lov2laf's Reviews > Fingersmith
Fingersmith
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lov2laf's review
bookshelves: library-ebook-available, borrowed-library, british, dark, crime, drama, forgiveness, historical, intense, lesbian-or-f-f, leads-in-their-late-teens, location-uk, rich-girl-poor-girl, slow-burn, suspense, taboo, victorian, disturbing, audiobook, 550-600-pages
Jan 10, 2018
bookshelves: library-ebook-available, borrowed-library, british, dark, crime, drama, forgiveness, historical, intense, lesbian-or-f-f, leads-in-their-late-teens, location-uk, rich-girl-poor-girl, slow-burn, suspense, taboo, victorian, disturbing, audiobook, 550-600-pages
If you like being tortured or sit on pins and needles for an entire read, and by entire read I mean THE ENTIRE READ from the first line to the very last, then this is the book for you. And, damn, this thing is nearly 600 pages or 23 hrs if you're listening to the audiobook.
On the final line of the last page I felt like I emerged from a bunker since sinister doom was around the corner at every turn.
What saves it, though, is that the book is brilliant and well-crafted. The prose is rich, every character is solid and nuanced, and the twists and turns are truly unexpected. The story is vivid and multi-layered. There's a lot to analyze if one so wishes but it also can just be read at the surface, too. I can absolutely see why it gets the praise that it does.
I agree with some other critics that the book did feel too long. Though each page is written well, a big chunk of the 2nd narrator could've been chopped to make the pacing less of a drudgery. If Waters intended for the fuller storytelling to add to the dread and suspense, though, mission accomplished.
As for genre, this is a historical fiction set in England during Victorian times that stars two seventeen year-old women and highlights the horrific disparities of class and sex. A same-sex relationship is present and impacts the story but it also is so very minor in the grand scheme of things. We get it for a very short time early on in the story and, once it's done, we don't really get it again. So, is it a romance? As a blip, yes.
And, no, I wouldn't label this as young adult (YA).
If it had a theme it would be "Things are not as they seem."
We get switching alternative view points between the two leading ladies of the story, Maud, the lady, and Susan, the lady's maid. Both have a distinct voice and, as a reader, I'm torn between rooting for each of them while also hoping they trip. Sarah Waters enjoys putting her readers in this pickle just as much as her characters.
As the story unfolded I kept going along thinking "This can't happen. Surely, something will come through in the end to make things different". But, alas, that is not to be and things unfold in a gut-turning manner.
I will say, the book does have a sober yet happy ending. Thank goodness because, if it didn't, I'd really really hate this book. As it is, I at least got a sigh of relief in the end which made the ordeal worthwhile.
For the read, I did listen to the audiobook version which was narrated by Juanita McMahon and she was absolutely fantastic throughout. She's a professional actress and makes the words sing and come to life. I really don't think the narration could have been any better so major kudos to her.
Technically speaking, "Fingersmith" is a five star book but the non-stop angst and the longer narrative did impact my enjoyment. I don't want to be that stressed during a read so I put this somewhere between 4 and 4.5 stars.
If you choose to read this, tuck in, and don't forget your food rations and bunker helmet. You're going to need it.
On the final line of the last page I felt like I emerged from a bunker since sinister doom was around the corner at every turn.
What saves it, though, is that the book is brilliant and well-crafted. The prose is rich, every character is solid and nuanced, and the twists and turns are truly unexpected. The story is vivid and multi-layered. There's a lot to analyze if one so wishes but it also can just be read at the surface, too. I can absolutely see why it gets the praise that it does.
I agree with some other critics that the book did feel too long. Though each page is written well, a big chunk of the 2nd narrator could've been chopped to make the pacing less of a drudgery. If Waters intended for the fuller storytelling to add to the dread and suspense, though, mission accomplished.
As for genre, this is a historical fiction set in England during Victorian times that stars two seventeen year-old women and highlights the horrific disparities of class and sex. A same-sex relationship is present and impacts the story but it also is so very minor in the grand scheme of things. We get it for a very short time early on in the story and, once it's done, we don't really get it again. So, is it a romance? As a blip, yes.
And, no, I wouldn't label this as young adult (YA).
If it had a theme it would be "Things are not as they seem."
We get switching alternative view points between the two leading ladies of the story, Maud, the lady, and Susan, the lady's maid. Both have a distinct voice and, as a reader, I'm torn between rooting for each of them while also hoping they trip. Sarah Waters enjoys putting her readers in this pickle just as much as her characters.
As the story unfolded I kept going along thinking "This can't happen. Surely, something will come through in the end to make things different". But, alas, that is not to be and things unfold in a gut-turning manner.
I will say, the book does have a sober yet happy ending. Thank goodness because, if it didn't, I'd really really hate this book. As it is, I at least got a sigh of relief in the end which made the ordeal worthwhile.
For the read, I did listen to the audiobook version which was narrated by Juanita McMahon and she was absolutely fantastic throughout. She's a professional actress and makes the words sing and come to life. I really don't think the narration could have been any better so major kudos to her.
Technically speaking, "Fingersmith" is a five star book but the non-stop angst and the longer narrative did impact my enjoyment. I don't want to be that stressed during a read so I put this somewhere between 4 and 4.5 stars.
If you choose to read this, tuck in, and don't forget your food rations and bunker helmet. You're going to need it.
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Reading Progress
December 26, 2017
– Shelved
December 26, 2017
– Shelved as:
to-read
December 26, 2017
– Shelved as:
library-ebook-available
January 2, 2018
–
Started Reading
January 10, 2018
– Shelved as:
borrowed-library
January 10, 2018
– Shelved as:
british
January 10, 2018
– Shelved as:
dark
January 10, 2018
– Shelved as:
crime
January 10, 2018
– Shelved as:
drama
January 10, 2018
– Shelved as:
forgiveness
January 10, 2018
– Shelved as:
historical
January 10, 2018
– Shelved as:
intense
January 10, 2018
– Shelved as:
lesbian-or-f-f
January 10, 2018
– Shelved as:
leads-in-their-late-teens
January 10, 2018
– Shelved as:
location-uk
January 10, 2018
– Shelved as:
rich-girl-poor-girl
January 10, 2018
– Shelved as:
slow-burn
January 10, 2018
– Shelved as:
suspense
January 10, 2018
– Shelved as:
taboo
January 10, 2018
– Shelved as:
victorian
January 10, 2018
– Shelved as:
disturbing
January 10, 2018
– Shelved as:
audiobook
January 10, 2018
–
Finished Reading
March 24, 2018
– Shelved as:
550-600-pages
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Olivia
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Jan 10, 2018 10:39AM

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I would guess that the book gives us the more detailed thoughts, perspective, and misery that go through Susan and Maud so we feel each of them more than the tv version. The quickness of the tv version (what? about 4 hrs vs 23 hrs) also puts us out of our misery faster. lol



@Hollow & Corrie, It's only that it's so well written and clever. I wanted to see what would happen. Otherwise, I would've peaced out on it early on. It's angst overload, for sure.
I'm curious of Sarah Waters' other books now but if they're in the same vein I'm not in a hurry to read them! :)




I've watched some clips from the the miniseries now and I think they intensified the physical actions of the girls, smoldering looks, staying hands and the like. Those incidences occur in the book but the book plays it more subtle: furtive glances, touching but quickly pulling hands away, or actions that could be more ambiguous. Or where one girl is definitely focused on the other but the other happens not to be looking at the time to know. It takes a long time in the book for them to recognize that they love each other. We only know how deep the meaning of their actions or intentions are in the book because we're in the characters heads. I haven't seen the show, of course, but that's my take away so far.
The book has a slow evolution that is delicious in its own right.
I'm curious what people's impressions are that have read the book and seen the series.
@Marilyn, I suppose there's some soft pedaling. There's not blatant sexual assault or prostituting oneself and the like, at least with these characters and the narrative. The class issue is shown by the lengths of theivery and greed one can go to and how trapped people are in their social status. The book shows how absolutely F'd women are, though, having no rights, respect as autonomous individuals, or voice in society.
The style is more along the lines of Dickens or Jane Austen, I think.
@Corrie, Sarah Waters, at least being popular, is in my library system so I'll check out her other works that way. I'm not saying I'm ecstatic about it, though, with the angst. Oh, gawd.
In fact, my library system has a heck of a lot more lesfic books than it even seemed to have about a month ago so I'm adding a lot on my tbr pile. Yes!



@Sprinkles, it took long enough and, in visual media good lesbian representations are still low, but I'm so glad there are works available to help us along and let us know we're not alone and normal. :)
For Fingersmith, I was pleased to see that the same-sex relationship aspect was not really an issue of the drama though it intensified the conflicts. Maybe because everything else was so bad around them a same-sex relationship was nothing and only positive in the grand scheme of things.

Concisely said, and so true. The rest of your review is great, too!

Concisely said, and so true. The rest of your review is great, too!"
Thanks, Steve. I appreciate that. :)

The only book that matches that same experience for me has been "In Reflection" by Angela Peach. I loved that book but it's also really jacked up so it's not for everyone.
Similar but not quite can be:
"The Odd Couple" by Q. Kelly
"Behind the Green Curtain" by Riley LaShea
"Ice Massacre" by Tiana Warner
"Under My Skin" and "Flesh and Blood" by A.E. Dooland ratchet up my anxiety but for a completely different reason than Fingersmith.