The Bipartite System of Laws in Paradise Lost
ERIC DUNNUM
Marquette University
W
ithin Milton’s epic, Paradise Lost, much depends on the way the Father’s
power functions. If the Father’s power functions absolutely, then the failure
of the Father’s subject (that is, Satan and his renegade angels’ fall from Heaven,
and Adam and Eve’s expulsion from Eden) is the Father’s fault, and the goal of
the epic, “to justify the ways of God to men,” remains incomplete. On the other
hand, if the Father’s power functions only sometimes or less than absolutely, he
will be depicted as less than all-powerful and the poem will not be theologically
credible. In other words, the Father’s power function (how he controls his subjects)
is both a narrative and a theological problem for Milton.1 Milton seems to have
solved this problem by creating a God character whose power is alienated from
him. It works through his absence and within his laws. That is, the Father in
Paradise Lost attempts to control his subjects through laws that absolve the Father
from the responsibility of his subjects to follow those laws, while maintaining his
omnipotence. This strategy reorients the burden of the narrative on the system of
laws and away from individual agents. By focusing on the Father’s power function,
a reading of Paradise Lost emerges that minimizes individual agency and places the
cause of the fall within the system of laws that the Father creates, a system that
eventually collapses under its own contradictory logic.
Before describing this contradictory logic, the importance of the Father’s laws and
their relationship to his power needs to be established. The Father’s power function
can reasonably be analyzed by investigating his laws because within the poem the
Father is depicted as a king and the other characters his subjects. The first time that
the reader is introduced to the Father in Paradise Lost, he is described as “sitting on
his throne” (“The Argument” Book 1). From the outset, the Father is described
in regal terms, and this characterization continues throughout much of the poem.
Because the Father functions as a king, his power will function politically, and a
political king’s power functions primarily through his decrees or laws.2 However,
as Louis Althusser has shown us, and as several generations of critics and theorists
who have followed Althusser have demonstrated, the state’s power does not merely
issue forth from the enforcement of laws, what Althusser calls the Repressive State
Apparatus, but also from and within more subtle forms of control, what he calls the
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Ideological State Apparatus. Milton’s god-king seems to work through a similarly
bifurcated system of control. The Father’s laws (what he uses to control his subjects
and get them to obey his will) take two forms, which can be categorized as external
laws and internal laws. The external laws are those commands that emanate directly
from the Father and are enforced with the threat of violence. These laws are akin
to Althusser’s conception of the Repressive State Apparatus which he maintains
“‘functions by violence’—at least ultimately” (143). This type of control works only
through violence, either the threat of violence or the enactment of violence once the
command is broken. However, the Father’s external laws are minimal; in fact, he
only commands Adam and Eve not to eat of the tree of knowledge and the angels to
obey the Son (and the Son offers no commands).
The Father’s control over his subjects goes further and deeper than these
two commands; it also works within an internal set of laws. Similarly, Althusser
argues that the state controls its subjects only partially through the Repressive
State Apparatus; it also exerts power through an ideology of obedience that can be
located within the Ideological State Apparatus, which contains institutions such
as schools, churches, and unions (143-144). The Ideological State Apparatus finds
a Miltonic analogue in a separate set of internal laws that control the subject
in ways similar to those of the Ideological State Apparatus, subtly and without
direct articulation or violence. The Ideological State Apparatus, as Althusser
theorizes it, functions through a process of internalization: these institutions teach
obedience to the state’s subjects through ideology, so that the subject believes he
or she is following his own beliefs but is actually following the dictates of the
state. Although this process of internalization no doubt occurs within Paradise
Lost (through the lessons Adam and Eve receive from the angels, for example), this
study will not focus on this specific technique of control. Instead of describing
this learning process, I argue that this ideology of obedience is always already
internalized in the subjects through laws that are worked into the fabric of creation
and implanted as “gifts” to human beings by the Father.3 The gifts are freedom and
reason, which allow the subjects to follow the Father’s internal law without being
told to do so. Freedom and reason give the Father’s subjects (angels and humans)
direct access to an ideology that ultimately follows the Father’s will. When the
Father’s laws are understood to function in these two ways, it becomes clear that
the internal laws are never broken; it is only the two external laws that are broken,
which suggests the inherent instability of the external laws. However, as will be
shown, without external law, internal law cannot properly function, making the
external laws intrinsic to the Father’s power, and ultimately the cause for the fall
and the fall of the system of law.
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Freedom, as it is portrayed in Paradise Lost, is an important aspect of God’s
power since it is a mechanism of the Father’s power, the field in which the Father’s
laws are implemented and the result of those laws. Separating the concept of
freedom from Milton’s theology and theodicy helps make clear that he considers
freedom a political tool for creating obedience rather than a theological premise
in a syllogism to prove God’s goodness. When viewed this way, the Father’s gift
of freedom paradoxically becomes a mechanism of control by encouraging selfobedience in his subjects. This paradox is produced through Milton’s understanding
of freedom, which is quite different from the post-romantic notion of the term:
freedom as the ability to act in accordance with one’s wishes and without external
restraint. For Milton, freedom is the ability to act in accordance with the wishes of
God and with inner restraint.4
This construction of freedom is clearly articulated by the Father when he
explains to the Son how Adam and Eve will fall:
They trespass, authors to themselves in all
Both what they judge and what they choose; for so
I formed them free, and free they must remain,
Till they enthrall themselves. (3.122-125)
Here, freedom and enthrallment are shown to be both linked and mutually
exclusive. Using freedom to disobey God and fall is the cause of losing that
freedom and enthralling oneself, but you cannot have freedom with sin, and you
cannot sin without freedom. Or as Thomas Wheeler states, “Freedom is full of
risks because only the possession of it makes possible the loss of it. Once it is
lost it is lost forever” (64). Wheeler’s assertion doesn’t go quite far enough since
freedom exists only when it is used properly (when the free agent is obeying God),
and it disappears when it is used to follow one’s own wishes. This loss or selfenthrallment is the punishment for misuse of freedom, and misuse of freedom is
in fact self-enthrallment. Because loss of freedom is the punishment for the misuse
of freedom, it becomes a way for God’s subjects to punish themselves—to become
“authors to themselves” of their own destruction. Freedom is both the means for
disobedience and the punishment (or self-punishment) for disobedience and so,
conversely, becomes an incentive to obey. Note, however, that freedom is merely
asserted by the Father; it is not controlled by him. He “formed them free” and does
not, seemingly cannot, interfere with that freedom once it is created because to
interfere would mean he would contradict himself, which for Milton is a logical
impossibility.5 Thus, he puts in motion this mechanism, but it exists external to
him to the extent that once it is activated it cannot be halted.
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Not only does freedom provide a mechanism for self-punishment and inner
restraint, it is also a concept that can exist only within a larger framework of
obedience and hierarchy.
This is servitude,
To serve the unwise, or him who hath rebelled
Against his worthier, as thine now serve thee,
Thyself not free, but to thyself enthralled.... (6.178-181)
Abdiel points out that servitude and enthrallment involves following one’s own
wishes not God’s—the “worthier” or superior. Abdiel’s argument is in response to
Satan’s view of freedom: “At first I thought that liberty and heaven / To heavenly
souls had been all one; but now / I see that most through sloth had rather serve”
(6.164-166). During her temptation, Eve will mirror Satan’s view of freedom when
she wonders about her place in the hierarchy and asks “for inferior who is free”
(9.825). Both these views understand hierarchy to be antithetical to freedom, but
these observations are in direct opposition to the way the Father has structured
freedom to work. For Milton, it is the very state of inferiority that allows for
freedom, the freedom to obey one’s superior. It is only in the absence of freedom,
as Abdiel points out to Satan, that one serves oneself rather than God. J.B. Savage
nicely articulates this issue when he states, “‘freely we serve’ in the sense of being free
because they serve” (292). The Father has created a conception of freedom that can
be used only to obey, for when it is not used in this approved way it devolves into
self-enthrallment. Freedom is a mechanism of obedience (and so a display of the
Father’s power) in so far as it provides the means to obey and the punishment for
disobedience both of which emanate from within the subject rather than the ruler.
Although Milton’s conception of freedom seems to encourage obedience, it does
not guarantee it. In fact it allows for the possibility of failure: “free to fall” (3.99). As
Laura Lunger Knoppers proposes, “Milton’s depiction of human failure legitimates
divine control and punishment and mandates a particular kind of inner discipline”
(55). Knoppers’ point is well taken. Freedom produces a field where God’s laws can
function since the freedom given to the Father’s subjects requires a set of guidelines
to follow in order for that freedom to be maintained through obedience.6 It is within
these guidelines (and hence within freedom) that the Father’s regal power is displayed
in two important ways: through internal and external laws.
Adam and Eve have freedom in Eden, but this freedom manifests itself in
acceptable behavior only before the fall. Adam and Eve are not forbidden from
engaging in bestiality, torturing animals for fun, or setting fire to large portions of the
garden, but they do not do any of these things, presumably because they understand
that these acts would be considered unacceptable. This is important since if they act
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against God’s will, they forfeit their freedom—freedom necessitates discipline.7 For
instance, when Adam tells Eve of the command to not eat of the tree of knowledge,
he asserts their freedom and illustrates what acts they should engage in:
Then let us not think hard
One easy prohibition, who enjoy
Free leave so large to all things else, and choice
Unlimited of manifold delights:
But let us ever praise him, and extol
His bounty, following our delightful task
To prune these growing plants, and tend these flowers.... (4.432-438)
There are essentially three actions or promised actions occurring in these lines
which can be separated into two categories: 1) Adam will not eat of the tree, 2)
Adam will praise God, 3) Adam will tend the garden. The first promised action
is in response to the “easy prohibition.” The second and third promised actions,
however, do not spring from a command but seemingly come spontaneously from
Adam. Indeed, Eve seems to think so since she attributes that idea to Adam: “what
thou hast said is just and right” (4.443).
Adam’s assertion that they have unlimited freedom is misleading since they choose
the actions only among the “manifold delights” which please God. As Knoppers
observes, “This unlimited choice is quickly and sharply limited” (552). It can almost
go without saying that the Father wishes them to praise him, as that seems to be
the reason for their creation: “for thy glory thou hast made [humans]” (3.164).
Likewise, the Father had previously told Adam that he should tend the garden.
This Paradise I give thee, count it thine
To till and keep, and of the fruit to eat:
Of every tree that in the garden grows
Eat freely with glad heart; fear here no dearth.
But of the tree whose operation brings
Knowledge of good and ill, which I have set
The pledge of thy obedience and thy faith,
Amid the garden by the tree of life,
Remember what I warn thee, shun to taste,
And shun the bitter consequences: for know,
The day thou eatst thereof, my sole command
Transgressed, inevitably thou shalt die;
From that day mortal, and this happy state
Shalt loose, expelled from hence into a world
Of woe and sorrow. Sternly he pronounced
The rigid interdiction.... (8.319-334)
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Adam was told to “till and keep” the garden; thus, he responds to the choice of
“manifold delights” in a way that pleases the Father, but this command to “till and
keep” is in stark contrast to the command to not eat of the tree, which carries with it
the threat of “bitter consequences.” There is a vast gulf between the two directives.
The first is more of a suggestion given to Adam after he awards him the garden. It
is like an instruction that comes with a gift: “I am giving you this book to read.”
The second directive clearly carries with it the force of a command, coupled with
the threat of punishment.8 It is a repressive command in the Althusserian sense:
a command linked with violence. Likewise, Adam’s recollection of these laws
illustrates this difference; he characterizes the external command as a “prohibition”
and the suggestion to work the garden as a “delightful task.” He freely offers to
tend the garden without the threat of punishment; in fact, he even enjoys it, but
the “prohibition” is obeyed without question. Raphael also provides a source for
Adam’s desire to tend the garden. During the creation scene, he tells Adam that
one of the purposes of man is “to till the ground” (7.332). However, the point
is not that Adam came up with the idea himself, but that he offered to obey the
suggestion without a threat of punishment or intervention by the Father, that
is, without an overt act of power, without a repressive apparatus. There seem to
be two kinds of laws in Eden, those that are explicitly commanded by God and
involve his explicit punishment (external laws) and those that are followed freely
without such threats (internal laws).
The angels are faced with a similar system of laws. After God creates his Son,
he tells his angelic subjects:
him who disobeys
Me disobeys, breaks union, and that day
Cast out from God and blessed vision, falls
Into utter darkness, deep engulf, his place
Ordained without redemption, without end. (5.611-615)
This command, like the command not to eat of the tree, demands obedience
and threatens with violence. However, it seems that the angels are able to obey
and please the Father without such laws. Perez Zagorin remarks that “Paradise
Lost emphasizes the hierarchic character of celestial society.... Within the hierarchy
of heaven, however, superior merit founded on virtue holds the highest place”
(129).9 The angels’ ability to be placed in various positions within the hierarchy
according to their own merit assumes that they are able to please the Father to
a greater or lesser degree. For instance, when they approach the Father, they
are described as carrying banners on which are written “acts of zeal and love”
(5.593). Their actions are indeed judged, but there does not seem to be an external
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command against which their actions can be judged. This system of merit stands
in opposition to the external command to obey the Son, which brings with it the
threat of punishment, not promotion.
Indeed, Satan is able to point out just this dichotomy between acts that are
freely given and those that are commanded. When he attempts to convince his
fellow angels to rebel, one of the most effective strategies he employs is to point
to the novelty and uselessness of the law to obey the Son. He asks, “[Who] can
introduce / Law and edict on us, who without law / Err not” (5.798-799). This
challenge illustrates that this is the first command that the angels have been
given, for as Bennett suggests, “up until now [they] have been free and have acted
without checking their actions against a codified law” (75). Satan’s question also
shows that before this law they did not err. The idea that they have not erred
without being issued a command implies, if we are to take Satan seriously here,
that they were able to please the Father without an external command from
him, which further implies an internal ability to please and obey him. It also
seems to imply that there are laws to obey, which do not take the form of an
external command because in this context to not err signifies not breaking a law,
indicating that a law exists. Bennett’s modifier “codified” is suggestive; there did
indeed seem to be law in heaven before the Son’s entry, it simply was not codified
or articulated, that is, externalized. Instead, the angels seemed instinctively or
intuitively to understand how to “Err not,” thereby achieving merit. There are
two sets of laws in heaven, as on earth: those that have just been introduced and
explicitly enforced and those that preceded such explicit law, the internal laws
that have not been codified.
Eve clearly illustrates the distinction between these two laws when she responds
to Satan’s initial temptation:
But of this tree we may not taste nor touch;
God so commanded, and left that command
Sole daughter of his voice; the rest, we live
Law to our selves, our reason is our law. (9.651-654)
Again this illustrates the dual nature of God’s commands: there is his sole command
and what Eve calls the “law to our selves.”10 Eve’s speech also illustrates how these
internal laws are followed, through reason—a mechanism of power that the Father
puts into place to enforce the internal law. This mechanism of power functions
in Paradise Lost, like freedom, not as a neutral concept but as a way of controlling
behavior even while it exists apart from the Father.
Michael explicates the mechanism of reason when he explains to Adam why the
postlapsarian world will contain tyrants:
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Justly thou abhorr’st
That son, who on the quiet state of men
Such trouble brought, affecting to subdue
Rational liberty; yet know withal,
Since thy original lapse, true liberty
Is lost, which always with right reason dwells
Twinned, and from her hath no dividual being:
Reason in man obscured, or not obeyed,
Immediately inordinate desires
And upstart passions catch the government
From reason, and to servitude reduce
Man till then free. (12.79-90)
Here liberty (the ability to do good) and rationality (the ability to discern the good)
are linked.11 They must dwell in harmony to function properly. This concept of
“rational liberty” leads Bennett to comment that Adam and Eve could behave like
the angels, whose “own actions, though freely willed, [are] so closely in harmony
with their ruler’s will as to be thought of as part of him” (65). Following a similar
train of thought, William Walker notes, “What obeys reason is free” (149). Even
though freedom is the field where God allows for and encourages obedience, or the
possibility of obedience, in his subjects, it is reason which controls those subjects
and leads them to choose the correct actions, and those actions, as Bennett points
out, are similar if not identical to the will of God. Reason then is not a neutral
concept, which allows individuals to think on their own to reach individual
conclusions, but is rather an ability given to humans in order to control their
behavior. It is a part of the Father’s power function.
Several critics have posited a similar conception of reason, reason as a form of
law that demands obedience. Richard Arnold, who gives the most detailed analysis
of reason, calls this conceptual construction “right reason” and traces it to a long
theological tradition, which differentiates between right and pure reason—a
construction that Milton adhered to. For Arnold, “right reason” comes from God,
whereas “pure reason” is ultimately created by Satan: “Right reason, revealed as
the ‘prime wisdom’ in Paradise Lost, is divinely bestowed on Adam and Eve at
their creation: God gives them ‘Right reason for their Law’; whereas syllogistic
reasoning, portrayed as ‘notions vain,’ will characterize and perpetuate Satan’s
‘studious thoughts abstruse’” (24). Arnold goes on to argue that the use of pure
reason is the ultimate cause of the fall. However, he seems to be interpreting the
poem as engaging in the intellectual debates of his time: “The intellectual history
of the seventeenth century can be seen, at least in part, as a conflict between the
upholders of right reason ... and the proponents of the new mentality of pure
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reason and inductive scientific inquiry” (11). This didactic purpose of the poem
does not fully account for the foundation of the fall. This becomes clear when one
takes into account Arnold’s understanding of the origin of right reason: “reason
rectified to its pre-lapsarian wholeness and clarity of vision” (7). In other words,
it seems that in a pre-lapsarian world right reason functions perfectly. Thus, it is
difficult to understand (based on Arnold’s distinction) how pure reason entered
a pre-lapsarian world.12 He points to Satan as the ultimate cause of pure reason,
but does not explain why Satan would resort to this type of reason, when he, like
Adam and Eve, had the “clarity of vision” of right reason to guide their actions. In
short, if pure reason exists in Paradise Lost, it seems to exist as a way of criticizing
“inductive scientific inquiry” via the story of the fall, rather than as a part of
Milton’s effort to give a theological/historical narrative of the fall. Nevertheless,
the important aspect of reason that Arnold clarifies is that reason in a pre-lapsarian
world is almost synonymous with God’s will. If reason does not correspond to the
Father’s will, then it is no longer “right reason.”13
Perhaps the most stunning example of reason dwelling in harmony with the
Father’s wishes occurs when Adam, in his first conversation with the Father,
challenges the wisdom of his creation by arguing that the Father should have
paired Adam with a female mate. John Leonard claims that Adam’s “sudden
apprehension” tells him how far he is from understanding “his Creator’s glory”
(25). However, Adam does seem to understand at least a part of his “Creator’s
glory” since he is able to use his reason to reach the conclusion that the Father
wished him to arrive at all along: that he (like the animals) should have a mate. For
when the argument between God and Adam is finished, God states:
Thus far to try thee, Adam, I was pleased,
And find thee knowing not of beast alone,
Which thou hast rightly named, but of thyself,
Expressing well the spirit within thee free,
My image, not imparted to the brute,
Whose fellowship therefore unmeet for thee
Good reason was thou freely shouldst dislike.... (8.437-443, italics mine)
Here is what Arnold calls right reason: reason that spurs the reasoning subject
to action. In this case, the action is an argument with the Father. His reason
informs this discourse which pleases God. In other words, what follows reason
follows God’s will.14 Although this process would not be described as a law in the
traditional sense of “though shalt do this” and “thou shalt not do that,” it is a form
of law in the sense that it rules a set of interior guidelines, which influences, indeed
controls, how one acts. What else could have informed Adam’s challenge of God
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within a few moments of his creation? Adam did not recall explicit instructions
from God (no such laws were given), but rather he discovered the internalized
law through reason, the same mechanism that helps Adam and Eve curtail their
“manifold delights” in ways that are pleasing to God.
This description of reason requires two caveats. First, Milton seemed to be of
the opinion that reason precedes God. Bennett makes this observation, pointing
out that within Milton’s poetic vision “law is only descriptive and only secondarily
or derivatively prescriptive” (65). Andrew Milner concurs, citing Milton’s defense
of regicide: “when Milton seeks to justify the execution of tyrants on the grounds
that God has so commanded, he is careful to add that: ‘It was not therefore lawful
to kill a tyrant, because God commanded it; but God commanded it because,
antecedently to his command, it was a justifiable and lawful action’” (116). This
is important if we are concerned with whether God is a good king or not since if
reason exists prior to God, then the Father’s gift of reason to humans becomes a
way for humans to enjoy the same harmony with reason that God enjoys. However,
for a discussion on how the Father’s power works in Paradise Lost, this distinction
is less important since if God is necessarily reasonable, and this same reason is
placed within human beings, then reason is still the internalized law of God. Put
another way, if God follows reason, obeying reason is obeying God. Second, this
description of reason only concerns itself with the Father’s human subjects since,
unlike freedom, reason seems to be a mechanism that functions differently in
angels from the way it does in humans. The Father explicitly mentions that both
angels and humans are responsible for their own freedom—“Sufficient to have
stood, through free to fall / Such I created all the ethereal powers” (3.99-100)—
so the discourse surrounding the fall of the rebel angels is concerned with this
mechanism. On the other hand, angels are described as having a higher command
of reason, reason raised to the level of intuitive knowledge. However, as Raphael
tells Adam, these two types of reason differ “but in degree, of kind the same”
(5.490). Without stretching the tenuous connection between angels and humans
too far, once can reasonably assume that this reason (“of kind the same”) works
in angels as it does in humans: to internally channel freedom into appropriate
actions.
Thus far, the Father’s power has been located within concepts which function
within his subjects. He exercises this power by creating the mechanisms which
allow or force his subjects to control themselves by following an internal reason
and exercising their freedom or, conversely, enthralling themselves. However, in
the scene where Adam challenges the Father, he also tests his subjects thereby
reinforcing those mechanisms. In the case of Adam’s challenge, that mechanism is
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reason, that which allows Adam to understand actions that will please the Father.
This type of reinforcement also occurs through the Father’s more active powerrole of observation. Milton’s God is orthodox in the sense that he is omnipresent
and omniscient, and several critics have pointed out how God’s role as observer
functions as a means of controlling his subjects via self-discipline. For instance
Wilma G. Armstrong, following Foucault’s analyses of eighteenth-century
France, cites numerous examples of God’s surveillance system in Paradise Lost and
concludes, “The ultimate goal of surveillance in either a Miltonic or Foucauldian
system is discipline.... Milton envisions a society of reformed, redeemed individuals
who observe God’s laws spontaneously and not through fear” (104).15 Rather than
rehash this argument, I will merely point out that God’s role as observer is another
way of reinforcing the mechanisms of power that he puts in place, and suggest
that the Father’s surveillance allows him to reinforce these mechanisms without
directly interfering, thereby further separating himself from these mechanisms and
internalizing them within his subjects.
This method of controlling his subjects is in direct opposition to the explicit
way God punishes them. The mechanisms of power that enforce the internal laws
(i.e., reason and freedom) are not utilized to enforce the external commands.
Again, Eve’s response to Satan’s initial temptation is instructive (9.651-654). The
“sole daughter of his voice” is not linked with reason and is described as coming
directly from God instead of existing internally.
Likewise, after Adam and Eve fall, the epic voice describes the fall in terms that
separate the two types of laws:
Of man, with strength entire, and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered
The high injunction not to taste that fruit.... (10.9-13)
Here, “discovered” and “remembered” illustrate these two forms of laws. They
could have discovered how Satan’s ploys worked through reason, but all they had
to do is remember the external command “not to taste that fruit.” The punishment
for this sin also follows a similar distinction.
But fallen he is, and now
What rests, but that the mortal sentence pass
On his transgression, death denounced that day,
Which he presumes already vain and void,
Because not yet inflicted.... (10.47-51)
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It seems that Adam and Eve are already fallen even though God has yet to inflict
punishment. Indeed, shortly after Adam eats the fruit, he is described in fallen
terms:
Soon as the force of that fallacious fruit,
That with exhilarating vapour bland
About their spirits had played, and inmost powers
Made err,
...
Soon found their eyes how opened, and their minds
How darkened; innocence, that as a veil
Had shadowed them from knowing ill, was gone....
(9.1046-1049, 1053-1055)
The fruit immediately affects their “inmost powers.” Presumably these inner
powers are their reason and freedom, which Michael tells Adam are lost after the
fall (12.82-84). The narrator also describes the fall as affecting their minds and
their vision, their unfallen ability to ignore evil and only see the good. All of
these effects of the fruit take place within human beings and come without the
direct intervention of God. Here again is the self-enthrallment that is built into
the mechanisms of freedom and reason. This punishment works on its own, and
all that is left (“and now / What rests”) is for the Father to enact the external
punishment.
The Father enacts this secondary, external punishment through his son by
transferring his power to him: “to thee I have transferred / All judgment” (10.56-57).
Hence, the Son speaks for the Father when he judges Eve, saying to her, “Thy sorrow
I will greatly multiply / By thy conception; children thou shalt bring / In sorrow
forth,” and to Adam, “I charge thee, saying: Thou shalt not eat thereof, / Cursed is
the ground for thy sake” (10.193-195, 200-201). This punishment does not affect
their inner selves but affects their outer bodies. Furthermore, it comes directly from
God (“I have transferred,” “I charge thee”) rather than through the mechanisms that
he creates. The external law concerning the tree is a completely different paradigm of
law and punishment than those mechanisms of power that punish from within the
subjects that they work upon. With the breaking of the external law does come the
inner self-enthrallment, but the delay between the self-enthrallment and the external
punishment illustrates the distinction between the two. The external punishment
of the Son comes after the mechanisms of power (which have been in place since
creation) have already been activated by the subjects they work upon and within.
The internal law was never broken; it was the transgression of the external law that
triggered the enactment of inner self-enthrallment.
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Likewise, Satan and his allies are also externally punished for breaking the
external law. After Raphael finishes his description of the war in heaven and Satan’s
ultimate defeat by the Son, he tells Adam the lesson of Satan’s fall, describing it as
a “terrible example the reward / of disobedience; firm they might have stood, / Yet
fell; remember, and fear to transgress” (6.910-912). It should be remembered that
the entire narrative of the war in heaven is Raphael’s response to Adam’s question,
“What meant that caution joined, If ye be found / Obedient?” (5.513-514). Satan’s
punishment is framed in terms of obedience and disobedience: that is, the story is
told to teach Adam to obey the sole command of God (the external command).
Similarly, before Raphael begins the story, he gives a short speech urging Adam
to obey (5.519-543). Throughout the speech Raphael does not discuss reason.
Like Eve’s distinction between “sole command” and “reason is our law,” Raphael’s
omission illustrates that reason is not used to obey the external laws. Instead, the
story of Satan’s fall from heaven is firmly cast in terms of external punishment and
external law.
Like Adam’s fall, Satan’s fall comes with internal punishment, not from breaking
internal laws, but from breaking the external law. For instance, when Satan views
creation and comments upon its beauty, he complains:
but I in none of these
Find place or refuge; and the more I see
Pleasures about me, so much more I feel
Torment within me.... (9.118-121)
Satan is unable to find solace from his suffering because his suffering is within
him. His vision, like Adam’s vision after he falls, has been corrupted so all he
sees produces misery. In fact, he suggests that if he were in Heaven, “much worse
would be my state” (9.123) since, from his viewpoint, that great good of Heaven
would be transferred through “the hateful siege / Of contraries” (9.121-122) into
great evil. A more concrete example of his fallen state occurs when he hatches the
plot to rebel against the Father, and Sin springs forth from his head. This birth
is described in painful terms and juxtaposed with the subversive plot: “In bold
conspiracy against heaven’s king, / All on a sudden miserable pain / Surprised thee,
dim thine eyes” (2.751-753). Although Sin, and her progeny Death, do not really
punish Satan (in fact they end up becoming his allies), the initial pain that comes
from within which is linked to Satan’s “bold conspiracy” is an internal or selfpunishment brought on by the breaking of an explicit command, the command
to worship the Son. However, this inner punishment is not linked to the Father’s
power (his mechanisms of power) in the same way that freedom and reason
are explicitly shown to be given to humans by the Father. Again, the tenuous
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connection between angels and humans is stretched. Nevertheless, the paradigm
of internal punishment mirrors the one that Adam and Eve are subject to, and, in
any case, in an ex deo universe the mechanism that functioned to create Sin would
presumably originate in God.
Although the mechanisms of power break down with Adam and Eve’s fall and Satan’s
rebellion (the Edenic couple and the rebel angels are both punished from within), this
rupture of the system of inner laws is the result of the breaking or plot to break the
external laws. In other words, the mechanisms of power only break down when they
are linked to the transgression of the external laws. It is the external laws that attract
subversion not the internal laws. It is clear that these internal mechanisms of power
stay intact before the transgression of the external law because of the binary portrayal
of freedom and its link with reason. As illustrated when Adam falls, great pains are
taken to describe his fallen state (9.1046-1049, 1053-1055), where those mechanisms
of power (the “inner powers”) start to err. Likewise, Michael’s description of tyrants
illustrates how reason and liberty are to a certain extent lost after the fall (12.79-90).
Satan’s assertion that he did not err before the institution of the external command to
worship the Son (5.798-799) illustrates that these internal mechanisms functioned
before such external laws were articulated and then promptly broken. Paradoxically, it
is the tenuous nature of the external commands that is the reason for their creation and
articulation: they are made to be broken.
The instability of the external laws is noticed by Adam when he is told of all the
commands that will be given to humans after the fall:
But now I see
His day, in whom all nations shall be blest,
Favour unmerited by me, who sought
Forbidden knowledge by forbidden means.
This yet I apprehend not, why to those
Among whom God will deign to dwell on earth
So many and so various laws are given;
So many laws argue so many sins
Among them; how can God with such reside? (12.276-284)
Adam’s discourse links his transgression of the external command to not eat of the tree
and his question about the reasonableness of other external commands: he acknowledges
that he broke an external command and then immediately asks why such laws are put
into place. Michael’s answer to this question is instructive: “And therefore was law
given them to evince / Their natural pravity, by stirring up / Sin against law to fight”
(12.287-289). This line is often glossed as a reference to the Protestant belief that Old
Testament laws are given to manifest or “evince” humans’ fallen and therefore depraved
164 h ROCKY MOUNTAIN REVIEW h FALL 2010
state. However, this interpretation of Michael’s answer picks up on only one of the
possible meanings of Adam’s phrase, “So many laws argue so many sins.” “Argue” can
mean “evince,” but in this context it can also mean something like “follows” or “comes
with,” as it does in Shakespeare’s 2 Henry IV: “So bad a death argues a monstrous life”
(3.3.30). When “argue” is read this way, Adam is making a strong connection between
sin and laws. The one follows from the other. This reading of the lines amplifies
Michael’s phrase “stirring up.” Laws stir up, or provoke, sin because sin and laws are
necessarily linked. That is, laws seem designed to provoke sin and transgression. If we
are to accept the link between the external law that Adam broke and the external laws
that are articulated after the fall (which seems tenuously suggested by Adam), then the
purpose of the external laws to worship the Son and not eat of the tree are also designed
to stir up sin. External laws argue transgression.
This reading of the poem’s description of laws is similar to Stanley Fish’s wellknown argument that the command to not eat of the tree is a kind of test. He offers
this reading of the poem through his distinction between faith and reason; the law
to not eat of the tree stands as a test of faith that works against reason. “If Adam
and Eve agree that it is reasonable and, as far as they can see, attractive to not eat the
apple, obedience is not only possible, but easy, and an inadequate test of faith” (243).
Walker challenges Fish’s argument that it is lack of faith and not faulty reasoning
that is responsible for the fall; for Walker, the command to not eat of the tree is not
unreasonable because reason and obedience are always linked, and so to obey God
is reasonable, and thus “rational analysis of their situation is of the utmost relevance
to their freely chosen obedience and the happiness that depends upon it” (155). To
further explicate the situation, Arnold offers yet another distinction. He argues that
it is impure reason not right reason that leads Eve to eat of the tree of knowledge
and thus disobey the Father. However, under the radical break between external and
internal commands that I have attempted to establish, a different reason emerges for
Eve’s failure since neither reason (impure or otherwise) nor faith is required to follow
the external law—all that is required is fear of punishment, fear of the repressive
apparatus that the Father clearly articulates. Satan, when he tempts Eve, draws on
this requirement for obedience to the external law:
Queen of this universe, do not believe
Those rigid threats of death; ye shall not die:
How should ye? By the fruit? It gives you life
To knowledge. By the threatener? Look on me,
Me who have touched and tasted, yet both live. (9.684-688)
Satan knows that once he renders the threat of punishment moot, the external
command is no longer effective. Satan knows this because he himself did not
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believe that he would be punished for breaking the external command. When
he reaches Hell he asks, “who knew / The force of those dire arms?” (1.93-94).
In short, the threat of violence does not work in either case. Furthermore, given
Adam’s suggestion that external laws argue sins, the creation of external laws all
but guarantees sins. What Paradise Lost seems to be telling us is that external
commands do not work. Of course, it is possible to posit another narrative where
the external laws are not broken and the internal laws continue to function, but
that is not the narrative of Paradise Lost.
It is the effectiveness of God’s rule through his mechanisms of power and the
internalized law that makes the external law, which by its very nature is ineffective,
necessary. The ineffectiveness of the external law is somewhat like the anecdote of the
Persian rug maker who gets so good at his art that he must improperly tie one knot
less he attain perfection and rival God. The Father’s power cannot operate perfectly;
perfection is not the desired result. Again Milton’s belief that God cannot contradict
himself is important. The Father cannot create subjects who control themselves
through the mechanism of freedom and reason and have those mechanisms work
so well that they limit freedom, for if they limit freedom, then those mechanisms
of power cease to function. Apparently, the way out of this contradiction is to
create a separate set of laws that works externally, thereby, bypassing the internal
mechanisms of power that would ensure perfect obedience. Those external laws
produce transgression, which then undermine the internal laws. In short, it is the
structure of the Father’s power (his bipartite system of laws) which produces the fall.
Notes
1
Dennis Danielson has thoroughly investigated how Milton’s narrative and his theology
interact and depend on one another. However, Danielson focuses on the Father’s goodness (i.e.,
his theodicy); I primarily focus on Milton’s portrayal of the Father’s omnipotence.
2
This depiction has puzzled many readers of the poem, particularly those who have viewed
Paradise Lost alongside Milton’s political beliefs, which are almost always vehemently anti-monarchy.
Several critics have addressed this issue and proposed various solutions to the apparent contradiction
between Milton’s poetical god-king and his view of kings in general. Malcolm Mackenzie Ross is
perhaps the first to confront explicitly the contradiction between Milton’s political imagery and his
beliefs and actions. Ross views this as an inevitable contradiction since regal imagery is so thoroughly
linked to the power and might Milton needed in order to convey a powerful God, but Ross reads
Milton as being aware of this contradiction and trying to make a clear distinction between the
heavenly kingdom and the earthly kingdom, though he sees this as a poetic failure. Likewise, Robert
Fallon traces the imagery of Paradise Lost to the various monarchies of Milton’s time but argues that
this does not contradict Milton’s negative opinion of kings since, as he argues, Milton did not have
a problem with kings, only tyrants. Similarly, Stevie Davies sees monarchal imagery in Paradise Lost
but finds such imagery in all the major characters in the poem not just the Father; furthermore, he
argues that Milton gives the Father regal qualities because he is necessarily a good king and deserving
166 h ROCKY MOUNTAIN REVIEW h FALL 2010
of such attributes in a way that earthly kings are not. Roger Lejosne agrees, arguing that Milton put
himself into the role of Satan (and Salmasius into the role of Abdiel) only to illustrate that while
Milton was right on earth, he would be wrong in heaven. Conversely, Bryson argues that the Father
in Milton’s epic is not a good king but a tyrant and is an illustration of the false way God has been
imagined for hundreds of years. Like Ross, Bryson sees Milton as making use of the theological
imagery that he is forced into using, but unlike Ross, Bryson points out that Milton is critiquing this
imagery while using it rather than merely differentiating himself from it. Richard F. Hardin provides
a similar reading of the poem but places Milton’s critique of kingship in Hell and in the figure of
Satan. Yet another point of view is that of Joan S. Bennett who believes that we should judge the
Father’s heavenly government according to the rules that Milton sets up for earthly government. She
concludes that the Father has produced an effective political regime in heaven.
3
Thus, I will not be offering, strictly speaking, an Althusserian reading of Paradise Lost.
Rather, I will use Althusser’s notion of RSA and ISA as a critical tool to investigate the Father’s
system of laws.
4
Michael Schoenfeldt also notes how Milton’s conception of freedom (what he calls autonomy)
is different than a contemporary understanding of freedom. Schoenfeldt, following William
James, traces it to a “post-Romantic suspicion of the virtue of obedience” and a “Protestant belief
in economic self-reliance” (363). Stephen Fallon, however, shows that Hobbes provided another
concept of freedom for which “liberty lies in the absence of external impediment in acting on
the necessary choices” (37). Thus, Milton’s conception of freedom was not merely inherited, but
was strategically chosen. For a detailed discussion of the difference between Hobbes’ and Milton’s
notions of freedom, see Martin Dzelzainis’ “Liberty and the Law.”
5
Harinder Singh Marjara makes this assertion that Milton subscribed to the belief that
God’s omnipotence is subject to the law of non-contradiction (225).
6
Although her broad line of reasoning will be followed, Knoppers focuses on familial and
penal models of self-discipline, whereas I focus on the political power of the Father.
7
See Christopher Hill’s Milton and the English Revolution for a discussion of this tension
between freedom and discipline in Milton’s thought (253-267).
8
Earl R. Boggs suggests that their decision to not eat of the tree in this scene is the result
of “conscience and reason” (280). However, as I will attempt to make clear, their decision not
to eat is simply obeying an explicit command; obeying does not mean following reason, which
suggests an attempt to follow internal laws. Furthermore, conscience is portrayed as given to
humans after the fall, not before, as in “umpire conscience” (3.195).
9
Mary Ann Radzinowicz also stresses the system of meritocracy in Heaven.
10
William Walker also notes that Eve’s response implies a two-part system of laws. Walker
contrasts inner reason with divine command: “Eve says, they have a ground for behavior
other than the inner reason that they take to be their ground of behavior regarding everything
else in the garden—a divine command. She thus speaks of divine command as a ground for
action, as her internal reason is” (153). Walker’s larger point, however, is to show that Eve
understands the law to not eat of the tree as reasonable (as opposed to Fish’s interpretation)
and not that her comment refers to a system of laws that is dispersed throughout the poem’s
universe. Furthermore, I do not disagree that the Father’s command is unreasonable, but merely
that reason is not necessary to obey that command. Eve simply has to remember the external
command rather than use reason to discover and obey the internal law.
FALL 2010 h ROCKY MOUNTAIN REVIEW h 167
11
Schoenfeldt also notes this link between freedom and reason; in fact, he conflates the two
concepts into one term: “rational autonomy” (365). However, Schoenfeldt stresses the importance of
this concept after the fall, whereas I argue that reason and freedom are already linked before the fall.
12
Indeed, Arnold sometimes seems to conflate pre- and post-lapsarian worlds. For instance,
he argues that “God has imbued the human pair with right reason,” citing the lines, “And I will
place within them as a guide / My Umpire Conscience, whom if they will hear / Light after light
well us’d they shall attain” (41). However, the Father here is clearly speaking of what the postlapsarian world will be like, not the pre-lapsarian world of perfectly functioning right reason. It
is only after the fall that “umpire conscience” will be necessary.
13
Schoenfeldt and Walker also posit a similar conception of reason, a faculty that is
completely tied to the Father’s will.
14
Although this argument with the Father is a good example of reason functioning in
accordance with the Father’s will, it somewhat destabilizes Arnold’s distinction. Arnold argues
that when Adam questions the Father’s creation in his conversions with Raphael, Adam is
employing pure reason—he is attempting to know the mind of God and contemplating the
logic of creation rather than focusing on obedience (41-57). However, his argument with the
Father seems to be a form of questioning the logic of creation, but this questioning (use of pure
reason) is praised by the father and labeled as “good reason.” Arnold does not explicate this
passage to explain this apparent inconsistency.
15
See also Knoppers, Robin Jarvis, and Jackie DiSalvo (esp. 328).
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