Artifacts Quotes

“We passed hieroglyphic scrolls, gold jewelry, sarcophagi, statues of pharaohs, and huge chunks of limestone. Why would someone display a rock? Aren't there enough of those in the world?”
― Rick Riordan, The Red Pyramid

“But that was the trouble with ancient artifacts - no one really knew what they did.”
― Patricia Briggs, Wolfsbane

“A book is much more than a delivery vehicle for its contents.”
― Allison Hoover Bartlett, The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession

“The beauty of artifacts is in how they reassure us we’re
not the first to die.”
― Simon Van Booy, Everything Beautiful Began After

“History is a madman's museum.”
― Jeanette Winterson, The PowerBook

“If imaginary beings die an imaginary death they will be dead nonetheless. You think that you can create a history of what has been. Present artifacts. A clutch of letters. A sachet in a dressingtable drawer. But that's not what's at the heart of the tale. The problem is that what drives the tale will not survive the tale. As the room dims and the sound of voices fades you understand that the world and all in it will soon cease to be. You believe that it will begin again. You point to other lives. But their world was never yours.”
― Cormac McCarthy, The Passenger

“Scattered among these things are reminders that sound once existed: a metronome, a drumming pad, a guitar pick, a trumpet mouthpiece, a music stand, a tuning fork, a block of rosin...The older instruments bear the marks of those who have already played them, the scuffs and bites and dents that are the mysterious scars of sound. In their midst the house hangs, tenuous and enveloping, a sounding board waiting to be struck.”
― Geoffrey O'Brien, Sonata for Jukebox: An Autobiography of My Ears

“...the true collector’s only home is his own museum.”
― Orhan Pamuk, The Museum of Innocence

“From a certain perspective one might even hazard to say that the great trouble with the world was that that which survived was held in hard evidence as to past events. A false authority clung to what persisted, as if those artifacts of the past which had endured had done so by some act of their own will. Yet the witness could not survive the witnessing. In the world that came to be that which prevailed could never speak for that which perished but could only parade its own arrogance. It pretended symbol and summation of the vanished world but was neither. He said that in any case the past was little more than a dream and its force in the world greatly exaggerated. For the world was made new each day and it was only men’s clinging to its vanished husks that could make of that world one husk more.”
― Cormac McCarthy, The Crossing

“Non-living things are not living, yet they live longer than the living.”
― John Joclebs Bassey, Night of a Thousand Thoughts

“The bus here because they lost Rosa Parks's bus."

"Who lost Rosa Parks's bus?"

"White people. Who the fuck else? Supposedly, every February when schoolkids visit the Rosa Parks Museum, or wherever the fuck the bus is at, the bus they tell the kids is the birthplace of the civil rights movement is a phony. Just some old Birmingham city bus they found in some junkyard. That's what my sister says, anyway."

"I don't know."

Cuz took two deep swallows of gin. "What you mean, 'You don't know'? You think that after Rosa Parks bitch-slapped white America, some white rednecks going to go out of their way to save the original bus? That'd be like the Celtics hanging Magic Johnson's jersey in the rafters of the Boston Garden. No fucking way.”
― Paul Beatty, The Sellout

“Because of the tendency of engineers to focus more on engineering matters rather than on archaeology, history, or anthropology, they are often accused of stripping artifacts of their cultural context and cherrypicking the evidence. Yet as an engineer, I strongly argue that the engineering context is, in fact, a cultural context in and of itself--one that is less susceptible to ambiguity than the cultural context of mummies and potsherds, which can be added decades or even centuries after a building has been completed.”
― Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

“Sifting with a sifter, artifacts after artifacts after artifiction that was ruled out as planted by some teenagers that were trying to pepper the site with pepper shakers that were from millennia ago, failing to take into account that those items were created less than 200 years ago.”
― J.S. Mason, The Satyrist...And Other Scintillating Treats

“Imagine standing in a room in a large museum. As you look around the dimly lit gallery, you begin to recognize shapes: a basket, an arrow, a beautifully decorated carving, a shield. Some of the objects are unrecognizable to you. What if these objects could speak? What would they tell you about themselves? How have they been used? Where did they come from? How did they get to this museum? Whom do they belong to?”
― Ari Berk

“When Willard F. Libby first discovered radiocarbon dating in 1947, archaeologists, and especially Egyptologists, ignored it. They questioned its reliability, as it did not coincide with the "known" historical dates of the artifacts being tested. David Wilson, author of The New Archaeology, wrote, "Some archaeologists refused to accept radiocarbon dating. The attitude of the majority, probably, in the early days of the new technique was summed up by Professor Jo Brew, Director of the Peabody Museum at Harvard. 'If a C14 date supports our theories, we put it in the main text. If it does not entirely contradict them, we put it in a footnote. And if it is completely out-of-date we just drop it.”
― Christopher Dunn, The Giza Power Plant: Technologies of Ancient Egypt

“What we have been taught is that the ancient Egyptians were in posession of only simple hand tools, and that the only metals available to the Egyptians of the fourth dynasty, when the Giza Pyramids were built, were copper, gold, and silver. What is inferred, therefore, is that absent the tools made from these materials, the simple abrasive experiments actually demonstrate the stone-working methods of ancient Egypt. We are told that the ancient Egyptians had not yet developed the knowledge to extract the raw materials necessary to produce iron and steel. It has been suggested that they may have used meteoric iron, because they found it lying on the ground, but they did not mine the ore and smelt it in a foundry. Support for this view is the lack of evidence that they used tools made of any material other than copper, stone, and wood. Yet absence of evidence is not evidence of absence. Although sophisticated tools made of iron or steel may not yet have been discovered in the archaeological record, what has been found is not adequate enough to explain how the artifacts were created.”
― Christopher Dunn, Lost Technologies of Ancient Egypt: Advanced Engineering in the Temples of the Pharaohs

“At locations scattered all across North America from Alaska to New Mexico and from Florida to the state of Washington, more than 1,500 Clovis sites have been found. These sites have yielded more than 10,000 Clovis points and tens of thousands of other artifacts from the Clovis toolkit (40,000 at Topper alone [...]). yet among all these archaeological riches, it bears repeating that the sum total of Clovis human remains found in 85 years of excavations is limited to the Anzick-1 partial skeleton.”
― Graham Hancock, America Before: The Key to Earth's Lost Civilization

“What is a museum without objects and artifacts? Empty. Or worse, a building full of very disoriented tourists.”
― Mackenzie Finklea, Beyond the Halls: An Insider's Guide to Loving Museums

“I’m afraid that my ideas leap forth without much time for collecting them all in one place. Just don’t trip over any artifacts.”
― Gina Marinello-Sweeney, Peter

“Imagine if we natives went to the cemeteries in your cities and dug up your beloved relatives, pulled off rings, watches, and clothes, and called them "artifacts," then carried the bones over to the university for study so we could understand you. Consider that there are more bones of native people in universities and museums for study, than there are those of us living.”
― Joy Harjo, Conflict Resolution for Holy Beings: Poems

“Awaiting us behind the podium were three trunks, one containing the remnants of the faerie cloak, now badly melted but still recognizable; one a necklace the king had given me, a delicate spiderweb of ice chains that, unlike the cloak, didn't melt; the last a jagged spire of volcanic rock from one of Krystjan's fields, in which there was a tiny wooden door that vanished in direct sun. I felt like a magician.”
― Heather Fawcett, Emily Wilde's Encyclopaedia of Faeries

“Anyone who has lived
Is an historian & an artifact,
For they hold all their time within them.”
― Amanda Gorman, Call Us What We Carry