Sarah Elizabeth Schantz

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Katie
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Sarah Elizabeth Schantz

Goodreads Author


Born
in Boulder, The United States
Website

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Influences
Dorothy Allison, Sandra Cisneros, Jim Grimsley, Angela Carter, L Frank ...more

Member Since
April 2012

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Sarah Elizabeth Schantz is a fiction writer living on the outskirts of Boulder, Colorado in an old farmhouse surrounded by open sky, century-old cottonwoods and coyotes.

Her first novel, FIG, debuted from Simon & Schuster in 2015 (the trade paperback came out in 2016). The book was noted as a Best Read of 2015 by NPR and won the Colorado Book Award in 2016. Schantz is represented by Heather Schroder at Compass Talent. Schantz's website is: www.SarahElizabethSchantz.org. If you are interested in taking one of her creative writing workshops or working with her one-on-one, you can visit www.WritesofPassage.org.

FIG is the story of a girl who grows up under the shadow of her schizophrenic mother in rural Kansas. This coming-of-age story tracks Fi
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Popular Answered Questions

Sarah Elizabeth Schantz I swore I answered this, but maybe it didn't go through. I will try to answer it again, and many apologies for the lateness of this reply.

The easy ans…more
I swore I answered this, but maybe it didn't go through. I will try to answer it again, and many apologies for the lateness of this reply.

The easy answer is that growing up in a bookstore, surrounded by literature, and being raised by two serious readers (and writers themselves), I was given the permission to write from the moment I came into this world. I know far too many aspiring writers, or writers who don't end up writing because they've been told their entire lives that writing doesn't pay--that it's not worth it. I want to live in a world where writers write because that is their calling. I want to live in a world where writers (and independent booksellers) make a fair wage. I want to live in a world where people are encouraged to pursue the arts rather than cauitioned against this pursuit. I got to live in a tiny subculture where I was encouraged to write. I am so very, very, very lucky. Other than that, I'm not sure how much The Rue Morgue specifically influenced me other than to say I guess I rebelled a little as I don't write mystery novels (not that I have anything against them).(less)
Sarah Elizabeth Schantz I really like Stephen King's "memoir" on the craft called, On Writing. I use the book when I teach my Creative Writing I class at the local community …moreI really like Stephen King's "memoir" on the craft called, On Writing. I use the book when I teach my Creative Writing I class at the local community college because it's super accessible. The book is divided into two sections: the first is the memoir area, a fascinating account of King's struggle with alcohol and path to publication. For example, he realized after writing The Shining and then getting sober that the story was a metaphor of his own life and battle with drinking. The second half of the book includes his "Tool Box" and rules for writing well.

I also teach Natalie Goldberg's Writing Down the Bones. I think she has some really good exercises in there, especially for beginners, but I've noticed that with both the King book and with Bones, even as a published novelist, I still get inspired when I read the excerpts I use for class. I particularly like the concept of "composting" as described by Goldberg in Bones.

So those two are the super accessible books, and here are the dreamier and more esoteric favorites: Three Steps on the Ladder of Writing by Helene Cixous appeals to the feminist in me, but also the writer in me who believes she is acting like a medium does by somehow channelling stories from the ethers. Then there's The Poetics of Space by Gaston Bachelard who is a philosopher of phenomenology. This book gave me absolute permission to surrender absolutely to the power of the day dream.

The Joy of Writing Sex by Elizabeth Benedict is incredibly useful as is Class: A Guide Through the American Status System by Paul Fussell. While the Fussell book isn't a book about craft or writing, it presents the class system in a way that is incredibly valuable to writers as getting class right in one's writing is imperative to establishing credibility.

I could go on. Bird by Bird is good, as are the writing prompts provided by Brian Kitely in his books, The 3 A.M. Epiphany and The 4 A.M. Breakthrough, but I actually think the best act a writer can do to improve her craft is to read everything--fiction, nonfiction, the labels on shampoo bottles, etc. A writer should read what she wants to write, but also what she doesn't want to write. She will learn from both. Just as an athlete learns her sport by watching other athletes (and practicing), a writer needs to see how other writers pull off story, or present theme, or resolve this situation, or use perspective. (less)
Average rating: 3.94 · 951 ratings · 183 reviews · 4 distinct worksSimilar authors
Fig

3.93 avg rating — 891 ratings — published 2015 — 5 editions
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Down In the Water

it was amazing 5.00 avg rating — 1 rating — published 2020
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* Note: these are all the books on Goodreads for this author. To add more, click here.

The Challenger: Writing Emotional Truth

challenger lift off


Yesterday marked twenty-nine years since the Challenger launched into a cold blue heaven only to explode into a series of chaotic contrails, resulting in the tragic death of all those on board–six astronauts and one school teacher. It was the first time a civilian had ever ventured into space. The shuttle shot up and then it fell apart; from the orange and white fireball, the debris fe

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Published on January 30, 2015 09:00
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I just finished Point of Direction yesterday and I loved it! I'm a setting slut so the use of Alaska and the lighthouse really appealed to me, as did the slow reveal of the past, the use of secrets in the overall narrative, the medicine of the daily ...more
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Quotes by Sarah Elizabeth Schantz  (?)
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“And I think of Emily Dickinson, and my favorite poem about death, and the line that reads "I could not see to see." This is the line Ms. Sylvia copied onto the board in her beautiful cursive, which spirals away like blindweed tendrils, and then she asked the class what it might mean. I didn't even have to think about it. I just knew. To see to see, which is not exactly what Dickinson wrote, means knowing how to look. How to look to understand. How to look without your eyes. And to die, is not to see at all. Of course, I didn't actually say this out loud.”
Sarah Elizabeth Schrantz

“The burning moves toward my back, into my shoulder blades. And this is where my wings would attach if only I could fly away.”
Sarah Elizabeth Schantz, Fig

“But then someone turns the TV off. The screen goes black - goes black in an inward way, where the last thing left is a white dot in the center of the screen. And when the white dot burns out, it makes a soft electrical pop that makes me think, God has gone to sleep.”
Sarah Elizabeth Schantz, Fig

Topics Mentioning This Author

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“We are each our own devil, and we make this world our hell.”
Oscar Wilde

“The mountains still smelled to us like lavender and lemon verbena, and we hiked the Valle Grande, a mountain meadow the size of Manhattan that in spring became a purple field of wild irises. When we stopped walking we could hear the snakes rattling in the sagebrush.”
TaraShea Nesbit, The Wives of Los Alamos

“There is no real ending. It’s just the place where you stop the story.”
Frank Herbert

“Those who don't believe in magic will never find it.”
Roald Dahl

“Substitute 'damn' every time you're inclined to write 'very;' your editor will delete it and the writing will be just as it should be.”
Mark Twain

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