Marie-Therese's Reviews > Please Kill Me: The Uncensored Oral History of Punk

Please Kill Me by Legs McNeil
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bookshelves: popular-music, popular-culture, music, history, oral-history, drugs

Drugs, drugs, drugs. Sex, sex, sex. Violence and vomit and just a little bit of music. Virtually no analysis and not much beyond "first we did this, and then we did this, and then we went there, and we were so stoned, man."

What might have had punch and charm if embedded in an historically-informed narrative just drags interminably here, as one after the other rather sad, sordid character races to a tragic and untimely end. The actual oral documentation is valuable and worthy of being recorded somewhere but it does not make a very cohesive or illuminating book. Having just read Arlette Farge's magisterial The Allure of the Archives', a book dealing with 18th century criminal interviews and judicial records which cautions against taking oral sources at face value, not because they're unreliable, but because we are as we "listen" to them without context or a broader sense of how they fit into individual's entire lives and their place in the world, I wondered what a careful historian might make of all this material. Certainly something deeper and more engaging than this.
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Reading Progress

May 15, 2020 – Started Reading
May 24, 2020 – Finished Reading
May 27, 2020 – Shelved
May 27, 2020 – Shelved as: popular-culture
May 27, 2020 – Shelved as: popular-music
May 27, 2020 – Shelved as: music
May 27, 2020 – Shelved as: history
May 27, 2020 – Shelved as: oral-history
May 27, 2020 – Shelved as: drugs

Comments Showing 1-4 of 4 (4 new)

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message 1: by Meike (new) - added it

Meike Oh no, I intended to read it as well, but your review sounds like it is really disappointing!


Marie-Therese Meike wrote: "Oh no, I intended to read it as well, but your review sounds like it is really disappointing!"

I think whether one really likes this book depends on one's perspective. If the reader is mainly interested in the early American garage and punk scene and has little interest in developments beyond that, this book might be just the ticket. But for readers with a broader interest in punk, in England, Ireland, and elsewhere, this is going to seem awfully parochial and just not very historically informed.

Even in terms of American musicians, there's a clear bias here (just a few CBGB's bands are mentioned, with anything "arty" or female-led besides Blondie and Patti Smith left out). Quite honestly, as a punk fan from way back (I was punk-loving little teen in the late '70s) I found this a real disappointment.


message 3: by Meike (new) - added it

Meike Marie-Therese wrote: "Meike wrote: "Oh no, I intended to read it as well, but your review sounds like it is really disappointing!"
I think whether one really likes this book depends on one's perspective. If the reader ..."


Thanks for the additional info, Marie-Therese! I started loving punk in the 90's and in Germany, so I might learn some things from the book, but I will considerably tone down my expectations now.


message 4: by Lea (new) - added it

Lea Oh what a shame. This is on my TBR but now I feel less inclined to read it.


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