Theory of Sound (Architecture)
Theory of Sound (Architecture)
Theory of Sound (Architecture)
Characteristics of speech
Music and hearing
Distribution of energy in speech
Music frequencies
Intelligibility of speech, high fidelity reproduction of music
Human ear characteristics- making of sound
Binomial hearingg
Behavior of sound in enclosed spaces.
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INTRODUCTION
AND THEORY OF
SOUND
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DEFINITIONS
What is Acoustics ?
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The study of acoustics helps
to
resounding or reechoing
iincreasing
i the
th intensity
i t it off sounds
d by
b sympathetic
th ti
vibration
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DEFINITIONS
The reverberant sound in an auditorium dies away y
with time as the sound energy is absorbed by
multiple interactions with the surfaces of the room.
g for the
In a more reflective room, it will take longer
sound to die away and the room is said to be 'live'.
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What is echo? DEFINITIONS
In audio signal
processing and acoustics,
acoustics
an echo (plural echoes) is
a reflection of sound,
arriving at the listener
some time after the direct
sound.
1. A sound is a vibration in an
elastic medium, which may y be
a solid, liquid, or gas, which
can be registered by the ear.
2. It can be pleasant or
unpleasant, loud or soft, high
or low.
l Sound
S d is
i made
d bby
vibrations, something moving
back and forth. Stretch a
rubber band tightly between
your fingers, and pluck it. You
can see it quiver and hear the
sound it makes.
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CHARACTERISTICS OF SOUND WAVES
Sounds are generally audible to
the human ear if their frequency
(number of vibrations per second)
li between
lies b t 20 andd 20,000
20 000
vibrations per second, but the
range varies considerably with the
individual.
The range of audible sound is also differentiated into 3
main categories. Subsonic or low frequency sound is
defined in the range of 20Hz to about 500Hz.
Midrangeg frequencies
q inhabit the realm of 500Hz to
6KHz (6000Hz)
With high frequency sound defined in the remaining
6KHz to 20KHz.
20KHz
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Those with frequencies above the audible
range are called ultrasonic.
A sound wave is usually represented
graphically by a wavy, horizontal line; the
upper part off the
h wave (the
( h crest)) indicates
i di a
condensation and the lower part (the
trough) indicates a rarefaction.
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GENERATIONOFSOUNDWAVES
When it moves back again past its original position and on to the
other side, it leaves behind it a nearly empty space, i.e., a space with
relatively few molecules in it.
it In the meantime,
meantime however,
however the molecules
which were at first crowded together have transmitted some of their
energy of motion to other molecules still farther on and are returning
g
to fill again the space
p originally
g y occupied
p and now left empty
p y by
y the
retreating violin string.
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In other words, the vibratory motion set up by
th violin
the i li string
ti causes alternately
lt t l in
i a given
i
space a crowding together of the molecules of
air (a condensation) and a thinning out of the
molecules (a rarefaction).
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Taken together a condensation and a
rarefaction make up a sound wave; such a
wave is called longitudinal, or
compressional
compressional, because the vibratory
motion is forward and backward along the
direction that the wave is following.
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THE PROPAGATION OF SOUND
The
Th viscosity
i i off the
h medium.
di This
Thi determines
d i
the rate at which sound is attenuated. For many
media, such as air or water, attenuation due to
viscosity is negligible.
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TRANSMISSION OF SOUND
TRANSMISSION OF SOUND
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Water is a more efficient transmitter of sound compared to
air as sound travels faster and further in water.
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For example, if a light is shining on a person, and a
book is placed directly between them,
them the person will
no longer be able to see the light (a shadow is cast by
the book on the eyes of the observer).
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RECEPTION OF SOUND HEARING MECHANISMS - HUMAN EAR
CHARACTERISTICS- MAKING OF SOUND
Th
The ear consists
i t off three
th basic
b i
parts
The outer ear serves to collect and
channel sound to the middle ear.
The middle ear serves to
transform the energy of a sound
wave into the internal vibrations
of the bone structure of the
middle ear and ultimately
transform these vibrations into a
compression wave in the inner
ear.
The inner ear serves to transform
the energy of a compression wave
within the inner ear fluid into
nerve impulses that can be
transmitted to the brain.
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Sound waves enter your outer ear and
travel through your ear canal to the
middle ear.
The ear canal channels the waves to
your eardrum, a thin, sensitive membrane
y
stretched tightly over the entrance to your
middle ear. The waves cause your eardrum
to vibrate.
It passes these vibrations on to the
hammer, one of three tiny bones in your Inside the cochlea,
ear. The hammer vibrating causes the there are hundreds of
anvil the small bone touching the
anvil, special cells attached to
hammer, to vibrate. nerve fibers, which can
The anvil passes these vibrations to the transmit information to
stirrup another small bone which touches
stirrup, the brain.
The brain processes
the anvil. From the stirrup, the vibrations
the information from the
pass into the inner ear. ear and lets us
The stirrupp touches a liquid
q filled sack distinguish between
and the vibrations travel into the cochlea, different types of
which is shaped like a shell. sounds.
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MonauralandBinauralhearing
Monaural Hearingwithoneear
BinauralHearingwithboththeears.
It is quite easy to imagine how the two ears enable him to see the
direction of sound which is primarily due to the difference in the
intensity of the two sounds reaching the two ears
ears. It is the depth or
the perspective of sound.
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It may be observed that the reflected sound varies much weakened
in intensity as the recede from the speaker
speaker. Consequently the ratio of
direct to the reflected sound varies considerably.
It is for this reason that as we go farther from the speaker the direct
sound is weakened while the reflected or reverberant sound
becomes more and more noticeable. It is this factor which permits
binaural hearing to appreciate distance or depth.
Single ear is unable to do this and consequently the noises and the
reverberation present in the room or apparently increased.
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Behavior of sound in enclosed places
Behaviorofsoundinenclosedplaces
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Behavior of sound in enclosed places
Behaviorofsoundinenclosedplaces
1. Soundisabsorbedinthe 5. Soundisemittedbythe
y
airalsoappreciableto resonanceofthewallin
reflectedsound. bothdirections.
2 Soundinreflectedatthe
2. S di fl t d t th 6 Soundisinterreflected
6. S di i t fl t d
wallsurface. betweenboundingsurface
3. Soundisabsorbedfrom settingatreverberation.
thewallsurfaceorits 7. Resonanceoftheenclosed
surfacefinished. volumeofairbydirectcross
4 Soundisconductedbythe
4. S di d db h reflection
reflection.
walltootherpartofthe
surface.
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CHARACTERISTICS OF SPEECH
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DEFINITIONS
What is Frequency?
q y
The number of cycles per unit of time is called the frequency. For
convenience, frequency is most often measured in cycles per
second
d (cps)
( ) or the
th interchangeable
i t h bl Hertz
H t (Hz)
(H ) (60 cps = 60 Hz),
H)
named after the 19th physicist.
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Characteristicsofspeech
Frequency(Pitch)
It is independent of intensity of loudness of sound.
Pitch is a psychological phenomenon determined by
frequency of a sound wave whereas frequency is a
physical quantity and can be measured .
Sound is called a pure tone when it consists a single
frequency and when two or more frequencies are
present it is called a complex tone.
Puretone complextone
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Characteristics of speech
Characteristicsofspeech
Loudness:
Loudnessisaphysiologicaleffectofsensationproduced
throughtheearanddependsontheintensityofsound
or amount of energy present in sound waves while
oramountofenergypresentinsoundwaveswhile
enteringit.
Inoat,Loudnessfallsdownasdistanceincreases
Loudness is inversely proportional the the square of the
distance from source (Not applicable for semi closed
enclosures)
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Tonalqualityortimbre
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DEFINITIONS
What is wavelength?
g
The wavelength of sound is the
distance between analogous
points of two successive waves.
p
=c/f
where
= wavelength(m)
c=speedofsound(m/s)
f=frequency
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SoundIntensity.
Thesoundintensityinaspecifieddirectionisthe
DEFINITIONS
amountofsoundenergyflowingthroughaunit
areanormaltothatdirection.Thesoundintensity
is normally measured in watt per square metre
isnormallymeasuredinwattpersquaremetre
(W/m2).
Thescaleformeasuringintensityisthe decibel
scale.
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DEFINITIONS
Soundpressure
p
Soundpressureoracousticpressureis
thelocalpressuredeviationfromtheambient
(average or equilibrium) atmospheric pressure
(average,orequilibrium)atmosphericpressure
causedbyasoundwave.
Sound pressure can be measured using
Soundpressurecanbemeasuredusing
amicrophoneinairandahydrophoneinwater.
TheSIunitforsoundpressurep isthePascal.
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HIGHFIDELITYREPRODUCTIONOFMUSIC
Highfidelityor hifireproductionisaterm
usedbyhomestereolistenersand
db h li d home
h
audio enthusiasts(audiophiles)torefertohigh
quality
li reproductionofsound
d i f d [ or images,to
i
distinguishitfromthepoorerqualitysound
producedbyinexpensiveaudioequipment.
d db i i di i
Ideally,highfidelityequipmenthasminimal
Id ll hi h fid li i h i i l
amountsof noise and distortion andan
accurate
t frequencyresponse.
f
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Frequency Ranges
FrequencyRanges
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THRESHOLD OF AUDIBILITY
The threshold of audibility at any specified frequency is
the minimum value of sound pressure of a pure tone of
that frequency which is just audible The term is used for
complex waves such as speech and music . It is
cm ( dynes cgsforce)
measures in dynes per sq cm.
THRESHOLD OF FEELING
Sound pressure that can cause discomfort and pain. It is
situated around 120 dB above the threshold of hearing. It is
measures in dynes per sq cm and also in watts per sq cm.
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PHON
A unit of apparent loudness,
loudness equal in number to the
intensity in decibels of a 1,000hertz tone perceived to
be as loud as the sound being measured.
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