Film Theory Cluster Map

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Andrew Sarris

Jean-Louis Narboni and Jean Comolli

Interpretation

Kristin Thompson Peter Gidal Slavoj iek Miriam Hansen

Auteur Theory
Vsevolod Pudovkin Cahiers du Cinma Peter Wollen

Jean-Pierre Oudart

Symptomatic Reading European Film Theory

Daniel Dayan

Ferdinand de Saussure

Mimetic Innervation
Viktor Shklovsky

Walter Benjamin

Avant-Garde Film

Jean-Louis Baudry

Ideology
Stephen Heath

Anglo-American Film Theory


Eve Sedgwick

Mise-en-scne
Siegfried Kracauer

Structural/Materialist Film
Psychoanalysis

Counter Cinema
Andre Gaudreault

Marxism Louis Althusser

Suture
B. Ruby Rich

Redemption Poetic Cinema Brecht and Film

Laura Mulvey Visual Pleasure and Narrative Cinema

Formalist Theories of Film Third World Cinema


Pier Paolo Pasolini

Pudovkin

Colin MacCabe

Interface Contemporary Film Theory Apparatus Theory Fantasy and Spectatorship


Elizabeth Cowie Teresa de Lauretis

Attraction Film as Art


Tom Gunning Early Film Theory Rudolf Arnheim

Modernism vs. Realism

Reflexivity

Queer Theory/Queer Cinema


Discourse

Feminist Film Theory

Dziga Vertov

Sergei Eisenstein

Illusion Classical Film Theory


Stuart Minnis

Warren Buckland

Medium Specificity

Blending and Film Theory Classic Realist Text


Psychoanalytic Film Theory

Gaze Theory Enunciation and Film

Montage Theory

Depth of Field

Long Take
Jacques Lacan Emile Benveniste

Imaginary Signifier
Kino Eye CGI Andr Bazin Sound Theory

E. Ann Kaplan

Representation

Semiotics of Film
Raymond Bellour Christian Metz

Vito Russo

Digital Cinema
Stephen Prince Thomas Elsaesser Indexicality Shoshana Felman

Ontology of the Photographic Image Pixel/Cut/Vector Skepticism Film and Trauma


Sean Cubitt Gregory Currie

Film and Rhetoric


Raymond Bellour

Michel Chion Francesco Casetti

Voyeurism

Cinematic Excess
David Rodowick Linda Williams

Ferdinand de Saussure

Theory of Identification Jean Mitry Metaphor and Metonymy Charles Sanders Peirce Mirror Stage

Dori Laub

Holocaust Testimony

Attention
Mourning

Imagined Observer Hypothesis


Russian Formalism Fabula

Symbol and Analogon

Kaja Silverman

Ethics and Film Movement-Image


Cathy Caruth

Concept Narration
Emmanuel Levinas Hugo Mnsterberg

Film Fables

Diegesis
Grard Genette Etienne Souriau Syuzhet Nol Carrol

Voice

Gaming and Film Theory


Gilles Deleuze

Film-Philosophy
Stanley Cavell

Point of View
Seeing/Perceiving Spectatorship Jesper Juul Henry Jenkins Edward Branigan Filmology

Accented Cinema Henri Bergson

Memory

Affect
Narrative Theory Ludology

Cognitive Film Theory


David Bordwell Mladen Dolar Focalization

Minor Cinema

Time-Image Camera Perspectivism vs. Realism


Duration Greg M. Smith

Emotion and Film Cinematic Movement


Sympathy Rick Altman

Evidence (Jean-Luc Nancy)


Analytic Theory of Film

Reception Theory
Murray Smith Torban Grodal British Cultural Studies

Sense

Dialogism Ordinary Man of the Cinema (Jean-Louis Schefer) Phenomenology and Film
Alitheia Chronotope Habitus

Vivian Sobchack

Documentary Theory
Hans Robert Jauss

Genre Theory
Empathy Bill Nichols Fredric Jameson Carl Plantinga Mikhail Bakhtin Steve Neale Janet Staiger

Robert Stam Linda Hutcheon Allusion Pastiche

Postmodern Cinema

Parody

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