Fairy Tales (Deluxe Hardbound Edition)
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Hans Christian Andersen
Hans Christian Andersen ist fast jedem noch heute bekannt als einer der größten Märchenerzähler des 19. Jahrhunderts. Sein bewegtes Leben begann am 2. April 1805 im dänischen Odense auf der Insel Fünen. Er war der Sohn eines verarmten Schuhmachers und einer Trinkerin und hatte dadurch alles andere als gute Voraussetzungen für sein künftiges Leben. Den meisten sind heute die Märchen des Hans Christian Andersen bekannt. Auch wenn Hans Christian Andersen die Märchen zunächst für Kinder schrieb, sind sie heute vor allem bei erwachsenen Lesern beliebt. Der hintergründige Humor und die oft ernste Handlung mit subtilen Untertönen finden mehr bei Älteren Anklang.
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Reviews for Fairy Tales (Deluxe Hardbound Edition)
102 ratings10 reviews
- Rating: 4 out of 5 stars4/5Hans Christian Andersen's fairy tales are world renowned. Endlessly inventive and quirky, they've sparked countless adaptations and retellings, from Disney animated films to stage plays to choral works to short stories. Some of the tales are better known than others, like "The Little Mermaid," "The Emperor's New Clothes," "The Little Match Girl," and "The Steadfast Tin Soldier." Others are less well known (and some understandably so!), like "The Marsh King's Daughter," "The Wood Nymph," "The Red Shoes," and "The Shadow," to name a few.I was struck by the harshness of some of the stories. I knew going in that Andersen's imagination was informed by a culture very different from our sanitized, politically correct world, back when children knew all about life's grimmer realities. But it's still a bit of a shock. Most of the stories don't end on an entirely happy note. Beyond "Thumbelina" I'm hard pressed to remember any that do, actually.Many of the stories deal with the theme of not being content with your position in life, like the pine tree that wasn't happy in the forest and then had one night of splendor as a Christmas tree before being tossed away to die, or the nymph who traded her natural lifespan for a day as a human. Mortality lurks everywhere in these stories, bittersweet around the edges. The china shepherdess and her china chimney-sweep lover are faithful to one another "until they break." In one story, a man's shadow eventually breaks free of him and arranges his execution... chilling. Always death is peering around the corner; always the good things are tinged with a sense of impermanence.But despite the dark themes, there is a pervasive humor throughout the stories that I found entirely engaging. Much of it comes from personifying household items, like a kitchen pot or gentleman's necktie and poking fun at the absurdity of human vanity. Relationships come in for their fair share of gentle mockery, too — Stork Father and Stork Mother have some amusing insights on one another, and Andersen isn't above wry observations in the narrative.As a Christian, I found the theological aspect of the stories fascinating. Sometimes Andersen gets it right and it's biblical and beautiful — and other times (well, most of the time) his conception of a works-based salvation ruins everything. "The Little Mermaid" was particularly bad in this regard; she's told she can gain an immortal soul if she does good deeds for three hundred years. The three hundred years' span just seemed so arbitrary, I laughed out loud. Maybe this conception of earned salvation is another reason why most of the stories end so sadly...I listened to this on audiobook from Listening Library and was familiar with the readers, Kate Reading and Robert Whitfield, from other audio productions. Both performed these stories admirably (even the tedious ones), alternating back and forth between tales. Though some of the stories dragged out, others were delightful, and I found the unpredictability an enjoyable listening experience. I've read that Tina Nunnally's translation from the Danish is the most accurate to date, and though I can't speak to that, the stories certainly do possess a distinctive tone that one hopes is Andersen's. I'm glad I picked this up, even if just to know these iconic stories as they were originally imagined.
- Rating: 3 out of 5 stars3/5I listened to the audio book of this. I enjoyed it. It was interesting hearing the differences between the original fairy tales and what we have all grown up knowing. They are pretty twisted and depressing compared to the upbeat lighthearted ones that we know today.
- Rating: 2 out of 5 stars2/5This is a collection of Hans Christian Andersen's fairy/folk tales for children, which includes some of his best-known stories, like 'The Little Mermaid', 'The Princess on the Pea', 'The Little Match Girl' and 'The Snow Queen', as well as a number of tales that were unknown to me. Though I still love reading fairy tales even as an adult, especially those of a darker hue, I did not enjoy the stories as much as I had expected. It may well be that these are simply too Victorian in character for me, with an admonishing finger raised for children to be obedient and well behaved, and for adults to be God-fearing. A DNF from me.
- Rating: 4 out of 5 stars4/5We have been reading this book at bedtime for a long, long time. I know, I should have looked at the book and realized how long it was, but with the lushly illustrated cover, I was really, really expecting more illustrations. Of which there were almost none, and certainly not like the cover.
Before I get carried away, I do want to say that I found this collection of tales to be magical and surprising. I guess I was often distracting by evaluating whether or not I thought the stories were too "old" for Jefferson. I shouldn't have worried. He said he really liked the book, and after we finished reading it, he took it upstairs to read in bed and within a few days said he'd reread most of it. (He skipped some of the stories.) Of course, his favorite stories tended to be the most blood-thirsty ones.
I had never read the "real" Little Mermaid before. It's interesting to me how much darkness is in these tales. Not just "the girl dies," which was all I'd been told about how the original varied from the Disney version, but through all the stories. That there is darkness, and we probably won't get what we most want in life, but still we should be honest and humble, and strive for justice and beauty.
If Jefferson absorbed even a little of that message, I should be pretty happy. - Rating: 4 out of 5 stars4/5Andersen is a mixed bag for me. First, this is a beautiful collection, with wonderful woodcut illustrations by Andersen himself, and nicely translated. It contains his most famous stories, including one of my all-time favorites, "The Nightingale," as well as such tried-and-true chestnuts as "The Ugly Duckling," "The Emperor's New Clothes," "The Princess on the Pea" and the incomparable "Snow Queen" (what a strange and bewitching story that is). The less well-known stories are even better; I have to heartily recommend "Little Claus and Big Claus" and "The Traveling Companion." But Andersen is pretty hard on his characters, particularly his girls, and stories like "The Little Mermaid" and "The Red Shoes" are very disturbing to me now. Many of these stories have a strong religious bent to them often involving subjecting oneself to God's will that made me uncomfortable, so that when reading these stories aloud to my son, I often found myself censoring what I was reading. I couldn't even finish "The Little Match Girl," a story that is appropriate for no one. Altogether, I prefer the straightforward bloodthirstiness of Grimm, but as I say, there are many gems in here so long as you are choosy.Mostly read aloud to my son in 2015.
- Rating: 4 out of 5 stars4/5A collection of Andersen's classic fairy tales in a fantastic English translation that will appeal to modern audiences but does not remove the flavour of language from the 19th century. Including the better known tales like "The Little Mermaid", "The Ugly Duckling", "The Steadfast Tin Soldier, "The Little Match Girl", and "The Snow Queen" there were also a multitude of other tales, with which I was totally unfamiliar. I was also surprised to find the humour in so many of the tales as the ones that I had read and studied previously were on the tragic end of the scale. If you're looking for a collection of Andersen's tales to try, I highly recommend this one.
- Rating: 5 out of 5 stars5/5The illustrations on this book are what first caught my attention. I was perusing the local bookshop when the marvellous and odd pictures popped out from a shelf and inspired me to investigate. Needless to say, I bought the book and I love it. My favourite story is "The Travelling Companion." Beautiful and interesting, (slightly creepy) tale. Enjoy!!
- Rating: 4 out of 5 stars4/5I prefer the Grimms over Anderson, but many of the stories in Anderson's arsenal are truly beautiful.
- Rating: 5 out of 5 stars5/5Oh, Hans Christian Andersen. My favorite of favorites. I love this man. Since I was a little girl, I must have read "The Little Mermaid" a few dozen times. I was also familiar with (and loved) his "The Princess and the Pea," "The Little Match Girl," "Thumbelina," "The Ugly Duckling," and "The Red Shoes." Later it was "The Snow Queen" and "The Nightingale" and "The Steadfast Tin Soldier." Somewhere along the way I realized that Andersen was responsible for all of my favorite childhood stories. I'd been looking for a good translation or a definitive collection of his work for a few years. There's a lot out there. I was attracted to the Penguin Classics Deluxe Edition because of the wacky cover (inspired by the tale "The Traveling Companion"), and the translator's note cinched the deal. Tiina Nunnally was devoted to preserving Andersen's original language and interpreting his writing style. Her respect of his work really shows, and I slowly devoured each story. It took me a full year to get through this book, a total of 30 stories, and it has come everywhere with me like a security blanket. It's almost sad that I'm done with it.This collection doesn't claim to be complete edition of all of his stories (which was what I originally thought I wanted), but is instead a sampling of some of his most important works. They are arranged in chronological order, and thanks to an extended timeline of Andersen's life and biography in the introduction, it's really easy to see this bizarre man's journey through life. Reading this tales, most of which were autobiographical in some way or another, I felt really connected to him. In the back of the book, there are notes on each tale explaining why he wrote them and the publication history. I never knew that Hans felt he WAS the little mermaid, sacrificing himself for true love only to be handed disappointment. It's all the more heart-breaking to know that he drew from real life inspiration to compose it.
- Rating: 5 out of 5 stars5/5Lovely collection.
Book preview
Fairy Tales (Deluxe Hardbound Edition) - Hans Christian Andersen
The Tinder-Box
Translated by Mrs. H. P. Paull
Asoldier came marching along the high road: Left, right—left, right.
He had his knapsack on his back, and a sword at his side; he had been to the wars, and was now returning home.
As he walked on, he met a very frightful-looking old witch in the road. Her under-lip hung quite down on her breast, and she stopped and said, Good evening, soldier; you have a very fine sword, and a large knapsack, and you are a real soldier; so you shall have as much money as ever you like.
Thank you, old witch,
said the soldier.
Do you see that large tree,
said the witch, pointing to a tree which stood beside them. Well, it is quite hollow inside, and you must climb to the top, when you will see a hole, through which you can let yourself down into the tree to a great depth. I will tie a rope round your body, so that I can pull you up again when you call out to me.
But what am I to do, down there in the tree?
asked the soldier.
Get money,
she replied; for you must know that when you reach the ground under the tree, you will find yourself in a large hall, lighted up by three hundred lamps; you will then see three doors, which can be easily opened, for the keys are in all the locks. On entering the first of the chambers, to which these doors lead, you will see a large chest, standing in the middle of the floor, and upon it a dog seated, with a pair of eyes as large as teacups. But you need not be at all afraid of him; I will give you my blue checked apron, which you must spread upon the floor, and then boldly seize hold of the dog, and place him upon it. You can then open the chest, and take from it as many pence as you please, they are only copper pence; but if you would rather have silver money, you must go into the second chamber. Here you will find another dog, with eyes as big as mill-wheels; but do not let that trouble you. Place him upon my apron, and then take what money you please. If, however, you like gold best, enter the third chamber, where there is another chest full of it. The dog who sits on this chest is very dreadful; his eyes are as big as a tower, but do not mind him. If he also is placed upon my apron, he cannot hurt you, and you may take from the chest what gold you will.
This is not a bad story,
said the soldier; but what am I to give you, you old witch? for, of course, you do not mean to tell me all this for nothing.
No,
said the witch; but I do not ask for a single penny. Only promise to bring me an old tinder-box, which my grandmother left behind the last time she went down there.
Very well; I promise. Now tie the rope round my body.
Here it is,
replied the witch; and here is my blue checked apron.
As soon as the rope was tied, the soldier climbed up the tree, and let himself down through the hollow to the ground beneath; and here he found, as the witch had told him, a large hall, in which many hundred lamps were all burning. Then he opened the first door. Ah!
there sat the dog, with the eyes as large as teacups, staring at him.
You’re a pretty fellow,
said the soldier, seizing him, and placing him on the witch’s apron, while he filled his pockets from the chest with as many pieces as they would hold. Then he closed the lid, seated the dog upon it again, and walked into another chamber, And, sure enough, there sat the dog with eyes as big as mill-wheels.
You had better not look at me in that way,
said the soldier; you will make your eyes water;
and then he seated him also upon the apron, and opened the chest. But when he saw what a quantity of silver money it contained, he very quickly threw away all the coppers he had taken, and filled his pockets and his knapsack with nothing but silver.
Then he went into the third room, and there the dog was really hideous; his eyes were, truly, as big as towers, and they turned round and round in his head like wheels.
Good morning,
said the soldier, touching his cap, for he had never seen such a dog in his life. But after looking at him more closely, he thought he had been civil enough, so he placed him on the floor, and opened the chest. Good gracious, what a quantity of gold there was! enough to buy all the sugar-sticks of the sweet-stuff women; all the tin soldiers, whips, and rocking-horses in the world, or even the whole town itself. There was, indeed, an immense quantity. So the soldier now threw away all the silver money he had taken, and filled his pockets and his knapsack with gold instead; and not only his pockets and his knapsack, but even his cap and boots, so that he could scarcely walk.
He was really rich now; so he replaced the dog on the chest, closed the door, and called up through the tree, Now pull me out, you old witch.
Have you got the tinder-box?
asked the witch.
No; I declare I quite forgot it.
So he went back and fetched the Tinder-box, and then the witch drew him up out of the tree, and he stood again in the high road, with his pockets, his knapsack, his cap, and his boots full of gold.
What are you going to do with the tinder-box?
asked the soldier.
That is nothing to you,
replied the witch; you have the money, now give me the tinder-box.
I tell you what,
said the soldier, if you don’t tell me what you are going to do with it, I will draw my sword and cut off your head.
No,
said the witch.
The soldier immediately cut off her head, and there she lay on the ground. Then he tied up all his money in her apron. and slung it on his back like a bundle, put the Tinder-box in his pocket, and walked off to the nearest town. It was a very nice town, and he put up at the best inn, and ordered a dinner of all his favourite dishes, for now he was rich and had plenty of money.
The servant, who cleaned his boots, thought they certainly were a shabby pair to be worn by such a rich gentleman, for he had not yet bought any new ones. The next day, however, he procured some good clothes and proper boots, so that our soldier soon became known as a fine gentleman, and the people visited him, and told him all the wonders that were to be seen in the town, and of the king’s beautiful daughter, the princess.
Where can I see her?
asked the soldier.
She is not to be seen at all,
they said; she lives in a large copper castle, surrounded by walls and towers. No one but the king himself can pass in or out, for there has been a prophecy that she will marry a common soldier, and the king cannot bear to think of such a marriage.
I should like very much to see her,
thought the soldier; but he could not obtain permission to do so. However, he passed a very pleasant time; went to the theatre, drove in the king’s garden, and gave a great deal of money to the poor, which was very good of him; he remembered what it had been in olden times to be without a shilling. Now he was rich, had fine clothes, and many friends, who all declared he was a fine fellow and a real gentleman, and all this gratified him exceedingly. But his money would not last forever; and as he spent and gave away a great deal daily, and received none, he found himself at last with only two shillings left. So he was obliged to leave his elegant rooms, and live in a little garret under the roof, where he had to clean his own boots, and even mend them with a large needle. None of his friends came to see him, there were too many stairs to mount up. One dark evening, he had not even a penny to buy a candle; then all at once he remembered that there was a piece of candle stuck in the tinder-box, which he had brought from the old tree, into which the witch had helped him.
He found the tinder-box, but no sooner had he struck a few sparks from the flint and steel, than the door flew open and the dog with eyes as big as teacups, whom he had seen while down in the tree, stood before him, and said, What orders, master?
Hallo,
said the soldier; well this is a pleasant Tinder-box, if it brings me all I wish for.
Bring me some money,
said he to the dog.
He was gone in a moment, and presently returned, carrying a large bag of coppers in his mouth. The soldier very soon discovered after this the value of the tinder-box. If he struck the flint once, the dog who sat on the chest of copper money made his appearance; if twice, the dog came from the chest of silver; and if three times, the dog with eyes like towers, who watched over the gold. The soldier had now plenty of money; he returned to his elegant rooms, and reappeared in his fine clothes, so that his friends knew him again directly, and made as much of him as before.
After a while he began to think it was very strange that no one could get a look at the princess. Every one says she is very beautiful,
thought he to himself; but what is the use of that if she is to be shut up in a copper castle surrounded by so many towers. Can I by any means get to see her. Stop! where is my tinder-box?
Then he struck a light, and in a moment the dog, with eyes as big as teacups, stood before him.
It is midnight,
said the soldier, yet I should very much like to see the princess, if only for a moment.
The dog disappeared instantly, and before the soldier could even look round, he returned with the princess. She was lying on the dog’s back asleep, and looked so lovely, that every one who saw her would know she was a real princess. The soldier could not help kissing her, true soldier as he was. Then the dog ran back with the princess; but in the morning, while at breakfast with the king and queen, she told them what a singular dream she had had during the night, of a dog and a soldier, that she had ridden on the dog’s back, and been kissed by the soldier.
That is a very pretty story, indeed,
said the queen. So the next night one of the old ladies of the court was set to watch by the princess’s bed, to discover whether it really was a dream, or what else it might be.
The soldier longed very much to see the princess once more, so he sent for the dog again in the night to fetch her, and to run with her as fast as ever he could. But the old lady put on water boots, and ran after him as quickly as he did, and found that he carried the princess into a large house. She thought it would help her to remember the place if she made a large cross on the door with a piece of chalk. Then she went home to bed, and the dog presently returned with the princess. But when he saw that a cross had been made on the door of the house, where the soldier lived, he took another piece of chalk and made crosses on all the doors in the town, so that the lady-in-waiting might not be able to find out the right door.
Early the next morning the king and queen accompanied the lady and all the officers of the household, to see where the princess had been.
Here it is,
said the king, when they came to the first door with a cross on it.
No, my dear husband, it must be that one," said the queen, pointing to a second door having a cross also.
And here is one, and there is another!
they all exclaimed; for there were crosses on all the doors in every direction.
So they felt it would be useless to search any farther. But the queen was a very clever woman; she could do a great deal more than merely ride in a carriage. She took her large gold scissors, cut a piece of silk into squares, and made a neat little bag. This bag she filled with buckwheat flour, and tied it round the princess’s neck; and then she cut a small hole in the bag, so that the flour might be scattered on the ground as the princess went along. During the night, the dog came again and carried the princess on his back, and ran with her to the soldier, who loved her very much, and wished that he had been a prince, so that he might have her for a wife. The dog did not observe how the flour ran out of the bag all the way from the castle wall to the soldier’s house, and even up to the window, where he had climbed with the princess. Therefore in the morning the king and queen found out where their daughter had been, and the soldier was taken up and put in prison. Oh, how dark and disagreeable it was as he sat there, and the people said to him, Tomorrow you will be hanged.
It was not very pleasant news, and besides, he had left the tinder-box at the inn. In the morning he could see through the iron grating of the little window how the people were hastening out of the town to see him hanged; he heard the drums beating, and saw the soldiers marching. Every one ran out to look at them. and a shoemaker’s boy, with a leather apron and slippers on, galloped by so fast, that one of his slippers flew off and struck against the wall where the soldier sat looking through the iron grating. Hallo, you shoemaker’s boy, you need not be in such a hurry,
cried the soldier to him. There will be nothing to see till I come; but if you will run to the house where I have been living, and bring me my tinder-box, you shall have four shillings, but you must put your best foot foremost.
The shoemaker’s boy liked the idea of getting the four shillings, so he ran very fast and fetched the tinder-box, and gave it to the soldier. And now we shall see what happened. Outside the town a large gibbet had been erected, round which stood the soldiers and several thousands of people. The king and the queen sat on splendid thrones opposite to the judges and the whole council. The soldier already stood on the ladder; but as they were about to place the rope around his neck, he said that an innocent request was often granted to a poor criminal before he suffered death. He wished very much to smoke a pipe, as it would be the last pipe he should ever smoke in the world. The king could not refuse this request, so the soldier took his tinder-box, and struck fire, once, twice, thrice—and there in a moment stood all the dogs—the one with eyes as big as teacups, the one with eyes as large as mill-wheels, and the third, whose eyes were like towers. Help me now, that I may not be hanged,
cried the soldier.
And the dogs fell upon the judges and all the councillors; seized one by the legs, and another by the nose, and tossed them many feet high in the air, so that they fell down and were dashed to pieces.
I will not be touched,
said the king. But the largest dog seized him, as well as the queen, and threw them after the others. Then the soldiers and all the people were afraid, and cried, Good soldier, you shall be our king, and you shall marry the beautiful princess.
So they placed the soldier in the king’s carriage, and the three dogs ran on in front and cried Hurrah!
and the little boys whistled through their fingers, and the soldiers presented arms. The princess came out of the copper castle, and became queen, which was very pleasing to her. The wedding festivities lasted a whole week, and the dogs sat at the table, and stared with all their eyes.
Little Claus and Big Claus
Translated by Mrs. H. P. Paull
In a village there once lived two men who had the same name. They were both called Claus. One of them had four horses, but the other had only one; so to distinguish them, people called the owner of the four horses, Great Claus,
and he who had only one, Little Claus.
Now we shall hear what happened to them, for this is a true story.
Through the whole week, Little Claus was obliged to plough for Great Claus, and lend him his one horse; and once a week, on a Sunday, Great Claus lent him all his four horses. Then how Little Claus would smack his whip over all five horses, they were as good as his own on that one day. The sun shone brightly, and the church bells were ringing merrily as the people passed by, dressed in their best clothes, with their prayer-books under their arms. They were going to hear the clergyman preach. They looked at Little Claus ploughing with his five horses, and he was so proud that he smacked his whip, and said, Gee-up, my five horses.
You must not say that,
said Big Claus; for only one of them belongs to you.
But Little Claus soon forgot what he ought to say, and when any one passed he would call out, Gee-up, my five horses!
Now I must beg you not to say that again,
said Big Claus; for if you do, I shall hit your horse on the head, so that he will drop dead on the spot, and there will be an end of him.
I promise you I will not say it any more,
said the other; but as soon as people came by, nodding to him, and wishing him Good day,
he became so pleased, and thought how grand it looked to have five horses ploughing in his field, that he cried out again, Gee-up, all my horses!
I’ll Gee-up your horses for you,
said Big Claus; and seizing a hammer, he struck the one horse of Little Claus on the head, and he fell dead instantly.
Oh, now I have no horse at all,
said Little Claus, weeping. But after a while he took off the dead horse’s skin, and hung the hide to dry in the wind. Then he put the dry skin into a bag, and, placing it over his shoulder, went out into the next town to sell the horse’s skin. He had a very long way to go, and had to pass through a dark, gloomy forest. Presently a storm arose, and he lost his way, and before he discovered the right path, evening came on, and it was still a long way to the town, and too far to return home before night. Near the road stood a large farmhouse. The shutters outside the windows were closed, but lights shone through the crevices at the top. I might get permission to stay here for the night,
thought Little Claus; so he went up to the door and knocked. The farmer’s wife opened the door; but when she heard what he wanted, she told him to go away, as her husband would not allow her to admit strangers. Then I shall be obliged to lie out here,
said Little Claus to himself, as the farmer’s wife shut the door in his face. Near to the farmhouse stood a large haystack, and between it and the house was a small shed, with a thatched roof. I can lie up there,
said Little Claus, as he saw the roof; it will make a famous bed, but I hope the stork will not fly down and bite my legs;
for on it stood a living stork, whose nest was in the roof. So Little Claus climbed to the roof of the shed, and while he turned himself to get comfortable, he discovered that the wooden shutters, which were closed, did not reach to the tops of the windows of the farmhouse, so that he could see into a room, in which a large table was laid out with wine, roast meat, and a splendid fish. The farmer’s wife and the sexton were sitting at the table together; and she filled his glass, and helped him plenteously to fish, which appeared to be his favourite dish. If I could only get some, too,
thought Little Claus; and then, as he stretched his neck towards the window he spied a large, beautiful pie—indeed they had a glorious feast before them.
At this moment he heard some one riding down the road, towards the farmhouse. It was the farmer returning home. He was a good man, but still he had a very strange prejudice—he could not bear the sight of a sexton. If one appeared before him, he would put himself in a terrible rage. In consequence of this dislike, the sexton had gone to visit the farmer’s wife during her husband’s absence from home, and the good woman had placed before him the best she had in the house to eat. When she heard the farmer coming she was frightened, and begged the sexton to hide himself in a large empty chest that stood in the room. He did so, for he knew her husband could not endure the sight of a sexton. The woman then quickly put away the wine, and hid all the rest of the nice things in the oven; for if her husband had seen them he would have asked what they were brought out for.
Oh, dear,
sighed Little Claus from the top of the shed, as he saw all the good things disappear.
Is any one up there?
asked the farmer, looking up and discovering Little Claus. Why are you lying up there? Come down, and come into the house with me.
So Little Claus came down and told the farmer how he had lost his way and begged for a night’s lodging.
All right,
said the farmer; but we must have something to eat first.
The woman received them both very kindly, laid the cloth on a large table, and placed before them a dish of porridge. The farmer was very hungry, and ate his porridge with a good appetite, but Little Claus could not help thinking of the nice roast meat, fish and pies, which he knew were in the oven. Under the table, at his feet, lay the sack containing the horse’s skin, which he intended to sell at the next town. Now Little Claus did not relish the porridge at all, so he trod with his foot on the sack under the table, and the dry skin squeaked quite loud. Hush!
said Little Claus to his sack, at the same time treading upon it again, till it squeaked louder than before.
Hallo! what have you got in your sack!
asked the farmer.
Oh, it is a conjuror,
said Little Claus; and he says we need not eat porridge, for he has conjured the oven full of roast meat, fish, and pie.
Wonderful!
cried the farmer, starting up and opening the oven door; and there lay all the nice things hidden by the farmer’s wife, but which he supposed had been conjured there by the wizard under the table. The woman dared not say anything; so she placed the things before them, and they both ate of the fish, the meat, and the pastry.
Then Little Claus trod again upon his sack, and it squeaked as before. What does he say now?
asked the farmer.
He says,
replied Little Claus, that there are three bottles of wine for us, standing in the corner, by the oven.
So the woman was obliged to bring out the wine also, which she had hidden, and the farmer drank it till he became quite merry. He would have liked such a conjuror as Little Claus carried in his sack. Could he conjure up the evil one?
asked the farmer. I should like to see him now, while I am so merry.
Oh, yes!
replied Little Claus, my conjuror can do anything I ask him—can you not?
he asked, treading at the same time on the sack till it squeaked. Do you hear? he answers ‘Yes,’ but he fears that we shall not like to look at him.
Oh, I am not afraid. What will he be like?
Well, he is very much like a sexton.
Ha!
said the farmer, then he must be ugly. Do you know I cannot endure the sight of a sexton. However, that doesn’t matter, I shall know who it is; so I shall not mind. Now then, I have got up my courage, but don’t let him come too near me.
Stop, I must ask the conjuror,
said Little Claus; so he trod on the bag, and stooped his ear down to listen.
What does he say?
He says that you must go and open that large chest which stands in the corner, and you will see the evil one crouching down inside; but you must hold the lid firmly, that he may not slip out.
Will you come and help me hold it?
said the farmer, going towards the chest in which his wife had hidden the sexton, who now lay inside, very much frightened. The farmer opened the lid a very little way, and peeped in.
Oh,
cried he, springing backwards, I saw him, and he is exactly like our sexton. How dreadful it is!
So after that he was obliged to drink again, and they sat and drank till far into the night.
You must sell your conjuror to me,
said the farmer; ask as much as you like, I will pay it; indeed I would give you directly a whole bushel of gold.
No, indeed, I cannot,
said Little Claus; only think how much profit I could make out of this conjuror.
But I should like to have him,
said the fanner, still continuing his entreaties.
Well,
said Little Claus at length, you have been so good as to give me a night’s lodging, I will not refuse you; you shall have the conjuror for a bushel of money, but I will have quite full measure.
So you shall,
said the farmer; but you must take away the chest as well. I would not have it in the house another hour; there is no knowing if he may not be still there.
So Little Claus gave the farmer the sack containing the dried horse’s skin, and received in exchange a bushel of money—full measure. The farmer also gave him a wheelbarrow on which to carry away the chest and the gold.
Farewell,
said Little Claus, as he went off with his money and the great chest, in which the sexton lay still concealed. On one side of the forest was a broad, deep river, the water flowed so rapidly that very few were able to swim against the stream. A new bridge had lately been built across it, and in the middle of this bridge Little Claus stopped, and said, loud enough to be heard by the sexton, Now what shall I do with this stupid chest; it is as heavy as if it were full of stones: I shall be tired if I roll it any farther, so I may as well throw it in the river; if it swims after me to my house, well and good, and if not, it will not much matter.
So he seized the chest in his hand and lifted it up a little, as if he were going to throw it into the water.
No, leave it alone,
cried the sexton from within the chest; let me out first.
Oh,
exclaimed Little Claus, pretending to be frightened, he is in there still, is he? I must throw him into the river, that he may be drowned.
Oh, no; oh, no,
cried the sexton; I will give you a whole bushel full of money if you will let me go.
Why, that is another matter,
said Little Claus, opening the chest. The sexton crept out, pushed the empty chest into the water, and went to his house, then he measured out a whole bushel full of gold for Little Claus, who had already received one from the farmer, so that now he had a barrow full.
I have been well paid for my horse,
said he to himself when he reached home, entered his own room, and emptied all his money into a heap on the floor. How vexed Great Claus will be when he finds out how rich I have become all through my one horse; but I shall not tell him exactly how it all happened.
Then he sent a boy to Great Claus to borrow a bushel measure.
What can he want it for?
thought Great Claus; so he smeared the bottom of the measure with tar, that some of whatever was put into it might stick there and remain. And so it happened; for when the measure returned, three new silver florins were sticking to it.
What does this mean?
said Great Claus; so he ran off directly to Little Claus, and asked, Where did you get so much money?
Oh, for my horse’s skin, I sold it yesterday.
It was certainly well paid for then,
said Great Claus; and he ran home to his house, seized a hatchet, and knocked all his four horses on the head, flayed off their skins, and took them to the town to sell. Skins, skins, who’ll buy skins?
he cried, as he went through the streets. All the shoemakers and tanners came running, and asked how much he wanted for them.
A bushel of money, for each,
replied Great Claus.
Are you mad?
they all cried; do you think we have money to spend by the bushel?
Skins, skins,
he cried again, who’ll buy skins?
but to all who inquired the price, his answer was, a bushel of money.
He is making fools of us,
said they all; then the shoemakers took their straps, and the tanners their leather aprons, and began to beat Great Claus.
Skins, skins!
they cried, mocking him; yes, we’ll mark your skin for you, till it is black and blue.
Out of the town with him,
said they. And Great Claus was obliged to run as fast as he could, he had never before been so thoroughly beaten.
Ah,
said he, as he came to his house; Little Claus shall pay me for this; I will beat him to death.
Meanwhile the old grandmother of Little Claus died. She had been cross, unkind, and really spiteful to him; but he was very sorry, and took the dead woman and laid her in his warm bed to see if he could bring her to life again. There he determined that she should lie the whole night, while he seated himself in a chair in a corner of the room as he had often done before. During the night, as he sat there, the door opened, and in came Great Claus with a hatchet. He knew well where Little Claus’s bed stood; so he went right up to it, and struck the old grandmother on the head. thinking it must be Little Claus.
There,
cried he, now you cannot make a fool of me again;
and then he went home.
That is a very wicked man,
thought Little Claus; he meant to kill me. It is a good thing for my old grandmother that she was already dead, or he would have taken her life.
Then he dressed his old grandmother in her best clothes, borrowed a horse of his neighbour, and harnessed it to a cart. Then he placed the old woman on the back seat, so that she might not fall out as he drove, and rode away through the wood. By sunrise they reached a large inn, where Little Claus stopped and went to get something to eat. The landlord was a rich man, and a good man too; but as passionate as if he had been made of pepper and snuff.
Good morning,
said he to Little Claus; you are come betimes today.
Yes,
said Little Claus; I am going to the town with my old grandmother; she is sitting at the back of the wagon, but I cannot bring her into the room. Will you take her a glass of mead? but you must speak very loud, for she cannot hear well.
Yes, certainly I will,
replied the landlord; and, pouring out a glass of mead, he carried it out to the dead grandmother, who sat upright in the cart. Here is a glass of mead from your grandson,
said the landlord. The dead woman did not answer a word, but sat quite still. Do you not hear?
cried the landlord as loud as he could; here is a glass of mead from your grandson.
Again and again he bawled it out, but as she did not stir he flew into a passion, and threw the glass of mead in her face; it struck her on the nose, and she fell backwards out of the cart, for she was only seated there, not tied in.
Hallo!
cried Little Claus, rushing out of the door, and seizing hold of the landlord by the throat; you have killed my grandmother; see, here is a great hole in her forehead.
Oh, how unfortunate,
said the landlord, wringing his hands. This all comes of my fiery temper. Dear Little Claus, I will give you a bushel of money; I will bury your grandmother as if she were my own; only keep silent, or else they will cut off my head, and that would be disagreeable.
So it happened that Little Claus received another bushel of money, and the landlord buried his old grandmother as if she had been his own. When Little Claus reached home again, he immediately sent a boy to Great Claus, requesting him to lend him a bushel measure. How is this?
thought Great Claus; did I not kill him? I must go and see for myself.
So he went to Little Claus, and took the bushel measure with him. How did you get all this money?
asked Great Claus, staring with wide open eyes at his neighbour’s treasures.
You killed my grandmother instead of me,
said Little Claus; so I have sold her for a bushel of money.
That is a good price at all events,
said Great Claus. So he went home, took a hatchet, and killed his old grandmother with one blow. Then he placed her on a cart, and drove into the town to the apothecary, and asked him if he would buy a dead body.
Whose is it, and where did you get it?
asked the apothecary.
It is my grandmother,
he replied; I killed her with a blow, that I might get a bushel of money for her.
Heaven preserve us!
cried the apothecary, you are out of your mind. Don’t say such things, or you will lose your head.
And then he talked to him seriously about the wicked deed he had done, and told him that such a wicked man would surely be punished. Great Claus got so frightened that he rushed out of the surgery, jumped into the cart, whipped up his horses, and drove home quickly. The apothecary and all the people thought him mad, and let him drive where he liked.
You shall pay for this,
said Great Claus, as soon as he got into the highroad, that you shall, Little Claus.
So as soon as he reached home he took the largest sack he could find and went over to Little Claus. You have played me another trick,
said he. First, I killed all my horses, and then my old grandmother, and it is all your fault; but you shall not make a fool of me any more.
So he laid hold of Little Claus round the body, and pushed him into the sack, which he took on his shoulders, saying, Now I’m going to drown you in the river.
He had a long way to go before he reached the river, and Little Claus was not a very light weight to carry. The road led by the church, and as they passed he could hear the organ playing and the people singing beautifully. Great Claus put down the sack close to the church-door, and thought he might as well go in and hear a psalm before he went any farther. Little Claus could not possibly get out of the sack, and all the people were in church; so in he went.
Oh dear, oh dear,
sighed Little Claus in the sack, as he turned and twisted about; but he found he could not loosen the string with which it was tied. Presently an old cattle driver, with snowy hair, passed by, carrying a large staff in his hand, with which he drove a large herd of cows and oxen before him. They stumbled against the sack in which lay Little Claus, and turned it over. Oh dear,
sighed Little Claus, I am very young, yet I am soon going to heaven.
And I, poor fellow,
said the drover, I who am so old already, cannot get there.
Open the sack,
cried Little Claus; creep into it instead of me, and you will soon be there.
With all my heart,
replied the drover, opening the sack, from which sprung Little Claus as quickly as possible. Will you take care of my cattle?
said the old man, as he crept into the bag.
Yes,
said Little Claus, and he tied up the sack, and then walked off with all the cows and oxen.
When Great Claus came out of church, he took up the sack, and placed it on his shoulders. It appeared to have become lighter, for the old drover was not half so heavy as Little Claus.
How light he seems now,
said he. Ah, it is because I have been to a church.
So he walked on to the river, which was deep and broad, and threw the sack containing the old drover into the water, believing it to be Little Claus. There you may lie!
he exclaimed; you will play me no more tricks now.
Then he turned to go home, but when he came to a place where two roads crossed, there was Little Claus driving the cattle. How is this?
said Great Claus. Did I not drown you just now?
Yes,
said Little Claus; you threw me into the river about half an hour ago.
But wherever did you get all these fine beasts?
asked Great Claus.
These beasts are sea-cattle,
replied Little Claus. I’ll tell you the whole story, and thank you for drowning me; I am above you now, I am really very rich. I was frightened, to be sure, while I lay tied up in the sack, and the wind whistled in my ears when you threw me into the river from the bridge, and I sank to the bottom immediately; but I did not hurt myself, for I fell upon beautifully soft grass which grows down there; and in a moment, the sack opened, and the sweetest little maiden came towards me. She had snow-white robes, and a wreath of green leaves on her wet hair. She took me by the hand, and said, ‘So you are come, Little Claus, and here are some cattle for you to begin with. About a mile farther on the road, there is another herd for you.’ Then I saw that the river formed a great highway for the people who live in the sea. They were walking and driving here and there from the sea to the land at the, spot where the river terminates. The bed of the river was covered with the loveliest flowers and sweet fresh grass. The fish swam past me as rapidly as the birds do here in the air. How handsome all the people were, and what fine cattle were grazing on the hills and in the valleys!
But why did you come up again,
said Great Claus, if it was all so beautiful down there? I should not have done so?
Well,
said Little Claus, it was good policy on my part; you heard me say just now that I was told by the sea-maiden to go a mile farther on the road, and I should find a whole herd of cattle. By the road she meant the river, for she could not travel any other way; but I knew the winding of the river, and how it bends, sometimes to the right and sometimes to the left, and it seemed a long way, so I chose a shorter one; and, by coming up to the land, and then driving across the fields back again to the river, I shall save half a mile, and get all my cattle more quickly.
What a lucky fellow you are!
exclaimed Great Claus. Do you think I should get any sea-cattle if I went down to the bottom of the river?
Yes, I think so,
said Little Claus; but I cannot carry you there in a sack, you are too heavy. However if you will go there first, and then creep into a sack, I will throw you in with the greatest pleasure.
Thank you,
said Great Claus; but remember, if I do not get any sea-cattle down there I shall come up again and give you a good thrashing.
No, now, don’t be too fierce about it!
said Little Claus, as they walked on towards the river. When they approached it, the cattle, who were very thirsty, saw the stream, and ran down to drink.
See what a hurry they are in,
said Little Claus, they are longing to get down again,
Come, help me, make haste,
said Great Claus; or you’ll get beaten.
So he crept into a large sack, which had been lying across the back of one of the oxen.
Put in a stone,
said Great Claus, or I may not sink.
Oh, there’s not much fear of that,
he replied; still he put a large stone into the bag, and then tied it tightly, and gave it a push.
"Plump!" In went Great Claus, and immediately sank to the bottom of the river.
I’m afraid he will not find any cattle,
said Little Claus, and then he drove his own beasts homewards.
The Princess and the Pea
Translated by Mrs. H. P. Paull
Once upon a time there was a Prince who wanted to marry a princess; but she would have to be a real princess. He travelled all over the world to find one, but nowhere could he get what he wanted. There were princesses enough, but it was difficult to find out whether they were real ones. There was always something about them that was not as it should be. So he came home again and was sad, for he would have liked very much to have a real princess.
One evening a terrible storm came on; there was thunder and lightning, and the rain poured down in torrents. Suddenly a knocking was heard at the city gate, and the old king went to open it.
It was a Princess standing out there in front of the gate. But, good gracious! what a sight the rain and the wind had made her look. The water ran down from her hair and clothes; it ran down into the toes of her shoes and out again at the heels. And yet she said that she was a real princess.
Well, we’ll soon find that out,
thought the old queen. But she said nothing, went into the bedroom, took all the bedding off the bedstead, and laid a pea on the bottom; then she took twenty mattresses and laid them on the pea, and then twenty eider-down beds on top of the mattresses.
On this the Princess had to lie all night. In the morning she was asked how she had slept.
Oh, very badly!
said she. I have scarcely closed my eyes all night. Heaven only knows what was in the bed, but I was lying on something hard, so that I am black and blue all over my body. It’s horrible!
Now they knew that she was a real princess because she had felt the pea right through the twenty mattresses and the twenty eider-down beds.
Nobody but a real princess could be as sensitive as that.
So the Prince took her for his wife, for now he knew that he had a real princess; and the pea was put in the museum, where it may still be seen, if no one has stolen it.
There, that is a true story.
Little Ida’s Flowers
Translated by W. A. & J. K. Craigie
"My poor flowers are quite dead! said little Ida.
They were so pretty yesterday evening, and now all the leaves hang withered. Why do they do that? she asked the student, who sat on the sofa; for she liked him very much. He knew the prettiest stories, and could cut out the most amusing pictures—hearts, with little ladies in them who danced, flowers, and great castles in which one could open the doors: he was a merry student.
Why do the flowers look so faded today?" she asked again, and showed him a whole bouquet, which was quite withered.
Do you know what’s the matter with them?
said the student. The flowers have been at a ball last night, and that’s why they hang their heads.
But flowers cannot dance!
cried little Ida.
Oh, yes,
said the student, when it grows dark, and we are asleep, they jump about merrily. Almost every night they have a ball.
Can no children go to this ball?
Yes,
said the student, quite little daisies, and lilies of the valley.
Where do the most beautiful flowers dance?
asked little Ida.
Have you not often been outside the town gate, by the great castle, where the king lives in summer, and where the beautiful garden is, with all the flowers? You have seen the swans, which swim up to you when you want to give them bread crumbs? There are capital balls there, believe me.
I was out there in the garden yesterday, with my mother,
said Ida; but all the leaves were off the trees, and there was not one flower left. Where are they? In the summer I saw so many.
They are within, in the castle,
replied the student. You must know, as soon as the king and all the court go to town, the flowers run out of the garden into the castle, and are merry You should see that. The two most beautiful roses seat themselves on the throne, and then they are king and queen; all the red coxcombs range themselves on either side, and stand and bow; they are the chamberlains. Then all the pretty flowers come, and there is a great ball. The blue violets represent little naval cadets: they dance with hyacinths and crocuses, which they call young ladies; the tulips and the great tiger-lilies are old ladies who keep watch that the dancing is well done, and that everything goes on with propriety.
But,
asked little Ida, does nobody do anything to the flowers, for dancing in the king’s castle?
There is nobody who really knows about it,
answered the student. Sometimes, certainly, the old steward of the castle comes at night, and he has to watch there. He has a great bunch of keys with him; but as soon as the flowers hear the keys rattle they are quite quiet, hide behind the long curtains, and only poke their heads out. Then the old steward says, ‘I smell that there are flowers here,’ but he cannot see them.
That is famous!
cried little Ida, clapping her hands. But should not I be able to see the flowers?
Yes,
said the student; only remember, when you go out again, to peep through the window; then you will see them. That is what I did today. There was a long yellow lily lying on the sofa and stretching herself. She imagined herself to be a court lady.
Can the flowers out of the Botanical Garden get there? Can they go the long distance?
Yes, certainly,
replied the student; if they like they can fly. Have you not seen the beautiful butterflies, red, yellow, and white? They almost look like flowers; and that is what they have been. They have flown off their stalks high into the air, and have beaten it with their leaves, as if these leaves were little wings, and thus they flew. And because they behaved themselves well, they got leave to fly about in the daytime too, and were not obliged to go home again and to sit still upon their stalks; and thus at last the leaves became real wings. That you have seen yourself. It may be, however, that the flowers in the Botanical Garden have never been in the king’s castle, or that they don’t know of the merry proceedings there at night. Therefore I will tell you something: he will be very much surprised, the botanical professor, who lives close by here. You know him, do you not? When you come into his garden, you must tell one of the flowers that there is a great ball yonder in the castle. Then that flower will tell it to all the rest, and then they will fly away: if the professor then comes out into the garden, there will not be a single flower left, and he won’t be able to make out where they are gone.
But how can one flower tell it to another? For, you know, flowers cannot speak.
That they cannot, certainly,
replied the student; but then they make signs. Have you not noticed that when the wind blows a little, the flowers nod at one another, and move all their green leaves? They can understand that just as well as if they talked.
Can the professor understand these signs?
asked Ida.
Yes, certainly. He came one morning into his garden, and saw a great stinging-nettle standing there, and making signs to a beautiful red carnation with its leaves. It was saying, ‘You are so pretty, and I love you so much.’ But the professor does not like that kind of thing, and he directly slapped the stinging-nettle upon its leaves, for those are its fingers; but he stung himself, and since that time he has not dared to touch a stinging-nettle.
That was funny,
cried little Ida; and she laughed.
How can any one put such notions into a child’s head?
said the tiresome privy councillor, who had come to pay a visit, and was sitting on the sofa. He did not like the student, and always grumbled when he saw him cutting out the comical funny pictures—sometimes a man hanging on a gibbet and holding a heart in his hand, to show that he stole hearts; sometimes an old witch riding on a broom, and carrying her husband on her nose. The councillor could not bear this, and then he said, just as he did now, How can any one put such notions into a child’s head? Those are stupid fancies!
But to little Ida, what the student told about her flowers seemed very entertaining; and she thought much about it. The flowers hung their heads, for they were tired because they had danced all night; they were certainly ill. Then she went with them to all her other toys, which stood on a pretty little table, and the whole drawer was full of beautiful things. In the doll’s bed lay her doll Sophy, asleep; but little Ida said to her,
You must really get up, Sophy, and manage to lie in the drawer for tonight. The poor flowers are ill, and they must lie in your bed; perhaps they will then get well again.
And she at once took the doll out; but the doll looked cross, and did not say a single word; for she was angry because she could not keep her own bed.
Then Ida laid the flowers in the doll’s bed, pulled the little coverlet quite up over them, and said they were to lie still and be good, and she would make them some tea, so that they might get well again, and be able to get up tomorrow. And she drew the curtains closely round the little bed, so that the sun should not shine in their eyes. The whole evening through she could not help thinking of what the student had told her. And when she was going to bed herself, she was obliged first to look behind the curtain which hung before the windows where her mother’s beautiful flowers stood—hyacinths as well as tulips; then she whispered quite softly, I know you’re going to the ball tonight!
But the flowers made as if they did not understand a word, and did not stir a leaf; but still little Ida knew what she knew.
When she was in bed she lay for a long time thinking how pretty it must be to see the beautiful flowers dancing out in the king’s castle. I wonder if my flowers have really been there?
And then she fell asleep. In the night she awoke again: she had dreamed of the flowers, and of the student with whom the councillor found fault. It was quite quiet in the bedroom where Ida lay; the night-lamp burned on the table, and father and mother were asleep.
I wonder if my flowers are still hang in Sophy’s bed?
she thought to herself. How I should like to know it!
She raised herself a little, and looked at the door, which stood ajar; within lay the flowers and all her playthings. She listened, and then it seemed to her as if she heard some one playing on the piano in the next room, but quite softly and prettily, as she had never heard it before.
Now all the flowers are certainly dancing in there!
thought she. Oh, how much I should like to see it!
But she dared not get up, for she would have disturbed her father and mother.
If they would only come in!
thought she. But the flowers did not come, and the music continued to play beautifully; then she could not bear it any longer, for it was too pretty; she crept out of her little bed, and went quietly to the door, and looked into the room. Oh, how splendid it was, what she saw!
There was no night-lamp burning, but still it was quite light: the moon shone through the window into the middle of the floor; it was almost like day. All the hyacinths and tulips stood in two long rows on the floor; there were none at all left at the window. There stood the empty flowerpots. On the floor all the flowers were dancing very gracefully round each other, making a perfect chain, and holding each other by the long green leaves as they swung round. But at the piano sat a great yellow lily, which little Ida had certainly seen in summer, for she remembered how the student had said, How like that one is to Miss Lina.
Then he had been laughed at by all; but now it seemed really to little Ida as if the long yellow flower looked like the young lady; and it had just her manners in playing—sometimes bending its long yellow face to one side, sometimes to the other, and nodding in tune to the charming music! No one noticed little Ida. Then she saw a great blue crocus hop into the middle of the table, where the toys stood, and go to the doll’s bed and pull the curtains aside; there lay the sick flowers, but they got up directly, and nodded to the others, to say that they wanted to dance too. The old chimney-sweep doll, whose under lip was broken off, stood up and bowed to the pretty flowers: these did not look at all ill now; they jumped down among the others, and were very merry.
Then it seemed as if something fell down from the table. Ida looked that way. It was the Shrovetide birch rod which was jumping down! it seemed almost as if it belonged to the flowers. At any rate it was very neat; and a little wax doll, with just such a broad hat on its head as the councillor wore, sat upon it. The birch rod hopped about among the flowers on its three red legs, and stamped quite loud, for it was dancing the mazurka; and the other flowers could not manage that dance, because they were too light, and unable to stamp like that.
The wax doll on the birch rod all at once became quite great and long, turned itself over the paper flowers, and said, How can one put such things in a child’s head? Those are stupid fancies!
and then the wax doll was exactly like the councillor with the broad hat, and looked just as yellow and cross as he. But the paper flowers hit him on his thin legs, and then he shrank up again, and became quite a little wax doll. That was very amusing to see; and little Ida could not restrain her laughter. The birch rod went on dancing, and the councillor was obliged to dance too; it was no use whether he might make himself great and long, or remained the little yellow wax doll with the big black hat. Then the other flowers put in a good word for him, especially those who had lain in the doll’s bed, and then the birch rod gave over. At the same moment there was a loud knocking at the drawer, inside where Ida’s doll, Sophy, lay with many other toys. The chimney-sweep ran to the edge