Architecture - April 2018
Architecture - April 2018
Architecture - April 2018
This issue delves into the background and work of Manuel Cervantes Cespedes and his
architecture and urbanism firm, CC Arquitectos. Featuring detailed profiles of twenty designs by
this Mexican architect, it also includes a conversation with the architect and Fernanda Canales,
along with essays by Juhani Pallasmaa and Edward R. Burian. Among the various works
presented are several houses, as well as projects ranging from transport interchanges and
equestrian centres to rural housing prototypes and pavilions.
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Akihisa Hirata (b 1971) graduated from Kyoto University, after which he worked for Toyo Ito &
Associates (1997-2005). In 2005 he established the Akihisa Hirata architecture office, and is
currently a highly regarded architect working on projects both in Japan and abroad. Some of his
recent representative projects include Foam Form in Kaohsiung in Taiwan, a One Roof
Apartment in Niigata, the Tangled Table created for Art Basel, a Tree-Ness House in Tokyo and
6/1 (animated knot) an installation for the Frieze Art Fair in London.
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Spanish artist and photographer Jose Manuel Ballester presents a very personal and intimate
exploration of the Norman Foster Foundation through an expansive series of photographs. His
coverage encompasses not just the building and spaces that comprise the original residential
palace of 1912 by Joaquin Saldana, its courtyard, and the more recent pavilion addition, but also
the gaps and hidden areas between them, as well as encounters with a plethora of fascinating
objects. As Norman Foster writes in the foreword, "His images dissolve the walls between those
separate entities in the same spirit of the Foundation's mission to break down the barriers
between professions."
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For this book, Danish artist and photographer Kasper Akhoj documented the ongoing restoration
of E-1027, Eileen Gray's modernist villa in France. Based on photographs taken by Gray which
were first published in 1929, Akhoj's photographs are a kind of remake, recreating the
perspective and composition of the originals. During several visits to the villa between 2009 and
2017, he produced up to six versions of each of Gray's images, but only included one of them
here. The overlap of chronologies emphasises the restoration process and references the
fascinating influence of a succession of occupants. With essays by Beatriz Colomina and Amy
Zion, plus an interview with Akhoj.
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"Street architecture" is an ethos based not on a proposed urban theory, but on urban observation.
Like a puzzle formed by pieces of various scales, it represents an array of forces, from the client's
brief to the builder's realisation. In this book by Karin Templin the residential designs of
Amsterdam-based architect Hans van der Heijden are examined in the context of housing and
urban design practice, as seen in the street architecture of Florence and other European cities.
Besides providing insights into Van der Heijden's design approach, she looks at the principles of
street architecture that could be of interest to urban architects and students, as well as
developers and planners.
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This book portrays the architecture of European crematoria, showing how architecture creates a
space for rituals of death and remembrance. Cremation is a recent but fast-growing tradition
throughout Europe. It links up with our tendency to make more deeply considered life choices that
go beyond death. What active role can architecture play in this process? In order to answer this
question, the authors charted crematoria throughout Europe. Never before has the architecture of
crematoria been so extensively portrayed, analyzed and documented with background
information.
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For over 30 years 'Architecture in the Netherlands' has provided an indispensable overview of
Dutch architecture for everyone with a professional or more general interest in the subject. The
Yearbook is the international showcase for Dutch architecture. The three editors select special
projects that have been completed in the preceding year and describe the most important
developments that influence Dutch architecture, paying particular attention to new types of
housing, the circular economy, the rediscovery of the periphery and the public role of architecture
in times of privatization.
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The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer
Karel Martens as a starting point to explore the relationship between architecture journals and
graphic design. In doing so, it challenges the conventional idea that architecture journals are
mere carriers of information, showing instead how these journals play a defining role in the
message they convey. Adhering to Marshall McLuhan’s famous maxim ‘the medium is the
message’, it considers the graphic space of the journal, its materiality, its production, and the
physical experience of reading.
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This book accompanies an exhibition on the work of architect Yona Friedman at the MAXXI, and
arose from the need to supplement the exhibition itinerary with yet another itinerary, both critical
and documentary, so that the issues addressed in his post-war utopian design will carry forward
into the future. It offers insight into the universal language conceived by Friedman in the 1950s,
which can be applied in different contexts to meet sustainability, ecological, and social needs in
our current global reality. It also explores the theme of improvisation, which emerged as a
possibility in architecture during the 1970s. The book features previously unpublished material
and original drawings.
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Jaap Bakema and the Open Society is the first extensive publication on the Dutch architect and
the remarkable production of his office Van den Broek and Bakema. His ideas on the open
society are extremely relevant to the current debates about how to involve citizens in city building
and creating alternative systems to crumbling welfare states. This historical document will
highlight both his most relevant and less known work through texts, archival materials and
photography. The book contains interviews with his contemporaries such as John Habraken and
Herman Hertzberger and essays that each emphasize a different aspect of his work and the
context in which it came into being.
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Travelling to Porto and have an itch to explore all manner of post-war and current Portuguese
architecture? Pick up this superbly thorough guide to the history of buildings in Portugal's second-
largest city. Covering everything from the modern movement to the most recent developments of
the 21st century and dozens of buildings, it offers a comprehensively researched and informative
overview of the city's diverse architectural heritage from the specialist's perspective. With one
project per page, the guide's format is dense but its scope is practically unlimited.
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Emerging in the mid-20th century in the United States, mainly in places such as Chicago, New
York, and California, modern architecture soon matured and spread around the world, enabled by
advances in industrial technology and the mass production of unitised and lightweight building
materials. The many projects featured in this special issue are essential for critically discussing
the architecture, cities, and urban environment of today and the future. Among them are the
Guggenheim Museum (Frank Lloyd Wright), Chase Manhattan Bank (SOM), Salk Institute (Louis
Kahn), Smith House (Richard Meier), Glass House (Philip Johnson), and Dulles International
Airport (Eero Saarinen).
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In this issue, a remarkable array of recently completed projects designed by top architecture
firms. Covering all kinds of scales and typologies, these 23 buildings reflect the current trends
and intriguing approaches found in architecture today. From eye-catching buildings like
Heatherwick Studio's Zeitz Museum of Contemporary Art Africa, a massive grain silo conversion
in Cape Town, and the Louvre Abu Dhabi by Ateliers Jean Nouveau, to the modest Hastings Pier
Regeneration by dRMM Architects, Peter Zumthor's sober design for Allmannajuvet Zinc Mine
Museum, and the experimental Tumulus Transmission Space by Toni Girones, there is much to
explore.
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Used for the better part of the 20th century as a military installation and off-limits to the general
public until 2007, the Bungenas peninsula of Swedish Gotland is where Bunker 104 can be found.
Architect Erik Gardell was tasked with transforming the abandoned structure into a subterranean
summer home for a client. The result, beautifully captured by photographer Bruno Ehrs in this
monograph, is a sublime example of post-industrial modernism. The house was a first step
toward the Bungenas area of today, which blossoms with fresh architectural visions actively re-
envisioning the old military landscape. Includes a detailed text on the area's history, plus an
interview with Ehrs.
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