CWOS New Haven 2013

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New Alliance Foundation, First Niagara Bank Foundation,

Yale University, individual Friends of Artspace
and Sponsors of City-Wide Open Studios
Artspace welcomes you to City-Wide Open Studios 2013
2
Welcome and arise! Every October, visual artists from across the State join to
Artspace’s 16th Annual City-Wide Open Studios
Its my great pleasure to invite you to be part of the City-Wide take part in the City-Wide Open Studios festival and fill sites and
Open Studios experience, a unique way to immerse yourself into spaces across New Haven so that they may share their creative ideas
the cultural riches of our community. and working methods with you, the art-curious public. New Haven
is well recognized as a hub of entrepreneurship and innovation, and
As the oldest and largest not-for-profit alternative art space in these artists contribute greatly to the intensity of its activities.
Greater New Haven, Artspace seeks to be the region’s premiere
cultural magnet for artists, through unsurpassed quality, range and Under the new direction taken by the Department of Economic
diversity of exhibitions and educational programs, and through and Community Development in supporting efforts that catalyze
its sustained commitment to improving the quality of life in our placemaking, I am delighted we can invest in Artspace so that
community. it can help us all celebrate the unique workspaces that are the
vibrant and proud legacy of our industrial past. It is my privilege
October is one of the best times to experience our efforts. During to invite you to discover and rediscover New Haven, as it awakens
our City-Wide Open Studios festival, New Haven hums with the to showcase itself as an epicenter for innovative art production and
creative energy of a community fully engaged in the production of, public experience.
and the enjoyment of art.
This year’s festival theme of the Reveille reminds us that the arts
This year, a network of curators from different communities will are Connecticut’s home-grown engine making our cities even more
bring a national perspective to the work being produced here, via vibrant and attractive.
professional development workshops and the special educational
tours that punctuate the festival. Whether you are an exhibiting I am especially pleased that DECD’s support will allow the historic
artist or an art explorer, I hope you’ll take advantage of their Goffe Street Armory to serve as a festival access point for so many
perspective. artists and area residents. I hope you will join me in seeing how
artists can activate the community’s imagination for what this
There are so many more ways to enjoy the festival: Browse the currently underutilized site can become.
hub exhibition at Artspace where every single artist has selected
one work to whet your appetite; join a guided bike tour to see Congratulations to all the artists and thanks to the Artspace board
the neighborhoods where artists live and work; drop in to a and staff for sustaining this Connecticut touchstone for 16 years!
demonstration and learn an artist’s techniques; or just wander the Catherine Smith
halls of the vast Armory to stumble upon installations made in Commissioner
response to our theme of Reveille. Or get involved by volunteering Department of Economic & Community Development
at any one of the dozens of distinct studio locations open for
discovery.
Thank you for being part of the celebration!
Dear Friends,
Over the last 16 years, I have taken great pleasure in watching City
Helen Kauder
Wide Open Studios (CWOS) grow from a one-weekend gathering
Executive Director
of artists in a few studios and storefronts to a multi-weekend
Artspace
festival encompassing various city neighborhoods. For four
weekends this year, artists, residents, tourists and art aficionados
YOU are about to experience one of Greater arrived in New Haven to see the work of some of New England’s
New Haven’s favorite fall events: City Wide Open Studios! best artists. Throughout the month of October New Haven is
bursting at the seams. CWOS supporters leave their footprints all
Over three weekends, hundreds of artists welcome thousands over the city. They drink at our coffee shops, eat at our restaurants
of visitors in studios both permanent and temporary, for an and shop at our stores. Their excitement is contagious.
educational and recreational event that is one of the largest of its
kind anywhere in the country. I want to thank everyone involved with City Wide Open Studios.
The work that you do to make this event happen is commendable.
As Chair of Artspace, I am delighted to welcome you, and to urge
you to participate as fully as possible in this fantastic example of I also want to thank this year’s attendees. I know they will have a
New Haven’s claim to being the Creative Capital of Connecticut. great time and hope they discover more reasons to return to our
city.
Enjoy!
John DeStefano
Barbara Pearce Mayor
Board Chair City of New Haven
Artspace
event calendar
3
grand opening night
october 4 — 27, 2013

Oct. 4, 5–late PM free! Artspace Lot, 812 Chapel Street
Come for the grand opening reception of CWOS,
meet all the artists, and stay for a party that Open Wednesday–Saturday 12-3 pm, and Friday 4-7 pm
Through November 8 | Weather Permitting
spans the whole neighborhood! Downtown’s first outdoor 9 hole mini golf course.
Each hole is designed by a local artist
Grand Opening Reception at Artspace or local artist-team. Featuring holes by
5–9 pm Heather Bizon, Matthew J. Feiner, Silas

Finch, Make Haven, Willie Hoffman,
Rocko Gallipoli, Linda Lindroth + Craig
Bugle Call | 6 PM Newick + Jeff Carter, Dana Scinto, and
Senior Airman Carl Stanley, trumpeter at the Yale School StereoMedia (Ian Applegate/Jimmy
Day).
of Music and Air Force member, performs the Reveille to
The installations are free to visit. Clubs
kick off the festival. Bugle Call Sponsored by may be rented for $5, includes balls,
specially designed badges and souvenir
scorecard.
Organized by Michael Galvin, Artspace
Gallery Manager and Visual Arts
Mini Golf | 4–7 PM Coordinator.

The Lot Projects are made possible
The Lot, 812 Chapel St thanks to the support of the National
Endowment for the Artspace
This temporary 9-hole course, fun for the whole family, can be played
in 35 minutes.
Music and Art in the Drill Hall · 290 Goffe Street
Illuminate On9 | 6-8 PM October 27 + 28
Locations throughout Ninth Square Organized by Jose Oyola and Eric Epstein
Illuminate On9 celebrates New Haven’s rich arts scene with LAMP Musicians, brass players, and marching bands convene from all
(Light Artists Making Places), Artspace’s City-Wide Open Studios, and over town to jam in the Drill Hall. Check cwos.org for the full
a Creative Crawl through New Haven’s Historic 9th Square. Luminaria schedule.
will line pathways through 9th Square to showcase light installations
A Group of Installations Pop Up Inside Storage Containers
created by local artists. There will also be a musical performance and
Organized by Michael Galvin and Caleb Hendrikson.
a projection by Music Haven’s orchestra.
With support from
3rd Annual
Light Artists Making Places | 8-11 pm
LAMP is New England’s premier light event, this year focusing on
New Haven’s historic “Great Shippe” of 1647. Tonight, this mysterious
“Phantom ship” of the colony of New Haven will return from her ill-
fated voyage. Artists will project illuminations, both large and small,
using a variety of old and new technology. Featuring works by Vicki
DaSilva and Mark Mulchay and Connecticut’s Projects 2K. Made
possible by 9Arts, with support from Connecticut Office of the Arts,
New Haven’s Office of Art, Culture and Tourism and Projects 2K.
event calendar
4 weekend one WEEKEND TWO WEEKEND THREE

Oct. 12–13 Oct. 19–20 Oct. 26–27
erector square, 315 Peck St. private studios alternative space, 290 Goffe St.
open 12–5PM open 12–5PM Open 12–5PM
Oct. 12 + 13 Oct. 17 pre-weekend event Oct. 26 + 27
Erector Square Curator-led Preview Tours The Goffe Street Armory
$5 suggested contribution 6:30pm Open 12–5pm
Led by Joshua Chuang, Anne Higonnet, Steve $5 suggested contribution
Oct. 11 pre-weekend event Holmes.
Curator-led Preview Tours Tickets are $75 and still available at October 26
7pm www.cwos.org/curatortours. Visit the website for Live Stream of Creative Time
Led by Charlotta Kotik, Jennifer McGregor, full bios and more information. Summit: Art, Place and Dislocation
Omar Lopez-Chahoud, and Herb Tam. in the 21st Century City
Tickets are $75 and still available at Oct. 19 + 20 bike tours Grab a seat for this global gathering of prominent
www.cwos.org/curatortours. Visit the website for The Devil’s Gear Bike Shop artists, activists and cultural produers who tackle
full bios and more information. 151 Orange Street issues of wealth inequity through public discourse.
Tours depart from Giampietro Gallery. noon–4pm The Summit asks: What new forms of civic
Explore New Haven and experience CWOS by bike. participation and engagement are artists
oct. 12 Free Music Riders of all levels are welcome on the tours, led integrating into the built environment? What
Patchy Fog Band by Matt Feiner of the Devil’s Gear. Meet in Pitkin instructive models are being deployed by today’s
Building 5, 2nd Floor Plaza between 11:30 and Noon. Tours begin city planners and mayors? What kind of cultural
1–3pm promptly at Noon. FREE! production makes cities economically sustainable for
all of their inhabitants? How does culture contend with the impact
oct. 13 Free Music of the environmental crisis on the city, as we recently experienced following
Patchy Fog Band Superstorm Sandy?
Building 5, 2nd Floor
Keynote presentation by critic and writer Lucy Lippard, 1:50 pm
2–4PM
oct. 12 + 13 Oct. 26 + 27
Lori’s Cafe Performances organized by Jose Oyala & eric epstein 1–5pm
Building 4, CWOS hours:
10am – 4pm
Oct. 26 + 27
Offering Breakfast, Soups, and Lunch Specials! Food Trucks
Caseus
Fryborg
Ricky D’s Rib Shack and others TBA
Artspace 9 hole Mini Golf Artspace 9 hole Mini Golf Artspace 9 hole Mini Golf
The Lot, 812 Chapel St The Lot, 812 Chapel St The Lot, 812 Chapel St
12–3pm 12–3pm 12–3pm
Rental of Clubs & Balls: $5 Rental of Clubs & Balls: $5 Rental of Clubs & Balls: $5
event calendar
Other Exhibitions at Artspace on Curator-Led studio visits 5

view through Oct. 27 Join us for a fun, exhilarating, and thought-
october 4 — 27, 2013

IMAP New Haven
Organized by Aly Fox & Eric Epstein
provoking evening to benefit Artspace.
First, enjoy a cocktail party with delicious refreshments while
I Map New Haven is a community art
conversing with a small group of invited guests. Next, visit selected
project capturing the experiences,
lives, and memories of New Havenites. studios of participating CWOS artists led by curators and art-world
Organized by Aly Fox and Eric Epstein, the experts from prominent museums and galleries. Finally, relax at a
I Map New Haven project has gathered coffee and dessert reception to discuss the work you’ve seen with
dozens of maps that visually represent fellow art lovers and the artists. Choose between two itineraries—or
the experiences of New Haven’s diverse residents. As part of double your support by taking part in both!
this year’s City-Wide Open Studios, maps from the project will be
displayed in Artspace’s Crown Street Window and Project Room for
Friday, October 11 Thursday, October 17
the month of October.
Hosted by Fred Giampietro at Artspace Gallery, 50 Orange
Giampietro Gallery at Erector Street, New Haven, where the
Around CWOS: Other Exhibitions Square, 315 Peck Street, New central exhibition, featuring one
and Projects on View Haven. work by each participant will be
on view.
ATTICUS BOOKSTORE/CAFE 1082 Chapel St., New Haven • Pat Goldstein 7 pm Cocktail party
September 9–October 20 • M–Th 7am–9pm, F & Sat 7am–10pm, Su 8 pm Tours leave the gallery to visit 6:30 pm Cocktail party, with hearty
8am–9pm Erector Square studios plates of hors d’oevres
AZOTH GALLERY 133 Elm St. (Lower Level), New Haven • Victoria Navin 7:30 pm Small groups will visit selected
9:30 pm Participants will gather for
October 9–November 11 • Opening reception Wednesday, October 16th,
dessert and conversation at Giampietro artists in three areas of New Haven by
5–7pm
CONNECTICUT BLACK EXPO 480 Sherman Parkway, New Haven Gallery foot or van
A community trade–show featuring performances and vendors • October 9 pm Participants will gather for
Choose your guide:
26, 12 –8pm dessert and conversation at Artspace
Tour 1 Charlotta Kotik, former Curator
CREATIVE ARTS WORKSHOP 80 Audubon St., New Haven • Featuring
artwork by CAW students ages 2 – 18 • September 13–October 11 and Chair of the Contemporary Art Choose your guide:
Monday–Fri, 9:30am–5:30pm, Saturday, 9am–noon Department at the Brooklyn Museum Tour 5 Anne Higonnet professor of art
ELM CITY ARTISTS GALLERY 55 Whitney Avenue, New Haven • An Tour 2 Jennifer McGregor, Director history at Barnard College
Eclectic Collection • Works by Laura Wilk, Sharon R Morgio, Regina M of Arts & Senior Curator at Wave Hill Tour 6 Steven Holmes, curator of the
Thomas, Margaret Ulecka–Wilson, Ralph R Schwartz, & Tracey Kafka Cultural Center Cartin Collection and adjunct curator at
September 3–October 26, 10am–6pm
Tour 3 Omar Lopez-Chahoud , the Bass Museum, Miami
GIAMPIETRO GALLERY 315 Peck St., New Haven • Clint Jukkala & Alexis
Independent Curator Tour 7 Joshua Chuang Richard Benson
Granwell • October 11–November 2, 2013 • Opening Reception Friday,
October 11th, 5–8pm Tour 4 Herb Tam, Curator and Director Assoc Curator of Photography and
Giampietro Gallery II 91 Orange St., Elizabeth Gourlay and Kevin of Exhibitions at the Museum of Chinese Digital Media at the Yale University Art
Finklea, October 4–November 2, 2013. Opening reception, October 4, in America, NY Gallery
6–8pm
INSTITUTE LIBRARY 847 Chapel St., New Haven • Crossing the Line: A The special previews will connect artists to curators and awaken public awareness of the life of
Collection of Drawings • October 5–26 • Opening reception Saturday,
the working artist. Special thanks to Giampietro Gallery and Eder Brothers for their support.
October 5, noon–2pm
Reynolds Gallery Breaking Boundaries: The Art of Susan Weinrich Tickets are $75. Visit http://www.cwos.org/curatortours for more information and to reserve
Oct 4-29 • Opening October 4, 5-8 pm our seat. All proceeds from these events will support Artspace and City-Wide Open Studios.
SUMNER MCKNIGHT CROSBY JR. GALLERY 70 Audubon St., 2nd Floor, Event Committee Eileen Eder, Chair · Cassandra Albinson · Jeff Carter · Cathy DeMeo · Seth Dodds · Martha
New Haven • Group Exhibit • September 19–November 1 M–F, 9–5 Lewis · Helen Kauder · Julie Parr
YALE SCHOOL OF ARCHITECTURE 180 York St., New Haven • Paul
A special thanks to our Curator Tour Sponsors who help make CWOS possible
Rudolph Hall • Everything Loose Will Land, Exploring the intersection BUGLER: Eileen & Andrew Eder · Adele Meyers & Dr. Seth Dodds DRUMMER: Coleen & Brett Hellerman · Steve &
between architecture and art during the 1970’s in Los Angeles • August Jane Kovel · Julie Parr & Dr. Will Becker COLOR GUARD: Debby Applegate & Bruce Tulgan · Dr. Walter & Diane Ariker
28–November 9, M–F 9–5pm, Sat. 10–5pm Megan Barnett & Hil Anderson · Grace & Jay Bright · Carol Grave · Barbara Marks · Ted Snyder · Diane & Barry Svigals
artists A– Ba
6 Weekend Key
1 Erector Square | oct. 12–13
http://www.reactivesculpture.com observer to experience the phenomeno-
logical brink or edge where abstraction
becomes subjective and identifiable.
I am excited to be part of the entire CT
community this year.
http://LSAuh.com
2 Passport | Oct. 19–20 http://arabolosart.com
3 Alternative Space | Oct. 26–27
127 Kwadwo Adae

2 october 19–20 | passport
817 Chapel St., Suite 2A, new Haven
134 michael angelis
33 Caryn Azoff
Painting 1 october 12–13 | erector square
Artists from the Adae Fine Art Academy 39 Church St., 4th Floor, New Haven
Painting
will be exhibiting their drawings and Painting
I explore the physicality of the figure.
paintings during the Passport Weekend. Michael Angelis is a Jay “Juice Daddy” 107 sophie aston Using texture, color, mixed media collage,
Kwadwo Adae is the instructor of the Kordich protégé. His juicing career has
1 october 12–13 | erector square thread and various marks, I am looking at
Adae Fine Art Academy, located on the spanned 37 years and 9 continents. His
Mixed Media gender, age, and physical conditions
second floor of 817 Chapel Street in the eyebrows have grown to a record length
In recent collages I have spliced painted through a lens that does not offer the
Ninth Square one block up from of 48cm, which he grooms one hair at a
elements into rearranged interiors culled subject any privacy. I am questioning the
Artspace. time with a double-edged safety razor.
from vintage “Better Homes and idea of beauty in our society, how we
http://adaefineartacademy.com/ This method of eyebrow maintenance is
Gardens” magazines. The abstract ignore the concept of human experience
section/281654.html not endorsed by Jay Kordich or the Jay
gestures of Expressionism are suggested and time that passes.
Kordich Amalgamated Juice Enterprises.
within pristine spaces - Maverick http://www.carynazoff.com
http://breckfess.com
furniture, incongruous curtains, and
curtains of paint, in turn occupy and deny
the picture-space.
http://www.sophieaston.co.uk
200 Rosa Alfaro Carozzi 203 Old Bags

160 Liz Antle-O’Donnell 3 October 26–27 | Alternative Space
3 October 26–27 | Alternative Space 2 october 19–20 | passport
Installation
Painting 20 Paramount Ave., Hamden Concept Old Bags, a collaboration
Address a fundamental need for art. Printmaking between Faith Baum and Lori Petchers,
Revive the notion of recognizable quality I enjoy developing textures both within
7 Lani Asuncion was initiated at City Wide Open Studios
of art. Cultivate what is authentic and and outside of the print. My primary me-
1 october 12–13 | erector square 2011. Since then this multimedia site
profound. dium is linoleum. Most of my work com- specific art about the middle-aged female
http://www.rosaalfarocarozzi.com bines prints with found objects -- natural Video
experience, has been presented in a
objects such as bark or leaves; salvaged Place and identity becomes a starting
number of venues. We are returning to
wood, windows or frames -- pushing the point of reference within my work.
CWOS to further explore the concept
print into the third dimension. My recent Translated through the medium of video,I
with a focus on identity and fashion.
works are best described as surrealistic, use cinematic approaches and poetic
http://oldbagsproject.com
apocalyptic landscapes. imagery to produce an abstract visual
http://www.lizantle.com story. Throughout each video there is a
reflection of my multicultural background
6 Hil Anderson in conjunction with tradition, the desire
1 october 12–13 | erector square
319 Mildred Antonelli of integration, and community.
3 October 26–27 | Alternative Space https://laniasuncion.com
Photography
I am a storyteller because I believe that Painting
the road to knowledge is paved with Prometheus is engaged in the struggle
fabulous tales. I enjoy telling stories that to: Address a fundamental human need
challenge the common expectations of for art; Revive the notion of recognizable
Artists
narrative. My hope is that where I am quality and technical mastery that once
successful you will find stories visible in formed the basis of great cultures;
Cultivate what is authentic and profound 202 Monique Atherton
my photographs. 3 October 26–27 | Alternative Space
in both the practice and discourse of art.
http://www.HilAndersonPhotography.com
http://www.artinspiteof.com Photography
I am very interested in the worlds that we
Arts p a c e
create for ourselves and the relationships has two outstanding
we create within the boundaries of these
microcosms. Using the outskirts of
American cities as a backdrop for my
calls for artists
photographs, I explore my relationships out now, with deadlines this fall
201 Mark Andreas within a particular space and share them www.artspacenh.org/opportunities
3 October 26–27 | Alternative Space with the public.
Sculpture http://www.mybestfriendmonique.com
I create kinetic devices that interact with 106 John Arabolos
their environments. I call this environ- 1 october 12–13 | erector square
mentally reactive sculpture. My goal is to Other
have the environment impact and Arabolos’ art work is an investigation of
activate each sculpture. In turn, the our natural world and how we perceive
sculpture’s activation and movement and relate to it, including the processes’
changes or interacts with the environ- of conception, creating and the 32 Laurie S. Auth
ment creating a dialogue between the metaphysical act of experiencing and
environment and the artwork. becoming. The artwork allows the
Painting
artists Ba– Br
181 Chris Barnard
207 Amy Bock
3 October 26–27 | Alternative Space 7
14 Gilbert St., Studio M 110, West Haven Painting
october 4 — 27, 2013

Painting Microscopic cells to celestial bodies—the
My work examines the connections and circle is a structural unit of all things,
gaps between landscape painting and living and man made. This series began
contemporary socio-political concerns, as an exploration of the circle then
specifically U.S. militarization, imperial- broadened to include other shapes, grids, 209 Cristina Bonilla
ism and ideologies that perpetuate them. numerals, etc. The resulting patterns and 3 October 26–27 | Alternative Space
205 Jeff Becker progressions that emerged began to have
I address relationships between Painting
3 October 26–27 | Alternative Space multiple meanings about time, change,
representations of history and http://[email protected]
destruction, desensitization to violence, Photography birth, death and decay.
and engagement in potentially perpetual Boundaries, being moveable constructs, http://amybock.com
war. exist solely to be pushed. I push them. Is
http://www.chrisbarnard.com a photograph a painting? Is an inkjet
printer a paintbrush? For the Slurry
Series works, time is of necessance.
Along the way these images evolve,
sometimes noticeably, occasionally silent.
For 6 to 9 months this work will morph,
but the essence remains. 210 Michelle Bradford
http://www.jeffbeckerphotography.com Alternative Space
208 Ethan Boisvert 3, October 26–27
3 October 26–27 | Alternative Space Painting
125 Catalina Barroso-Luque Painting Color is the driving force behind my
2 october 19–20 | passport My work is about exploring the ability to paintings. I begin with either a single
3 October 26–27 | Alternative Space create abstract narratives through the shade that I am momentarily obsessing
50 Orange St., New Haven synthesizing of ideas executed primarily over or a couple of colors that beg to be
Mixed Media 206 Marion Belanger in aesthetic based art, including together. I love texture, ranging from the
My practice seeks to challenge the 3 October 26–27 | Alternative Space compositions of western pre renaissance raw, velvety linen canvas to thick molds
boundaries of sculpture and photography. Photography through the 21st century. or scratches from my palette knife. The
Recently, I have focused on analyzing In Real Estate, I investigate the http://www.ethanboisvert.com colors seem to dictate the shapes and
how images function as ‘screens’. I aim to in-between status of uninhabited forms, which are never planned.
address how today’s image environment interiors. Some spaces reveal vestiges http://www.michellebradford.carbon-
depicts reality as a series of overlapping referencing past occupancy and use. made.com
universes, and how the veils created by Newer construction, defined by blank
images deny us access to something walls, suggest narratives as yet
deeper than the image itself. undefined. The photographs portray the
http://www.catalinabarrosoluque.com inevitable transformations that define
cultural spaces. They picture imperma- 34 Joan Bombalicki
nence. 1 october 12–13 | erector square
http://www.marionbelanger.com Painting
In 2003, I signed up for an oil painting
class. Soon after, my work was selected
for two juried shows. I’m a member of 137 johanna bresnick
Connecticut Women Artists. My work has 2 october 19–20 | passport
113 David Bassine been shown at John Slade Ely House, 84 Lyon St., New Haven
1 october 12–13 | erector square New Haven and Slater Memorial Museum, Sculpture
Painting Norwich. I’m enjoying the artistic journey, Recent work investigates the imposition
Landscape, seascape, all nature painting 9 Meg Bloom playing with a variety of subjects and of geometry on nature; the engineering
is about trying to find commonality in 1 october 12–13 | erector square approaches to the canvas. of environments and conditions by means
shapes of rocks, trees, clouds, leaves, of architecture, economics, time,
Mixed Media
every object within the field of vision. geopolitics, social behavior, familial
Finding beauty in the imperfect or
Tonal modality and spatial geometry are structure, or personal code. The
impermanent and engaging with the
also necessarily integrated. The result of materials vary widely.
process of transience form the basis of
this achievement from Giotto to Rubens http://johannabresnick.com
my two and three dimensional work. I am
to the present is emotional intensity and
guided by the mix of planning and chance
clarity. Take a look, see if anything is
happening.
afforded by the materials I use. For 112 Vito Bonanno
several years I have worked with 1 october 12–13 | erector square
8 Hayne Bayless fabric,paper, pigments and wax. More Orange St., New Haven
1 october 12–13 | erector square recently I have added paper-making to Mixed Media
Other my process. Vito Bonanno is primarily a self-taught
I love what spawns in the friction http://city-gallery.org accomplished and nationally recognized
between what I want the clay to do and New Haven based artist, who has found a
what it would rather do. I’m intrigued by way to tap into the daily emotional ups
what happens when clay is rolled, and downs of his neuro-diversity, taking
stretched, pressed, incised, inlayed, the personal struggle of his innermost
extruded, bent, cut and put back thoughts, feelings and fears and placing
together. The unintended result, often them into bold and unedited art
misread as a mistake and so dismissed, is statements.
one of the most fertile sources of new http://www.vitobonanno.com
ideas.
http://www.sidewaysstudio.com
artists Br–Ca
8 40 170 Alexis Brown 212 Eileen Carey
Rita Brieger I research, write and teach the history of
1 october 12–13 | erector square Passport photography, the origin of optics in art 3 October 26–27 | Alternative Space
and the processes and techniques that
Painting 2 October 19–20 Painting
led to contemporary photography. My
“Never let reality get in the way of Eli Whitney Barn, 915 Whitney Ave., Hamden Painting continues to be a process of
practice is focused on analog photo-
imagination” sums up my approach to my Other inquiry and revelation. The very nature of
graphic processes | cyanotype,
art work. Mail focus is in printmaking currently. extracting an image from one source,then
solargraph), photogram, camera obscura
http://ritabrieger.com General subject is animals usually in large discovering through the working process
and pinhole camera design and
format. a disclosure of an unexpected turn or
construction, and site-specific installa-
http://alexisbrown-art.com direction,which has surfaced through the
tions.
struggle, remains a constant mystery and
http://www.colinburkestudio.com
source of motivation.
35 Jay Bright
Painting
Andre Derain’s & David Hockney’s use of
vivid color to render the landscape 155 Frank Bruckmann
inspired me to go to East Rock to look 2 october 19–20 | passport 249 Eóin Burke & Tracie Cheng 146 Leslie Carmin
with new eyes. I painted spring’s primal 418 West Rock Ave., New Haven 3 October 26–27 | Alternative Space
energy exploding from the subtle winter Painting Mixed Media
landscape-hints of blue and rose in bare I like to paint! 17 Anderson St., New Haven
There’s something simultaneously
tree bark, and outrageous yellow http://fbruckmann.com tranquil and passionate about the pieces Other
forsythia exploding in improbable places we create- mostly in the process, and I draw odd little creatures and people
on the rock face. hopefully in the product. We want to give from my imagination using primarily
http://artspacenh.org/artists/jaybright a voice to a story, real or dreamt up, hop- pencil and paper. I develop a drawing
ing that the intention will transcend the over time that translates my intended
piece itself. meaning into a visual metaphor. My
http://traciecheng.com drawings often represent my deepest and
darkest feelings or sometimes they can
211 Claudine Burns Smith simply be of something I found to be
3 October 26–27 | Alternative Space funny.
36 Colin Burke Other
1 october 12–13 | erector square As a child I dreamt of far-away places and
Photography was exposed to my father’s contagious
interest in ancient civilizations and the
natural world. I am inspired by the
mythology of tribal groups and by nature.
I design bowls and plates with themes
such as insects or water. I am currently
working on a series of wall pieces 213 Leah Caroline
representing butterflies. 3 October 26–27 | Alternative Space
http://burnssmithceramics.com Other
I work with cyanotypes, a photographic
printing process related to the natural
sciences and blueprints. I manipulate
photographs of nature, personal
writings,and Biblical texts to make
negatives for the prints. Their layering
and intentional fading in the final prints
allude to the simultaneous absence and
37 John Caesar presence of memories of nature and
myself.
http://www.LeahCaroline.com
Other
My intention is to create objects that are
simultaneously abstract and natural,
modern and shamanic; essentially,
archetypal totems, utilizing mostly
recycled and repurposed materials
salvaged from scrap piles and imperfect
or heavily figured discards, creating
natural, colorful, meditative pieces
executed in a thoughtful yet organized
approach.
http://johncaesar.me
artists Ca– cr
178 Jeff Carter
9
http://traciecheng.com
Passport 38 Christine Chiocchio
2 October 19–20 1 october 12–13 | erector square
october 4 — 27, 2013

1 4 B Gilbert St., West Haven Photography
Other Christine uses art as a form of
The Westmount Group is a diverse team communication to convey an emotion,
of crafts people led by Jeff Carter capture a moment in time, create a 41 Dan Cogan
collaborating on the fabrication of your dialogue, stir a memory, or a smile. She 1 october 12–13 | erector square
bespoke furniture. Bringing the talents of works in a variety of media, including 217 Roxanne Crane
Painting
many people together on one project he painting, photography, and carving. Often 3 October 26–27 | Alternative Space
I love to make art that is based on or tells
utilizes the expertise of many. This working in her studio overlooking Stony a story. To do this I’m experimenting with Painting
approach permits Jeff to undertake a Creek Harbor, her art is influenced by different techniques and mediums to Roxanne’s work generally follows a visual
wide range of projects. nature, the sea, and other cultures. portray te stories in my paintings. narrative pattern, exploring dualities and
http://www.westmountgroup.com http://christinechiocchio.com http://coganillustrations/facebook.com the interior landscape. Her images draw
inspiration from the surrealist and
anticraft movements in addition to
literature, psychology, and music.
24 Catherine Cazes-Wiley
Textile/Jewelry 39 Jeanne Ciravolo
A designer, an instructor and a social
215 Penrhyn Cook
1 october 12–13 | erector square 3 October 26–27 | Alternative Space 218 Giada Crispiels
entrepreneur leading a project called 3 October 26–27 | Alternative Space
Painting Photography
Tinaliah, I design and manufacture a
I love the way light falls on and reveals My photography documents things that Installation
unique line of hats. Tinaliah project goal
objects, landscapes and people. I’m other people overlook; the serendipitous After moving to the US from Italy two
is to provide manual skills to homeless or
intrigued with the physical details of a moments that make life interesting. I years ago, my research has been focusing
formally homeless persons so they can
face and the puzzle of a unique traditionally shoot in black and white with on the role of Nature today. With my
earn a living. Tinaliah Co-op, www.etsy.
personality as it is revealed through human interactions dominating the story installations I engage a dialog between
com/shop/tinaliah, is starting to bring
observation. but today I leave the human form behind inside-outside spaces, bringing what is
their ware to a broader market.
http://www.ciravolo.com and look for beauty and peace in a sea of outdoor | plants
http://www.tinaliah.com
color. and re-creating a new environment
http://penrodphotographs.com indoor. Essentially the overall concept is
how Nature survives and win over the
artificial.
http://giadacrispiels.com/
157 Jeremy Chandler 171 Susan Clinard 216 Michael Cooper

1 October 19–20 | Passport 3 October 26–27 | Alternative Space
The Eli Whitney Museum Barn Other
943 Dixwell Ave., Hamden
920 Whitney Ave., Hamden I have produced a series of portraits of
Photography friends/new haven dwellers rendered
Sculpture
My work is informed by my own cultural
Over several decades, I have honed a almost exclusively in children’s crayons. 1 Claudia Cron
identity as well as a curiosity in people’s My inspiration stems from a ‘punk rock’ 1 october 12–13 | erector square
relationship with the natural environ- mature personal style across a variety of
sculptural media. My work is an philosophy of making the most out of the Printmaking
ment. I am interested in the persistence least, and from my young art students, Memories of hot, hazy sunshine and hard
of mythology in depictions of the exploration of nature’s forms, distorted
and perfect, found and inspired. It is whose work is often done in crayon. metallic surfaces and the sharp angles of
landscape as well as how culture and playgrounds and carnivals permeate this
myth often intertwine to create altered simply art reflective of life which contains
the ugly and the beautiful without body of work. Imagery reminiscent of
perceptions of space and place. long ago escapes from the summer heat
http://jeremychandler.net interruption.
http://www.clinard.org are achieved using photo lithography and
mixed media.
http://www.claudiacron.com
152 George Corsillo

214 Julia Coash 1 October 19–20 | Passport
249 Tracie Cheng & Eóin Burke 3 October 26–27 | Alternative Space 838 Whalley Ave., Unit #12, New Haven
3 October 26–27 | Alternative Space Painting Other
Mixed Media My recent paintings are inspired by George Corsillo, representing his
There’s something simultaneously twisting vines and the play of light and company Design Monsters, specializes in
tranquil and passionate about the pieces color across the surfaces of time-worn graphic design with a playful, graphic
we create- mostly in the process, and walls. The use of pentimento reveals the illustration style. Posters, felt patches,
hopefully in the product. We want to give painting process through transparent book jackets, and tees — commercial
a voice to a story, real or dreamt up, hop- layers of color, leaving shards of design for hire, with a heart. During
ing that the intention will transcend the information that encourage the viewer to CWOS, Corsillo will be debuting his 2013
piece itself. explore beneath the surface. ‘Day of the Dead’ poster.
http://juliaacoash.com http://designmonsters.com
directions
10 artspace
50 Orange Street
erector square
315 peck Street
alternative space
290 goffe Street
Oct. 4 – 27 Oct. 12 + 13 Oct. 26 + 27

203.772.2709 I-95 I-95 North
Main Exhibition & The Artspace Lot Take exit 48 to I-91 North. Follow the directions from Take Exit 37 for CT 34 W toward New Haven/
I-91, below. Downtown. Merge onto Oak St. Connector. Take Exit
Grand Opening Night: Oct. 4
2 to merge onto N Frontage Rd./Martin Luther King
I-95 I-91 North Jr. Blvd. toward College St. Continue to follow N
Take Exit 5, State St/Fair Haven. At the bottom of Frontage Rd. Turn right onto Sherman Pkwy. Turn
Take exit 48 to I-91 North. Follow the directions from
the ramp, go straight. Take the second right onto right onto Goffe St.
I-91, below.
Blatchley Ave. First left onto Peck St.
I-91 I-91 south
Take Exit 3, Trumbull St. Turn left onto Orange.
I-91 south Take Exit 3 for Trumbull St. Turn left onto Orange St.
Exit 6 onto Willow St. Take a left at the bottom of the Turn right onto Grove St. Continue onto Tower Pkwy.
Artspace is the last building on the right hand side
ramp, drive under I-91. As you cross State, Willow Turn right onto Goffe St
before Crown St.
becomes Blatchley. At the next intersection, turn left
Merritt Parkway onto Pack St. From Union Station
Take exit 59 to merge onto CT-69, Whalley Ave. Turn Head northeast toward Union Ave. Turn right onto US
right onto Whalley and continue for 3 miles. Whalley
Merritt Parkway North 1 N/Union Ave. Continue onto State St. N. Turn left
Take exit 54 to I-95 North. On I-95, take exit 48 to onto Chapel St. Turn right onto York St. Turn left onto
merges into Broadway, which merges into Elm. Take
I-91 North. Follow directions from I-91 North, above. Elm St. Continue onto Broadway. Continue onto Goffe
Elm Orange, turn right onto Orange.
Parking at Artspace Merrit Parkway South St.

You can take exit 67 or 63, both merge onto I-91
Parking is available in several lots all within a few Walking from downtown green (1.2 miles)
South. Follow directions from I-91 South, above.
blocks of Artspace, and the ProPark lot in back of Turn left onto Elm St. and take the slight right onto
Artspace on Crown St. Parking Broadway. Continue onto Goffe St.
There are ample parking lots directly in front of
By Train or Bus Parking
Erector Square and behind it. To access the back
New Haven’s Union Station is less than 10 minutes Street parking at the Armory is available in the
lot, use the driveway on the north side of Blatchely
by foot from Artspace. MTA Metro North and Amtrak surrounding area along Hudson St., County St.,
Avenue between State and Peck.
trains, as well as Greyhound and Peter Pan buses, ALBERTUS
Goffe St., and farther west along Sherman Pkwy. and
serve Union Station.
MAGNUS
COLLEGE Crescent St. Some parking will be available in the
Hillhouse High School parking lot at 480 Sherman
To walk to Artspace from Union Station, walk north
Pkwy. Check CWOS.org for details about special
on Union, which becomes State after the underpass.
shuttle buses to/from Artspace and satellite lots.
State forks immediately; bear left. Then take a left
onto Crown. Artspace is at Crown and Orange, on
your right.
AVE
Taxis are usually waiting at Union Station, or call
NEW HAVEN W IL L
WHITNEY
Metro Taxi, 203·777·7777. OW S EXIT
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ALTERNATIVE SPACE (NORTH)
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290 Goffe St. ERECTOR SQUARE
JA M
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315 Peck St.
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50 Orange St.
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UNION STATN 95
artists Cr– Ei
219 Ron Crowcroft
3 October 26–27 | Alternative Space
221 Megan Czekaj
Mixed Media Painting
october 4 — 27, 2013

I work in a variety of media that includes I am interested in harmony- this is mainly
biomorphic painting and drawing, what I am attempting to create.
(including using beach-found rope and
beaver sticks to create images on book
dust jackets, canvas and found objects), 227 Kathleen DeMeo
poetry, humor, photography, experimen- 3 October 26–27 | Alternative Space
tal and electronic music and soundwork,
224 Erich Davis
Printmaking
photography, conceptual art, perfor- 3 October 26–27 | Alternative Space
I like the expressiveness and inventive-
mance/events, video and graffiti. Sculpture ness inherent in monotypes. My subjects
Within each piece of art, throughout the are imaginative landscapes and
entire body of work along my career, I abstractions incorporating rich textures,
222 Terry Dagradi have found myself inspired to inspire vivid colors and elements of nature. I
3 October 26–27 | Alternative Space the greatness in others. This is the core layer transparent inks to create new,
Photography principle for creating The Academy for unexpected hues. Recently I’ve focused
“Many people first respond deeply to Creative Evolution — to inspire authen- on a pure geometric form, the circle,
art—indeed, respond deeply to the tic full self-expression by allowing the evoking joy, harmony or mystery.
2 Phyllis Crowley
world—upon finding works of art that creative process to operate freely in all
1 october 12–13 | erector square http://local-artists.org/users/kathleen-
seem to speak directly to them…Finding aspects of one’s life. demeo
Photography your own work is a process of distilling http://acreativeevolution.com
My work addresses issues of perception from each of those traces that ring true
and point of view. Changes in position, to your own spirit.” (David Bayles’ and
42 Isabelle Day
format, scale, & focusing create the Ted Orland’s book, Art and Fear). 1 october 12–13 | erector square
illusion of space in very different ways. Painting
Multiple images and non-conventional My paintings portray everyday subjects
formats create new relationships which perceptually. My works cover landscapes,
enhance the emotional experience. still life and the figurative in oils,
http://www.phylliscrowley.com watercolors, and pastels. I paint directly
from observation. 5 Geoffrey Detrani
http://[email protected] 1 october 12–13 | erector square
Painting
My imagery explores an imagined
223 Jessica David intersection between the natural world
3 October 26–27 | Alternative Space and the built environment. I am
Painting interested in a symbolic rendering of the
220 Ciara Cumiskey My subjects are drawn from personal natural work that is informed more by
3 October 26–27 | Alternative Space sources and nostalgic sites; typically imagination and ideology than optical
Painting run-down locations possessing a fidelity. My pictures suggest landscapes
My work focuses on the human figure. magnetic, if derelict, character. The in flux, on the cusp or in the throes of
paintings are composed from life studies
225 Gabriela De Jesus
The Box series approaches the idea of explosive generation or devolution.
and photographic references, worked up 3 October 26–27 | Alternative Space
social boundaries with physically http://www.geoffreydetrani.com
contained figures. with oil and acrylic spray paint in an Photography
http://artspacenh.org/artists/CiaraCumis- effort to merge memory with materials Gabriela Margarita De Jesus is a painter
key into something new. and photographer whose work focuses
on issues of identity and the personal
narrative. Her work explores concepts of
family history, lineage, and the body as a
site of memory and | re)invention. Her
current series recreates dreams to trace
what can be said of the stories we tell
43 Anne Doris-Eisner
and the things we dream. 1 october 12–13 | erector square
Painting
I respond so strongly to the language of
3 Jan Cunningham 4 Jennifer Davies the natural world and I utilize bold marks
1 october 12–13 | erector square on paper to embrace it. I am inspired by
Textile/Jewelry the resilience and transformative beauty
Painting of the land above and the supporting
The paintings, drawings, and photographs A papermaker working with heavy fibers,
I achieve objects that are almost rock beneath. By using geological struc-
that make up my practice inform each 226 Jalmar DeDios tures and forms in nature, I draw parallels
other. The materiality of color and light, sculptural by folding, twisting, and dyeing
3 October 26–27 | Alternative Space between the human experience and the
and scale – what it takes to traverse the paper. I also make delicate, translucent
sheets of Japanese fiber, called kozo, that Painting natural world.
great distance between two points in I was born in Mexico and raised in the http://annedoriseisner.com
close proximity to one another - are I process myself. When I weave string
onto frames, dip them into baths of this United States. I have been trained in art
continuing preoccupations. since the age of 8. Art education at the
fiber, they dry into crisp lacy webs I hang
or sew together. Pennsylvania State University in Mix
http://jenniferdavieshmp.com media and classical art. My art thematic
is influenced by my travels around the
world and latin culture. Living in Latin
America and the Middle East shaped my
sense of color.
artists Do–Fe
12 44 Karen Dow
Painting
handmade geometric abstraction

http://www.giampietrogallery.com
46 Nancy Eisenfeld 231 Thomas Ernst

Sculpture
3 October 26–27 | Alternative Space 49 Cathy Farrell
Other 1 october 12–13 | erector square
The forces of nature and the environment
A good drawing is a solved problem. What Painting
are concepts that inform my sculpture ,
fascinates me about drawing is the I make art for fun and self-expression. I
paintings and drawings. I am excited
unlimited number of premises which you work primarily with abstract collage,
about found materials and experiment
can pose to yourself, then pursue the printmaking and painting, most recently
45 Linda Drazen with paints inks metal wood and what
resolution of these as individually,
ever I can get my hands on.Both pain , joy small works on paper. I find the
1 october 12–13 | erector square meditatively, or playfully as you choose.
and humor are injected into my work. order-from-chaos nature of collage, and
Painting http://tomottoe.com the free-form, unfettered nature of
My art is inspired by melodic lines, http://nancyeisenfeld.net
abstraction both challenging and
repeating in space as it does in music. satisfying.
Pigment, water and brush or pencil are http://CathysGardenOfArtfulDelights.
expressive vehicles. blogspot.com
47 Mindi Englart 48 Camille Eskell

228 Thomas Drew Mixed Media
Mixed Media
3 October 26–27 | Alternative Space Camille Eskell will exhibit her recent
Mindi Englart is a New Haven artist, 233 Matthew j. feiner
Mixed Media series, The Ezekiel Project, works on
writer, and educator. Her work is concept-
Art is a way to confront my spiritual paper that explore restoration & renewal, 3 October 26–27 | Alternative Space
driven, and focuses on balance, justice,
beliefs, to interpret my perspectives on prompted by the prophetic vision in the Installation
and equity. She uses collage, papermak-
reality, and to convey that which I’m parable the Valley of the Dry Bones. The I like collage
ing, and bookmaking to recycle and syn-
unable to express in words. Other times, I series title also alludes to Eskell’s original http://www.matthewjfeiner.com
thesize seemingly obsolete objects and
draw monsters, skulls, and stuff. family name which was Anglicized by her
ideas into what she hopes is meaningful,
http://tommydrewthis.com forebears to assimilate into American
thought-provoking art. Her latest body of
society.
work is “Ephemera”.
http://camilleeskell.com
230 ERIC EPSTEIN
Installation
BEFORE I DIE is a community art project 234 Joe Fekieta
begun by New Orleanian Candy Chang. 3 October 26–27 | Alternative Space
Adapted for New Haven by Valerie Painting
Belanger, last May’s installation with I make thematic books.
229 Maja Duszkiewicz http://www.addalinedesign.com
Alyson Fox and Eric Epstein at Westville
Artwalk involved hundreds of partici- 11 Daniel Eugene
Photography pants. This project poses a different and
My love for photography as well as for 1 october 12–13 | erector square
timely New Haven-focused prompt: “New
nature has been a part of my life from an Other
Mayor--Remember to...”
early age. The natural environment My line-works are a process of internal
http://beforeidie.cc/site/newhaven/
serves as the backdrop for most of my exploration that is guided by and
photos, using a wide spectrum of colors grounded in the movements of my pen.
and natural light to enhance the beauty The image created is a by-product of
around us and wake up the senses. self-discovery and my intention is that it
may serve as a catalyst or guide for 328 Jim Felice
introspection in those who view my work 3 October 26–27 | Alternative Space
Sculpture
232 Susan Ernst

197 Eileen Eder 3 October 26–27 | Alternative Space
Passport Mixed Media
2 October 19–20 The art I create is influenced by my love
167 Uncas Point Road, Guilford (off map) of nature and a reverence for the past.
Described as quiet, shabui, imaginative, 12 John Fallon
Painting
creative, beautiful and thought 1 october 12–13 | erector square
Like a slow exhale where we pause to
provoking,I combine ephemera with
enjoy the world around us, my paintings Painting
drawings from nature. It is my hope that
strive to find poetry in the visual world. Atlanta College of Art - BFA School of the
my work encourages others to take a
http://eileeneder.com Art Institute of Chicago - MFA
closer look at the wonders in our natural
world and to celebrate the past.
http://susan-ernst.com
artists fi– ga
235 Adam Figliola
portraits of birds, beasts and who-knows-
whats. He often photographs subjects
from his kayak or on walks in the city, and
Painting
I am a collage artist drawn to the myriad
of textures, weights and properties of
13
Photography
renders oil drawings that reveal | when papers and natural objects. Collage
october 4 — 27, 2013

Free moments of my youth were spent
the planets are aligned allows me to piece together my visions of
learning to paint and draw while studying
the essence of his often simple subjects. the layered landscape that is embedded
photography in Art School sparked my
http://www.robertsdrawings.com with secret spaces.
interest in telling stories through
http://www.robertafriedman.net
pictures. I’ve chosen the night as a
backdrop to combine painting and 175 Maura Galante
photos. My intent is to seek out the 2 october 19–20 | passport
character, defects and personality in the Eli Whitney Museum Barn, 915 Whitney Ave
place I live and work through this
Hamden
combination.
http://adamfigliola.com Printmaking
Although I like to experiment with a
variety of media, I consider myself first
51 Oi Fortin and foremost a printmaker. I am
1 october 12–13 | erector square 13 Kathryn Frund fascinated by the various tools, the smell
Printmaking 1 october 12–13 | erector square of the inks, the machinery of the press. I
He who knows does not speak. He who Mixed Media continue to play with color, pattern and
speaks does not know.– Lao-Tzu The work explores the themes of texture and incorporate these elements
http://oi.fortin.hone.comcast.net stewardship and damage, fluidity and into my explorations of nature,
133 Silas Finch control. Through the layering of paint and architecture and faraway places.
2 october 19–20 | passport the reconfiguration of objects and http://artspacenh.org/artists/Maura-
39 Church St., 3rd floor, New Haven materials, the work seeks to open Galante
Sculpture pathways and find restoration and
A combination of Geppetto fashioning balance. The paintings become a material
metal Pinocchios and Thomas Edison and spiritual exploration into the nature
indifferent to usefulness, Silas Finch has of our presence in the landscape.
a gift for re-imagining the curious debris http://www.kathyrnfrund.com
of the ordinary world. His workshop is an
archive of vaguely identifiable fragments 108 Jason Friedes
that, once he plots the instructions for 1 October 12–13 | Erector square
their assembly, become small, unofficial Sculpture
mysteries. My work attempts to redefine abstract 54, Jean Galli
http://silasfinch.com concepts such as progress, friendship, or 1 october 12–13 | erector square
pain in a fashion that changes the 2 october 19–20 | passport
viewer’s perspective on the subject. Yet, I Framed, 1224 Whitney Ave Hamden
recognize that the best way to alter
14 Joseph Fucigna Painting
someone’s perspective is to literally
Faces are my passion. As soon as a face
change their position, so my work 1 october 12–13 | erector square
catches my eye, I imagine how I would
occasionally tries to directly help others. Mixed Media capture that person on canvas, and tell
Fucigna is a multi-media artist who their story in bold strokes of color. In
enjoys taking modest industrial materials recent years I have expanded my subjects
and transforms them into elegant yet
236 Joan Fitzsimmons provocative abstractions that speak
to include wildlife and animals. In all
3 October 26–27 | Alternative Space cases, my paintings embody the inner
about the inherent qualities of the pride, strength and confidence of my
Photography material, process, and craft. subjects; human, beast, or pets.
My work is primarily photographic based 238 Dave Friedland http://www.fucigna.com http://www.jeanbronsongalli.com
and meanders through varying series and 3 October 26–27 | Alternative Space
varying scale from the intimate to Mixed Media
wall-sized installation. I work on several I prefer the “What You See Is What I
projects at once, examining my Photographed” approach - I do not use
relationship to reality and image altering software such as
perception,human relationships, Photoshop | although admittedly, I
home,nature, and the quotidian. It is sometimes utilize the ‘built in’ effects
through the ordinary that, for me, the that are standard for the camera model I
world resonates. 187 Michael Galvin & Kyle Skar
use). The pictures in this series are RGDI | 53 Francine Funke
http://www.joanfitzsimmons.com 2 october 19–20 | passport
Randomly Generated Digital Images
1 october 12–13 | erector square 300 Boston Post Road, University of New Haven,
photographed while projected on a
screen. Mixed Media Dodds Hall, West Haven
http://www.myhomerecordings.com My creative process leads me on a Sculpture
never-ending journey of artistic UNH artists-in-residence Galvin and Skar
discovery. Not being content with straight have created two luminescent cubes
– forward traditional handling of situated in a field of grass within the
materials, I am forever seeking new gallery. The installation invites the viewer
techniques and media to express my to reconsider the relation between
varied aesthetic visions, and my artwork regulated and wild spaces.
237 Robert Fort falls into sometimes diverse “series” – www.galvinmichael.com
1 october 12–13 | erector square each exploring a particular subject in
3 October 26–27 | Alternative Space depth.
Painting 141 Roberta Friedman http://www.franartstudio.com
Robert has created images since his 1 October 12–13 | Erector square
teens....in words, photos and art. He sees 2 October 19–20 | Passport
what he sees and translates it into City Gallery, 994 State St., New Haven
14
artists ga– da
239 Laura Gardner
breakdown, overload and flattening of
information.
http://www.geomorphictank.com
241 Craig Gilbert
Painting Other
october 4 — 27, 2013

When I was a graduate student in Craig Gilbert has shown throughout the
London, I found ninety pounds and New Haven area and numerous times
bought a membership to the Victoria and during CWOS. He also does commission
Albert Museum. I then studied art under work/murals. Craig writes and illustrates
a teacher who valued fine draughtsman- 56 Martin Gent e-books of odd and off-beat, “children’s”
ship and described modern art as 1 october 12–13 | erector square poetry in his spare time” and is the name
something “perpetrated” against the Painting generator and illustrator behind many of
public. Perhaps unsurprisingly I enjoy I am part of the Artclectics group who do the beer labels for the New England
representational, figurative art. figure studies at Erector Square. 180 Kayla Gibbons Brewing Company.
http://www.laurakatherinegardner.com However, I primarily paint landscapes in a 2 october 19–20 | passport https://www.facebook.com/pages/
realist mode, either on site or using Art-by-Craig-Gilbert/386366868056114
14 Gilbert St., Studio, 204, West Haven
photographs. I paint outdoors with
watercolor over a pencil sketch. I also Sculpture
paint in acrylics based on photographs. Utilizing the junkyard as a site for
material recuperation, Kayla’s work
attempts to discover the ways that crude
material can be transformed into
invented form. Whether imbued with the
rust of time or recuperated and restored,
55 Peter Gardner personal history is fused with the
1 october 12–13 | erector square culturally mass-produced. 184 Julian Gilbert-Davis
Painting 2 october 19–20 | passport
I started painting as a way of approach- 14 B Gilbert St.Studio M 203, West Haven
ing the spiritual through an act of 16 The Geomorphic Tank
creation. Finding the higher power is like 1 october 12–13 | erector square
trying to find the perfect line – spiritual 3 October 26–27
perfection can be attempted, surrounded, Installation
sketched and stroked, almost never GeoMorphic Tank is an ongoing collabora-
achieved; but the central truth – the tive platform in which Debbie Hesse and
perfect line – can be suggested to the Rashmi Talpade create sculptural
imagination. installations, videos, drawings and prints
that fold in materials and notions from
everyday life to explore ideas about the
artists gi– fa
16 242 Jane Gilman Fleischner
the human dynamic in all its permuta-
tions. I tend toward the narrative
following the great tradition of European
West Haven, CT. Much of her work
focuses on images of weather and nature.
She also makes traditional Native
129 Stephen Grossman
Painting 39 Church St., #4B, New Haven
15th through 19th centuries in hopes of American craft work.
I enjoy diverse artistic pursuits, though Painting

joining the 21st C dialogue. My non
painting with acrylics is my predominant Painting has died many a death and yet
figurative works are a necessary
medium. I take hundreds of photographs, some of us slog on. Perhaps we are
addendum as the figure need not be
mostly of nature and especially of hunting ghosts, perhaps we experience
present to feel the human impact.
flowers, then choose one to paint from. its afterlife. I consider both possibilities
http://nancypeelgladwell.com
My technique is closest to expressionistic. when I make a painting, all the while
What I aim for is a feeling of life in the focused and distracted by life’s daily
subject, an underlying energy. events.
57 Joyce Greenfield
http://www.sgrossman.net
Painting
I work in oil, and watercolor which I teach
at CAW. Light is my main subject.
321 Previously I have used white buildings as
Richard Goldman foils for exploring light in various
243 Robin Gilmore Jopp 3 October 26–27 | Alternative Space conditions. I am now doing two series,
3 October 26–27 | Alternative Space Painting one with rocks, one with paper, both are
Prometheus is engaged in the struggle acting as white walls have in the past. 58 Sarah Gustafson
Textile/Jewelry
to: Address a fundamental human need http://www.joycegreenfield.com 1 october 12–13 | erector square
My focus as an artist who makes
wearable objects came from my for art; Revive the notion of recognizable Mixed Media
connections to the many factory’s and quality and technical mastery that once Patterns, surfaces and textures fascinate
small manufacturing companies I grew up formed the basis of great cultures; me. The routine of passing the same
with in Bridgeport Connecticut. My love Cultivate what is authentic and profound surface on the sidewalk, highway, the
of design and the movement of the in both the practice and discourse of art. landscape sweeping by. Surfaces collide,
machinery are replicated in my sculptural http://www.artinspiteof.com sunlight and shadows form changing
work as well as the wearable miniature patterns on buildings and trees, colors
art pieces I make in my shop Made In
17 Bob Gregson resonate in the sun.
Bridgeport. 1 october 12–13 | erector square http://sarahgustafson.com
http://www.madeinbridgeport.weebly.com Installation
My work is a hinge between artist and
audience. Pieces are invitations that
provide permission to be involved. One
enters the work through the visual
temptation of color, visual tricks and, at
245 Courtney Gordon times, words and symbols. I enjoy the
3 October 26–27 | Alternative Space idea that the work is never completed but
Mixed Media continually reinterpreted and refreshed
Courtney is a mixed-media artist living in through those who encounter it. 246 Ellen Hackl Fagan
244 Nancy Gladwell http://www.bobgregson.com 3 October 26–27 | Alternative Space
3 October 26–27 | Alternative Space Painting
Painting I am an interdisciplinary abstract painter
My paintings are a vehicle to investigate focused on building a synaesthetic
pairing of color to sound. The palettes in
my paintings and digital colleges
illustrate the emergent blended language
culled from my ColorSoundGrammar
games. Like jazz music, my process
reveals unlimited possibilities for
185 Sy Gresser improvisation, echoing life’s chaos and
2 october 19–20 | passport beauty.
14 Gilbert St., Studio M 207, West Haven http://www.ehfaganstudio.com
Sculpture
Sy Gresser has been carving directly in
wood and stone since the early 1950s.,
when he studied with Bill Taylor. His work
has been exhibited in galleries and
universities from Alabama to Connecti-
cut, with two retrospectives in New
Haven: Pierson College at Yale (1969) and
the Slifka Center at Yale (2009).
http://www.sygresser.com
artists ha– ho
247 Mohamad Hafez
59 Barbara Harder
1 october 12–13 | erector square 17
Mixed Media Printmaking
october 4 — 27, 2013

Hafez recreates old facades in cast Peripatetic marks dance across the wall.
plaster, reclaimed wood and rusted metal. Soft pools of color puddle onto plexi
The marked decay of the walls provides panels. Layered shapes float on billowing
a backdrop for Hafez to explore and ex- Asian papers, or hide within wood veneer
28 Susan Higgins
press his political and social opinions on surfaces. Juxtapositions of line, color, and 1 october 12–13 | erector square
human torture, hunger, war and political form offer the viewer a sense of serenity Photography
changes in the world. Hafez was born in and a look into surprising new spaces.
148 Music Haven My work explores the American cultural
Damascus, Syria and moved to the US to http://www.barbaraharder.com 2 october 19–20 | passport landscape captured in passing, as
obtain a degree in architecture. 117 Whalley Ave., New Haven selected moments of seeing; and as
http://www.mohamadhafez.com Photography viewed in public settings. I aim to capture
Music Haven’s mission is to build a the inherent beauty, perplexity and lure
248 George Hale vibrant urban community through of cultural forms; make the mundane felt;
3 October 26–27 | Alternative Space performance and music education that and question the personal and cultural
Mixed Media empowers young people, their families & identity that is constructed, preserved,
I am self-taught as a photographer, after professional musicians. Through the bartered or abandoned.
getting a camera as a Christmas gift. residency of the Haven String Quartet, http://www.shigginsphotography.com
Prior to that, I focused on writing, we provide world-class performances and
graduating college with a degree in 60 Sidney Harris free lessons to kids in the Dixwell, Hill,
English. I found things I’d focus on in 1 october 12–13 | erector square Dwight & Newhallville neighborhoods.
writing, appearing in my photographs. Painting http://www.musichavenct.org
Now I write less and less, and photograph Acrylic paintings of New York, food,
more and more, but still use the same boxing, science, and cartoon books. Also,
creative muscles. children’s books by Kate Duke. 61 Michael Horseman
http://ScienceCartoonsPlus.com 1 october 12–13 | erector square
Painting
The world we know and inhabit, as well as
138 Clymenza Hawkins the universe “beyond,” is filled with many
2 october 19–20 | passport wonderful shapes, forms and figures,
185 Front St., Fair Haven some man/woman-made, others being
Mixed Media viewed as magical, visionary gifts of
Clymenza Hawkins will feature visual art nature, beautiful, haunting and
22 Louise Harter
263 Larissa hall in an exhibition, The WomanFolk mysterious! I apply my own visions and
1 october 12–13 | erector square interpretations to many of these
3 October 26–27 | Alternative Space UnderGround Emporium. Along with
3 October 26–27 | Alternative Space incredibly beautiful phenomena of
Installation Reveille, she is also honoring the theme
A multi-sensory video kaleidoscope Other on transformations within the interior of nature.
reflecting on weekday work routines. A I make functional wood-fired pottery. a woman’s soul. The Emporium offers a
collaboration by visual/new media artist Some are small-scale intimate pieces -- range of interior accessories including
Larissa Hall and musician/audio engineer sake cups, bud vases, little cups. Some wall paper panels, portable altar boxes
Dan Franko. are large scale -- banquet platters and and artbooks.
http://www.larissahall.com serving bowls. Some pieces specify a http://clymenza.wordpress.com
culinary use -- juicing a lemon or storing
garlic. And some leave planning their use
to your tastes and imagination. The mood
is rustic and timeless.
252 Kate Henderson 188 Ellen Hoverkamp
3 October 26–27 | Alternative Space 2 october 19–20 | passport
Mixed Media West Cove Studio, 30 Elm St., West Haven
The intent of my art is to explore the Photography
elements of abstraction within the Ellen Hoverkamp’s work strives to bring
142 Luke & mistina Hanscom natural world. As an artist I strive to attention to the beauty of nature. It has
2 October 19–20 | Passport create a poetic journey through tactile appeared in many solo shows and has
1175 State St., New Haven and emotional sensibilities. As an IT been published in several books and
3 October 26–27 | Alternative Space processional I attempt to explain the magazines. Ellen received the Garden
192 Kevin Harty abstract world by pulling real physical Writer’s Association 2013 Gold Award for
Mixed Media 2 october 19–20 | passport
While currently living and working in the elements of the macro/micro world and Photography for her collaboration on the
30 Elm St., West Haven show it through an artistic filter. book, “Natural Companions,” published in
Westville Village of New Haven,
Sculpture 2012 by Stewart, Tabori and Chang.
Hanscom’s fine art work mixes multiple
Gravity guides the medium with some www.myneighborsgarden.com
mediums while placing an emphasis on
help from the selective psyche that’s
his strong photographic background with
rummaging the infinite. Visuals can be
the use of both digital and analogue
perceived as objective or abstract or as a
techniques.
combination of the two. I hybridize the
http://lottastudio.com
known with the fictional, so hopefully you
are fooled into thinking they are part of
the actual worlld.
http://www.westcovestudio.org/ 18 Cham Hendon
Painting
Thank you Artspace
http://chamhendon.com
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Studio map
Artspace offers many ways to plan your route to the open studios.
Start at the Main Exhibition at 50 Orange Street, where each participating artist displays one work. The
This symbol means that the Artist has
confirmed wheelchair access at his/her stu-
19
october 4 — 27, 2013

exhibition is organized by neighborhood, so once a work captures your interest, see if other artists nearby dio. If you have trouble finding the studio
do so as well. Or, check out our new online map which allows you to preview the artists’ work and location entrance, please call Artspace at 203-772-
in a single click of the mouse: http://www.cwos.org/artist_directory_A-E 2709 and we will do our best to contact the
artist for you.
October 12 + 13 dixwell/newhallville Hamden Seton Gallery/University

of New Haven
1-114 147 Perry Obee
91 Shelton Ave
Highwood Square 300 Boston Post Rd.
erector square 148 Music Haven
943 Dixwell Ave. 187 Michael Galvin & Kyle Skar
157 Jeremy Chandler
315 peck st. 117 Whalley Ave
158 Thuan Vu
WeSt Cove Printmaking
Only first floor is wheelchair accessible. Workshop & Gallery
westville 30 Elm St.
149 Marcus Surrealius 159 Daniel Paier 188 Ellen Hoverkamp
October 19+20 830 Elm Street
150 Lenny Moskowitz
44 Circular Avenue
160 Liz Antle-O’Donnell
189 susan nichols
190 Cole Tucker-Walton
125–197 115 W. Park Ave 20 Paramount Ave
191 Douglas Nygren
artist studio locations 151 Katie Kindilien 162 Kevin Van Aelst
111 Dessa Drive 192 Kevin Harty
115 west park avenue 193 Nomi Lubin
152 George Corsillo 163 karleen loughran
Downtown 838 Whalley Avenue, Unit #12 60 Middle Rd. 194 Thomas Stavovy
125 Catalina Barroso-Luque 153 Gar Waterman
50 Orange St. 425 West Rock. Ave. Framed Guilford (off map)
126 Susan Weinreich 154 john keefer 1224 Whitney Ave 197 eileen eder
96 Orange St. 904 whalley ave. #4 168 Mary Mayer 167 Uncas Point Road
127 Kwadwo Adae 155 frank bruckmann 169 Jean Galli
817 Chapel Street 418 West Rock Ave.
128 Sara Scranton 156 Sigrun Müller Eli Whitney Barn
756 Chapel Street 55 Fountain Street, ARLOW 920 Whitney Ave.
(ArtLoftsWest), Unit #3 170 alexis brown
39 church St.
171 Susan Clinard
129 Stephen Grossman
130 Ken Lovell
EaSt Rock 172 Kiara Matos October 26 + 27
173 Sara Thomas
131 Barbara Marks 141 Roberta Friedman,City Gallery
994 State Street 174 Aicha Woods
200+
132 Gerald Saladyga
142 luke & Mistina Hanscom 175 Maura Galante alternative space
133 Silas Finch
134 michael angelis
1175 State st
290 goffe st.
135 bryan stryeski WeSt Haven Only first floor is wheelchair accessible.
85 Willow Street
wooster square 143 Nancy Karpel 14 Gilbert Street Studios
136 tony kosloski 144 Constance LaPalombara 178 Jeff Carter
51 chestnut st 145 Linda Lindroth 179 Mark Potter
137 johanna bresnick 180 Kayla Gibbons
84 Lyon Street 181 Chris Barnard
146 Leslie Carmin
17 Anderson Street n 182 Martin Kersels
Fair HAven 183 Brent Howard
138 Clymenza Hawkins 184 Julian Gilbert-Davis
185 Front Street 185 Sy Gresser
139 Brian Gill Wendler
26A Clifton St.
140 William Meddick
337 Summit St.
artists ho– ke
20 183 Brent Howard

glass! I especially love creating
animal-themed mosaics.
http://www.facebook.com/tapestrymosa-
landscapes, symbols, and figures through
the use of simplified form, high contrast,
and dynamic color.
143 Nancy Karpel
2 October 19–20 | Passport
14 Gilbert St., Studio M 203, West Haven 85 Willow St., Bldg. A, FL–3, Unit 1, Marlin
ics http://www.erinjenkinsart.com
Business Center, New Haven

255 Brian Huff
Textile/Jewelry
I’ve been fortunate to be a professional
Other jewelry artist in New Haven for 37+ years.
My work is about love & loss and a time My work has constantly evolved, and in
forgot. 1997 I began incorporating gold and
http://artspacenh.org/artists/BrianHuff silver Precious Metal Clay | PMC
http://www.brianrhuff.com into my designs. Inspiration for my
257 Sharlene Hyland
designs comes from both my travels
3 October 26–27 | Alternative Space 259 Christine Jewell around the world and my life-long
Painting 3 October 26–27 | Alternative Space residence by the ocean.
My art career began with crayons and http://nancykarpeljewelry.com
Mixed Media
continued with many art classes in high
Christine Jewell integrates history,
school, followed by numerous workshops
spirituality and nature into her mixed
in New England. I am currently changing
media work. She received her B.F.A at
careers and transitioning into a lifestyle
Purchase School of Art + Design in
that allows me to become a full-time
109 Danny Huff artist.
Purchase, NY and M.A. at Empire State
1 october 12–13 | erector square College, NY. Her work has been shown at
the Washington Art Association, Artwell
Gallery, Mattatuck Museum and the
Fairfield Public Library. 154 John Keefer
http://www.christinejewell.com 2 October 19–20 | Passport
904 Whalley Ave., #4, new haven
Painting
258 Tony J. Some people might think my work isn’t
appropriate for children. some people
might think my work is not appropriate
253 Michael Huff Painting for any one.
Welcome to Tony J’s sewer of inflatable
mysticism. It’s the synapse of all things
Painting gushy slurpy and sugar filled yum bound!
260 Katie Jurkiewicz
Michael Huff- 3rd year University of With wacky lush cartoon-like arté dealing 3 October 26–27 | Alternative Space
Connecticut, English Major. Creatively with gooey candy-like creatures sweet Painting
exploring the possibilities of life. Favorite but cantankerous girls and pastel color Katie finds herself torn between home
Quote; “ There ain’t revolution, it’s German Expressionist backgrounds! So and travel... when she’s at home she is
evolution, but every time I’m in Georgia I relax matey & release your rusty always thinking about her next adventure
eat a peach.” and when she’s away, well maybe she’s 29 Zachary Keeting
thoughts on my freshly mowed carpet!
not thinking about home all that much. 1 october 12–13 | erector square
http://www.agooartfactory.com
But she brings this experience to her art Painting
creating paintings and collages that Here is the challenge: be brave, struggle
combine exotic locales and the ordinary to build a vivid document. Courageously
comforts of home. push the materials to a surprising place,
http://www.katiejurkiewicz.com accept an art of rough approximation, of
254 Susan Huff free-improvisation, where careful
measurements may be entirely
inappropriate. If successful, the paintings
Painting will make visual what is within.
In 1978 my art teacher and mentor at 62 Robert Jacoby http://zacharykeeting.com
Lyme Academy told me I would be an
1 october 12–13 | erector square 30 Jean Kandalaft
artist someday in spite of myself. I still
believe that. I would rather be around 5 Painting 1 october 12–13 | erector square
year olds than adults. They are honest, I did representational work for many
Painting
still believe in magic, they laugh at just years, but currently emphasize
The paintings submitted reflect a Matisse
about everything and snack time is still abstraction. My canvases are large,
approach of la “planéité” a simplification
the best part of the day. colorful and energetic and focus on
of means at the edge of abstraction,
expressionism.
moving away from the impressionist “la 182 Martin Kersels
http://jacobyart.com 2 October 19–20 | Passport
petite sensation” as in the Atelier
paintings. The colors used follow the 14 Gilbert St., West Haven
principles of the French fauves, Sculpture
contrasting complementary blues, http://www.acmelosangeles.com/artists/
oranges, and yellow. martin-kersels/
256 Siovhan Hutcherson

Other
I’ve always been fascinated by color and 63 Erin Jenkins
shapes and how they relate. A few years 1 october 12–13 | erector square
ago, I took a mosaic art class and knew Other
immediately it was the medium for me! I create woodcut relief prints, carved
The way its reflective qualities, color, and blocks, drawings, and paintings that
texture can interact to create vibrant art depict emotion driven illustrative
is my passion - it’s like painting with
artists ki– le
151 Katie Kindilien
internal forces of perception and chance
to collide. Each painting experience is an
adventure woven by experiment and
21
115 west park Ave., new haven
october 4 — 27, 2013

intent. My goal is to momentarily harness
Painting logic, instinct and guesswork.
I have spent the summer creating small http://[email protected]
plein air and still life paintings, trying to
capture light and depth, atmosphere and
memory. I hope you enjoy them!
http://katiekindilienart.com
262 Andrea Landsbach

136 Tony Kosloski Mixed Media
2 October 19–20 | Passport The Gritty and the Beautiful: My backdrop
51 chestnut st, new haven paintings are influenced by deteriorating
Other architecture, process art, and high
My work is based on the concept of fashion. Similarly, my sculptural and quality and technical mastery that once
“change” as the structure of experience. painterly artworks are influenced by the formed the basis of great cultures;
it takes the form of sets of arrangements process of deterioration, preservation, Cultivate what is authentic and profound
within specific time periods. i use this and renewal observed within spirituality, in both the practice and discourse of art.
structure for my sculpture, painting and magnetic resonance imagery, and http://www.artinspiteof.com
choreography. complexity theory.
http://tonykosloski.com http://andilandsbachstudio.30art.com/
264 Marny Lawton
Painting
Living in rural Connecticut, surrounded
by nature, I have concentrated on food
sources and the land that we take so for
77 Kristina Kuester-Witt granted. I feel compelled to depict one
small corner of the planet from a
322 Pamela Leitman
1 october 12–13 | erector square 3 October 26–27 | Alternative Space
143 Constance LaPalombara naturalist’s and painterly, not a
Mixed Media Painting
romanticist’s perspective. My paintings
One theme has preoccupied me and been 2 October 19–20 | Passport Prometheus is engaged in the struggle
are all a reveille for the planet and our
apparent in my work since the mid 85 Willow St., New Haven to: Address a fundamental human need
survival.
1990`s when I lived and studied in Painting for art; Revive the notion of recogniz-
http://www.hamptonhillgallery.com
Germany and Holland, and that is duality My work is about the interaction of light able quality and technical mastery that
- in every aspect of human life. My work and shadow. I paint landscape--the city once formed the basis of great cultures;
evolves around the human figure and and coastal Maine--as well as still life and Cultivate what is authentic and profound
condition. Aside from painting in oil I also interiors. in both the practice and discourse of art.
enjoy working as a printmaker. http://www.constancelapalombara.com http://www.artinspiteof.com/
http://www.kristinakuester-witt.com
265 Derek Leka
23 Hannah Leckman Painting
1 october 12–13 | erector square http://[email protected]
Other
I work primarily on the wheel, although I 65 Mary Lesser
enjoy some handbuilding and sculptural 1 october 12–13 | erector square
detail on pottery as well. I love what is Painting
71 Maria Lara-Whelpley round, what swirls, like music. My work My new work consists of mixed media
261 William Kurtz 1 october 12–13 | erector square tends to be functional, because I want my paintings. They include acrylic paint, ink,
3 October 26–27 | Alternative Space Mixed Media objects to be useful as well as beautiful. I mylar, hand-dyed paper and hand-stitch-
Photography Last year at a flea market I found an old make plates and bowls, vases and ing. I also create monotypes and
I make photographs because I like the suitcase with a series of letters from the candlesticks, casseroles and goblets. installations work.
idea that the moments I’m experiencing 1960’s from a daughter to her mother. http://www.marylesser.com
might still live in another hundred years. Since then I’ve realised that my paintings
http://www.flickr.com/photos/captainkick- are very similar to these letters- com-
stand/sets/ mentary on ideas, activities, the world
around me- and most importantly, a
vehicle inviting the viewer to a dialogue.
http://www.marialara,net
320 Xéna Lee

64 Janet Lage Painting
1 october 12–13 | erector square Prometheus is engaged in the struggle
Painting to: Address a fundamental human need
I approach each piece with an under- for art; Revive the notion of recognizable
standing of a physical image and allow
artists le– lo
22 15 Martha Lewis scale revealing imperfections and faded
WHAT IS COMING UP 1 october 12–13 | erector square

Other
color; the resulting images similar to the
panoply of art historical styles of 20th
century masters.
ARTSPACE? NEXT AT
Ingredients: Diagram, Map, Mandala,

http://www.lindalindroth.com
Absurd, Plan, Anxiety, Pencil, Hybrid,
Drawing, Scheme, Color, Threat,
Founded by artists in 1984, Artspace
is a dynamic non-profit organization ARTSPACE: Line,Urban, Paper, Desire, Hubris, Flatten,
Science, Propaganda, Micro, Past, Sprawl,
whose mission is to catalyze artistic Opening November 8, 2013 Faith, Future, Blow-Up, Sprawl, Pixilated,
Macro, Pompous, Sly, Mechanical, Trace,
activities; connect contemporary artists, Futurecast Scan, Intricate, Electronic, Meta.
audiences, and resources; and to enrich http://www.marthalewis.com
Organized by Ihrie Means, Visual Arts
art experiences and activate art spaces. Committee 25 Robert Lisak
We are dedicated to supporting emerg- 1 october 12–13 | erector square
Futurecast features a diverse group of
ing visual artists because we believe that Photography
artists who make work addressing the un-
a community such as ours is enriched I photograph in an attempt to describe
precedented weather patterns that have beauty.
immeasurably by actions and activities
become a new reality for Americans. From http://robertlisak.com
conceived and created by them. 114 wendy lewis
the flooding in Brooklyn and Manhattan, 1 october 12–13 | erector square
Artspace has helped thousands of the coastal devastation in New Jersey and jewelery
emerging artists develop their careers Connecticut, relentless rain and forest fires
186 Charlotte Lichtblau
through exhibition, teaching, and on the west coast and the droughts, tor-
commissioning opportunities. Our nados and floods testing the middle of the 14 Gilbert St., Studio M 207, West Haven
programs give visual artists unparalleled country there exists a new anxiety about Painting
visibility, training and income, and are the future of our homes, businesses and The artist, who came to the US from
designed to foster appreciation for the infrastructure. Vienna in 1940, has exhibited in 266 Bogus Lives!
museums, universities, and churches, 3 October 26–27 | Alternative Space
vital role that artists play in improving Many of us have learned to accept, rapidly, with retrospectives at the Palais Palffy in Installation
the community. that there is no certainty about the future Vienna (1994) and in Bad Aussee, (2002). I find things on the ground. Things on the
of our landscape. Drowning out the voices Her work explores the passion of human ground find me. Both. Neither.
We also believe that you, our audi- existence. Some of it, on biblical themes,
ence, are an essential ingredient to a debating the existence of climate change references both expressionism and the 19 David Livingston
is the glaring reality that change is already history of ecclesiastical imagery. www. 1 october 12–13 | erector square
healthy cultural ecology. All our gallery
here. Featuring: Paul Duda, Bryon Finn, charlottelichtblau.com Sculpture
exhibitions are free and we work hard I hand-sew large corporeal objects that
Stacy Fischer, Noel King, Katya Kiriloff,
to attract more visitors to see the work occupy physical space, weigh a lot,
Lynn Palewicz, Sabrina Marques, Kevin Van awkwardly droop to the ground, and
on display. This year we were voted
Aelst, and Hilary Wilder. interact with the public. These large
Best Art Center and best non-profit by sculptures are passive forms that cannot
readers of The New Haven Advocate. stand up on their own, relying on me for
Thanks for the love! animation. I see my sculptures as
man-made extensions of my body, and
We need your help to support our 323 Leza Lin physical manifestations of psychological
activities! Please consider contributing 3 October 26–27 | Alternative Space hangups.
Painting http://davidlivingstonart.com
to Artspace to help keep our gallery Prometheus is engaged in the struggle
open and our programs running. Your Flatfile: to: Address a fundamental human need
gift is fully tax deductible and can be Flat/Not Flat for art; Revive the notion of recognizable
mailed to Artspace, 50 Orange Street, quality and technical mastery that once
Organized by Jeff Bergman, Assistant formed the basis of great cultures;
New Haven, CT 06510. You may Director, Pace Prints Cultivate what is authentic and profound
also make donations online at www. in both the practice and discourse of art.
Jennifer Davies, Karen Dow, Alisa Dworsky
artspacenh.org http://www.artinspiteof.com 267 Rebecca Looney
and Martha Lewis all create vibrant multi- 3 October 26–27 | Alternative Space
Want to get involved in other ways? dimensional paper works that exist beyond Mixed Media
Know how to hang artwork, paint the flat plane. They will present this work Whimsical, intuitive art by a New Haven
walls, drive a truck, answer phones, alongside their flatfile native.
smile, talk enthusiastically, or shake entries. The “Not Flat”
hands? Want to help us persuade local portion of their exhibi-
businesses to be more supportive of tion will reflect each
exhibiting artists? Want to help us artist’s process and 145 Linda Lindroth
organize our archives and photographs? body of work. 2 october 19–20 | passport
We would really like you to spend some 85 Willow St., Studio E. New Haven
This project was made possible in part by the Photography
time lending a hand at Artspace. For My photographs examine boxes in states
Institute for Museum and Library Services.
more information about our volunteer of decay and disintegration, stripped of
projects and events, contact rosemary@ their identity by flattening them and
folding their sides. Enlarging to 44x55”
artspacenh.org.
further confuses the viewer, the grand
artists lo– lu
163 Karleen Loughran
and printmaking techniques. Images
evolve, serially, moving back and forth
from the virtual space of the computer to
193 Nomi Lubin
2 october 19–20 | passport 23
60 Middle Rd. Hamden West Cove Studio 30 Elm St., West Haven
2d and 3d printed objects.
october 4 — 27, 2013

Painting http://ken.lovell.net Painting
As a non-objective artist, I attempt to I am preoccupied with perceptual
expose the deeper, veiled aspects of the painting, its mysteries, its possibilities, its
human experience through the formal impossibilities. I studied at The New York
elements of line, color, shape and texture Studio School for Drawing, Painting and
in a hope to shift the viewer’s perceptions 268 Beth Lovell Sculpture.
from a literal level to more emotional and http://nomilubin.blogspot.com/
spiritual; “to capture the essence of a
thing rather than its mere outward Painting
appearance” | Clive Bell). I record the evening sky, someone lost in
thought, patterns in puddles or shadows;
http://www.karleenloughran.com
not events you’d recall if asked about
72 Rebecca Lowry
your day. These are posted online as a 1 october 12–13 | erector square
shared connection to some of the quiet 3 October 26–27 | Alternative Space
visual moments of nature and events Mixed Media
around us. Rebecca combines elements of painting
http://www.bethlovell.com and woodcarving to create heavily 66 Will Lustenader
textured wall pieces that ride the line 1 october 12–13 | erector square
between painting and sculpture. Her work
324 Judy Louie is often thought to be evocative of
Painting
3 October 26–27 | Alternative Space http://wlustenader.com
textiles or rudimentary maps. Rebecca’s
Painting works on paper are made from pastel
Prometheus is engaged in the struggle rubbings of her woodcarvings, to which
to: Address a fundamental human need 130 Ken Lovell she then applies paint and other
for art; Revive the notion of recognizable 2 october 19–20 | passport markings.
quality and technical mastery that once 39 Church St., #3B, New Haven http://www.rebeccaglowry.com
formed the basis of great cultures; Printmaking
Cultivate what is authentic and profound My working method involves both digital
in both the practice and discourse of art. means and traditional fine art concerns.
http://www.judylouie.com Random elements, personal reflections
and research material are programmati-
cally combined using a variety of painting
artists ma– mo
24 325 GEORGE MACDONALD

Other
I encountered clay early in my life and
since I have grown beside it. Most of my
Painting
life has gone by, working with it and
George is a member of artists collective

whenever that has not been the case, I
Prometheus, whose statement reads in
have missed it terribly. I love the feel of it,
part “Prometheus looks to address a
the way my hands alter it, the dance they
fundamental need for art, to revive the
perform mesmerizes me, whether on the
notion of recognizable quality and
will or when I hand model. Working with
technical mastery that once formed the
basis of great cultures, and to cultivate
clay is my passion. 67 Fethi Meghelli 75 Christopher Mir
http://kiaramatosceramik.com 1 october 12–13 | erector square 1 october 12–13 | erector square
what is the autherntic and profound in
the creation and discourse of art.” Mixed Media Painting
http://www.artinspiteof.com To express my realities,i have chosen the My paintings are intended to evoke
visual representation of the human hallucinatory or visionary states. I work
figure. My imagery draws upon past and from digital composites, but the process
current news stories,children memories, is always primarily about the physicality
music,folk tales, literature and art history. of paint on canvas and the history of art.
168 Mary Mayer http://www.fethimeghelli.com http://www.christophermir.com
Framed, 1224 Whitney Ave., Hamden Printmaking
I was first drawn to monotypes because
it’s a medium that encourages
270 William MacMullen experimentation and spontaneity–where
3 October 26–27 | Alternative Space the process is as rewarding as the final
Mixed Media print. As my monotypes have evolved, my
William M. MacMullen, (AIA), is the exploration has focused on embracing 73 Christian Miller
Architectural Project Coordinator for the “accidents” that happen in the 1 october 12–13 | erector square
the City of New Haven. He has practiced Painting
273 Carole Monahan
process and on color relationships. 3 October 26–27 | Alternative Space
architecture for over 40 years, and has The task of the artist is paradoxical by
made a number of sculptures that are nature. He strives to create all at once Textile/Jewelry
exhibited as public art. He was educated the essence of an emotional moment to Polymer Clay Artist Featuring Steampunk
at Yale, Boston University & Harvard. His be recreated endlessly in the viewer’s styles and whimsical designs. Always a bit
work is multi-media. He is currently the mind. In this sense the artist is defining of the unexpected in the jewelry and wall
designer for the alterations to the Goffe the moment of the present to be art. The pieces are attention grabbers
Street Armory recreated infinitely as far as the mind can and great conversation starters.
imagine. http://www.etsy.com/shop/compelledcraft
271 Andres Madariaga
Mixed Media
My work has always been an outlet to 272 Susan McCaslin
express my fears my emotions and to 3 October 26–27 | Alternative Space
understand the world around me . I use Sculpture
my intuition and perception as my main I am interested in protective spaces, both
tools and like a doctor Im dissecting physical and emotional. In landscape,
these spaces are created by trees, rocks
74 Denise Miller
dreams and memories trough the canvas.
http://andresmadariagacreations.webs. and boulders meeting each other or 1 october 12–13 | erector square 274 Roy Money
com meeting the ground. In a winter Textile/Jewelry 3 October 26–27 | Alternative Space
landscape, because the leaves have We are an expression of our inner selves. Photography
fallen, these relationships are visible, What we choose to wear tells the world I try to still myself for the moments of
unhidden. who we are. Just as our thoughts shape exposure and development to experience
http://susanmccaslin.com our destiny, our physical image shapes the sensory dimensions of my perception
our thoughts. In my art I have combined as fully as possible. My goal is not to
both vintage and new materials to create capture reality but to be a gracious host
131 Barbara Marks unique one-of-a-kind accessories of
2 october 19–20 | passport for whatever appears before me. If
expression. successful my images will evoke a close
39 Church St., 4th floor, New Haven
encounter, a meeting that is mutually
Painting confirming.
My primary medium is color—everything http://www.rwmj.smugmug.com
else is secondary. Lately I’ve been using
pastel pencils to make line drawings of a
lone figure in a room, everyday interior 140 William Meddick
spaces, and the landscape. 2 october 19–20 | passport 68 Irene Miller
http://www.barbarammarks.com 337 Summit St.. New Haven 1 october 12–13 | erector square
Painting Mixed Media
A painting originates by way of my My newest series continue to explore the
emotions and sight. It is all encompassing fields of sight and perception based on
-- body and mind combined to create microscopic and cellular studies and my
gestural strikes of paint on a surface. The personal interpretations of them. The
process becomes demanding, with solid Blink and Floaters series portray some of
labor attempting to contain that initial the minuscule details of the images that
passion. I try to capture the image for the result from disturbances in compromised
vision.
172 Kiara Matos viewer’s observation and contemplation.
http://irenekmiller.com
2 october 19–20 | passport My work is my visual diary.
http://meddickart.webplus.net/
915 Whitney Ave., Hamden
artists mo– ny
275 Maria Morabito
70 Jeff Mueller
278 Raheem Nelson
26 Margot Nimiroski
Painting Printmaking Painting Painting
october 4 — 27, 2013

Abstraction gives me the freedom to Jeff Mueller and Kerri Sancomb own and My name is Ra and I’m an iPad Artist I love the water and have lived on the
explore the interface of my imagination operate Dexterity Press letterpress based in New Haven, CT. Branford Harbor for the past 18 years...it
and personal and cultural experience, to studio. http://raheemnelson.com seemed natural to start painting
see the world anew, and create a visual http://www.etsy.com/shop/dexteritypress seascapes. I have enjoyed painting large
framework that narrates tales of the seascapes for the past 2 years and have
imagination. In many of my works I apply continued to develop a process of
and erase layers to create marks, forms, layering paint to get the desired images
patterns and colors that reveal the of wave action and cloudy skies.
painting’s history. http://margotnimiroski.com
http://www.morabitoart.com
156 Sigrun Müller

279 University of New Haven
55 Fountain St., ARLOW (ArtLoftsWest), Unit #3
Mixed Media
New Haven–Westville
The Department of Art and Design at the
Painting University of New Haven is composed of
I believe that a statement by Henri
Matisse best defines my own beliefs
the Art, Graphic Design, and Interior 281 Jordan Nodelman
Design programs. We are a community of 3 October 26–27 | Alternative Space
276 Aidan Moran about my work: “The artist should bring visual artists, designers, and creative
to his work all his energy, his sincerity Photography
3 October 26–27 | Alternative Space thinkers engaged in the development of a
and utmost modesty in order to discard My photographs tend towards minimal-
Installation wide variety of art forms and thought. ism and simplicity. I am drawn to
With no cure in sight to take life seriously, all old clichés during his work.” http://www.newhaven.edu/4513/ compositions that, to most, go unnoticed
the madness continues in trying to build and my photography of these subjects
a career, make millions and to become bring viewers into the world they move
the darling of the art world by simply through each day but rarely stop to see. I
creating laughable art. explore themes of emptiness and create
http://www.facebook.com/LaughableArt work that captures moments from very
normal, everyday situations.
http://www.jmnphoto.com
76 Susan Nally
189 susan nichols
Painting
In my oil paintings, I strive to create a West Cove Studios and Gallery
69 Larry Morelli “zen-like” atmosphere. The colors are 30 Elm St., West Haven
1 october 12–13 | erector square calming; the subjects have room to Printmaking
Painting
282 jason noushin
breathe. Come visit me at I am a printmaker and painter who lives
http://www.lawrencemorellipainting.com/ 3 October 26–27 | Alternative Space
Erector Square to see my original still life, on the Connecticut shoreline.
http://suenichols.net Other
figurative and landscape oil paintings.
I’m interested in individual motivation,
http://[email protected]
the moment of anticipation that leads to
social consequence and the meaning of
personal responsibility. Human beings
with all their complexity - frailty and
strength, benevolence and greed
continue to inform my work.
http://jnoushin.com
150 Lenny Moskowitz
2 October 19–20 | Passport 277 Alan Neider 280 steve nicholson
115 W. Park Ave., New Haven 3 October 26–27 | Alternative Space 3 October 26–27 | Alternative Space
Painting Painting Mixed Media
Art is self-portrait. I try to portray my http://alanneider.com The most important things in life revolves
best intentions. My paintings are loose around us and everyone else. This is my
interpretations of my response to life. My research and obsession of understanding
work is a communion between subject the connections between each individual,
and self. My experience of communion 191 Douglas Nygren
our tribalism, and our thoughts.
can most easily be translated into color 2 october 19–20 | passport
Presented visually in the purest and most
and image. I consider myself working in primal form of communication. West Cove Studios and Gallery
the tradition of landscape. http://stevenicholson.us 30 Elm St., West Haven
http://www.lennymoskowitzart.com Photography
In my photos, I like to show motion to
question reality. At times, motion
becomes emotion.
26
when the world

is closer to free,
it’s a beautiful sound.
On November 20, 2012, a group of performers along with cancer survivors and caregiversfrom Smilow Cancer Hospital staged a
flash mob event at Union Station in New Haven. It was a celebration of the progress we’ve made in bringing the world closer to
free. For many participants, it was also a celebration of personal triumph. Seeing so many cancer survivors living their lives fully
and freely reminds us how far we’ve come in advancing cancer treatment. When people come together, cancer can be overcome.
And the world is closer to free.
YNHH-1697 ChoirAd8.7x8.7.indd 1 9/5/13 3:22 PM

artists oc– ra
326 Frank O’Cain
http://www.ryanolsenstudios.com 287 Curtis Pardee
form, as I often draw, or write on my pots
and paintings.
http://ravenofferings.blogspot.com
27
Painting Mixed Media
october 4 — 27, 2013

Prometheus is engaged in the struggle Propaganda put to the use of common
to: Address a fundamental human need sense.
for art; Revive the notion of recognizable http://dirtys-blog.blogspot.com
quality and technical mastery that once
formed the basis of great cultures;
Cultivate what is authentic and profound
in both the practice and discourse of art. 285 Nicholas Orsini 81 mark previtt
http://www.artinspiteof.com 3 October 26–27 | Alternative Space 1 october 12–13 | erector square
Painting Sculpture
Nicholas Orsini, b. June 18, 1931, was a Ever since I picked up my first sheet of
prolific artist: painting, drawing and
79 Jean Perkins steel, i felt like a third grader with a great
sculpture – across many themes. His 1 october 12–13 | erector square big piece of construction paper. pass me
artworks have been exhibited interna- Photography the paste. is it naptime yet?
tionally and across the US and are in My work is informed by the science of http://www.previttmetalworks.com
private collections. He was art professor how one’s perceptions are formed which
are most often highly prescriptive. It is
146 Perry Obee at Boston Museum School, Auburn Univ,
concerned with discovering new
2 october 19–20 | passport Centenary College, and SCSU. Nicholas
passed away on Sept 29, 2012. relationships amongst the familiar using
91 Shelton Ave New Haven traditional photographic process
Painting combined with digital print processes.
I paint what I see. I am interested in
revealing space on a two dimensional
surface, and not just western perspective, 82 Derrick Quevedo
but Chinese landscape painting and the 1 october 12–13 | erector square
parallel perspective of pre-renaissance. I Painting
love color. It is in color that I find the true The ephemeral nature and culture of the
voice of painting. Light is another world, intimately experienced through
interest, and this falls in line after color. I 78 liz pagano the color of paint.
make images. 1 october 12–13 | erector square http://www.derrickquevedo.weebly.com
http://perryobee.carbonmade.com Other 80 Fellowship Place
I’m always searching for unexpected 1 october 12–13 | erector square
possibilities. My work magnifies Mixed Media
moments, capturing movements, Fellowship Place offers programs and
sometimes reactions or fusions. The part services that emphasize wellness,creative
I can’t control keeps me chasing/ expression, and the importance of social
searching/moving. My process is about relationships for individuals suffering
283 Suzanna Obert exploring interactions of chance and from mental illness. Exhibiting artists:
3 October 26–27 | Alternative Space control, of coincidence and intent Jon Singer, Ken Grimes, Pat Croke, Beth 83 Peter Radosta
Printmaking http://www.lizpagano.com Stannard, Randy Stanton, Shari Hoffman, 1 october 12–13 | erector square
Although I can express myself through Don Schmidt, Roger Torpey, Do Walker, Mixed Media
color, contrast, shape and sometimes a and Max Clark. Paintings and sculptures in ceramic,
photograph words often fail me. I am an http://Fellowshipplace.org utilizing wood stone and metal. The
abstract water color painter, a sometimes figures are hand modeled and painted
photographer and I am currently individually. Each work is unique. I create
obsessed with linoleum block printing. by drawing from my memory persons and
Simplicity of line and explosions of color places I have seen or imagined. In a way
are how I best describe my own work. I 159 Daniel Paier they call out to me emerging during the
also carve some damned cute cats. 2 october 19–20 | passport process.
https://www.etsy.com/shop/QuixoticDe- 44 Circular Ave., Hamden 288 St. James Poetry http://radostaart.com
signStudio 3 October 26–27 | Alternative Space 3 October 26–27 | Alternative Space
Other Other
Paier College of Art Group Show features St. James Poetry is a purveyor of fine
selected work from juniors and seniors poetry.
students. Fine Art, Illustration,
Photography, Graphic Design, and Interior
Design departments will be represented.
Paier College of Art will be represented
by 5 students: Nicki Vitali, Tricia Currie,
284 Ryan Olsen Janet Croog, Ryan Kalentkowski, Erica
3 October 26–27 | Alternative Space SanSoucie, and installation by senior
students from different disciplines.
Painting
http://paiercollegeofart.edu
Long Story—Short. I’ve been involved with
ART since childhood. Continuing my love 179 Mark Potter
of study and Illustration at Paire College
of Art where I began exploring my skills
at hand while digging further in the 14 Gilbert St., Suite M114A, West Haven
depths of my own originality. My work Other
speaks for itself. I love what i do. I’m I work primarily in clay, making both pots
looking forward to sharing, and getting and sculptures. I also paint. My work is
my art acknowledged. about the space between language and
artists ra– sc
28 84 PETER RAMON
evolved from imagined memories of
human history to imagined sensations of
plankton. In revealing the unseen, unfelt,
Painting
My paintings are about reconstructing
landscape.
I use timecards along with ready & found
material to make 100s of cards that greet
Painting & have cultural commentary. My
and unnoticed in the waters surrounding http://www.geraldsaladyyga.com
My paintings are abstract, based on inventive, meticulous cards grew from

us, she invites us to swim with the
nature, comprised of memory, sideways touchpoints: a red floss embroidered
plankton. Currently in residence at the
glances, fleeting thoughts...and unrelated flamenco dancer postcard, kid’s faded red
Menden-Deuer URI Oceanography lab,
meanderings. I use the shapes, forms, the paper & doily valentines, Pat the Bunny,
she participated in Art Kibbutz NY 2013.
light and shadows in nature as a starting C. Chaplin in M. T. & five & dime stores.
http://CBRubin.net
point. Often it is some small object, event Cards at nominal cost keep it real.
or passing observation that becomes the https://sites.google.com/site/savagemar-
focus of the work. tha
http://fred.giampietro.com
327 Rebekah Samkuel
Painting
Prometheus is engaged in the struggle
to: Address a fundamental human need
85 joseph saccio for art; Revive the notion of recognizable 87 Joanna Schiff
1 october 12–13 | erector square quality and technical mastery that once 1 october 12–13 | erector square
Sculpture formed the basis of great cultures; Painting
The majority of my work uses natural Cultivate what is authentic and profound Play is a very important part of my work,
289 Zohra Rawling materials, primarily wood, and found in both the practice and discourse of art. playing with colors and shapes to create
3 October 26–27 | Alternative Space objects, joined together in a primitivistic http://www.artinspiteof.com depth and an engaging aesthetic. I like to
Sculpture manner, expressing personal feelings draw in viewers with color combinations
I strive to recreate the look of archaeo- associated with myth and ritual, loss and that are strange and surprising like overly
logical finds: fluidity in ruination. I use rebirth. . I focus on leading the viewer bright pinks and greens with muted earth
traditional patterns and designs to create through the transformative process, tones. Art has always been an important
pieces which imply a larger whole, producing forms which are abstract but part of my life, I don’t know what I’d do
something greater than the part which is usually biomorphic. without it!
seen. http://joseph.saccio.com http://www.joannaschiff.weebly.com
294 Katie Samuelson

Painting
Katie Samuelson began studying art at
Mount Holyoke College and continued
her study more recently at the University 297 Scott Schuldt
of Hartford Art School and area art 3 October 26–27 | Alternative Space
290 Michelle Reynard Georgevich 293 Ruth Sack Other
league courses. With an interior design
3 October 26–27 | Alternative Space I am a self-taught interdisciplinary artist
3 October 26–27 | Alternative Space degree from Parsons School of Design,
Photography Samuelson brings experience with space, working in a wide variety of themes
Mixed Media
Photographer working with traditional texture, color and light to her work in oils. including nature and natural sciences,
I use wax and adhesives to assemble my
color emulsions; and digital documentary http://www.samuelsoninteriordesign.com politics, history and archaeology. I work
understanding of the visual and material
work. with hand-sewn beadwork, mixed media,
world.
http://RuthSackFineArt.com photography, video and hand-surveyed
hand-drawn maps. My work is strong in
concept, content driven, and often
narrative.
http://scottschuldt.com
86 Annie Sailer 295 Steven Sangapore

291 Rob Rocke 1 october 12–13 | erector square 3 October 26–27 | Alternative Space
3 October 26–27 | Alternative Space Painting Painting
Photography I am a painter, a modern dancer/ My work is an abstract rendition of
For CWOS this year I will be featuring my choreographer, and director of Annie themes and subject matter relating to
second attempt at taking a photo a day Sailer Dance Company. The intent of my
88 dana scinto
sentient creation and personal truth in 1 october 12–13 | erector square
for a year | 2012). My first successful work is to evoke dream-like narratives the context of a profound inward focus
“photo-a-day” for a year project was back through spatially-oriented forms. My Other
resulting my interpretation of reality
in 2010. This year I tried to open things main influences are Abstract Expression- We are a full service fabrication shop
around me. Some visual themes found
up a bit media-wise to include videos and ism and Minimalism. My work is specializing in wood, cast concrete,
throughout my body of work include the
sound clips as well as still photos. process-oriented and my paintings and molding and casting in a variety of
cosmos, color, scale, and the use of
http://www.robrocke.com choreography inform each other. materials. 3d CNC machining. Your 2 and
symbolism through geometric and
http://www.anniesailer.com 3 dimensional designs realized in wood,
organic forms.
plastics, resins and more. Provide us with
your completed design files or we can
create 3d modeling for you.
http://www.danascinto.com
292 Cynthia B Rubin 296 Martha Savage

3 October 26–27 | Alternative Space 132 Gerald Saladyga 3 October 26–27 | Alternative Space
Other 2 october 19–20 | passport Mixed Media
Rubin is a new media artist whose work 39 Church St., #4 New Haven
artists sc– st
298 Jean Scott
3 October 26-27 | Alternative Space
architecture of exhibitions, installation
art interests me due to its temporal
nature and ability to expand beyond
95 Kathleen Smits
Painting Painting
traditional boundaries.
october 4 — 27, 2013

Intentionally or not, most of my work I create realistic oil paintings and I have a
turns out to be some version of unique genre of abstract digital art,
portraiture. Currently this lets me explore created through a process of experimen-
some questions I have about painting and tation with photography and digital
about making artworks in general. manipulation. Paintings express my need
for serenity and color. My abstracts
91 lisa shoglow explore color with shape and form out of
1 october 12–13 | erector square context, creating images to evoke
Painting 187 Michael Galvin & Kyle Skar curiosity, questions, and mindfulness.
My paintings, whether encaustic, 2 october 19–20 | passport http://www.kcsmitsgallery.com
watercolor, acrylic, digital or photograph- 300 Boston Post Road, University of New Haven,
ic, are attempts to embody ongoing Dodds Hall, West Haven
interior dialogues reflecting psychologi- Sculpture
128 Sara Scranton cal states of mind and experience. UNH artists-in-residence Galvin and Skar
Translucent, layered, obscured, have created two luminescent cubes
embedded, scarred, blurred, they explore situated in a field of grass within the
756 Chapel St., New Haven personal themes and shadows that linger
Photography gallery. The installation invites the viewer
Sara Scranton rasied in the New Haven
as present forces. to reconsider the relation between 301 Joe Sorge
area attended Cooperative Arts and regulated and wild spaces. 3 October 26–27 | Alternative Space
Humanity’s High School. She studied fine www.galvinmichael.com Sculpture
art at Gateway Community College and Joe Sorge sculpts steel and stone,
Illustration at The Art Insitute of Boston. creating beautiful abstract shapes that
Sara has curated shows in the Gretaer move emotions.
New Haven area where she is best know http://www.sorgetown.com
for her Patron Saints and pin - up
photography.
http://projectstorefrontsnewhaven.com 10 Sideways & Askew
Mixed Media 93 Gordon Skinner
Sideways & Askew is where paper and 1 october 12–13 | erector square
clay collide to make artful illumination.
Painting
89 John Scully It’s a collaboration between Liz Pagano, a
The current state of the world appears to
1 october 12–13 | erector square New Haven print and mixed-media artist, 302 Mark St. Mary
be in more chaos than it is in order. We
Printmaking and Hayne Bayless, a potter in Ivoryton,
live in a time where domestic violence, 3 October 26–27 | Alternative Space
My landscapes are inspired by dawn, dusk CT. The two mull over a design, then
corporate and government corruption Photography
and storms moving across the landscape. construct the lampshade using light steel
are recurring. I use my brush as a mirror My work is a visual representation of my
I am interested in creating through black rods. Liz applies encaustic and ink to
to show the true often savage nature of emotional connection to elements of the
and white prints, the fluid impressions of paper and attaches the shade.
humanity. The colors in my work environment. I try to make my abstract
my watercolor paintings combined with http://www.facebook.com/sidewaysan-
represent hope for a brighter future. I pieces emotionally evocative, the image
line drawings. daskew
fight back by painting. acquiring a grace unavailable in context
http://www.gordonskinnerart.com so that the subject becomes irrelevant,
allowing the viewer’s fantasy to shape
the experience .
http://saintvisions.net
299 Jon Seals

3 October 26–27 | Alternative Space 92 Debra Simon
Painting 1 october 12–13 | erector square
My paintings are created in the pursuit of Painting 94 Sigrid Smith
reclaiming the memories of people from I am a new artist, I only started painting 1 october 12–13 | erector square
recently. I thought it would be a good Painting
303 Jeffrey Starkes
my childhood and the environment that
experience for me to participate in Open I work exclusively in transparent 3 October 26–27 | Alternative Space
surrounds my family history.
http://www.jonsealsart.com Studios and meet other artists. watercolor sometimes supplemented with Painting
India ink. My work ranges from natural The basis of my work is an examination
representational pieces to unframed and of the relationship between the planned
varnished 3-D abstracts which are best and random elements of life. Intentions
viewed using Chroma-Depth 3-D glasses. I and accidents are interwoven into the
paint often with my friend and mentor fabric of our existence. They clash and
Lora-Lee Bell and with Joyce Greenfield, overlap, and provide the unpredictability
also showing in this same gallery. that makes life interesting.
300 Kyle Skar http://sigridsmith.com http://www.jeffreystarkes.artspan.com
90 Sam Shevelkin
1 october 12–13 | erector square 3 October 26–27 | Alternative Space
Other Installation
My ceramic creations and I are exploring Current artwork that I have completed
how the form of hand thrown objects has been installation based. The platform
affect the surrounding area as well as of installation art has become a
what is inside the form, functionality is productive tool for me to research,
also kept in mind during the creative analyze, and discover. Not unlike the
process.
artists St– tu
30 194 Thomas Stavovy

306 Dave Thomas
30 Elm St., West Haven Painting
Mixed Media Dave Thomas’s style lies at the junction

I use an iterative process of finding, of pop surrealism and zen like abstrac-
breaking apart, and re-finding form. The tion. Shifting between vibrant color fields,
accumulation of marks and revisions geometric shapes, and the human form,
provides a syntax for the articulation of Thomas is able to capture simple beauty
form and structure. 149 Marcus Surrealius with striking emotional depth.
2 October 19–20 | Passport http://davethomaspaintings.com
307 david K Thompson
830 Elm St., New Haven
Photography
Sculpture
David is a native New Mexican artist
Artist statement short version: i make
working in print, photography, and
sculptures mostly themed around
installation art. His art analyzes
recycling, reusing, and modifying
cartography, landscape, machinery,
material with themes rooted in
propaganda, and other forms of
biomimetics, culture, and exploring the
æstheticised nationalism, and has been
definitions of humanity and the self.
304 Kate Stephen included in exhibitions and symposia
3 October 26–27 | Alternative Space 99 Regina Thomas curated by the Neue Slowenische Kunst
Textile/Jewelry 1 october 12–13 | erector square group IRWIN. He currently lives and
I make sculptural copper, brass and silver Mixed Media works in New England
designs that feature upcycled vintage My work is an ongoing process involving http://www.studiodavidk.com
materials, found natural objects and different genres from representational to
semi-precious stones. Each piece is a the abstract. What motivates me is
one-of-a-kind wearable sculpture that pushing the envelope, taking risks in
encompasses the inspiration that rises these multi-layered collages. I love
from my meditative interactions with 97 John Sweeney injecting visuals and textures that beckon
nature, trips to vintage shops and the 1 october 12–13 | erector square my viewers to get close.
aesthetic perspective from my travels. Painting http://www.reginamthomas.com
http://www.katestephenjewelry.com I work in oils.
308 john Dough ThoroughBread
Mixed Media
ARTS 2 E.A.T/with! Let us
Economize,Appreciate,and Theorize how
to use our ARTS our GOD given gifts 2
96 Kevin Stevens 98 Robert Thomas EAT, work, live so we may Donate: money,
art, food, clothing, housing, products and
1 october 12–13 | erector square 1 october 12–13 | erector square
Mixed Media
305 David Taylor Photography
services to the less fortunate
Right now my focus is on painting. I am 3 October 26–27 | Alternative Space As an engineer, I enjoy the cameras
working in mixed medium, of acrylic, Painting ability to accurately capture the moment
pastel, charcoal and whatever stuff I have The paintings are fields of marks and reflect the vision of what I see. I have
lying around my studio. My ground is deliberately applied and frequently learned not just to document but to apply
composed of plywood with shoji paper revised until what seems to the artist a the creative aspects of composition and
and, or canvass pasted on to it. My work satisfactory balance. The result is an the freedom offered with digital image
deals mainly with color, texture, abstraction of elegiac or melancholic processing. Through this I work to create
feeling. At times a figurative composition 190 Cole Tucker-Walton
transparent layers and space. It is really a more engaging representation of my
seems about to “break out.” The artist’s 2 October 19–20 | Passport
all about the process. field of view.
http://artbykevinstevens.com sense of form governs the colors as they http://www.artistsimaging.com West Cove Studio
swarm and push against each other. 30 Elm St., West Haven
https://www.facebook.com/profile. Painting
php?id=1309303083 Born in NY, 1991, raised in CT, did time at
Yale, now make art in Redding. In a
practice that spans painting, drawing, and
sculpture, I aim for the inexplicable,
mischievous, free, bodied, happy. Though
135 bryan stryeski 173 Sara Thomas often abstract and always materialistic,
2 October 19–20 | Passport 2 october 19–20 | passport every piece lies within influence of the
39 church st., new haven The Barn at the Eli Whitney Museum 920 world, and the bits of it I know.”
Painting Whitney Ave., Hamden http://coletuckerwalton.com
This Group of work represents my Printmaking
110 Paul Theriault I love printmaking. I can have a good
ongoing interest in the combination of
1 october 12–13 | erector square visualization of how the final print will
art, design, architecture. I am particularly
concerned with creating images that are Other look in my head, and then something so
a reflection of the overwhelming nature My work engages in processes which are much more amazing comes off of the
of our surroundings. digitally based | as represented by prints plate. Currently, I am working on a series
http://www.flickr.com/photos/bstryeski and video about elephants. I began exploring their
in addition to pieces of a tactile nature form through contour lines and I am now
| as expressed by means of sculpture, adding blocks of color and texture to the
assemblage and paint. composition.
http://www.paultheriault.net http://printsbysarathomas.weebly.com/
Featured artists include :
P2K : Joy Wulke
+ Jamie Burnett . 31
Vicki DaSilva .
october 4 — 27, 2013

Robert S. Greenberg .
Drew Cucuzza .
ernst .
Mary Schiffer .
Channel 1 x Blak Nerd .
Tom Hearn .
James Dominik .
Holly Danger .
Boots + Doll .
LAMP
Wesley Marcarelli .
Jimi Patterson .
Brown Gillespie .
Dustin DeMilio .
Tony Juliano .
DaDa Mr.:
Christopher Cavaliere
+ Marcella Kurowski .
Terry Lush .
Caroline Kerrigan .
Daniel Herbst .
Will Korprew .
Eddie Spicer .
Doug DangerMon .
Adelka Polak .
Light Artists Making Places Greg Catalano / HuMan :
Lisa Spetrini
October 4th at 8:00 pm + Veronica Vixen .
Kate Callahan .
right after CWOS in the historic 9th Square Edmond Deraedt .

Tuce Yasak .
Lani Asuncion .
Kathleen Cei :
Music Haven .
OluShola A. Cole .
LAMP 2013 NEW ENGLAND’S PREMIER LIGHT EVENT
will light up the night on Friday, October 4th
Bryant Davis .
Janice Bielawa .
Michael Bielawa .
at 8:00 pm. This 3rd annual event will showcase over 100 local, Lisa Seidenberg .
regional and international artists working in film, video and Vintanthromodern

Vintage Fashion Truck .
performance. In collaboration with Citywide Open Studios and On9, Food Truck Caravan .
LAMP takes place in the historic Ninth Square. This year's themes +
Bill Fischer’s Drum Brigade
are New Haven's 375th birthday and the return of the Phantom
This year’s featured
Shippe of 1647 to the New Haven harbor. musical performer :
For more info and for parking suggestions visit us at: 9th square pioneer
Mark Mulcahy at Cafe 9 .
Special guests
The Streams :
9artslamp.org
Dave Brooks .
Spike Priggen .
Jeff Wiederschall
+
Bill Beckett .
artists va– wh
32 100 Eliza Valk

139 Brian Wendler
Other 26A Clifton St., New Haven
Cultural and infrastructural conjunctions Painting

with ecological, hydrological and I believe a life in art is one of continual
atmospheric processes, the visceral learning, and I am always occupied with
details of encounter—the toggling the study of it. When I approach my
between macro and micro event 309 Jessica Villar subject I try to empty my mind and
motivates my work. I look for the 3 October 26–27 | Alternative Space 153 Gar Waterman respond to prompts from the subject, the
uncanny and improvised. Startled from Sculpture Passport painting, and from within, always with an
assumption and consumption, we Transom. An exploration of the eye to simplifying shapes while distilling
2 October 19–20
become pliant for playing, devising and transitions that may occur when passing colors and impressions.
understanding. 425 West Rock. Ave., New Haven
through a doorway or moving from one http://[email protected]
space to another. Hand carved transoms Sculpture
will represent small and large changes Gar Waterman’s sculpture explores
that may be experienced literally or organic form. A combination of
perceptually as one moves through life observation of natural phenomena,
sensual devotion to the tactile
possibilities of material, and a model
maker’s tinkering sensibility inform his
162 Kevin Van Aelst work. West Rock Studio in the Westville
312 Ben Westbrock
section of New Haven has been his home
111 Dessa Drive Hamden and workplace for the last 17 years.
http://www.garwaterman.com Sculpture
Photography
All my work involves aspects of
My photographs and constructions 158 Thuan Vu “Reveille.” Each piece is about staying
consist of common artifacts and
2 October 19–20 | Passport alert, standing watch, being prepared to
materials from everyday life, which have
943 Dixwell Ave., Studio H Hamden defend something. Many are marching,
been rearranged and reassembled into
Painting marching, tooting their horns with great
various forms and illustrations. The
Identity politics are at the heart of my glee as they move forward - like comic
images aim to examine the distance
work. As a Vietnamese refugee, I’ve characters in a Disney movie. For me, the
between where my mind wanders to and
created paintings that evoke the feelings greatest pleasure is the shaping of each
the material objects that inspire those
of discovery and adaptation to a new life alert piece.
fixations. 126 Susan Weinreich
http://www.kevinvanaelst.com in America. In The New World, I correlate
my family’s experience of coming to 2 october 19–20 | passport
America to those of early 19th century 96 Orange St., New Haven
American painters. I imagine their sense Other
of awe, confusion, and hope. Reynolds Fine Art is pleased to offer a
http://www.thuanvu.com hand picked selection of work by Susan
Weinreich. Weinreich is a celebrated
American Artist, Lecturer and Mental
Health Advocate whose paintings and
drawings have been exhibited across the
313 Christa Whitten
20 Karissa Van Tassel nation. Her work will be on Exhibit at 3 October 26–27 | Alternative Space
102 Joseph Vumbaco Painting
1 october 12–13 | erector square Reynolds Fine Art the whole month of
1 october 12–13 | erector square Ms. Whitten works in watercolor and
Photography October.
Photography http://www.reynoldsfineart.com/gallery/ gouache to create abstract meditative
I stand in awe of the world around me.
This series is a modern version of the ‘landscapes’. Pigments for her paintings
There is so much beauty and it is so often
game CLUE. It’s ironic, as kids we play a are specifically chosen for their
overlooked. My work focuses on finding
game about a murder mystery. I added resonance and compositions are both
simple beauty in the world and capturing
sex appeal to the characters, creating an intentionally and organically formed to
it, undisturbed, in it’s natural environ-
adult version to the mature game. I assist in the connection to one’s internal
ment- from the streets of Paris to the
wanted the paintings to have a sense of landscape. She is displaying in the
fields of China, the mountains of the
realism. The photographs are created by Alternative Space - stop by and say hello.
Montana to the beaches of Sanibel.
http://www.karissavantassel.com
controlled sets,lighting,props and models. 311 Miryam Welbourne http://www.Facebook/Christawhitten/Art.
With this,I give you SCANDAL. 3 October 26–27 | Alternative Space com
http://www.joeeveephotography.com Installation
For me, art It is always about process. I
work in animation, and though my pieces
are only 2-3 minutes long, these short
films are constructed from hundreds of
individual, hand-painted cells, each an
310 Alison Walsh individual work of art. This installation
3 October 26–27 | Alternative Space includes all 357 pieces of original art
101 Katya Vetrov Mixed Media from my recent animation, “Hey
1 october 12–13 | erector square My work is highly influenced by the Rachel...”
Printmaking environment I find myself in. I am
Katya is focused on nature and the interested in the intersection of man and
environment. Her prints represent life nature, suburbs and city, freedom and
and growth with a focus on New Haven’s confinement, reality and fantasy. I believe
eco urban community as well as the emotional effects of the environment
Connecticut farms. These images appear can be represented by a physical object
on block printed rice paper, hand
silkscreened notecards and t-shirts.
http://www.katyavetrov.com
artists wi– zu
314 JoAnne Wilcox
metaphor of plants to detail the shape of
our intercourse with the environment . I
explore these meanings in “Women and
33
Photography
Weeds”, female domesticated animals in
october 4 — 27, 2013

JoAnne Wilcox has spent most of the last
“She Farms”, and in my new series, “Men
two years collecting submissions for a
and Flowers”.
project called “The Call to Everyone.” It
http://amieziner.com
pairs cell phone photos with card catalog
cards, open to all, and is currently exhibit- 316 Marjorie Wolfe
ing in Chappaqua, NY. JoAnne, typically 3 October 26–27 | Alternative Space
an editorial photographer, is shy about Photography
105 Kristina Zallinger
showing her personal work, but little else. My photographs are of the sea, the land, 1 october 12–13 | erector square
http://joannewilcoxphotography.com and are often an abstract view of my Painting
world. Color and texture give my paintings life. I
http://marjoriewolfe.net am an abstract expressionist painter. My
work is filled with movement and
excitement, leaving the viewer with an
emotional reaction. I know because I feel
111 Gonzalo Zuniga-Vergara
this every time I paint. 1 october 12–13 | erector square
http://kristinazallinger.com Other
21 Mark Williams As humans we are constantly trying to
1 october 12–13 | erector square make sense of the world around us. Our
Painting 173 Aicha Woods visual perceptual process has always
The earliest known drawings over 30,000 2 october 19–20 | passport played with natural forms and their
years old are found in caves. Humans Eli Whitney Museum Barn CT 920 Whitney Ave ability to create illusions. These drawings
have been drawn to caves for a very long Hamden of nature and animal hybrids arouse your
time, and I am no exception. During the own visual perception.
Installation
past twelve years, I have visited more
Aicha Woods’ site specific temporal
than 70 caves where I have taken video
installations employ everyday materials
and photographic documentation. This
and objects in repetitions, coalescing in
317 Kathleen Zimmerman
research has inspired paintings, drawings, 3 October 26–27 | Alternative Space
fragile environments. The work is inspired
prints, and works on paper. Painting
by a daily practice of documenting small
http://www.livepaint.org My work communicates ideas concerning
changes primarily in East Rock Park, New
Haven and larger shifts viewed seasonally both day-to-day life as well as profound
from fly overs above the Arctic. http:// issues surrounding relationships, stages
aichawoods.com of life and culture. I use symbolism and
surrealism to transform my subject Studio listings were correct at time
matter into archetypal images. This gives of printing but may be subject to
my work a mythical quality filled with alterations.
layers of meaning, which both reiterate
and challenge age-old ideas. Please visit www.cwos.org for the
315 Linda Wingerter http://www.zimmermanfineartstudio.com latest updates.
Mixed Media
104 don wunderlee
I’m a traveling artist, puppeteer and 1 october 12–13 | erector square
picture book illustrator, keenly interested Painting
in chance connections, misplaced objects Although my recent paintings contain
and lost love. I follow synchronicites and themes of time and erosion, the effects
linger in crossroads in search of of wear and tear, there is also a sense of
optimism in them. The optimism comes
318 Amie Ziner
coincidences and divine intervention. I 3 October 26–27 | Alternative Space
re-assemble dreams with wood, clay, from the regenerative power of the
creative process. In the face of Painting
paint, paper and air.
uncertainty comes the new and that’s a I work on themes of sexual expression,
http://www.paintedbooks.com
comforting feeling. repression and marginalization; I uses the
http://www.wunderleearts.com
103 Marian Wittink

Printmaking
31 Gerald York
Marian Wittink has been experimenting 1 october 12–13 | erector square
with printmaking for the past 7 years. Painting
Her Main focus has been on oil based Gerald P. York creates portrait paintings
monotypes with mixed media | collage and portrait sculptures. His clients
and drawing she has studies with master include Procter & Gamble; Becton,
printmakers Barbara Harder and Liz Dickinson & Company; Gulfstream
Pagano. Aerospace Corporation; The U.S. Navy;
Yale University; and many others.
http://www.geraldpyork.com
Thank you!
34 We are most grateful to all the organizations, businesses and individuals who
Alternative Space Host Bike Tours Artspace Board of Directors cwos Volunteers
The City of New Haven/Goffe Street Planning The Devil’s Gear & Matt Feiner & Dave Kahn Barbara Pearce, Chair Amie Ziner
Committee Eileen Eder, Vice Chair Andrea Ascah-Robinson
Marketing, Promotion & Outreach Bill Kalinowski, Treasurer Bear Ogus
Media Sponsors Bruno Baggetta Cassandra Albinson, Secretary Caitlyn Sheridan
The New Haven Register Margaret Bodell Jeff Carter Carol Brown
Bill Brown, Eli Whitney Museum Kathleen DeMeo Caroline Smith
Sponsors The Staff at Visit New Haven and Rex Development Seth Dodds Cassandra Roos
City of New Haven Economic Development
Betsy Henley-Cohn Catalina Barroso Luque
Connecticut Office of the Arts The Mini Golf could not have William Kalinowski Chris Schweitzer
Greater New Haven Community Foundation happened with out the help of Sean Koehler Ciara Cumiskey
First Niagara Bank Foundation Jeff Carter and The Westmount Group David Leffell Connie Razza
New Alliance Foundation Win Davis Nick Lloyd Dawn DeMeo
M. Coyne Foundation Jennifer Pugh Bruce L. McDermott Derrick Quevedo
Yale University West Haven Lumber Matt Maleska Don Wunderlee
And the National Endowment for the Arts Amy Christensen and Elm City Market Julie Parr Eric Litke
Tony Bialecki
T-shirt Sponsor Willie Hoffman
Amy Wrzesniewski Eva Song
Hannah Leckman
Hull’s Art Supply & Framing
Beka Sturges Artspace Visual Arts Committee Ilene Bronen
S/N/L Speed/Networking/Live! Paul Theriault Kwadwo Adae  Janet Lage
Denise Bibro, Director, Bibro Fine Art, Chelsea EXPLO Day of Service students Kelly Biglow Becerra  Jennifer Denes
Jason Bischoff, Director of Photo Archives, New Featuring work by nine artists/teams: Johanna Bresnick  Joanna Schiff
Haven Museum Make Haven; Matthew J. Feiner; Stereo Media; Silas Jeremy Chandler  Katherine Larocca
Monica Burcyk, Director, Curator, Sculpture Finch; Rocko Gallipoli; Dana Scinto; Willie Hoffman; Geoffrey Detrani  Katie Rowe
Space, Utica, NY Heather Bizon; and Linda Lindroth, Craig Newick Ihrie Means  Kelly Guevara
Judy Birke, arts writer, curator and art appraiser and Jeff Carter Meredith Miller  Kerri Sancomb
Fred Giampietro, Director, Giampietro Gallery, Nick Pfaff John ODonnell  Mark St Mary
New Haven Organized by Michael Galvin Kerri Sancomb  Michelle Stevens
Rashmi Talpade  Milcaly Rodriguez
Rachel Gugelberger, Independent Curator InKind and other Special Thanks Paul Theriault, Chair Oi Fortin
(Ballroom Marfa)
Bill MacMullen, City Architect
Project M.O.R.E.
Naima Keith, Assistant Curator, The Studio
Rob Smuts, City of New Haven Artspace Staff Rachel Dioses
Museum in Harlem
Eder Brothes Helen Kauder, Executive Director
Matt King, Assistant Professor, Virginia
Commonwealth University
Giampietro Gallery Michael Galvin, Visual Arts Coordinator & Gallery cwos Photo credits
Dean Robert Stern, Richard Flumeri & the staff of Manager Mia Orsatti, cover
Viera Levitt, Director, Gallery at UMass Dartmouth
the Yale School of Architecture Gallery Martha Lewis, Curator of Education Leslie Kuo, cover
Martha Lewis, Education Curator, Artspace
Margaret Bodell, Heather McDonald, Kelly Murphy Caleb Hendrickson, CWOS Producer Alejandro Poveda, page 3
Ihrie Means, Visual Arts Committee, Artspace
and Vivian Nabeta Katie Jurkiewicz, Communications & Community Graham Hebel, page 3
Lynn Palewicz, artist and faculty, Moore College
Light Artists Making Places, and Jamie Burnett & Outreach Coordinator Harold Shapiro, page 2
of Art, Philadelphia
Joy Wulke Rosemary Lennox, Volunteer Coordinator Mike Franzman, page 5
Risa Puno, artist and public arts organizer, NY
Chris Ortwein, On 9
and NJ
Kathy Telman, Erector Square Bookkeeping Artspace Annual Fund Donors
John Pyper, Independent Curator and Editor-in-
Chief of Big Red & Shiny
Roy Smith, West Cove Studios Colin Burke 2012–2013
Matt DiRienzo, New Haven Register Lisa Magson, Carter Hayes
Jessica Sack, Jan & Frederick Mayer Sr. Assoc. Above $2500
John Slater + John DiLeo + Mary Kate Bzdyra, New
Curator of Public Education, Yale University Art
Haven Register
Artspace Interns Seth Brown & Yve Ludwig
Gallery David Alekhuogie Andrew & Eileen Eder
Eric Epstein
Robert Stack, Director, Yellow Peril Gallery, Joy Daniels David & Joanne Goldblum
Providence, RI Identity & Design Emily Feeley Barbara Pearce & Norm Fleming
Mary Tinti, Associate Curator, Fitchburg Art Leslie Kuo Patrick Groth
$1,000–$2499
Museum Nancy Sepe Megan Mitchell
Judith Tolnick Champa, Editor, Art New England Alejandro Poveda Martha & Jim Alexander
Megan Mangun
Christina Vassallo, Director Flux Factory, Queens, Tessa Smith Cindy & David Leffell
Jenny Taing, intern
NY and guest curator, Artspace Eve Wiener Betsey Henley-Cohn
Alexandra Portis
Andy Versoza, Owner and Director, Aucocisco Whitney Williams Bill Kalinowky
Galleries, Portland, Maine Jeremy Wolin Helen Kauder & Barry Nalebuff
Jasmyne Green, Youth at Work David & Susannah Bailin
Rosa Brunson, Youth at Work Barbara Marks
Thank you!
have helped make this year’s City-Wide Open Studios possible. Thank you! 35
october 4 — 27, 2013

Rob & Gina Narracci John Coleman
Jeff & Claky Sonnenfeld Kiki & Ted Kennedy, Jr. Special thanks to our annual
Anne Higonnet & John Geanokoplous Ben Arthur Ledbetter & Deborah Freedman fundraiser supporters
Amy Wrzeniewski & John Law Carol Lewitt
$250–$999
Donald Margulies & Lynn Street GOLD
Bruce & Sally McDermott Pelli Clarke Pelli Architects
Cassandra Albinson & Victor Agran
Sam & Martha Peterson
Bruce & Susan Rose Ackerman SILVER
Jock Reynolds & Suzanne Hellmuth
Deborah Berke H. Pearce Realty
John E. Riley & Sallie Gourverneur
Robert Buckholz & Anne Elizabeth Fontaine Withers Bergman
B. Lance Sauerteig
Audrey Conrad
D. Ellen Shuman
Kathleen DeMeo & Gregory Futoma BRONZE
Peter Schulam Achillion Pharmaceuticals, Inc.
Larry & Debbie Hillibrand
Vera Wells The Community Foundation for Greater New Haven
David & Paula Kirsch
Merrill Lynch
Harvey Koizim & Ruth Koizim
Frank Mitchell & Michael Morand Studio listings were correct at time of Wiggin and Dana LLP
Jennifer Schiff printing but may be subject to alterations.

Thalia Townsend Please visit www.cwos.org for the latest SPONSORS
Beers, Hamerman, & Company, P.C. · T.M. Byxbee Company, P.C.
Robert Wechsler & Emily Aber updates.
Caroline Wharton MEDIA HOSPITALITY
Diane & Walter Ariker CTBites and The E-List The Study at Yale, The Hurley Group
Ellen Eisenberg & Neil Feigensohn

FRAMERS GALLERIES AND PRESSES
Ted Esselstyn & Ann Bingham Chris Durante Frame Studio (Danbury), DaSilva Cristin Tierney Gallery, Derek Eller Gallery,
Miles & Liz Lasater Gallery, Framed (Hamden), Hull’s Art Supply & David Zwirner Gallery, Two Palms Press, Yale
Roland Lemar & Anika Singh Framing, Merwin’s Art Shop University Press
Ed Renn CULINARY
Ted Snyder Solun, Matua New Zealand Wines from Treasury Wine Estates, Mt. Carmel Wine, Shake Shack, Grants
Matthew Suttor & Semi Gork Restaurant (West Hartford)
Len Suzio DECOR

Barry & Diane Svigals Andy Rubenoff — Lighting; Tucker Schweitzer — Flowers
Sydney & Christina Spiesel
And to all the artists who generously contributed their work to our auction benefit.
Jay Bright
YOUR SUPPORT FILLS SPACES WITH ARt

Artspace relies on the support of individuals like you to continue to produce METHOD OF PAYMENT
ground breaking exhibitions and unforgettable installations. Artspace’s loyal  Check payable to Artspace
donors, through their gifts to the annual fund for general operations, new work  Charge to  Visa  MasterCard
development and commissioning, and education and community development, Account Number________________________________________Exp. Date______________
help us continue to keep our spaces full of lively, thought-provoking, and enter- Name as it appears on card_____________________________________________________
taining works of art. Make a gift today and help us continue to celebrate local
Billing Address (if different from above)__________________________________________
artists and fill our galleries with the art of our time.
Billing City_____________________________________________State__________________ Zip______
Enclosed is my contribution of $__________
Signature______________________________________________
 I would like to direct this gift to (pick one or more)
 General Support  Education and Community Development  New Work
 I would like to make a gift in honor or in memory (Artspace staff will follow up after receiving  My company___________________________________________ has a matching gift program.
gift).  I would prefer an electronic acknowledgment of my gift.
 Name (as you wish to appear in donor listing)__________________________________________  Please use my email address for updates about activities at Artspace and invitations to events.
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YOU CAN ALSO MAKE YOUR GIFT ONLINE, AT ARTSPACENH.ORG/DONATE
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Mail to Artspace, Inc.
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Email______________________________________________________________________________ 50 Orange ST
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O f f i c i a l M a p & Guide

New Alliance Foundation, First Niagara Bank Foundation,

october 4 — 27, 2013

5–9 pm Heather Bizon, Matthew J. Feiner, Silas

Mini Golf | 4–7 PM Coordinator.

4 weekend one WEEKEND TWO WEEKEND THREE

Other Exhibitions at Artspace on Curator-Led studio visits 5

october 4 — 27, 2013

3 Alternative Space | Oct. 26–27

127 Kwadwo Adae

200 Rosa Alfaro Carozzi 203 Old Bags

october 4 — 27, 2013

october 4 — 27, 2013

157 Jeremy Chandler 171 Susan Clinard 216 Michael Cooper

152 George Corsillo

Oct. 4 – 27 Oct. 12 + 13 Oct. 26 + 27

Parking at Artspace Merrit Parkway South St.

290 Goffe St. ERECTOR SQUARE

315 Peck St.

october 4 — 27, 2013

handmade geometric abstraction

46 Nancy Eisenfeld 231 Thomas Ernst

47 Mindi Englart 48 Camille Eskell

232 Susan Ernst

october 4 — 27, 2013

october 4 — 27, 2013

I enjoy diverse artistic pursuits, though Painting

october 4 — 27, 2013

ALBERTUS EAST ROCK PARK

WHI TNE Y AV

WEST HAVEN HAMDEN NINTH SQUARE

october 4 — 27, 2013

October 12 + 13 dixwell/newhallville Hamden Seton Gallery/University

20 183 Brent Howard

Business Center, New Haven

256 Siovhan Hutcherson

october 4 — 27, 2013

262 Andrea Landsbach

320 Xéna Lee

22 15 Martha Lewis scale revealing imperfections and faded

WHAT IS COMING UP 1 october 12–13 | erector square

Ingredients: Diagram, Map, Mandala,

october 4 — 27, 2013

24 325 GEORGE MACDONALD

George is a member of artists collective

october 4 — 27, 2013

156 Sigrun Müller

when the world

YNHH-1697 ChoirAd8.7x8.7.indd 1 9/5/13 3:22 PM

october 4 — 27, 2013

My paintings are abstract, based on inventive, meticulous cards grew from

294 Katie Samuelson

86 Annie Sailer 295 Steven Sangapore

292 Cynthia B Rubin 296 Martha Savage

october 4 — 27, 2013

299 Jon Seals

30 194 Thomas Stavovy

Mixed Media Dave Thomas’s style lies at the junction

october 4 — 27, 2013