some programs may not be able to
process the patch.
Data Dumping
5. When data dump is finished, Patchworks will stop counting data. A complete data dump
should be 98K.G
1. Open Gt-3 Patchworks and press the Open button. Select file name.
2. Press [UTILITY] on the GT-3 until following appears in GT-3 display window.
4. MIDI
Waiting ....
4. Press Send button in GT-3 Patchworks. The following will apear in display window of
GT-3
Idling ...
GT-3 Banker
Q: Why does the banker give me an error saying "The File Size is wrong, extra 215 bytes"
A: When you perform a bulk dump, you will come across a screen saying the following:
System - Temp The System data contains various global GT-3 settings. The GT-3
Banker assumes that any data it receives is patch data, so it gives an error when any system data
is received. If you want to create a sysex that the GT-3 banker can process, try changing the
parameters so that the starting parameter is a patch location such as 1-1. Try the following
parameters:
1-1 - 35-4
GT-3 Editor
Q: How do I use the editor to print out my patches to a text file?
A: First you need to set up a printer definition for text files. In Windows, go to the Printers
folder under Settings. Select Add Printer. When prompted for a port, select FILE: (Creates
a file on disk). When prompted for a printer driver, select Generic/Text Only.
In the Editor, select Print Options.... In the drop box to select printer name, select the name of
the printer definition you just created. Select Patch/Print to print out the file.
http://www.roland
Roland USA
us.com
http://209.144.99.1
1/SERVICE/SERV
Roland Tech Support ICE.HTM
phone: 323-890-
3700 x2498
GT-3 Documents
GT-3 Demos
Coinciding with the summer NAMM 2000 show, Roland has
revamped their website. Here you can find the following mp3
files featuring various aspects of the BOSS GT-3.
Software
GT-3 Patchworks http://members.tripod.com/bossgt3
A basic utility for performing transferring patches /software/gt3pw.zip
between the GT-3 and PC.
Partheus Software
Great software for GT-3 users: EQ-Plot and GT-3 http://www.bossgt3.co.uk/
Manager
External OD Database
http://groups.yahoo.co
A collection of user reviews containing descriptions of various
m/group/GT-
stompbox overdrives, fuzzes, and distortions. The reviews
3/files/External+OD+
especially concern how well each stompbox combines with the
Database/
various preamp simulations.
Supplemental Documents
Favorites
http://home.sprynet.co
Funky Monkey's GT-3 Site.
m/~msullivan1/gt3.ht
Home of of the GT-3 Message Board.
m
Craig Hall
Contains heavy metal audio clips recorded with GT-3, as well http://24.113.162.163/
as the patches used in the clips.
Manatark http://www.metal.ee/m
Will Brown
Atomic Particles - Most of the music here is techno. http://www.mp3.co
"SwampBoogieTechno" contains some slide guitar using a m/atomicparticle
modified version of the TEXAS BLUES patch. http://www.mp3.co
Will Brown - Features tracks by him and the Brown Brothers m/willbrown
Band
http://www.mp3.co
Glenn Bird
m/glennbird
http://www.mp3.co
Sergio Escalona m/sergio_escalona.h
tml
Misc
Harmony Central
Contains news on current products, links, and other resources. One
http://www.h
particularly useful feature is the product review database, which
armony-
contains reviews of guitars, effects, amps, and synths which were
central.com
submitted by real users.
EBow
The classic string driver capable of creating infinite sustain, bowed, and http://www.e
reverse effects among others. If you are wondering what all the fuss is bow.com
about, check out the demo clips on their site.
http://www.fe
Fernandes Guitars
rnandesguitar
Makers of the Sustainer pickup, which also creates infinite sustain.
s.com/
26 Jul 2000:
Corrected links for Brass Eagle.
Updated links to Roland to reflect changes to their web site.
Added links for Patch Central.
Corrected various other links.
Added following question(s): Q: How can I get a better wah sound?
Q: What stompboxes are the names of the distortions on the GT-3 supposed to refer to? Revised
answers to questions in Preamp Section.
Revised description of connecting to soundcard.
1 Jul 2000:
Rearranged link sections.
Added links for Craig Hall, Wong Whye Kong user sites.
Added links for Roland.
Added following question(s):
http://www.guitargeek.com
Q: What is the difference between the Delay Time and Delay Time F. parameters? Revised
description of setup of SUB CTL pedals.
19 Mar 2000:
Added Links section
Added following Questions:
Q: What are sysex files? Why are people sending me files with .syx extensions and what do I do
with them?