Bellay, The Obscure Parallel To The Dialectic (2010)
Bellay, The Obscure Parallel To The Dialectic (2010)
Bellay, The Obscure Parallel To The Dialectic (2010)
Parallax
That Obscure Parallel to the Dialectic: Tangled Lines Between Bataille and
Kojve
Boris Belay
To cite this Article Belay, Boris(1997) 'That Obscure Parallel to the Dialectic: Tangled Lines Between Bataille and Kojve',
Parallax, 3: 2, 55 69
Hegel may have concluded that the form of thought was a circular one, some other
figures nonetheless insist in provoking, and even demanding reflection. Despite and
increasingly against Hegel, we should like to follow and respond to a parallel. Here is
the first meeting point of lines which run together further than the eye can see:
Bataille: One cannot say that Hegel failed to recognize the 'moment'
of sacrifice: this 'moment' is included, at work in the whole movement
of the Phenomenology [...] But not having realized that sacrifice in itself
contained the whole movement of death, the final experience - that
proper to the sage - described in the Preface to the Phenomenology of
Spirit was first initial and universal - he did not know how right he was,
how exactly he had described the movement of Negativity.1
Derrida: Is it possible, as Bataille claims, to understand the movement
of transgression under the Hegelian concept ofAufhebung, which as we
have seen stands for the victory of the slave and the constitution of
sense? Here we have to interpret Bataille against Bataille, or rather
one strata of his writing against another. By contesting what in this
note [from I'Erotisme] seems so evident, we might sharpen the figure
of the displacement to which the whole Hegelian discourse has been
subjected. In which Bataille is even less Hegelian tiian he believes.2
Hegel did not know how right he was; Bataille is less of a Hegelian than he believes.
These two lines might run in opposite directions, they are still enough of a mirror of
one another to make us diink about them together, to make us reflect, then, on and
from this figure of the parallel, of the reflecting mirror. And to make us wonder what
it is that they themselves reflect, whether between or beyond them, there isn't
something else here, unspoken, a third spectral image, the line of a shadow figure,
tying them as much as it divides them. And of course, there is: more dian one in fact.
But in die profusion of these phantom images, one stands out as more clearly missing
between die two, more absent, as it were: precisely the one which has been deemed
the eminence grise of the French philosophical scene between Bataille and Derrida tiiis short description is enough to make him discernible through the shadows: it is
Kojve, bien sur.
If in Inner Experience Bataille can say about Hegel: "[n]obody has deepened die
possibilities of intelligence as much as him (no doctrine can be compared to his: it is
the peak of positive intelligence)."3 It is because of what he says about Kojve around
the same time:
[fj rom 33 (I think) to 39,1 attended the course which Alexandre Kojve
devoted to the explanation of the Phenomenology of Spirit (brilliant
explanation, on a par with the book: how many times did Queneau
and I leave the litde room astounded-astounded, stupefied).4
This praise for the Commentator 5 is reflected again in the bibliography of Theory of
Religion:
[the Introduction to the Reading of Hegel\ is an explanation of Hegel's
Phenomenology of Spirit. The ideas which I have expounded here are
contained in it in substance. There would remain to make clear the
connections between the Hegelian analysis and diis 'dieory of religion':
the differences between one and the other representation seem easy
enough to overcome. 6
But if Bataille is less of a Hegelian than he believes, it is again because of that middle
line in our opening parallel, which, it turns out also stands between the end points of
each of the two beginning lines: complexified structure of the phantom image,
whereby Kojve appears through Bataille and Derrida's reflecdons, but also in the
lines between Hegel and Bataille and between Bataille and Derrida. For Bataille,
Hegel did not know how right he was (how Bataillean he was), and for Derrida,
Bataille did not know how litde of a Hegelian he was (how right he was), because of
the semi-hidden intervention of the commentary. Kojve stands tall for Bataille in
relation to Hegel, but he also stands in between Bataille and Hegel, and he would
stand in the way if his presence were full, if his activity were not one of translucence:
diat of the commentary whose essence is a disappearance in its (self-)revealing. Already
in Theory of Religion, Bataille had sensed some of that:
Having had to acknowledge the work of Alexandre Kojve, I must
insist on one point: whatever opinion one might have about the
exactitude of his interpretation of Hegel (and I would care to give any
possible critiques on this point only a limited value), diis Introduction,
relatively accessible, is not only the primary instrument of selfconsciousness, but the only means to approach the various aspects of
human life - particularly the political aspects - otherwise than a child
approaches the acts of adults. No-one could pretend to culture today
without having assimilated its lessons.'
Here again, Bataille is not parsimonious with his praise, but one must not be misled
about its object: it is clearly Kojve's book, and not Hegel's 'positive intelligence',
that is the necessary step for anybody's culture, for self-consciousness, for intellectual
maturity. Despite Bataille's refusal to question the exactitude of the Introduction as a
commentary on Hegel, he has marked the divide between the two. And in fact, as is
often the case with Bataille, one should pay close attention to the way diis refusal is
worded - for it is clearly just that: Bataille does not want to question the accuracy of
die commentary, he does not want to enter into this kind of questioning, in die end
he just does not care to do so: 'and I would care to give any possible critiques on diis
point only a limited value'. Whatever the critiques may be on die question of literality,
Bataille essentially wishes to pass over them. The important point is Kojve's book,
its primary place in the intelligence of humanity. And thus, we can also trust that he
weighed his praise too: Bataille is a man of words, but words as acdon - they each
have a weight, an effect, and diat is why a book such as Kojve's can have such an
importance. It too passes over the fancies of literal exactitude for the direct effects of
truth, and who deals with die effects of trudi has to confront direcdy die power of
rhetoric. If Bataille appreciates the book it is because Kojve appreciates diis fact,
and this in turn explains much of what behind the written words - between die lines
- des die two figures together.
If die connection between Bataille and Hegel is Kojve, the connection between
Bataille and Kojve deserves attention diat goes beyond die evidence of die printed
page, of literal precision and philosophical argumentation. Much of what is happening
between die two men happens behind die scenes, in semi-obscurity which is precisely
die point: die connecting line is diere, where it is difficult to discern what actually
happens, where the exact word may not be found. And it is diere diat one may come
to see that Derrida's line is wrong, but tiierefore right.
[Does this in turn mean it is irrelevant? But of course, it wouldn't be: even then,
exacdy dien. For die logic at stake begins exacdy where die tension between diese
terms is given the space to resonate, where diese opposites are given their value by
dieir very communication.]
Wrong because Bataille does not care to use even such a central Hegelian notion as
die Aujhebung with the necessary precision that would make die question of his
Hegelianism stick. This can be illustrated witii a passage in which Bataille, asked
about his influences, summarizes his early encounters widi Hegel in a telling way.
This short history tells much of the complications underlying die relationship:
The first {of two articles on Hegel}, written in collaboration with
Queneau, is very old (1931), and it predates my true encounter with
the work of Hegel, starting in 1933, when I followed the course by
Alexandre Kojve (until 1939). These lectures, partly published under
die tide: Introduction to the Reading of Hegel, had for me die greatest
Does die complexity of die turns along the interwoven path between Hegel and
Bataille's lines render die question of Bataille's Hegelianism irrelevant? What we
have just said about Derrida's claim could imply so, but diat it is right and wrong
shows exactly the contrary - a Bataillean contrary which Derrida in die end accounts
for quite well:
Thus Bataille can only use the empty form of die Aufhebung, in an
analogical manner, in order to designate - it had never been done before - die
transgressive relationship which ties die world of sense to die world of
non-sense. This displacement is paradigmatic: an intra-philosophical
What of Kojve, then? What of his position in the midst of this tangled web of
dialectical and anti-dialectical turns? What of his role as commentator, shadow double
supposed to cast light and straighten convolutions? What becomes of this (Hegelian?)
opposition between clarity and obscurity - and what does Bataille make of it?
If there were such a close connection - indeed, friendship - between Bataille and
Kojve (and it lasted until Bataille's death), it is because of an essential similarity of
position in the antidiesis between light and dark, and this, despite the obvious
differences in their intellectual careers. Indeed, being a professor, a commentator,
and a public administrator were never options Bataille considered, except as examples
to define himself against. But if Kojve was all three at subsequent moments of his
life, that does not tell the whole story, and leaves obscured diat on which die friendship
was based. Going from professor, philosopher and commentator to administrator
does not mean, in Bataille's eyes, diat Kojve turned out like Hegel - as we will see,
there is a reserve in Kojve's appropriation of Hegel which prevents die completion
of the mimesis which die professional biography seems to imply. Never would Bataille
say of Kojve what he wrote of the Philosopher:
Hegel, during his life, achieved salvation, killed satisfaction, mutilated
himself. All that was left of him was a broomstick, a modern man. [...]
no doubt he touched on the extreme, knew supplication: his memory
leads him back to die abyss he approached, in order to nullify it'. T h e
system is the nullification.'Kojve was never the broomstick, die empty instrument of knowledge which seems
to be even more in die commentator's role, because of a reserve on his part, an area
of secrecy in his interpretation which, while preventing him from achieving the
recognition of his professorial peers, ' 3 is precisely what kept him closer to the Hegelian
abyss summoned back by Bataille (the return of Hegel's repressed memory!). Kojve's
secretive teaching of the secretive (what better place to hide the secret than in the
circularity of knowledge coming to know itself, in another figure, parallel to that
circle, precisely?) made him little of a professor, but neither did he mean to be more.
He had received the degree necessary to teach only mondis before beginning die
Hegel seminar, and that position itself was only achieved through the active
intervention of Koyr, his friend, near relative (Kojve had married Koyr's ex-step-
sister), and mentor in things academically French, who had begun the seminar series
on Hegel's philosophy of religion. And having finished his Reading of Hegel six
years later, he was not to teach again. His whole professorial output, then, this single
commentary of a single book,14 was even to be edited by somebody else: Queneau,
the assiduous student and otherwise post-surrealist author of humorous novels and,
of course, friend of Bataille. That this tenuous relationship to the professional aspects
of professorship played its role in the connection between Bataille and Kojve is
tellingly illustrated in the sketch diat leads to one of Bataille's laudatory descriptions
of the Seminar already quoted - it is worth citing in extenso:
and the death drive, both, indeterminacy." Thus, the shared sense of tragedy: in
Bataille's Kojvian reading of Hegel against Hegel, the Phenomenology becomes the
Romansbildungof knowledge coming to see what it cannot see, and that this will remain
hidden from it as the circle closes on itself. And this tragic fate of knowledge derives
from what Hegel had clearly seen before nullifying it: die power of Negativity as an
essential moment of the real becoming rational. This sense of the tragic, this
Negativity, are hallmarks of Kojve's reading of Hegel, defining characters of his
commentary that also define his ties to Bataille: in these, as in the other Kojvian
themes, Bataille will follow him so far as to go beyond him.
For Kojve, the human moment is die moment of Negativity: it is the opposition to
the natural, immediate moment, anthropogenesis happening when out of this
opposition arises human culture. For Bataille, diis negativity is the essence witiiout
essence of humanity, to die point that the moment of nature is essentially lost, and
culture becomes that essential loss: values - artistic, etilica], political - find their only
(lack of) ground in the abyss to easily patched over by the name 'Negativity'. In both
cases, Hegel's immense contribution has been to open positive knowledge to its
beyond, even as the negative moment of the dialectic was put to work in die service
of die positive. In the ties between Bataille and Kojve, Derrida has seized on die
right figure when he recalls die slavish character of Hegel's use of Negativity as diat
which does die work of transition between the unformed (immediate) diesis and die
sophisticated (mediated) synthesis, for the character of the slave is also, of course,
crucial. In Kojve's reading, die master-slave dialectic is precisely die andiropogenetic
passage: desire becomes human - in fact, becomes man - as it seizes onto itself,
comes to know itself in coming to desire desire: another as odier who will recognize
my sameness for me, tins essential negation of my immediacy. But between Bataille
and Kojve, the circle of desire is eidier too short or too long: if I desire recognition
all die way to my deadi, there is not enough self left to recognize, and if I keep my
desire too close to itself (and save my skin: die animal envelope diat will receive the
satisfaction), I close myself up into itself: become die tool of satisfaction. Yet die subject
of diat satisfaction, 'who' seeks it through diat tool, remains ambiguous: eidier natural
drives (they are not 'mine', as there is no 'me'), or andiropogenetic drives, where I
become the tool of another whose satisfaction is now mediated. Either an animal, or
a slave: diis is the unsatisfying result of the struggle for recognition, leading to the
consequence that only die slave can - eventually, mediately - rise above animaliry,
since the mediation of slavery in die circuit of the master's satisfaction is not enough
to alienate him from diat closed circle, and he remains a human animal whose
desires are his whole world. In this respect, Kojve emphasizes that it is death diat
separates the master from the slave, but not in any simple way: true, die master
triumphed because the slave shied away from death, but this is none of die master's
doing (and doing [tun] is Negativity, is human): he would have struggled until deadi
to achieve his desire, in other words, his desire ruled over him to his (still animal)
death (which he did not fear, ie., understand humanly), such that it is only the slave's
fearful recognition that made him a Master. Paradoxically, then, it is in die slave's
recoiling from death that h u m a n i t y is b o r n , a n d so, Being-towards-death is
andiropogenetic only insofar as it means a fear of death, a grasp of something beyond
human life, an alienation from (self-)certainty, an ultimate stop to human desires.
This is the slave, who labors to overcome his desires because he knows diere is
something that can overcome them (him), labors then, on himself, and dius makes
himself as he alienates himself by internalizing a fear of somediing he has not known,
he cannot know.18 (This is die secret power of death.) Bataille only radicalizes this
role of anguish when he recognizes the slave as the instrument of culture because he
ushers in die era of perversion: death drive beyond die pleasure principle, unsadsfacrion
as the law of desire, struggle/erotism as die extreme of recognition/love. But diis
displacement of die original/animal object cathexis is precisely the movement of
humanity, tragic position where the labor of love is the work of mourning, as man
realizes his terrifying animal finitude exactly insofar as he puts an end to his animality.
T h e inspiration is clearly in Kojve:
The slave realizes and perfects his humanity by working in die service
of the master. But his servile or slavish Work only has an
andiropogenedc value insofar as it is born out of Anguish in front of
death and is followed by the consciousness of die essential finitude of
die one who serves by working.19
The slave is not an animal because he works, he works because he is afraid of death,
he is afraid of deadi because he knows he can die, he knows he can die because he is
human, and he is human because he is not an animal. The Kojvian circle of
humanity is dius closed, and widi it, die circle of self-certainty: anguish, struggle,
deadi are all put to work in the service of man's self-consciousness, and dius, more
grandly, of die real coming to know itself as rational. The circle is closed, die human
world is created, and we (humanity/universality/God) can see diat it is good: widi
die rise of discursive diought and die self-consciousness of the slave, circularity finally
rests only on itself, as even deadi has been put to work: to rest.
Man is die only being in die world who knows tiiat he must die, one
can say diat he is conscious of his deadi: the truly human existence is
an existing consciousness of deadi, or a death conscious of itself. Since
die perfection of man is the plenitude of self-consciousness, and since
Man is essentially finite in his very being, it is in conscious acceptance
of finitude that h u m a n existence culminates. And it is the full
(discursive) comprehension of the meaning of deadi which constitutes
this Hegelian W i s d o m , which ends History by giving M a n
Satisfaction.20
But there remains to be seen who, of Hegel or death, is the broomstick of the other.
We already know Bataille's answer: Hegel "achieved salvation, killed satisfaction";
the tireless pursuer of truths (he must have them all), the philosophical Don Juan, 2 ' did
not go to the end of his role, shied away from the direct confrontation with the
Statue of the Commander. Of course, one knows the Statute will appear, and
knowledge is part and parcel of the drama, but this knowledge does not make the
drama in and of itself because it is knowledge of that which will happen diat makes the
tragedy, and thus the hero has to confront his fate to the end. But Hegel does not
care for tragedy here (it has its proper place in the system, where it rests and does its
job too), nor is he opera material: Bataille pictures him at work, professing, then at
home, playing cards, resting.
Hegel's desire is resolved in a knowledge which is absolute, which is
the suppression of the - relative - subject that knows. One does not exist
anymore in these condidons, history, first of all, is thought to be finished,
and similarly, the life of the individual subject must be. If one thinks
about it, never has anything been conceived that was more dead:
multiple life was the great game and the great error which the
completion of this death required. Toward the end of his life, Hegel
did not worry about the problem anymore: he repeated his lectures
and played cards.22
But if Bataille agrees (with Kojve) that in a sense the Negativity stops there, at the
end of History and in the closure of self-consciousness, tiiere nevertheless remains
for him an area of shadows, the ungraspable presence of a Negativity running parallel
to the Negativity which Hegel had enslaved (having recoiled from its abyssal
effectivity), something barely discernible through a blind spot in the System. With diis
blind spot, the metaphor of the eye returns, playing much the same phantasmatic role
of transition - communication, for Bataille - between two positively irreconcilable
spheres, while, more generally but underhandedly, announcing the main lines of
Bataille's very (impossible) project:
There is, in the understanding, a blind spot recalling the structure of
the eye. In the understanding as in the eye, it is difficult to detect. But
whereas the blind spot in the eye is of no consequence, the nature of
the understanding is such that the blind spot has more sense for it
than understanding itself. [...] To the extent that man itself is considered
in the understanding, I mean: an exploration of the possibility of being,
the spot captures the attention: it is not a matter of the spot being lost
in knowledge anymore, but of knowledge lost in it. In this way, existence
closes the circle, but it can only do so by including the night from
which it emerges only to return back to it.23
Vision, as the sense of the eye, functions through the point of its blindness: the
condition of its possibility. While much die same is true of the understanding, the
organ of sense, die consequences are much deeper: it is sense itself mat is abyssally
questioned as it turns itself onto its own basis and asks the question of the sense of
sense. This summary of the Bataillean question, a secretive manifesto for those who
can read it, is nothing if not a radical reformulation of die humanizing power of
Negativity, as die power to question oneself, to ask what I is - in die end. Again,
Bataille begins with the Hegelian Negativity, and ends with it, for die Negativity at
stake is nothing - nodiing more than Negativity itself, die rest, after the end of the
story, of the negation of die negation. Predictably useless, the Mgativite sans emploi
that remains, if it is experienced as die Seducer confronts his end, does not rest, does
not allow for rest - not at the brink of deadi. This is made as clear as it can be in a
confrontation with Kojve, cast in the role of the intercessor:
I admit (as a believable supposition) that history has already ended
(except for the denouement). Still, I see things differendy than you do...
In any event, my experience, lived with much care, has led me to
diink tiiat I had nodiing more 'to do'. (I wasn't ready to accept it, and,
as you know, only resigned myself to it after having tried my best.)
If action (die 'doing') is - as Hegel says - negativity, die question remains
whedier die negativity widi 'nodiing left to do' disappears or subsists
as 'negativity without use' [Ngahvit sans emploi\ : personally, I can only
follow one path, being myself precisely this 'negativity widiout use' (I
couldn't define myself in a more precise fashion). I agree that Hegel
may have foreseen this possibility: at least he did not situate it as die
endoi the processes he described. I imagine that my life - or, better yet,
its abortion, the open wound diat is my life - in and of itself constitutes
die refutation of Hegel's closed system.
[...] I add diis last consideration: for phenomenology to have a sense,
Hegel also had to be recognized as its author (which probably only
takes place in a serious fashion in your work), and it is evident diat
Hegel, because he did not assume all die way his role as man of
'recognized negativity', did not risk anything: dius he still belonged,
in some sense, to the Tierreich.-*
Thus, if Bataille, aborted, facing die deathly negativity that rules over him and signifies
die essential finitude of his usefulness (to die system), sees himself (becomes conscious
of himself) as the gaping wound diat disproves Hegel, as die reverse stigmata on diis
Modern Christ, he does not preclude diat further prophets may appear after the
complete revelation of Truth. Indeed, Kojve is here portrayed as one such step
beyond die Master: slavish commentator that recognizes more than die master text
when it recognizes the Master as Master - and nothing more. Bataille, himself the
further step that disproves the believing Thomases (including Aquinas, through his
Summa Alheologica) when he bares himself as wound, recognizes that the work of the
Slave does not end with the work for the Master, that the commentary adds another
parallel figure to the original one, and that this rest - what is left over after the
completion of the whole circle - disturbs the rest of the whole. Mastery (of the
(Hegelian) moment) is displaced by sovereignty (of the (Nietzschean) instant) when
the sleep of the Master becomes uneasy because of troubling dreams, phantom images,
recurring nightmares that linger on in the light of reason only long enough to prove
unseizeable by it. In the end, there remains something, besides playing cards: the
sovereign choice that comes after the end, when it has no more possible utility than
itself as itself: sovereignty as the simulacrum of Mastery.
Clearly, it is Kojve's Introduction - whatever the critiques may be about his reading of
Hegel - that is the 'primary instrument of self-consciousness', the mature step beyond
the childish (animal, Tierreickisch) conceptions of humanity. Bataille's 'true encounter
with the work of Hegel' then only takes place when he goes beyond it. With Kojve,
he discovered the importance of systematically coming to terms with systematicity,
while in terms of philosophical themes, the influence remained more limited. Indeed,
the Reading stresses man as essential Negativity, the necessity of a 'struggle for pure
prestige', the formative moment of the consciousness of death, and the determining
role of the slave, all hallmark Bataillean themes, but those had already been explicit
in articles published before Kojve's seminar began, most importandy in "The notion
of spending" in La Critique Sociale ofJanuary 1933. Bataille cleariy found strong echoes
of his major ideas in the lectures, developed in a different and no doubt more
philosophical setting, and thereby was able to appreciate the role Hegel could come
to play with respect to his work. But this role remains a negative one, in parallel to
the opposition of the slave to the Master. Acting as catalysts, Kojvian notions such
as the anthropogenetic rise out of animality or the End of History, only seem to have
precipitated a reinforcement of Bataille's position, and arguable even the 'ngativit
sans empio? however bound to the Hegelian discourse, was just another avatar of the
multiple formulations of the 'insufficiency of the classical principle of utility'.
Consequendy, by 1938, returning in the framework of the Collge de Sociologie to
the earlier influence of Freud and Mauss, Bataille still acknowledges the importance
of Kojve's Hegel, but the enthusiasm of the discovery has given way to a now
strangely flat critical position:
15
The story does not end then, not with Bataille's response to Hegel. For, if Bataille
has reversed the positions of the author, the commentator and the reader, giving a
positive-transgressive account of each step away from the original, Kojve's position
as the medium of this relation is more murkily complex than foreseen. Indeed, Kojve
goes beyond the words of the Master in several self-conscious ways (beginning with
the fact that his whole interpretation is explicitly premised on the revelation of what
Hegel himself kept secret, for instance, that Napoleon marked the End of History),
and considers "the question of whether Hegel actually says what I claim he says is a
childish one". 26 So the commentator explicitly goes beyond the Master, but he may
well go beyond his audience too - Bataille included - as the obscurity diat surrounds
his Reading spreads in one direction as much as the other. And so, it might well be
that the middle step gets the last word in the end - or at least one that goes as far
beyond positive knowledge as any other, in that undecidable shadow of Negativity,
in the never fully revealed secrecy beneath circularly explicit and self-conscious
knowledge.
Even the revelations he makes when confronted direcdy cannot dispel these shadows:
I taught a course in philosophical andiropology using Hegelian texts,
but saying what I considered to be the truth, and dropping what seemed
to be, in Hegel, an error. Thus, for example, by giving up on Hegelian
monism, I knowingly strayed from this great philosopher. Moreover,
my lectures were essentially a work of propaganda, meant to be striking.
This is why I consciously stressed the role of die master-slave dialectic
[...] One small remark, though. The terms 'sentiment of self and
'self-consciousness' are diose of Hegel, who says explicidy that, unlike
man, the animal never moves beyond die 'sentiment of self. The
term 'struggle for pure prestige' indeed is not Hegel's, but I believe
diat this is only a matter of terminology, as all I say applies perfecdy to
what Hegel calls die 'struggle for recognition'. As for my theory of the
desire for desire, it is not to be found in Hegel either, and I am not
sure that he saw the matter very well. I introduced die notion because
I meant to do, radier than a commentary on the Phenomenology, an
interpretation of it; in odier words, I tried to find die buried premises
of the Hegelian doctrine, and to construct it by logical deduction from
these premises. T h e 'desire for desire' seems to me one such
fundamental premise.27
The last word then, for Kojve, in a "Preface to the work of Georges Bataille" diat is
as much an introduction as a conclusion:
In any event, die pages diat follow have their place beyond the Hegelian
circular discourse.
There remains to be seen whedier diey contain a discourse (which
would, in diis case, amount to a refutation), or whedier it is a verbal
form of contemplative Silence mat is to be found in diem. Yet, if there
is only one possible way to say die Truth, diere are innumerable ways
to leave it unspoken. 28
And, the figure of the parallel still insisting in the intimacy of die unspoken, Kojve
reaffirms the obscure possibility of a secret connection with Bataille: "I am more
and more inclined to think that the only possible attitude with regard to that of the
'Hegelians' is the 'silent' attitude which is yours." 29
Notes
1
Georges BatailJe, "Hegel, death and sacrifice",
in CEuvres Compiila, voi XII(Paris: Gallimard, 19701988): 338-339 (hereafter, all references to Bataille's
w o r k will be given in t h e CEuvres Completes
pagination, as a R o m a n numeral for the volume
followed by an Arabic n u m b e r for t h e p a g e ;
throughout, all translations from French are my own).
- J a c q u e s Derrida, "From restricted to general
economy: a Hegelianism widiout reserve", in L'Are
"Georges BataiJJe", 32 (1967): 4 3 .
3
Georges Bataille, Inner Experience^: 128.
' Georges Bataille, notes to On Metzsche, VI: 416.
T h e laudatory terms are difficult to translate:
"...(explication geniale, la m e s u r e du livre:
combien de fois Qucneau et moi sortimes suffoqus
de la petite salle - suffoqus, clous)."
4
When 'the peak of positive intelligence' was
Aristotle, he was 'the Philosopher' according to
scholastic s h o r t h a n d , a n d A v e r r o e s , ' t h e
Commentator' - great figure in the shadows of the
former. It is very much the same place that Kojve
holds in our Hegelian context, clearly deserving
the distinction of the silent capital.
s
Georges Bataille, Theory of Religion, VII: 358.
;
Ibid., Bataille, Theory of Religion, VII: 358.
8
Bataille from an unpublished draft for a letter
from 1956, responding to a query by the editor of
a German book on contemporary literature (op.
cit., Bataille, VII: 615). T h e two articles mentioned
and sent with the response, are "Critique of the
foundations of the Hegelian dialectic", and "Hegel,
death, and sacrifice", the article on which much of
Derrida's argument is based.
9
O n that topic, the most direcdy telling source is
Queneau's article: "Premieres confrontations avec
Hegel", published in the memorial issue of Critique
devoted to Bataille (195-196 (August/September
1963)). Besides the article from 1932, "Critique of
the foundations of the Hegelian dialectic", we know
from the list of Bataille's b o r r o w i n g s at t h e
Bibliothque Nationale that he had some
acquaintance, as eariy as 1924, with Hegel's works,
including the Philosophy of Spirit, the Logic, and the
Lectures on the History of Philosophy (cf. op.cit., Bataille,
XII: 549-621). .And before Kojve's lectures, he had
followed some of t h e ones his p r e d e c e s s o r ,
.Alexandre Koyr, had taught in 1932-33 on
'Hegel's religious philosophy'.
10
George Bataille, Guilty, V: 3 5 1 .
" Op. cit., Derrida, "From restricted to general
economy", 44.
'- Op. cit., Bataille, Inner Experience, V: 56.
15
A m o n g B o r i s B e l a y ' s m o r e d i u r n a l a c t i v i t i e s , o n e is p r e p a r i n g , a t S U N Y
Stony
parallax