Forrest's Reviews > Mort
Mort (Discworld, #4; Death, #1)
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In a previous review of Pratchett's The Color of Magic, I speculated that I might have become jaded since high school. I noted that I enjoyed that book, but it was not as hilarious as I had remembered it, initially. There will be no such danger with Mort, meaning, I probably won't be re-reading it. Again, this one was funny, but not hilarious, and more cutesy than clever.
Still, it has its moments, the best of which, I thought, was the interchange between the Sun Emperor and his Grand Vizier, a game of wits, really, and a contest in the manipulation of societal niceties to one's lethal advantage. Death's own search for what it means to be human was very funny and almost poignant, though the lure of mortal banality was idealized with a bit too much treacle.
I will give Pratchett one thing, though: he understands teenage awkwardness. I thought the book really hit its stride when Mort's unrequited love of Keli and Ysabell's growing fondness of Mort lead to a few uncomfortable moments. Again, these themes are almost emotive enough to be compelling. But Ysabell's sudden switch from being annoyed by Mort's very presence to her fawning on Mort, with no real indication of why she changed, left me feeling just a little cheated.
I'll admit it - I like Pratchett best when he's off-subject. His little asides are what make this book enjoyable. The plot line is fairly flat, with big ideas that go unrealized. But it's the little ideas that I love and that make this a book worth reading, like valuable gems in a rather ordinary diadem. I'll search out another Discworld book, maybe two, looking for those same gems. But I can't say that I'm dazzleed by Discworld . . . yet.
Still, it has its moments, the best of which, I thought, was the interchange between the Sun Emperor and his Grand Vizier, a game of wits, really, and a contest in the manipulation of societal niceties to one's lethal advantage. Death's own search for what it means to be human was very funny and almost poignant, though the lure of mortal banality was idealized with a bit too much treacle.
I will give Pratchett one thing, though: he understands teenage awkwardness. I thought the book really hit its stride when Mort's unrequited love of Keli and Ysabell's growing fondness of Mort lead to a few uncomfortable moments. Again, these themes are almost emotive enough to be compelling. But Ysabell's sudden switch from being annoyed by Mort's very presence to her fawning on Mort, with no real indication of why she changed, left me feeling just a little cheated.
I'll admit it - I like Pratchett best when he's off-subject. His little asides are what make this book enjoyable. The plot line is fairly flat, with big ideas that go unrealized. But it's the little ideas that I love and that make this a book worth reading, like valuable gems in a rather ordinary diadem. I'll search out another Discworld book, maybe two, looking for those same gems. But I can't say that I'm dazzleed by Discworld . . . yet.
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Reading Progress
November 12, 2012
– Shelved
August 31, 2013
–
Started Reading
August 31, 2013
–
8.23%
"So far so good. Seems a touch smarter than The Color of Magic, though it isn't as silly so far. And I like my humor silly. Still not bad."
page
20
September 3, 2013
–
22.22%
"Really good, so far. Not mind-blowing, but good. I love Death when he gets air-headed."
page
54
September 6, 2013
–
46.09%
"Pratchett's portrayal of teenage awkwardness is simply brilliant. You'd almost think he was a teenager once . . ."
page
112
September 6, 2013
–
46.09%
"Pratchett's portrayal of teenage awkwardness is simply brilliant. You'd almost think he was a teenager once . . ."
page
112
September 6, 2013
–
46.09%
"Pratchett's portrayal of teenage awkwardness is simply brilliant. You'd almost think he was a teenager once . . ."
page
112
September 6, 2013
–
46.09%
"Pratchett's portrayal of teenage awkwardness is simply brilliant. You'd almost think he was a teenager once . . ."
page
112
September 6, 2013
–
46.09%
"Pratchett's portrayal of teenage awkwardness is simply brilliant. You'd almost think he was a teenager once . . ."
page
112
September 9, 2013
–
53.5%
"Things are getting more interesting with time. Get it? With time? Sorry . . ."
page
130
September 15, 2013
–
Finished Reading
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Steven
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Nov 12, 2012 08:48PM
I have the first two books! Terry Pratchett is my fave!
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I read "The Colour of Magic" years and years ago. Really enjoyed it, but, for no good reason, haven't read anything by him since then. I'd like to change that!
The Tiffany Aching arc is my favorite, so far, starting with The Wee Free Men (Discworld, #30). But I've also read Going Postal 3 times in the last 2 years and never failed to laugh!
Mort is pretty good. Terry Pratchett seems to like using folk tales and their traditional character types to mock all our preconceptions about what makes a Good Story or a Moral Tale. Even though Mort starts out as a country bumpkin whose own Dad thinks he's useless, he grows into his ill-defined role as Death's apprentice, and the very traditional Sorcerer's Apprentice story that forms the skeleton (forgive me!) of the tale takes some twists in the unfolding. The snooty petulant girl he meets at Death's door (forgive me!) is another traditional character, but she has good reason to be - it's tough being sixteen for such a long time. I thought this book was great fun.
"Mort" is kind of just ok, but "Reaper Man" made me suddenly have intimations of mortality on my morning commute and almost burst into tears. Pratchett's a weird one for that.
Kirsten wrote: ""Mort" is kind of just ok, but "Reaper Man" made me suddenly have intimations of mortality on my morning commute and almost burst into tears. Pratchett's a weird one for that."
I take it the title "Reaper Man" is a riff off of the '80s cult classic "Repo Man"? I loved "Repo Man" . . .
I take it the title "Reaper Man" is a riff off of the '80s cult classic "Repo Man"? I loved "Repo Man" . . .
Forrest, that title homage was my guess too, and I loved that movie. I also wondered whether "Millennium hand and shrimp" had its roots in "Life is just a plate of shrimp, a lattice of coincidences." Of course the wizards might build a Lattice of Coincidences by accident at any time, or one might be found in Leonard of Quirm's workshop. Unless it's all just a shamble after all.
Early on, Pratchett has neither the depth nor the wit he will develop later on. Mort is actually one of my least of the books. Truth be told, I'm not a big fan of Death either. I don't think the Death story arc really goes anywhere until it begin to focus on Susan.
If you are looking among his early works, I think 'Wyrd Sisters' and 'Moving Pictures' are among his best early examples. And in general, the series to follow are the City Guards (concluding in Night Watch), the Wyrd Sisters (no satisfying conclusion, but Wee Free Men makes a good stopping point), and the Death series beginning with the introduction of Susan in Soul Music and the history monks in Small Gods because it concludes in 'Thief of Time' (one of my favorites).
If you are looking among his early works, I think 'Wyrd Sisters' and 'Moving Pictures' are among his best early examples. And in general, the series to follow are the City Guards (concluding in Night Watch), the Wyrd Sisters (no satisfying conclusion, but Wee Free Men makes a good stopping point), and the Death series beginning with the introduction of Susan in Soul Music and the history monks in Small Gods because it concludes in 'Thief of Time' (one of my favorites).
Currently I'm rereading Mort, and just came across one of my all-time favorite footnotes concerning the inventor of pizza, Ronron Shuwadhi. Pratchett had such a flair for names and funny asides. It's suggested that the Creator of the Discworld was really aiming for pizza, which begs the question whether the creator of Planet Dirt (as Earth is known in the fb fan group Discworld Monthly) was really going for more of a meatball type of thing.