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Visible City
Visible City
Visible City
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Visible City

Rating: 3 out of 5 stars

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Voyeurism between NYC neighbors leads to surprising discoveries in this “glittering novel about fate, fantasy, and the anonymity of urban life” (OThe Oprah Magazine).

After chaotic days of wrangling and soothing her young children, Nina spends her evenings spying on the quiet, contented older couple across the street. But one night, watching the same window, she spies a young couple in the throes of passion. Confused and intrigued, Nina wonders who these people are, and what happened to her symbol of domestic happiness.

Then Nina crosses paths with both couples on the streets of her Upper West Side neighborhood. Soon, her innocent peeping gives way to a kind of intimacy that has everyone confronting their own desires and disappointments.

In Visible City, Tova Mirvis explores the boundaries between our own lives and the lives of others. From its lavish ghost subway stations to its hidden stained-glass windows, Visible City conjures a New York City teeming with buried treasures.
 
 “An utterly perfect, deeply moving evocation of contemporary Manhattan [that] reminded me of Paula Fox and Laurie Colwin, and also those master chroniclers of the privileged classes, Wharton and Fitzgerald . . . Brilliant.” —Joanna Smith Rakoff, Salon.com
LanguageEnglish
Release dateMar 18, 2014
ISBN9780544045545
Visible City
Author

Tova Mirvis

Tova Mirvis is the author of The Outside World and The Ladies Auxiliary, which was a national bestseller. Her essays have appeared in various anthologies and newspapers including The New York Times, Good Housekeeping, and Poets and Writers, and her fiction has been broadcast on National Public Radio. She has been a Visiting Scholar at The Brandeis Women's Studies Research Center and is a recipient of a Massachusetts Cultural Council Fiction Fellowship.

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Rating: 3.1851852000000003 out of 5 stars
3/5

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  • Rating: 3 out of 5 stars
    3/5
    I love the insight and language of Tova Mirvis' Visible City. This is largely a book about what it means to be a parent and Mirvis expertly tackles the subject from many angles. The loyalty of parents to children, children to parents, is wonderfully drawn at many different junctures of life. Though some of the younger parents may almost seem like caricatures of the modern parent (though I've come across some of their ilk who weren't far from these Purell-guzzling mothers), they're emblazoned with a clear question of 'when is it too much?'” I love the style and the language; it easily brings to mind the work of Meg Wolitzer.For me, however, the story just wasn't there. There's this breed of novel I've seen a few times in the last several years where the story is brushed aside to make room for a good idea that is barely developed, supported entirely by its wonderful sentences. The one that comes immediately to mind is Hannah Pittard's The Fates Will Find Their Way. Fortunately for Pittard, the language was so perfect I was immediately a fan, though I hope for more substance next time. Mirvis caught my attention with Visible City. I like the style and the sense of setting. I'd be willing to give her work another go, but only if I had a hope that either the characterization or story were going to be strong enough to support the weight of the words. Without such a base, the whole structure sort of topples over.
  • Rating: 4 out of 5 stars
    4/5
    If you've ever lived in a city on a street where you can see your neighbors through their windows (curtains being quite out of fashion these days) and wondered: whose life is better, mine or theirs - then wonder no more. Tova Mirvis tells it all to you in this amusing novel. Every Upper West Side family on this street is facing the invasion of the all-glass high rises - the moms whose kids are awoken by construction noise, the lawyer dad whose firm represents the builders, the mentally ill old lady who haunts the neighborhood, the scholar who thinks there might be artistic treasure hidden in an old Vanderbilt mansion about to be torn down. Then there's the Mommy Wars inside the bakery: inside or outside voices? This novel reminded me of The New Yorkers by Catherine Schine, another delightful study of neighbors at love and war. A good summer read, and unlike many of the genre, this isn't chick lit: the men are fully realized, not just shadowy background figures. Very enjoyable.
  • Rating: 2 out of 5 stars
    2/5
    The story and characters were interesting enough but I didnt care for the ending. I fe,t it was too abrupt. A mother of 2 in NYC whose husband is working everyday until the wee hours of the morning begins watching neighbors through their windows in her boredom. When she meets them she realizes both how their lives intersect but also that things are not always what they appear.
  • Rating: 5 out of 5 stars
    5/5
    Multilayered plot and characters I'd like to meet. This novel was an accurate portrait of New York City, and a realistic if exaggerated depiction of motherhood and marriage. Would make a great movie.

Book preview

Visible City - Tova Mirvis

title page

Contents


Title Page

Contents

Copyright

VISIBLE CITY

Acknowledgments

Discussion Questions

Sample Chapter from THE BOOK OF SEPARATION

Buy the Book

About the Author

Connect with HMH

First Mariner Books edition 2015

Copyright © 2014 by Tova Mirvis

All rights reserved

For information about permission to reproduce selections from this book, write to [email protected] or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.

www.hmhco.com

The Library of Congress has cataloged the print edition as follows:

Mirvis, Tova.

Visible city / Tova Mirvis.

pages cm

ISBN 978-0-544-04774-7 (hardback) ISBN 978-0-544-48388-0 (pbk.)

I. Title.

PS3563.I7217V58 2014

813'.54—dc23 2013036041

Cover design and illustration by Kimberly Glyder; silhouettes © Shutterstock

eISBN 978-0-544-04554-5

v4.0817

VISIBLE CITY

ONE DOWN AND two across, there she was again, a lone woman in the window, pressed close to the glass. For several days, she had been there on and off, standing in front of the window, on crutches, as if wanting to be seen.

Inside her own apartment, Nina stopped to watch. She was disturbed by the young woman’s presence, proprietary on behalf of the middle-aged couple whom she’d come to expect in that window, reading contentedly on their couch. The couple rarely talked to one another, but neither of them seemed bothered by the silence. Sometimes the husband disappeared from view, returning with two mugs in hand. Occasionally the wife stretched her legs toward her husband and he absent-mindedly grasped one of her feet. But once Nina had looked out as the wife started to walk away and the husband stood and pulled her closer. Caught off-guard by the gesture, the woman had nearly stumbled, and to steady her, he pulled her into an embrace. To everyone’s surprise, he twirled her, and for a few minutes before resuming their quiet routine, they had danced.

Nina’s living room window offered no sweeping city views, no glimpse of the river or the sky, only the ornate prewar building across the street. She and Jeremy had lived in this Upper West Side apartment for five years but still hadn’t gotten around to buying shades. Even though she looked into other people’s windows, she’d convinced herself that no one was, in turn, watching them. With two sleeping children, she couldn’t leave the apartment, but it was enough to look out at the varieties of other people’s lives. At nine in the evening the windows across the street were like the rows of televisions in an electronics store, all visible at once. Nina’s eyes flickered back and forth, but she inevitably returned to watching the same square, waiting for the couple to reappear, their quiet togetherness stirring her desire to ride out of her apartment into theirs. Hoping to find them there again, hoping that this might be the night in which they looked up from their books, she didn’t move, not until she was pulled away by a scream.

The interminable cycle of sleeping and waking had begun. In his bedroom, her three-year-old son, Max, was thrashing, yet asleep. His eyes were open but he saw no way out of his nightmare, no path to outrun whatever pursued him. There’s nothing to be afraid of, she whispered into Max’s ear, and his crying subsided. An hour later, it was Lily. From the bassinet that was squeezed into her and Jeremy’s bedroom, Nina picked her up to nurse. As soon as Lily latched on, her crying ceased. For the moment, there was nothing more her daughter needed.

Before either of the kids woke again, Nina went back to the window, hoping to see not just the outrageous or the extraordinary, but any truthful moment of small ordinary. During the day, every feeling came shellacked with protective plastic coating. The only language spoken was certainty. Outwardly, she was reciting the maxims along with everyone else: The kids were always delicious and she wouldn’t miss this for the world, and there was nowhere she’d rather be, and yes, it did go so fast. On the faces of other mothers, Nina sometimes caught the rumblings of discontent, but their inner lives were tucked away. Like theirs, her hands were always occupied, but while she was making dinner or bathing a child, while pushing one of them in a swing, rocking the other to sleep, her thoughts had begun to rove.

In the window across the way, there was still no sign of the couple reading. Once again, it was the young woman on crutches looking out, and Nina was tempted to wave. But that would end the illusion. Curtains would be pulled shut, lights switched off, the city’s windows suddenly empty and dark. Instead, Nina stayed hidden, and from the shadows, she watched as a young man dressed in jeans and a black T-shirt emerged from another room and joined the young woman. Wide awake for the first time all day, Nina craned her neck, watching as the couple began to argue, their gestures sharp, their bodies taut. The man tried to hug her but the woman wriggled from his grasp, put her hands over her face, shielding herself from what he was saying.

The woman turned away from the man, but he wasn’t dissuaded by her anger. He came up behind her and pressed against her. He took her crutches from her and she leaned into him as he entangled his hands in her long dark hair, ran his lips down the nape of her neck, cupped her breasts in his hands. Nina felt the woman’s resistance subsiding and she wished there was a way to draw closer to them still.

Surely they realized they were before an open window; surely that was part of the pleasure. Could they see her breathing their every breath, feeling their every touch? The woman turned around, her back now to Nina, as the man carefully helped her to the couch where he knelt in front of her and pulled down her pants. As their dark clothes unpeeled, giving way to pale flashes of skin, Nina was inside her own body yet inside theirs as well. The woman’s earlier reluctance was gone. She wasn’t held back by her injured foot. Her thin body wriggled out from underneath and she climbed astride him. Her back arched, her body bare, she turned her face to the window, looking directly at the spot where Nina was standing.

She saw the look of defiance and understood the bold exhibitionist plea. But it was something else that made her want to press herself to the glass pane and move closer still. This woman was trying to let her know, I see you, I know you are there. In response, she wanted to reach her hand across and loosen the constraints of her own life as well. The city had cracked momentarily apart, a slivered opening in the larger night. Nina might be home with her kids, another interminable night with Jeremy at work, but she was also outside, part of the thrumming city. Nina waited for the reading couple to emerge from some back room where they’d been hiding and join the younger couple on their couch. She waited to see everyone’s inner thoughts transmitted in flashes of light long and short. For every apartment in every building to light up. For neighbors everywhere to strip down, lay themselves bare. For the couples across the way to raise their windows and invite her in.

THE BEDROOM WINDOW faced the construction site next door, so close that on the loudest days, the glass rattled and a layer of dust covered every surface. The city had emerged from a harsh winter into a springtime of construction, the streets now blooming with the branches of cranes and metal vines of scaffolding.

Claudia went to the window where she struggled to lift the heavy wooden sash.

Shut up, she screamed. Shut up. Shut up. Shut up!

It was a strange pleasure and so unlike her, yet what harm could it do? How different was she from the opera singer who practiced every evening, from the trombone-playing teenager who lived beneath them? She was one more voice in the city’s cacophonous orchestra. In whatever form, whatever language, everyone had something to say.

Shut the fuck up! Claudia screamed, harboring the fantasy that when she stopped, nothing would move, speak, rattle. The city would take on the quiet of North Easton, Massachusetts, where she’d grown up. The cars on Broadway, the hordes of pedestrians, would all stand still, the Walk signs commanding Don’t Walk, the traffic lights turning red.

Do you feel better? Claudia heard, and turned in surprise.

Leon was watching from the doorway, staring with what seemed to be admiration. But before she could decode his expression, let alone enjoy it, his face darkened to bafflement: a crazy stranger had taken the place of his wife. It wasn’t the first time she’d screamed at the construction workers, but never when Leon was home.

I didn’t say anything, Claudia joked, hoping to restore herself in both Leon’s mind and her own. She considered telling him how overwhelmed she felt by the noise, but he wouldn’t understand that in order to survive the emotional and physical saturation of living here, she had begun conjuring imaginary paths of escape: were she to walk deeper into Riverside Park, she’d arrive not at the highway or river, but at a bucolic green field. But with the noise, those pathways were sealed off. The walls closed in.

They’re building a thirty-story building outside our window. You should be used to it, Leon said as she flipped through the blue pages at the front of the phone book to find the number for the local precinct.

I’d like to make a complaint, Claudia said to the desk sergeant who answered. When she explained the problem to the person on the other end of the phone, she was told to call 311, the number for non-emergency situations. When she did, a recording informed her that she’d reached the City of New York and invited her to leave a message. Unwilling to give up, she called the local precinct again, and this time the officer asked for the location of the site. A rush of optimism: There were people to call when something was wrong. Someone out there was still in charge.

You’re going to wake Emma, Leon said.

I don’t think so. She had a hard night. I heard her and Steven fighting.

Did he leave?

Yes, but I would think that he’d at least offer to stay for a few more days, Claudia said.

It’s a broken ankle. She’s going to be fine.

It’s more than that, Claudia said.

Their daughter, Emma, had called a week earlier to tell them that she’d broken her ankle jogging and wanted to stay with them until it healed. Her fiancé was going to be away for most of the summer at a writers’ colony, where he planned to finish a novel. Claudia was happy to have Emma home, but she was unable to allay her concern that something more was wrong.

After giving her a few more baffled looks and offering further reassurances that Emma was fine, Leon left the bedroom. Claudia thought about calling him back, to talk more about Emma or explain her behavior, but having another conversation about their daughter would only make her feel more concerned; instead of feeling Leon had understood her need to scream, she would only feel embarrassed.

Claudia went back to the window, which was now vibrating from the level and proximity of the noise. She screamed once more, though this time any feeling of relief eluded her.

In the living room, Leon was talking to Emma, and Claudia strained to hear their conversation, both relieved and disappointed when they failed to mention her screaming. She went closer to the living room, standing quietly outside the entryway.

What time is it? Emma asked as Leon opened the front door, surely trying for a quick escape.

The crack of dawn, he said.

No, really.

Were you out here all night? he asked, and Claudia had to hold herself back from rushing into the room with her own list of questions.

I couldn’t sleep, Emma said.

Why not? Leon asked.

My ankle was hurting. You wouldn’t believe how tight this cast is. It hurts worse than the break itself.

On the surface Emma’s voice was light and cheerful, and Leon fell for it. He might be the therapist but Claudia knew her daughter better than that. Leon walked out of the apartment as though nothing was wrong, in a hurry to perform the bizarre urban ritual of alternate-side parking. You’d sit in your car even if you didn’t have to, Claudia once quipped, and he’d had to agree. If there were no law requiring him to move his car to make way for the street cleaners, he’d need to invent one. Once she had asked him what he did while he sat in the car. I read the paper. I watch people, he had said. She’d always understood that he preferred to see people this way, from an observational perch, or else in his office where clear boundaries were in place. Though Emma had both their last names—hyphenated as though it were so easy to connect two people—Leon deftly stayed on the outskirts of any family issue. She had long ago accepted the fact that she bore primary responsibility.

So when did Steven leave? Claudia asked, entering the living room where Emma was sprawled on the couch.

I was asleep. He didn’t want to wake me.

As Claudia scrutinized her daughter’s face, her worry flared once again. Her daughter looked uncharacteristically withered, pale and skinny even by Manhattan standards. She had been wearing the same black sweatpants for days, a departure from her typically colorful ensembles. Even the brightness in her eyes was dimmer, and her long curls, which usually haloed her head and boldly announced, Here I am, seemed deflated.

I thought we could go out later. Have you been to Georgia’s, that new café on Broadway? I’ll call Dad. Maybe he’ll come too, Claudia said. She wanted to grab her daughter into a hug and tell her how much she loved her, but Emma would take this unexpected gesture as a declaration of overbearing concern.

The prospect of a plan roused Emma. Sitting up, she shook off some of her weariness, and a glint of the old Emma peeked out. Claudia was used to her daughter full of action and energy. After a few post-college years spent finding herself, Emma had decided to pursue a PhD in French literature at Columbia, which Claudia took as an affirmation of her own academic work, as though by following in her footsteps her daughter had purposely paid her the highest of compliments. She had to restrain herself from asking to read the dissertation chapters Emma had written or offering too much advice about the best way to tackle so large an endeavor. But nothing could quell her pride in her daughter’s accomplishments. Claudia’s own career as an art historian had been marked with disappointment and struggle, but it was clear that Emma was destined for success.

Feeling more hopeful as well, Claudia helped Emma to her bedroom where clothing was strewn on the floor. Unwashed plates were piled on the dresser, the kind of chaos that Emma’s presence had always generated. They had grown used to the way she swept into the apartment, in the throes of conversation, upending everything in her path. When Emma was young, Claudia used to go into her room at night and create order so that Emma awoke to her clothes and toys returned to the shelves, night the great restorer of all that had come undone during the day.

Did you and Steven discuss the possibility that he would stay home until you were better? Claudia couldn’t help asking. Steven had been the latest in a long string of boyfriends, but this was the first whom Emma hadn’t tired of after a few months. She hadn’t been surprised when they announced their engagement—this was the first time her daughter was so visibly smitten. She liked Steven as well and was proud at the prospect of having him as a son-in-law. When Emma first told her whom she was dating, she had hurried to read his short story collection, published when he was only twenty-seven, because how often did you get such uncensored access to your daughter’s boyfriend?

I wanted him to go, Emma said.

I would think you’d want him with you.

Mom, Emma scolded.

I was just wondering, Claudia said, while folding two of Emma’s shirts.

You know that’s not what you were doing, Emma said, but her expression clouded. Wishing to believe what her daughter was saying, Claudia had a moment’s yearning for the young Emma who always told her exactly what she needed. With her small hands on her face, Emma had looked her in the eye and said, I love you the whole world. By the time Emma was two, she sat with them at restaurants, sampling whatever they placed before her. It had been hard not to treat her like an equal member of their threesome, Emma between them, a hand in each of their hands. Even years later, when she and Leon walked down the street with her, Claudia couldn’t hold back a stir of pride: This is who we are. This is who we have made.

Emma, honey, are you and Steven okay? Claudia asked.

Of course we’re okay, Emma said, trying for a smile but not meeting her eye. She pinched her mouth shut, and Claudia was certain that if Emma’s ankle had allowed, she would have jumped up and fled.

IN THE MORNING, both couples had disappeared from view. The only signs of life were the sounds of jackhammering from the construction site across the street, then a voice screaming, Shut up, shut up, shut the fuck up! Nina looked out the window, hoping to catch a glimpse of the face behind the rage. Once again, she was alone with the kids. Jeremy had come home sometime during the night and by the time she woke up, he was already gone for the day. Last night, like every night, he’d promised to leave work earlier yet was delayed for one reason or another. She had grown accustomed to a phantomlike figure coming into the darkened apartment, slipping beside her into bed when she was already asleep.

She was pulled away from the window by an eruption of need, Max wanting his truck, Lily needing to nurse. One demand let loose a cacophony of other demands. Nina picked up Lily with one hand, while with the other she foraged among the pile of toys for the missing truck. Hungry now as well, Max began pinching Lily’s foot; Nina detached Max’s fingers from Lily’s toes and pulled the red battery-operated truck from under the couch. As Nina latched Lily onto her nipple, Max grabbed the truck and drove it across her lap, over her shoulder, into her hair, which became entangled in the mechanized wheels.

Is my truck broken? Max asked as the truck dangled from her hair. Did you break it? he screamed.

Was it too late to call her law firm and beg for her job back? She’d worked until Lily was born and then, instead of returning after her maternity leave, had given notice of surrender. Nina ripped the truck out of her hair and handed it back to Max. A tuft of hair was wrapped tightly around the wheels, but it would take a better mother than she to patiently pick out each strand.

She had to get outside. She would walk them to sleep, to the end of Manhattan if necessary. After packing up the kids, Nina maneuvered the double stroller into the elevator, hooking a sharp turn to make it through in one try. Otherwise she’d have to back out and reposition herself, while ignoring the impatient looks she got from the less encumbered passengers. These same people looked strangely at her when she used the elevator ride to comb Max’s hair with her fingers or to remove the sleep encrusted at the corners of Lily’s eyes. Her neighbors didn’t want to see the inner workings of her life this close up. But she tried not to care what they thought. She’d made it out of the apartment, and that alone was an accomplishment. The first time she ventured out with both kids, she had expected the doorman to applaud.

Her upstairs neighbor was inside the elevator and Nina cringed. Either out of loneliness or intrusiveness, this woman regularly penetrated the scrim of friendly anonymity that was the building’s code of etiquette. Standing too close, talking too loudly, she liked to apprise Nina of all the things she was doing wrong.

It’s very damp out, the neighbor said, then turned to Max. What do you think? Is your mommy smart to be taking you out in weather like this?

Nina could point out Max’s fireman raincoat and matching hat, both bright yellow with the sheen of patent leather, which, in the throes of a fireman obsession, he wore every day. But her neighbor would find fault in whatever she said. She may as well say that Mommy is planning to take them outside naked, to dance in the rain.

She grasped Nina’s arm. Cherish every minute, she said. It goes so fast.

Nina dawdled so she wouldn’t have to walk out with her and listen to more. She checked her mailbox and read a sign that another upstairs neighbor was posting by the elevator. Several items of my clothing were removed from the laundry room. If you took my garments by mistake, please return them immediately. If you took them intentionally, then I may not know WHO you are but I do know WHAT you are. At the bottom he’d signed Arthur Grayson, Apt. 14B.

It was the third flyer he had posted this month. The previous two had complained of noise in the stairwells and of garbage cans whose lids weren’t replaced securely. He was often around during the day, talking to the doorman and lingering on the front steps of the building. In her mind, she had come to think of him as Dog Man—both he and his dog were thin and tightly coiled, as though they were about to pounce, and their short black hair seemed cut from the same bolt of fabric. He’d lived here for a few years, but she tried her best to avoid both him and his dog because though Lily hadn’t yet discovered fear, Max was terrified of dogs.

I don’t suppose you know anything about my missing laundry, he said as she tried to make it outside.

I see you around, but I don’t think we’ve officially met, she said, to ease the discomfort.

I know who you are. I hear you in my apartment, every single day, Arthur said. Her irritation rose. Forget her attempt to be friendly. He was still Dog Man to her. She pictured him and his dog wearing matching black capes as they saved the building from domestic peril. He didn’t stand idly by when neighbors failed to replace the garbage can lids. Dog Man passed himself off

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