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2022, Persona y Bioética
https://doi.org/10.5294/pebi.2022.26.1.6…
7 pages
1 file
Personality is a complex, nuanced aspect of the human experience. In this paper, Nyary explores the theme of personality as it relates to Susanna Clarke's novel Piranesi. In this novel, the main character Piranesi, a London native, is trapped in the House, a labyrinth with hundreds of rooms, where he has no memory of his past life. Piranesi transforms into a different person after a prolonged stay in the House. As a consequence of human nature, individuals tend to create personas that they present to others to appear more likable while withholding their true personalities. Nyary asserts that the House represents one's true personality while London represents the version one shows to the world. Broadening the scope of this metaphor, Nyary emphasizes the importance of understanding and nurturing one's true personality and the implications this has for society.
New Ideas in Psychology, 2004
The idea of the personality as a work of art offers a new conception of personality. From this perspective, personality would be the ethical and aesthetic style each person gives to their life, according, naturally, to the prevailing personal circumstances and social values. The idea is developed in two parts. In the first, which constitutes the empirical part, a historical review, from the time of Homer to the present day, reveals a 'great chain of personality', with its characteristics in each era. In the second, or transcendental part, we argue that it is some kind of work-of-art or life project that constitutes personality, whatever its aesthetic form. From this point of view, life projects, though in principle fictitious, may end up forging a person's true character, in accordance with a person-character dialectic. This dialectic is well illustrated by the literary figure of Don Quixote, but it is equally valid for anybody in everyday life. In any case, it is understood that the development of a personality is a dramatic task (in line with the theatrical sense that is at the basis of this conception). Among the most important consequences of this idea is the confirmation of responsibility as an essential constituent of the person. r
Tracing the Personality Development in the Protagonist of Home is Not a Country by Safia Elhillo, 2023
This paper explores the personality development in the protagonist of Home is Not a Country (2021) by Safia Elhillo (1990-). This paper aims to delineate the difference between the ideal and the real selves. Reality is explored to show the effects of a changing surrounding world on the individual’s personality. Nima, the novel’s protagonist, undergoes conflicting circumstances and finds herself in a state of incongruence; however, it is argued that in the course of the novel, she recognises her worth to develop a congruence with herself. This research uses the Humanistic approach to discuss the personality development of the protagonist. The Humanistic Theory of Personality Development by Carl Rogers maintains that psychology embraces an individual as a whole, which is predisposed to self-actualisation and is fundamentally good. Each person’s purpose is to seek congruence in three areas of life, i.e., self-image, self-worth, and ideal self. When our thoughts about our real selves align with the ideal selves, this indicate the congruence, which in turn, indicate that our self-concept is solid and accurate.
Evolutionary Psychology, 2013
1983
The growth of disciplines that offer knowledge of the human personality in the past century is startling when one measures that interest against previous centuries. Perhaps it is an expression of an emerging consciousness in our civilization that to be human requires a critical dimension of self-understanding previously absent as a norm. The fields that study personality range from areas of the natural sciences, through the social sciences, and, of course, the humanities. The experimental psychology of the nineteenth century, which focused on physiology, chemistry, and physics in approaching personality, still exists in the work of behaviorists. New knowledge in biochemistry continues the nineteenth century aspiration to explain temperament and mental health through the organic functioning of the human system. Medical psychiatry draws upon these traditional natural scientific methods, but since Freud has included as a dominant focus the study of personality. Personality is seen as a...
Belgrade English Language and Literature Studies, 2009
This paper examines various narrative strategies which serve to represent characters within their historical, social or political settings. Authors belonging to diff erent literary, historical and social backgrounds such as Geoff rey Chaucer, Sarah Waters and Douglas Coupland are chosen so as to provide a multicultural context for the analysis. Where the home of the character is, and how the setting aff ects their progression and development, are some of the issues discussed in the paper. What has traditionally been central to theories of character is the concept of identiϐication, which mediates between literary character as a formal textual structure and the reader's investment in it (Frow 1986: 243). What readers invest is interplay of inference, deduction and interpretation. However, this interplay largely depends on the process of narration, conducted by the omniscient narrator or a character involved in the story, and on the proper construction of the story's setting. This paper attempts to explain the ways female characters act within their settings. We focus upon the works of those writers, men and women, classic and modern, who treat their characters either as functional devices of the plot or as fully shaped personalites dealing with their milieu. Our aim is to show both the psychological impact of the setting upon the character and the functional role of the character in portraying the setting. Characterization is often vaguely described as "the depicting... of clear images of a person", his or her "actions and manners of thought and life", or as the portrayal of someone's "nature, environment, habits, emotions, desires, instincts" (Thrall and Hibbard, pp. 74-75). According
From a hermeneutic viewpoint, human beings are self-interpreting creatures. History involves a development of the interpretive resources that humans have available for understanding themselves. Building on Charles Taylor's interpretive approach to human subjectivity, this article attempts to outline some significant changes in such interpretive resources. It is argued that different forms of subjectivity go hand in hand with changing modes of self-interpretation: From a premodern notion of character, through a modern notion of personality, to a postmodern idea of identity. In a culture of character, people primarily interpret themselves according to a moral and religious perspective; in a culture of personality, a psychological (scientific as well as romantic) perspective becomes prominent, stressing individual personality and its development; and, in a contemporary culture of identity, more fluid self-interpretations centred on a consumerist perspective gain in importance.
The present research paper deals with Edith Wharton's novel The House of Mirth (1905) and Madhu Mangesh Karnik's Mahimchi Khadi (1969) (Marathi Novel) in terms of Naturalism. Wharton's novel The House of Mirth is the naturalistic masterpiece in the American literature likewise in Madhu Mangesh Karnik's Mahimchi Khadi, for the first time naturalistic aspects are fully expressed. Wharton in The House of Mirth explores the lives of New York ruling class people in a naturalistic manner. She places Lily Bart, a tragic heroine, in a society that she describes as a "'hot-house' of traditions and conventions." In the novel Wharton excoriates the relation between sex and money in turn-of-thecentury upper-class New York life, and reveals the tragic effects of a society of this kind upon a sensitive young woman by using naturalistic principles. Karnik's Mahimchi Khadi depicts the Mahim Slums people's lives in Naturalistic manner. Karnik uses this novel to raise Mumbai's consciousness of the desolate conditions present in city's slum area. The House of Mirth and Mahimchi Khadi are the novels, set in two different cultural traditions, countries and languages and ages (periods). Yet, they have the same perspective of the human predicament that provides a great significance and relevance to these novels. The moral ideals and ugly facts for human life are brought together by Wharton and Karnik in order to present contrast between them. They have thus, presented the predicament of human life in an aesthetic way in their novels. The novels thus, are thought provoking and disturbing the readers' perception of human life. Man's quest for the ideal, moral, and comfortable life and his involvement in the ugly, criminal, and immoral activities are highlighted in the novels. This understanding and predicament of the human life constitutes the comprehensive vision of the two novelists-namely
2020
The paper will focus on the representations of identity, self, fantasy and transformation in seemingly incomparable novels and films. The theoretical background of the analysis is partly based on Laura Mulvey's theory of “male gaze”, along with various critical analyses of other processes that radically change the concept of identity, love, emotion, and desire in the modern world. The novel The Enchanted April and the film Her show that the gap dividing the imaginary self and the real world narrows as the protagonists tread into beautiful landscapes as imaginary territories that bring miraculous change of personalities and relationships. In this paper, Theodore Twombly and Lady Caroline Dester are seen primarily as fugitives from their respective realities of the year 2025 and the 1920's: while Theodore seeks solace in connecting to a computer operating system designed to function as a flawless emotional partner, Caroline retreats to a garden of a fascinating mansion San Sal...
Presented at Renaissance Society of America, March 2017
The title page of Adlington's 1566 translation of Apuleius' Golden Ass advertises the "excellent narration of the mariage of Cupide and Psiches." This paper reads the ever-popular, interpolated story not just as a model for a revivified romance, but also as a theory of the soul, addressing how melancholy is cured. It compares the model of the psyche offered in Cupid and Psyche to the theories of Burton, Wright, Reynoldes, and Bright. These early modern psychologists define the causes and cures for melancholy. They offer readings of literary texts to explain how the central experience of romance--amazement--reifies trauma and then offers a pathway out of it. The literary structure of Cupid and Psyche suggests something similar. The paper explores the analogous strategies of romance, as imagined by Apuleius and interpreted by Adlington, and Renaissance psychological theory--embeddedness, ruptures, hyperbole, and repetition-- to fully imagine the causes of and cures for melancholy.
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