Sara's Reviews > A View Of The Harbour: A Virago Modern Classic
A View Of The Harbour: A Virago Modern Classic
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by
Sara's review
bookshelves: art, classics, literary-fiction, women-writers, 2021-aty-challenge
Jul 06, 2021
bookshelves: art, classics, literary-fiction, women-writers, 2021-aty-challenge
A View of the Harbour is a slice of life built around the smallness of a small town and the limits of every life within it. In this microcosm can be found love, envy, betrayal, longing, jealousy, unwelcome truth, and total misconception--all lived within the cruel spyglass of a place where too much is known about your life and too little about your soul.
There is an ensemble cast of characters, most of whom are part and parcel of this harbour town, where the lighthouse illuminates only in passing and the shadows seem deep and impenetrable.
“The lighthouse was the pivot, and the harbour buildings, the wall, the sea were continually shifting about it, re-grouping, so that it was seldom seen against the same background.”
Like the harbour, the people seem to be constantly re-grouping. These people see each other only for a moment, in glimpses, and then indistinctly. Taylor seems to be telling us that the human soul is unfathomable and perhaps knowing another person is impossible, because the perspective changes drastically depending on the point of view taken.
Guilt, she saw, treachery and deceit and self-indulgence. She did not see, as God might be expect to, their sensations of shame and horror, their compulsion towards one another, for which they dearly paid, nor in what danger they so helplessly stood, now, in middle-age, not in any safe harbour, but thrust out to sea with none of the brave equipment of youth to buoy them up, no romance, no delight.
Into this fixed society comes a stranger, Bertram Hemingway, and it is through him that we see much of what is really going on beneath the surface. Bertram’s point of view is that of the outsider, and often clearer than those of the inhabitants themselves, but Bertram is just another person who suffers from a desperate desire to be remembered, to be distinguished somehow from the masses, while feeling acutely his own mediocrity.
Elizabeth Taylor, the writer, who should not be confused with the film star, writes with marvelous perception and deceptive understatement. It might, in fact, seem that there is very little going on in her novels, until it strikes you that what is going on is life. Her writing seeps into your brain and lodges there, and you find yourself contemplating the complexities of her simple and ordinary people, who are so very like yourself.
There is an ensemble cast of characters, most of whom are part and parcel of this harbour town, where the lighthouse illuminates only in passing and the shadows seem deep and impenetrable.
“The lighthouse was the pivot, and the harbour buildings, the wall, the sea were continually shifting about it, re-grouping, so that it was seldom seen against the same background.”
Like the harbour, the people seem to be constantly re-grouping. These people see each other only for a moment, in glimpses, and then indistinctly. Taylor seems to be telling us that the human soul is unfathomable and perhaps knowing another person is impossible, because the perspective changes drastically depending on the point of view taken.
Guilt, she saw, treachery and deceit and self-indulgence. She did not see, as God might be expect to, their sensations of shame and horror, their compulsion towards one another, for which they dearly paid, nor in what danger they so helplessly stood, now, in middle-age, not in any safe harbour, but thrust out to sea with none of the brave equipment of youth to buoy them up, no romance, no delight.
Into this fixed society comes a stranger, Bertram Hemingway, and it is through him that we see much of what is really going on beneath the surface. Bertram’s point of view is that of the outsider, and often clearer than those of the inhabitants themselves, but Bertram is just another person who suffers from a desperate desire to be remembered, to be distinguished somehow from the masses, while feeling acutely his own mediocrity.
Elizabeth Taylor, the writer, who should not be confused with the film star, writes with marvelous perception and deceptive understatement. It might, in fact, seem that there is very little going on in her novels, until it strikes you that what is going on is life. Her writing seeps into your brain and lodges there, and you find yourself contemplating the complexities of her simple and ordinary people, who are so very like yourself.
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Quotes Sara Liked
“There's no summing-up, but a sense of incompleteness. After years of building up each unique personality, in the end there is no moment of putting lines beneath the sum and adding up to see what it all amounts too.”
― A View Of The Harbour: A Virago Modern Classic
― A View Of The Harbour: A Virago Modern Classic
“To avoid hurting people needs constant vigilance. As one grows older one is less and less equal to the task. There are so many cruelties of omission.”
― A View Of The Harbour: A Virago Modern Classic
― A View Of The Harbour: A Virago Modern Classic
Reading Progress
May 7, 2021
– Shelved
May 7, 2021
– Shelved as:
waiting-physical
July 4, 2021
–
Started Reading
July 6, 2021
–
6.71%
"And always there was the sound she no longer heard, since she had been hearing it from the beginning, water slapping unevenly against stone, swaying up drunkenly, baulked, broken, retreating.
(this comes to describe most of the characters here, battered and unheard)."
page
21
(this comes to describe most of the characters here, battered and unheard)."
July 6, 2021
–
17.25%
"Very tactfully he had done a very great kindness. When he was kind to people he had to love them; but when he had loved them for a little while he wished only to be rid of them and so that he might free himself would not hesitate to inflict all the cruelties which his sensibility knew they could not endure.
Bertram"
page
54
Bertram"
July 6, 2021
–
29.07%
"To a girl who had taken for granted that her mother and father were sub-human creatures, from whom might be expected no emotions stronger than irritation or anxiety, or a calm sort of pleasure, this sudden view opening out was not easy to be borne. She felt shame and disgust and terror. She was not prepared to pity her mother, whom she had always rather despised, nor to despise her father, whom she had loved."
page
91
July 6, 2021
–
33.87%
"'I have never known him well,' she said. 'He is rather taken up with his work.'
'This year, next year, sometime, never,' Bertram said aloud, spreading his prune-stones round his plate. To himself, he thought: 'So she can describe everyone, but not him.'"
page
106
'This year, next year, sometime, never,' Bertram said aloud, spreading his prune-stones round his plate. To himself, he thought: 'So she can describe everyone, but not him.'"
July 6, 2021
– Shelved as:
art
July 6, 2021
– Shelved as:
classics
July 6, 2021
– Shelved as:
literary-fiction
July 6, 2021
– Shelved as:
women-writers
July 6, 2021
– Shelved as:
2021-aty-challenge
July 6, 2021
–
Finished Reading
Comments Showing 1-18 of 18 (18 new)
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Diane
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rated it 4 stars
Jul 07, 2021 04:56AM
Your review is more thorough than mine, but it's clear we feel the same. I find myself wondering where these characters went after the last page, because they had changed so much in the course of a few weeks. Except for Beth, who remained unaffected by so much she never even knew about the people closest to her.
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Diane wrote: "Your review is more thorough than mine, but it's clear we feel the same. I find myself wondering where these characters went after the last page, because they had changed so much in the course of a..."
Especially with that ending, Diane, which implies so much.
Especially with that ending, Diane, which implies so much.
Ken wrote: "Sounds a bit like an update of Peyton Place."
It was written before Peyton Place, Ken, and while I think of Peyton Place as being rather shallow, nothing shallow about this book or frivolous about this writer. Of course, my mental version of Peyton Place is the TV series, while the book might have been a completely different animal.
It was written before Peyton Place, Ken, and while I think of Peyton Place as being rather shallow, nothing shallow about this book or frivolous about this writer. Of course, my mental version of Peyton Place is the TV series, while the book might have been a completely different animal.
Beautiful review, Sara. I'm slowly reading this one (between reading Testament of Youth). The two shouldn't/can't be read together.
Elyse wrote: "Beautiful --I've had a copy for years -- you are encouraging me, Sara! xo"
Time to take this one off the shelf!
Time to take this one off the shelf!
Anne (On semi-hiatus) wrote: "Beautiful review, Sara. I'm slowly reading this one (between reading Testament of Youth). The two shouldn't/can't be read together."
Oh, Testament of Youth is an absolute favorite of mine. I agree that I could not read ANYTHING else while reading that. Not one thought could go elsewhere. I'll be excited to see your review...and then you can finished this one.
Oh, Testament of Youth is an absolute favorite of mine. I agree that I could not read ANYTHING else while reading that. Not one thought could go elsewhere. I'll be excited to see your review...and then you can finished this one.
Sara wrote: "Anne (On semi-hiatus) wrote: "Beautiful review, Sara. I'm slowly reading this one (between reading Testament of Youth). The two shouldn't/can't be read together."
Oh, Testament of Youth is an abso..."
I read your review of Testament so I knew you'd get why nothing else can be read at the same time.
Oh, Testament of Youth is an abso..."
I read your review of Testament so I knew you'd get why nothing else can be read at the same time.
Sara,
I have two of her novels selected for my "70s project," and I can't wait to read them. Your review made me think a little about her writing style being similar to William Trevor's, who was writing at the same time, and that just makes me start to drool a little, in anticipation!
I have two of her novels selected for my "70s project," and I can't wait to read them. Your review made me think a little about her writing style being similar to William Trevor's, who was writing at the same time, and that just makes me start to drool a little, in anticipation!
A very apt comparison to Trevor, Julie. I have now read three of her novels and I am miffed that she doesn't have the readership she so richly deserves. I will be looking forward to your thoughts. I will continue to read her!
Anne (On semi-hiatus) wrote: "Sara wrote: "Anne (On semi-hiatus) wrote: "Beautiful review, Sara. I'm slowly reading this one (between reading Testament of Youth). The two shouldn't/can't be read together."
Oh, Testament of You..."
😢
Oh, Testament of You..."
😢
Thanks, Sara. It's very exciting for me to contemplate! The work of both of these writers seems underappreciated these days.
Brilliant review, Sara. Your review says everything I felt about the novel. The more I have been reflecting on the book, the more impressed I am with her talent. She makes the ordinary, extraordinary.
Antoinette wrote: "Brilliant review, Sara. Your review says everything I felt about the novel. The more I have been reflecting on the book, the more impressed I am with her talent. She makes the ordinary, extraordinary."
Exactly my reaction! Everything seems so commonplace and ordinary, but scratch the surface and wow.
Exactly my reaction! Everything seems so commonplace and ordinary, but scratch the surface and wow.
I just love this: "Taylor seems to be telling us that the human soul is unfathomable and perhaps knowing another person is impossible, because the perspective changes drastically depending on the point of view taken." Amazingly, she really did get that point across! Wonderful review, Sara.
Thank you, Kathleen. I have added her to my favorite authors and hope to read everything she has written eventually.
Sara wrote: "Everything seems so commonplace and ordinary, but scratch the surface and wow."
Perfectly said! This novel is so layered; the more I think about it and re-read passages, the more I notice.
Perfectly said! This novel is so layered; the more I think about it and re-read passages, the more I notice.
Lisa wrote: "Sara wrote: "Everything seems so commonplace and ordinary, but scratch the surface and wow."
Perfectly said! This novel is so layered; the more I think about it and re-read passages, the more I no..."
I have grown to love it even more after a distance from the read. I always know a book has affected me when I think about it months or even years later. I personally think this is one of her best.
Perfectly said! This novel is so layered; the more I think about it and re-read passages, the more I no..."
I have grown to love it even more after a distance from the read. I always know a book has affected me when I think about it months or even years later. I personally think this is one of her best.