ABRSM Grade 5 To Grade 8
ABRSM Grade 5 To Grade 8
ABRSM Grade 5 To Grade 8
Aural Test
Part A:
I. To sing to lower part
II. To identify the cadence
• So → Do (Perfect)
• Do/Re/Fa → So (Imperfect)
• So → La (Interrupted)
• Fa → Do (Plagal)
III. To identify the three chords
• 1: Tonic
• 2: Supertonic
• 3: Tonic 1st inversion
• 4: Subdominant
• 5: Dominant/Dominant 7th
• 6: Submediant
• Examples
1. Fa [ Fa __ ]
Part B:
• Sight Singing
Part C:
• Modulations
1. Major So (Dominant)
a. Example: C Major Fa (Submediant)
La (Relative Minor)
2. Minor Me (Dominant) (Major/Minor)
a. Example: A Minor (La) Re (Subdominant) (Minor)
Do (Relative Major)
Part D:
Period: Characteristics (Composer)
• Baroque: No pedal (Bach, Handel)
• Classical: Melody can be heard easily (Mozart, Beethoven, Haydn)
• Romantic: Moody and melodic music (Chopin, Schubert)
• 20th Century Period: No clear tempo (Bartok, Debussy)
Tonality/Key
• Major/Minor/Atonal
Texture
• Polyphonic (Melody played with different parts) (Baroque)
• Homophonic (Melody played mainly in chords)
• *unnamed* (One hand is melody, the other hand is accompaniment)
Form
• Binary, Ternary
Phrase
• Regular/Irregular
Character
• Happy/ sad, lively, dance, marching, singing, church
1. Waltz (Accent in the first beat, Romantic period)
2. Minuet (Steady tempo, walking melody, Baroque/Classic Period)
3. Sarabande (Slow, trill, Baroque period)