Bruno Latour’s CLimate evangeLism
Barbara Herrnstein Smith
Bruno Latour, Down to Earth: Politics in the New Climatic Regime, Catherine
Porter (trans.), Cambridge, Polity, 2018, 128pp, £12.99 paperback.
Bruno Latour, After Lockdown: A Metamorphosis, Julie Rose (trans.),
Cambridge, Polity, 2021, 148pp, £14.99 paperback.
1. See Barbara
Herrnstein Smith,
‘Anthropotheology:
Latour Speaking
Religiously,’ New
Literary History,
47:2/3, 2016,
pp331-35; Timothy
Howles, ‘The
Political Theology of
Bruno Latour,’ PhD
thesis, University
of Oxford, 2018,
Oxford University
Research Archive.
2. Down to Earth was
originally published
as Où atterrir?
Comment s’orienter en
politique.
Bruno Latour is an uncommonly dedicated missionary, delivering provocative,
instructive and inspirational sermons, particularly to ‘Moderns’, seemingly
tirelessly for more than a quarter of a century. Though the broader aims of
what he sometimes calls his ‘project’ were not in open view in his early works
in science studies, they could be glimpsed in the ironic, admonishing allusions
to a ‘crossed-out God’ in We Have Never Been Modern and are increasingly
evident in his lectures and writings.1 Down to Earth is an essay in political
speculation and After Lockdown what Latour describes as ‘a philosophical fable’;
but both, clearly, are also sermons. At the same time, the values and virtues
they promote are by no means otherworldly. Indeed, as Latour would (and
often does) say, ‘Just the opposite!’ Refusing temptations to escape to other
worlds, keeping concerns focused on Earth, is what distinguishes reformed
‘terrestrials’ from unregenerate Moderns.
We are all, Latour tells us in Down to Earth, left aloft in space by ‘the loss
of a common orientation’ (p1). Questions of ‘where to land’ unite us across
national and ethnic divides.2 Anxieties about future habitable dwelling places
are shared by those displaced by planetary ills and those fearing ‘replacement’
by the migrants at or within their borders. Where other commentators see the
rise of a dangerous populism, Latour sees signs of ‘a new universalism’, grim in
collective condition but hopeful in ‘the possibility that certain political affects
might be channelled to new objectives’ (p2). It is, he writes, an ‘hypothesis’
he will explore.
Crucially, Latour explains, to be able to orient ourselves in the New
Climatic Regime we must radically readjust the political compass. Old notions
of ‘left’ and ‘right’ have been made obsolete and hobble efforts to form
effective political collectives. Friends, enemies and potential allies must be
sorted not as ‘progressive’ or ‘reactionary’ based, as now, on their positions
regarding ‘the modernisation front’ but on how they view and inhabit
Earth. The desirable new orientation emerges in Down to Earth through the
elaboration of a set of graphic metaphors illustrating different visions of the
planet, different aspirations and different ways of moving between them:
attempting, like the super-rich, to escape entirely; continuing, catastrophically,
to push outward toward a global frontier seen as infinite; seeking, like nostalgic
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Doi: 10.3898/NewF:107-8.rev01.2022
‘locals’, to return to a place that never existed; hoping, like misled faithful,
to be transported to a habitation ‘above’ (the scriptural ascensions and
elevations were toward higher values, Latour insists, not unearthly realms);
or, like those humans who become terrestrials, finally turning, like a compass
needle, toward the ‘attractor’ Earth as their recognised and desired home.
Sharp contrasts are drawn accordingly throughout Down to Earth, with
names and phrases, many invoked repeatedly, marking New Climatic
friends and enemies, virtues and vices: James Lovelock versus Galileo, Anna
Lowenhaupt Tsing versus Ayn Rand, Pope Francis versus Elon Musk; ‘knowing
up close’ rather than ‘viewing from Sirius’; ‘processes of engendering’ rather
than ‘processes of production’. Here, as in Latour’s Facing Gaia: Eight Lectures
on the New Climatic Regime (Polity, 2017), Galileo’s name is a metonym for
the scientific revolution, seen as deeply implicated in the ravages of the
planet. (The book is a revision of Latour’s 2013 Gifford Lectures, which had
the subtitle A New Inquiry into Natural Religion.) It was Galileo who taught
us to think of Earth as ‘one planet among others’. Those who followed –
philosophers and physicists, astronomers and astronauts – made us forget
that only Earth brings forth human life and is thus (via humus and natus) our
original and sole ‘nation’. Like the God’s-eye view claimed for the sciences of
a misunderstood ‘nature’, the de-familiarising, de-animating ‘view from Sirius’
was sought and claimed for knowledges of humanity, absurdly by philosophers,
disastrously by economists. In the New Climatic lexicon, ‘naturalise’ names
a deeply profaning process.
Latour’s language always bears close attention. Climate is an elastic,
endlessly metaphoric term (not only for Latour, of course), used in Down to
Earth, he writes, ‘in the broad sense of the relations between human beings
and the material conditions of their lives’ (p1). At the same time, material
is what ‘matters’ to us, or should. Importantly here, Latour writes politics or
political where others would write ‘ethics’, ‘moral’ or ‘spiritual’ (the last a term
he emphatically eschews). Moving toward the exposition of his hypothesis,
he writes:
Neither state sovereignty nor inviolable borders can take the place
of politics any longer. … The most basic right of all is to feel safe
and protected, especially at a moment when the old protections are
disappearing. This is the meaning of the history that remains to be
discovered: how can we reweave edges, envelopes, protections; how can
we find new footing …? Above all, how can we reassure those who see
salvation only in the recollection of a national or ethnic identity …? And,
in addition, how can we organise a collective life around the extraordinary
challenge of accompanying millions of foreigners in their search for lasting
ground? (Down to Earth, pp10-11.)
Read allegorically, with scriptural and homiletic allusions appreciated,
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3. See, for example,
Sallie McFague,
A New Climate for
Theology: God, the
World, and Global
Warming, Fortress
Press, 2008; Timothy
Beal, When Time
is Short: Finding
our Way in the
Anthropocene, Beacon
Press, 2022.
4. After Lockdown was
originally published
as Où suis-je?: Leçons
du confinement a
l’usage des terrestres.
Latour’s replies to these questions – and the questions themselves – are not
too different from the those offered from select pulpits and in works of a
recognisably similar genre by comparably dedicated, extensively informed,
highly literate theologians.3
Latour acknowledges in Down to Earth that the radical collective
reorientation promoted there sounds implausible. In After Lockdown,
he points to signs that it is already occurring. The confinements and
deprivations imposed on all of us by the pandemic prefigured the far more
drastic conditions predicted for life on a violently reactive Gaia.4 Ironies and
reversals abound. Forced into a different way of living, Moderns began to free
themselves from their frantic desire for ‘freedom’ (a thoroughly compromised
word, of course, but many American readers will be puzzled by Latour’s
scorn for ‘emancipation’). Made to share small spaces, they – or, as he now
begins to write, ‘you’ – came to appreciate how extensive are the attachments
that sustain them/you. From dislocated, disoriented Moderns, we are being
transformed into terrestrials: those who know that they live on Earth and
must care for what they depend on and choose to care for what depends on
them. The metamorphosis thus welcomed in After Lockdown is akin to the one
in Kafka’s story, which Latour reads appreciatively but also rewrites to frame
his own parable. In Latour’s version, Gregor Samsa’s becoming-insect is an
enabling, liberating and finally glorious event. At the end, he grows wings.
The larger ambitions of the hypotheses, fables and parables that Latour
offers are not modest: ‘altering the arrow of progress’, ‘giving another
meaning to the long history of the West, doing away with modernisation’, he
writes in an earlier book (Rejoicing: Or the Torments of Religious Speech, 2013); to
‘re-tie the Gordian knot that the sword of modernisation cut’, he writes here
(After Lockdown, p89). Latour takes some pains in After Lockdown to distance his
views from those of other theorists and activists who cite him for projects quite
different from his own. Contrary to those who would decentre the human,
he stresses the necessity of anthropocentrism (the explanatory symmetry
of human and nonhuman agencies in Latourian actor-network theory was
never a ‘posthumanism’). Contrary to those who would decentre the West, he
promotes Europe’s role in the New Climatic Regime as crucial. Down to Earth
opens with note taken of the Brexit vote and of Trump’s withdrawal of the
United States from the Paris Climate Accords. It ends with a caustic reference
to both events and something of a paean to Europe. ‘Continental Europe,’
Latour writes, ‘is said to have committed the sin of ethnocentrism and to have
claimed to dominate the world, and therefore it has to be “provincialised”
to bring it down to size. But this provincialisation is saving it today’ (p101).
To repay its debt for past crimes and because of the wisdom it has acquired
over its long history, Europe must lead the way to a restored common world.
Clearly there is much to admire and applaud here, but resistance can be
anticipated – and is, I think, called for – on several fronts. Latour’s descriptions
of planetary ills and proposals for their remedy are laid out in both books
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New FormatioNs
with extraordinary inventiveness as well as passion. The expositions are so
densely figurative, however, and, at the same time, oblique, allusive and
euphemistic, that there is always some question as to what actually is being
described or proposed. Major concepts, even with assigned valences as in
the rather cumbersome ‘globalisation-plus’ and ‘globalisation-minus’, are
invoked in ways that obscure the considerable heterogeneity and variability
of the phenomena or ideologies they name. Passive verbs and indeterminate
pronouns make it hard to pin down the reference of endorsements or
denunciations: who, for example, are included in ‘ordinary people’ as distinct
from ‘elites’. Latour, like others promoting cosmopolitics, speaks of the
need for ‘diplomacy’, and studied ambiguity may be required to assemble a
common world in the face of sharp divisions and fundamental conflicts. What
is gained, however, in keeping everyone listening – and Latour appears to
be uncommonly successful in this regard – can be lost in the hollowness of
proposals for unity or announcements of its achievement.
Latour’s interpretations of general trends and spotting of connections
among them are often strikingly original, but they are also notable for
ignoring factors seen by other analysts as crucially involved. His sense of
human motivation can appear, as a result, strangely innocent. Much is made in
Down to Earth of the ‘fears’, ‘doubts’ and ‘despair’ of ‘ordinary people’ betrayed
by the false promises of modernisation, but no notice is given to resentment
or Schadenfreude, or to the primitive affects and impulses aroused, now as
ever, by those attuned to current grievances and skilled in the techniques of
contemporary media. The impression of innocence is conveyed as well by
the oddly happy spins that Latour gives to developments regarded by many
as distinctly unwelcome. Thus, having suggested that the naming of an
environmental movement ‘Extinction Rebellion’ is an expression of ‘agonising
doubts about the flow-on of generations’, he continues:
Am I wrong to discern a similar concern on the other side of the ‘political
spectrum’ ... to the point where ‘gender theories’ are seen as an intolerable
assault ‘on the family’ that obliges people to take up ever more stridently
the ‘fight against abortion’ and the other forms of sexuality? How can we
talk more directly about engendering concerns? … At the very moment
that opinions are believed to be more radically divided than ever, aren’t
they unified, after all, by the same anguish? (After Lockdown, p39.)
That Latour frames this tortuous set of ideas as a somewhat poignant question
suggests that he is conscious of strain or of likely objections here. In a later
passage he writes, ‘I’m reduced to inventing a sort of astrology, spotting
auspicious or inauspicious alignments of celestial bodies that have become
more and more incommensurable’ (p102). Searching for signs and omens is
a practice shared by millenarians and utopians (not to mention conspiracy
theorists) of all stripes, who, like Latour, not only look for alignments but are
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especially adept at finding them.
Remarking that terrestrials such as himself are often at risk of being called
‘reactionary’, Latour writes:
When they encounter terrestrials, old-school progressives always accuse
them – this really makes me laugh – of wanting to ‘go back to using
candles’. And it’s true in fact that, if the Moderns burned their bridges
so as to rule out the possibility of retracing their steps, there are probably
only a few candles left in the boxes wrecked by the fire! But we terrestrials
are not reduced to a few bits of wreckage. Saying that we’ve gone back
to being ‘archaic’ is an understatement, we’ve become totally unused to
resorting to the axe of ‘modernisation’ … The despised word ‘tradition’
doesn’t scare us; we see it as a synonym for the capacity to invent, to pass
on and, so, to carry on (After Lockdown, p89).
Preserving traditional skills and retaining a link to past technologies is
certainly desirable, and can be critical, when faced with a return of primitive
conditions. There is nevertheless good reason to question any promotion
of ‘tradition’ as such. To continue the chain of metaphors: as Latour would
no doubt acknowledge, it was not only candles that were burned in Europe
before some modernisation of traditional thought; and, even now, there are
regions of the planet where a restoration of ‘tradition’ has been bitter news
for a good portion of the inhabitants.
Latour presses a distinction between the knowledges given by the
scientific revolution and the epistemology that celebrated and extended it.
‘We need to be able to count on the full power of the sciences, but without
the ideology of “nature” that has been attached to that power’ (Down to
Earth, p65). There is some question, however, of how to pry these apart: for
example, how to disentangle the scientific understandings represented by
the discovery of electricity, such powerful applications as domestic lighting,
and the naturalistic assumptions and broadly economic motives that have
attended and to some extent enabled and encouraged both. A related and
more difficult question is how the development of such applications can
be disentangled from the extractive and exploitative practices that often
attended them and of course still do. Latour suggests that current planetary
ills and devastations are products of mistaken ideologies and vicious practices
that arose after a catastrophic, culpable fall into modernity by sixteenthcentury Europeans, extended in succeeding centuries across the globe by
heedless, hapless progress-minded Moderns. Those naturalistic ideologies
and the various practices that attend them could also be seen, however, as
fundamentally ambivalent – contingently ‘plus’ or ‘minus’ – features of the
landscape that emerge often and everywhere from knowledges produced
by our characteristically responsive, resourceful, and exceedingly variably
motivated fellow humans.
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Latour has always reminded us of how entangled everything is – nature
with society, humans with nonhuman agents, lifeforms with other sublunar
formations – and also of how dynamic their relations are. The responsiveness
and resourcefulness of humans and the ambivalent operations of the
knowledges and technologies they produce are as thoroughly entangled as
the elements of any of the systems revealed and described by actor-network
theory or by such contemporary fields as science and technology studies
or ecological-evolutionary-developmental biology. Indeed, the latter field
seems to have become especially significant for Latour. His fascination with
the knowledge it affords of the co-producing, co-sustaining activities of
‘symbionts’, ‘holobionts’ and ‘heterotrophs’ in a remarkably Heraclitan – and,
in fact, Darwinian – universe is clear in the later chapters of After Lockdown,
especially in his detailed, often lyrical, descriptions of the adaptive flow of
lifeforms at every scale, from turtles and termites to the viral viruses of the
pandemic and the cancer cells whose resourcefulness he knows too well.
Toward the end of his fable, in a chapter titled ‘Mortal Bodies are Piling Up’,
Latour reports the interest he has learned to take in the medical accountings
of his body and very existence. His brief reflection there on his own mortality,
extremely up close and utterly naturalistic, is rather breathtaking.
Barbara Herrnstein Smith is Braxton Craven distinguished Professor Emerita
of Comparative Literature and English, Duke University.
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