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A Clergyman's Daughter
A Clergyman's Daughter
A Clergyman's Daughter
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A Clergyman's Daughter

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Clergyman's Daughter is a 1935 novel by English author George Orwell. It tells the story of Dorothy Hare, the clergyman's daughter of the title, whose life is turned upside down when she suffers an attack of amnesia. It is Orwell's most formally experimental novel, featuring a chapter written entirely in dramatic form, but he was never satisfied with it and he left instructions that after his death it was not to be reprinted. Despite these instructions, Orwell did consent that to cheap editions "of any book which may bring in a few pounds for my heirs" following his death.

Book Summary:

The story is told in five distinct chapters:

Chapter 1

A day in the life of Dorothy Hare, the weak-willed daughter of a disagreeable widowed clergyman. Her father is Rector of Knype Hill, a small town in East Anglia. She keeps house for him, fends off creditors, visits parishioners and makes costumes for fund-raising events. Throughout she practises mortification of flesh to be true to her faith. In the evening she is invited to dinner by Mr Warburton, Knype Hill's most disreputable resident, a middle-aged bachelor who is an unashamed lecher and atheist.

Chapter 2

Dorothy is transposed to the Old Kent Road with amnesia. Eight days of her life are unaccounted for. She joins a group of vagrants, comprising a young man named Nobby and his two friends, who relieve her of her remaining half-crown and take her with them on a hop-picking expedition in Kent.

Chapter 3

Dorothy spends the night sleeping rough in Trafalgar Square in a chapter presented entirely as dramatic dialogue. After spending ten days on the streets, she is arrested for vagrancy and ends up in a police cell for twelve hours for failure to pay the fine.

Chapter 4

Dorothy believes that her father, distraught at the rumours of her running away with Mr Warburton, has ignored her letters for help. In fact he has contacted his cousin Sir Thomas Hare, whose servant locates her at the police station. Hare's solicitor procures a job for her as a "schoolmistress" in a small "fourth-rate" private girls' "academy" run by the grasping Mrs Creevy. Dorothy's attempts to introduce a more liberal and varied education to her students clash with the expectations of the parents, who want a strictly "practical" focus on handwriting and basic mathematics.

Chapter 5

Shortly after Dorothy steps out of the door of the school Mr Warburton turns up in a taxi to say that Mrs Semprill has been charged with slander, and that her malicious gossip has been discredited. He has come, therefore, to take her back to Knype Hill. On the trip home he proposes marriage. Dorothy rejects him, recognising but disregarding his argument that, with her loss of religious faith, her existence as a hard-working clergyman's daughter will be meaningless and dull, and that marriage while she is still young is her only escape.
LanguageEnglish
Release dateNov 26, 2023
ISBN9786257120784
Author

George Orwell

George Orwell (1903–1950), the pen name of Eric Arthur Blair, was an English novelist, essayist, and critic. He was born in India and educated at Eton. After service with the Indian Imperial Police in Burma, he returned to Europe to earn his living by writing. An author and journalist, Orwell was one of the most prominent and influential figures in twentieth-century literature. His unique political allegory Animal Farm was published in 1945, and it was this novel, together with the dystopia of 1984 (1949), which brought him worldwide fame. 

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    A Clergyman's Daughter - George Orwell

    Table of Contents

    About the Book & Author

    Chapter 1

    1

    2

    3

    4

    5

    6

    Chapter 2

    1

    2

    3

    4

    5

    6

    7

    Chapter 3

    1

    2

    Chapter 4

    1

    2

    3

    4

    5

    6

    Chapter 5

    1

    2

    About the Book & Author

    §

    A Clergyman's Daughter is a 1935 novel by English author George Orwell. It tells the story of Dorothy Hare, the clergyman's daughter of the title, whose life is turned upside down when she suffers an attack of amnesia. It is Orwell's most formally experimental novel, featuring a chapter written entirely in dramatic form, but he was never satisfied with it and he left instructions that after his death it was not to be reprinted. Despite these instructions, Orwell did consent that to cheap editions of any book which may bring in a few pounds for my heirs following his death.

    Book Summary:

    The story is told in five distinct chapters:

    Chapter 1

    A day in the life of Dorothy Hare, the weak-willed daughter of a disagreeable widowed clergyman. Her father is Rector of Knype Hill, a small town in East Anglia. She keeps house for him, fends off creditors, visits parishioners and makes costumes for fund-raising events. Throughout she practises mortification of flesh to be true to her faith. In the evening she is invited to dinner by Mr Warburton, Knype Hill's most disreputable resident, a middle-aged bachelor who is an unashamed lecher and atheist. He attempts to seduce Dorothy, having previously tried once to force his attentions on her and using any opportunity to make casual love to her. As she leaves he forces another embrace on her and they are seen by Mrs Semprill, the village gossip and scandal-monger. Dorothy returns home to her conservatory late at night to work on the costumes.

    Chapter 2

    Dorothy is transposed to the Old Kent Road with amnesia. Eight days of her life are unaccounted for. She joins a group of vagrants, comprising a young man named Nobby and his two friends, who relieve her of her remaining half-crown and take her with them on a hop-picking expedition in Kent.

    Meanwhile, the rumour is spread by Mrs Semprill that Dorothy has eloped with Mr Warburton and this story captivates the national press for a while.

    After hard work in the hop fields, culminating in Nobby's arrest for theft, Dorothy returns to London with her negligible earnings. As a single girl with no luggage, she is refused admission at respectable hotels and ends up in a cheap hotel for working girls (prostitutes). Her funds are constantly dwindling, so she is forced to leave the hotel and live on the streets. She takes up residence in Trafalgar Square.

    Chapter 3

    Dorothy spends the night sleeping rough in Trafalgar Square in a chapter presented entirely as dramatic dialogue. After spending ten days on the streets, she is arrested for vagrancy and ends up in a police cell for twelve hours for failure to pay the fine.

    Chapter 4

    Dorothy believes that her father, distraught at the rumours of her running away with Mr Warburton, has ignored her letters for help. In fact he has contacted his cousin Sir Thomas Hare, whose servant locates her at the police station. Hare's solicitor procures a job for her as a schoolmistress in a small fourth-rate private girls' academy run by the grasping Mrs Creevy. Dorothy's attempts to introduce a more liberal and varied education to her students clash with the expectations of the parents, who want a strictly practical focus on handwriting and basic mathematics. The work, which initially she enjoys, quickly becomes drudgery. Mrs Creevy eventually dismisses her, without notice, when she finds another teacher.

    Chapter 5

    Shortly after Dorothy steps out of the door of the school Mr Warburton turns up in a taxi to say that Mrs Semprill has been charged with slander, and that her malicious gossip has been discredited. He has come, therefore, to take her back to Knype Hill. On the trip home he proposes marriage. Dorothy rejects him, recognising but disregarding his argument that, with her loss of religious faith, her existence as a hard-working clergyman's daughter will be meaningless and dull, and that marriage while she is still young is her only escape. It is suggested (here and earlier in the novel) that another reason for Dorothy's refusal of Warburton's proposal is her sexual repression. The story ends with Dorothy back in her old routine, but without the self-mortification.

    * * *

    Who Was George Orwell?

    George Orwell was an English novelist, essayist and critic most famous for his novels 'Animal Farm' (1945) and 'Nineteen Eighty-Four' (1949). George Orwell was a novelist, essayist and critic best known for his novels Animal Farm and Nineteen Eighty-Four. He was a man of strong opinions who addressed some of the major political movements of his times, including imperialism, fascism and communism.

    Family & Early Life

    Orwell was born Eric Arthur Blair in Motihari, India, on June 25, 1903. The son of a British civil servant, Orwell spent his first days in India, where his father was stationed. His mother brought him and his older sister, Marjorie, to England about a year after his birth and settled in Henley-on-Thames. His father stayed behind in India and rarely visited. (His younger sister, Avril, was born in 1908. Orwell didn't really know his father until he retired from the service in 1912. And even after that, the pair never formed a strong bond. He found his father to be dull and conservative.

    According to one biography, Orwell's first word was beastly. He was a sick child, often battling bronchitis and the flu.

    Orwell took up writing at an early age, reportedly composing his first poem around age four. He later wrote, I had the lonely child's habit of making up stories and holding conversations with imaginary persons, and I think from the very start my literary ambitions were mixed up with the feeling of being isolated and undervalued. One of his first literary successes came at the age of 11 when he had a poem published in the local newspaper.

    Education

    Like many other boys in England, Orwell was sent to boarding school. In 1911, he went to St. Cyprian's in the coastal town of Eastbourne, where he got his first taste of England's class system.

    On a partial scholarship, Orwell noticed that the school treated the richer students better than the poorer ones. He wasn't popular with his peers, and in books, he found comfort from his difficult situation. He read works by Rudyard Kipling and H.G. Wells, among others.

    What he lacked in personality, he made up for in smarts. Orwell won scholarships to Wellington College and Eton College to continue his studies.

    After completing his schooling at Eton, Orwell found himself at a dead end. His family did not have the money to pay for a university education. Instead, he joined the India Imperial Police Force in 1922. After five years in Burma, Orwell resigned his post and returned to England. He was intent on making it as a writer.

    Early Writing Career

    After leaving the India Imperial Force, Orwell struggled to get his writing career off the ground and took all sorts of jobs to make ends meet, including being a dishwasher.

    'Down and Out in Paris and London' (1933)

    Orwell’s first major work explored his time eking out a living in these two cities. The book provided a brutal look at the lives of the working poor and of those living a transient existence. Not wishing to embarrass his family, the author published the book under the pseudonym George Orwell.

    'Burmese Days' (1934)

    Orwell next explored his overseas experiences in Burmese Days, which offered a dark look at British colonialism in Burma, then part of the country's Indian empire. Orwell's interest in political matters grew rapidly after this novel was published.

    War Injury and Tuberculosis

    In December 1936, Orwell traveled to Spain, where he joined one of the groups fighting against General Francisco Franco in the Spanish Civil War. Orwell was badly injured during his time with a militia, getting shot in the throat and arm. For several weeks, he was unable to speak. Orwell and his wife, Eileen, were indicted on treason charges in Spain. Fortunately, the charges were brought after the couple had left the country.

    Other health problems plagued the talented writer not long after his return to England. For years, Orwell had periods of sickness, and he was officially diagnosed with tuberculosis in 1938. He spent several months at the Preston Hall Sanatorium trying to recover, but he would continue to battle with tuberculosis for the rest of his life. At the time he was initially diagnosed, there was no effective treatment for the disease.

    With World War II raging on, Orwell found himself acting as a propagandist to advance the country's national interest. He loathed this part of his job, describing the company's atmosphere in his diary as something halfway between a girls’ school and a lunatic asylum, and all we are doing at present is useless, or slightly worse than useless.

    Orwell resigned in 1943, saying I was wasting my own time and the public money on doing work that produces no result. I believe that in the present political situation the broadcasting of British propaganda to India is an almost hopeless task. Around this time, Orwell became the literary editor for a socialist newspaper.

    George Orwell’s Most Famous Books

    Sometimes called the conscience of a generation, Orwell is best known for two novels: Animal Farm and Nineteen Eighty-Four. Both books, published toward the end of Orwell’s life, have been turned into films and enjoyed tremendous popularity over the years.

    ‘Animal Farm’ (1945)

    Animal Farm was an anti-Soviet satire in a pastoral setting featuring two pigs as its main protagonists. These pigs were said to represent Joseph Stalin and Leon Trotsky. The novel brought Orwell great acclaim and financial rewards.

    ‘Nineteen Eighty-Four’ (1949)

    Orwell’s masterwork, Nineteen Eighty-Four (or 1984 in later editions), was published in the late stages of his battle with tuberculosis and soon before his death. This bleak vision of the world divided into three oppressive nations stirred up controversy among reviewers, who found this fictional future too despairing. In the novel, Orwell gave readers a glimpse into what would happen if the government controlled every detail of a person's life, down to their own private thoughts.

    Essays by George Orwell

    ‘Politics and the English Language’

    Published in April 1946 in the British literary magazine Horizon, this essay is considered one of Orwell’s most important works on style. Orwell believed that ugly and inaccurate English enabled oppressive ideology and that vague or meaningless language was meant to hide the truth. He argued that language should not naturally evolve over time but should be an instrument which we shape for our own purposes. To write well is to be able to think clearly and engage in political discourse, he wrote, as he rallied against cliches, dying metaphors and pretentious or meaningless language.

    ‘Shooting an Elephant’

    This essay, published in the literary magazine New Writing in 1936, discusses Orwell’s time as a police officer in Burma (now known as Myanmar), which was still a British colony at the time. Orwell hated his job and thought imperialism was an evil thing; as a representative of imperialism, he was disliked by locals. One day, although he didn’t think it necessary, he killed a working elephant in front of a crowd of locals just to avoid looking a fool. The essay was later the title piece in a collection of Orwell’s essays, published in 1950, which included ‘My Country Right or Left,’ ‘How the Poor Die’ and ‘Such, Such were the Joys.’

    Wives and Children

    Orwell married Eileen O'Shaughnessy in June 1936, and Eileen supported and assisted Orwell in his career. The couple remained together until her death in 1945. According to several reports, they had an open marriage, and Orwell had a number of dalliances. In 1944 the couple adopted a son, whom they named Richard Horatio Blair, after one of Orwell's ancestors. Their son was largely raised by Orwell's sister Avril after Eileen's death.

    Near the end of his life, Orwell proposed to editor Sonia Brownell. He married her in October 1949, only a short time before his death. Brownell inherited Orwell's estate and made a career out of managing his legacy.

    Death

    Orwell died of tuberculosis in a London hospital on January 21, 1950. Although he was just 46 years old at the time of his death, his ideas and opinions have lived on through his work.

    George Orwell’s Statue

    Despite Orwell’s disdain for the BBC during his life, a statue of the writer was commissioned by artist Martin Jennings and installed outside the BBC in London. An inscription reads, If liberty means anything at all, it means the right to tell people what they do not want to hear. The eight-foot bronze statue, paid for by the George Orwell Memorial Fund, was unveiled in November 2017.

    Other published books by Orwell in this series:

    ·        1984

    ·        Animal Farm

    ·        A Clergyman's Daughter

    ·        Burmese Days

    ·        Coming Up For Air

    ·        Down and Out in Paris and London

    ·        Homage to Catalonia

    ·        Keep the Aspidistra Flying

    ·        Looking Back on the Spanish War

    ·        The Lion and the Unicorn

    ·        The Road to Wigan Pier

    ·        Fifty Essays


    Chapter 1

    1

    §

    As the alarm clock on the chest of drawers exploded like a horrid little bomb of bell metal, Dorothy, wrenched from the depths of some complex, troubling dream, awoke with a start and lay on her back looking into the darkness in extreme exhaustion.

    The alarm clock continued its nagging, feminine clamour, which would go on for five minutes or thereabouts if you did not stop it. Dorothy was aching from head to foot, and an insidious and contemptible self-pity, which usually seized upon her when it was time to get up in the morning, caused her to bury her head under the bedclothes and try to shut the hateful noise out of her ears. She struggled against her fatigue, however, and, according to her custom, exhorted herself sharply in the second person plural. Come on, Dorothy, up you get! No snoozing, please! Proverbs vi, 9. Then she remembered that if the noise went on any longer it would wake her father, and with a hurried movement she bounded out of bed, seized the clock from the chest of drawers, and turned off the alarm. It was kept on the chest of drawers precisely in order that she should have to get out of bed to silence it. Still in darkness, she knelt down at her bedside and repeated the Lord’s Prayer, but rather distractedly, her feet being troubled by the cold.

    It was just half past five, and coldish for an August morning. Dorothy (her name was Dorothy Hare, and she was the only child of the Reverend Charles Hare, Rector of St Athelstan’s, Knype Hill, Suffolk) put on her aged flannelette dressing-gown and felt her way downstairs. There was a chill morning smell of dust, damp plaster, and the fried dabs from yesterday’s supper, and from either side of the passage on the second floor she could hear the antiphonal snoring of her father and of Ellen, the maid of all work. With care — for the kitchen table had a nasty trick of reaching out of the darkness and banging you on the hip-bone — Dorothy felt her way into the kitchen, lighted the candle on the mantelpiece, and, still aching with fatigue, knelt down and raked the ashes out of the range.

    The kitchen fire was a ‘beast’ to light. The chimney was crooked and therefore perpetually half choked, and the fire, before it would light, expected to be dosed with a cupful of kerosene, like a drunkard’s morning nip of gin. Having set the kettle to boil for her father’s shaving-water, Dorothy went upstairs and turned on her bath. Ellen was still snoring, with heavy youthful snores. She was a good hard-working servant once she was awake, but she was one of those girls whom the Devil and all his angels cannot get out of bed before seven in the morning.

    Dorothy filled the bath as slowly as possible — the splashing always woke her father if she turned on the tap too fast — and stood for a moment regarding the pale, unappetizing pool of water. Her body had gone goose-flesh all over. She detested cold baths; it was for that very reason that she made it a rule to take all her baths cold from April to November. Putting a tentative hand into the water — and it was horribly cold — she drove herself forward with her usual exhortations. Come on, Dorothy! In you go! No funking, please! Then she stepped resolutely into the bath, sat down and let the icy girdle of water slide up her body and immerse her all except her hair, which she had twisted up behind her head. The next moment she came to the surface gasping and wriggling, and had no sooner got her breath back than she remembered her ‘memo list’, which she had brought down in her dressing-gown pocket and intended to read. She reached out for it, and, leaning over the side of the bath, waist deep in icy water, read through the ‘memo list’ by the light of the candle on the chair.

    It ran:

    7 oc. H.C.

    Mrs T baby? Must visit.

    BREAKFAST. Bacon. MUST ask father money. (P)

    Ask Ellen what stuff kitchen father’s tonic NB. to ask about stuff for curtains at Solepipe’s.

    Visiting call on Mrs P cutting from Daily M angelica tea good for rheumatism Mrs L’s cornplaster.

    12 oc. Rehearsal Charles I. NB. to order 1/2 lb glue 1 pot aluminium paint.

    DINNER (crossed out) LUNCHEON . . .?

    Take round Parish Mag NB. Mrs F owes 3/6d.

    4.30 pm Mothers’ U tea don’t forget 2 1/2 yards casement cloth.

    Flowers for church NB. 1 tin Brasso.

    SUPPER. Scrambled eggs.

    Type Father’s sermon what about new ribbon typewriter?

    NB. to fork between peas bindweed awful.

    Dorothy got out of her bath, and as she dried herself with a towel hardly bigger than a table napkin — they could never afford decent- sized towels at the Rectory — her hair came unpinned and fell down over her collar-bones in two heavy strands. It was thick, fine, exceedingly pale hair, and it was perhaps as well that her father had forbidden her to bob it, for it was her only positive beauty. For the rest, she was a girl of middle height, rather thin, but strong and shapely, and her face was her weak point. It was a thin, blonde, unremarkable kind of face, with pale eyes and a nose just a shade too long; if you looked closely you could see crow’s feet round the eyes, and the mouth, when it was in repose, looked tired. Not definitely a spinsterish face as yet, but it certainly would be so in a few years’ time. Nevertheless, strangers commonly took her to be several years younger than her real age (she was not quite twenty-eight) because of the expression of almost childish earnestness in her eyes. Her left forearm was spotted with tiny red marks like insect bites.

    Dorothy put on her nightdress again and cleaned her teeth — plain water, of course; better not to use toothpaste before H.C. After all, either you are fasting or you aren’t. The R.C.s are quite right there — and, even as she did so, suddenly faltered and stopped. She put her toothbrush down. A deadly pang, an actual physical pang, had gone through her viscera.

    She had remembered, with the ugly shock with which one remembers something disagreeable for the first time in the morning, the bill at Cargill’s, the butcher’s, which had been owing for seven months. That dreadful bill — it might be nineteen pounds or even twenty, and there was hardly the remotest hope of paying it — was one of the chief torments of her life. At all hours of the night or day it was waiting just round the corner of her consciousness, ready to spring upon her and agonize her; and with it came the memory of a score of lesser bills, mounting up to a figure of which she dared not even think. Almost involuntarily she began to pray, ‘Please God, let not Cargill send in his bill again today!’ but the next moment she decided that this prayer was worldly and blasphemous, and she asked forgiveness for it. Then she put on her dressing- gown and ran down to the kitchen in hopes of putting the bill out of mind.

    The fire had gone out, as usual. Dorothy relaid it, dirtying her hands with coal-dust, dosed it afresh with kerosene and hung about anxiously until the kettle boiled. Father expected his shaving- water to be ready at a quarter past six. Just seven minutes late, Dorothy took the can upstairs and knocked at her father’s door.

    ‘Come in, come in!’ said a muffled, irritable voice.

    The room, heavily curtained, was stuffy, with a masculine smell. The Rector had lighted the candle on his bed-table, and was lying on his side, looking at his gold watch, which he had just drawn from beneath his pillow. His hair was as white and thick as thistledown. One dark bright eye glanced irritably over his shoulder at Dorothy.

    ‘Good morning, father.’

    ‘I do wish, Dorothy,’ said the Rector indistinctly — his voice always sounded muffled and senile until he put his false teeth in — ‘you would make some effort to get Ellen out of bed in the mornings. Or else be a little more punctual yourself.’

    ‘I’m so sorry, Father. The kitchen fire kept going out.’

    ‘Very well! Put it down on the dressing-table. Put it down and draw those curtains.’

    It was daylight now, but a dull, clouded morning. Dorothy hastened up to her room and dressed herself with the lightning speed which she found necessary six mornings out of seven. There was only a tiny square of mirror in the room, and even that she did not use. She simply hung her gold cross about her neck — plain gold cross; no crucifixes, please! — twisted her hair into a knot behind, stuck a number of hairpins rather sketchily into it, and threw her clothes (grey jersey, threadbare Irish tweed coat and skirt, stockings not quite matching the coat and skirt, and much-worn brown shoes) on to herself in the space of about three minutes. She had got to ‘do out’ the dining-room and her father’s study before church, besides saying her prayers in preparation for Holy Communion, which took her not less than twenty minutes.

    When she wheeled her bicycle out of the front gate the morning was still overcast, and the grass sodden with heavy dew. Through the mist that wreathed the hillside St Athelstan’s Church loomed dimly, like a leaden sphinx, its single bell tolling funereally boom! boom! boom! Only one of the bells was now in active use; the other seven had been unswung from their cage and had lain silent these three years past, slowly splintering the floor of the belfry beneath their weight. In the distance, from the mists below, you could hear the offensive clatter of the bell in the R.C. church — a nasty, cheap, tinny little thing which the Rector of St Athelstan’s used to compare with a muffin-bell.

    Dorothy mounted her bicycle and rode swiftly up the hill, leaning over her handlebars. The bridge of her thin nose was pink in the morning cold. A redshank whistled overhead, invisible against the clouded sky. Early in the morning my song shall rise to Thee! Dorothy propped her bicycle against the lychgate, and, finding her hands still grey with coal-dust, knelt down and scrubbed them clean in the long wet grass between the graves. Then the bell stopped ringing, and she jumped up and hastened into church, just as Proggett, the sexton, in ragged cassock and vast labourer’s boots, was clumping up the aisle to take his place at the side altar.

    The church was very cold, with a scent of candle-wax and ancient dust. It was a large church, much too large for its congregation, and ruinous and more than half empty. The three narrow islands of pews stretched barely half-way down the nave, and beyond them were great wastes of bare stone floor in which a few worn inscriptions marked the sites of ancient graves. The roof over the chancel was sagging visibly; beside the Church Expenses box two fragments of riddled beam explained mutely that this was due to that mortal foe of Christendom, the death-watch beetle. The light filtered, pale- coloured, through windows of anaemic glass. Through the open south door you could see a ragged cypress and the boughs of a lime-tree, greyish in the sunless air and swaying faintly.

    As usual, there was only one other communicant — old Miss Mayfill, of The Grange. The attendance at Holy Communion was so bad that the Rector could not even get any boys to serve him, except on Sunday mornings, when the boys liked showing off in front of the congregation in their cassocks and surplices. Dorothy went into the pew behind Miss Mayfill, and, in penance for some sin of yesterday, pushed away the hassock and knelt on the bare stones. The service was beginning. The Rector, in cassock and short linen surplice, was reciting the prayers in a swift practised voice, clear enough now that his teeth were in, and curiously ungenial. In his fastidious, aged face, pale as a silver coin, there was an expression of aloofness, almost of contempt. ‘This is a valid sacrament,’ he seemed to be saying, ‘and it is my duty to administer it to you. But remember that I am only your priest, not your friend. As a human being I dislike you and despise you.’ Proggett, the sexton, a man of forty with curly grey hair and a red, harassed face, stood patiently by, uncomprehending but reverent, fiddling with the little communion bell which was lost in his huge red hands.

    Dorothy pressed her fingers against her eyes. She had not yet succeeded in concentrating her thoughts — indeed, the memory of Cargill’s bill was still worrying her intermittently. The prayers, which she knew by heart, were flowing through her head unheeded. She raised her eyes for a moment, and they began immediately to stray. First upwards, to the headless roof-angels on whose necks you could still see the sawcuts of the Puritan soldiers, then back again, to Miss Mayfill’s black, quasi-pork-pie hat and tremulous jet ear-rings. Miss Mayfill wore a long musty black overcoat, with a little collar of greasy-looking astrakhan, which had been the same ever since Dorothy could remember. It was of some very peculiar stuff, like watered silk but coarser, with rivulets of black piping wandering all over it in no discoverable pattern. It might even have been that legendary and proverbial substance, black bombazine. Miss Mayfill was very old, so old that no one remembered her as anything but an old woman. A faint scent radiated from her — an ethereal scent, analysable as eau-de-Cologne, mothballs, and a sub-flavour of gin.

    Dorothy drew a long glass-headed pin from the lapel of her coat, and furtively, under cover of Miss Mayfill’s back, pressed the point against her forearm. Her flesh tingled apprehensively. She made it a rule, whenever she caught herself not attending to her prayers, to prick her arm hard enough to make blood come. It was her chosen form of self-discipline, her guard against irreverence and sacrilegious thoughts.

    With the pin poised in readiness she managed for several moments to pray more collectedly. Her father had turned one dark eye disapprovingly upon Miss Mayfill, who was crossing herself at intervals, a practice he disliked. A starling chattered outside. With a shock Dorothy discovered that she was looking vaingloriously at the pleats of her father’s surplice, which she herself had sewn two years ago. She set her teeth and drove the pin an eighth of an inch into her arm.

    They were kneeling again. It was the General Confession. Dorothy recalled her eyes — wandering, alas! yet again, this time to the stained-glass window on her right, designed by Sir Warde Tooke, A.R.A., in 1851 and representing St Athelstan’s welcome at the gate of heaven by Gabriel and a legion of angels all remarkably like one another and the Prince Consort — and pressed the pinpoint against a different part of her arm. She began to meditate conscientiously upon the meaning of each phrase of the prayer, and so brought her mind back to a more attentive state. But even so she was all but obliged to use the pin again when Proggett tinkled the bell in the middle of ‘Therefore with Angels and Archangels’— being visited, as always, by a dreadful temptation to begin laughing at that passage. It was because of a story her father had told her once, of how when he was a little boy, and serving the priest at the altar, the communion bell had a screw-on clapper, which had

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