CHAPTER 8
❆
Hannah Arendt
A Question of Character
‘The trouble with the Nazi criminals was precisely that they renounced
voluntarily all personal qualities. . . . The greatest evil perpetrated is the
evil committed by nobodies, that is, by human beings who refuse to be
persons.’
Hannah Arendt, ‘Some Questions of Moral Philosophy’
‘Philosophy constantly brings conceptual personae to life; it gives life to
them.’
Deleuze and Guattari, What is Philosophy?
My final chapter concerns the ethical importance of ‘character’ or ‘personality’
in Hannah Arendt’s political philosophy. As we discussed in the last chapter,
after her caustic repudiation of Enlightenment versions of reason and Bildung
in the late 1920s and early 1930s, Arendt became increasingly reconciled to
Lessing and Kant’s Aufklärung ethos of Selbstdenken, an ethos she deemed
capable of expressing admirable traits of ethical independence, worldly friendship, and communicative sociability, ethical qualities resistant to the dictates
of History, ideology, and social conformity. The following discussion explores
Arendt’s particular contribution, from a Jewish perspective, to a post-Kantian
tradition of character analysis. I explore Arendt’s illumination of politically
relevant and ethically significant Jewish character traits that have emerged
in interaction with worldly and diasporic conditions. I suggest that Arendt’s
mature interest in acquired character, that ‘valid personality which once
acquired, never leaves a man’, is one of her most interesting and enduring
contributions to a liberal Jewish tradition of virtue ethics.1
In this chapter I discuss Arendt’s theorization of ‘character’ as a form
of, in Judith Butler’s words, ‘rogue subjectivity’, whose capacity for internal
dialogue militates against fluctuating moral norms. Arendt’s discussions of
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the ethical qualities that constitute ‘character’ or personality is of axiomatic
importance in her attempt, after the atrocities of the Second World War, to
overturn the philosophical privileging of contemplation and eidetic intuition,
and to promote thinking and judgement as quintessentially worldly human
activities. Arendt’s interest in character reprises a liberal Jewish enthusiasm
for the ethos of Bildung, the dialogical formation of a distinctive subject or
‘personality’ capable of impressing their personal style or ‘character’ upon
the world. Arendt’s analysis of moral character converses with attempts by
modern Jewish thinkers to articulate and justify the social function and universal ethical validity of post-traditional diasporic Jewish characteristics, such
as critical scepticism and ethical universalism. Like Arendt, Georg Simmel
and Walter Benjamin placed great emphasis on resistant and refractory versions of moral character that were unburdened by the inertia and parochialism
of tradition and habitual modes of thought.2
For Arendt, reflection on character and personality is politically and
ethically important, because it enhances judgement, the consideration of
particulars that cannot be subsumed under a general rule. Evoking the merits
and importance of personalities who are at once exemplary characters and
idiosyncratic individuals, who display luminous qualities in ‘dark times’ and
‘borderline situations’, means eschewing normative moral codes and supercessionist meta-narratives of history that stress the rise of one people, class, or
idea at the expense of others. Arendt’s idea, by contrast, is that political judgement requires a certain kind of cosmo-political spectatorship that journeys
freely across space and time, appreciative of individual, ethically significant
human qualities wherever and whenever they are displayed. Such cosmopolitical spectatorship involves an equilibrium of disinterested judgement
of and engaged participation in human affairs that helps to ensure that the
‘exemplary figures of all people are available for all people’.3
Let’s think about the reasons why the issue of character and its exemplary
ethical force and cosmopolitan possibilities assumed tremendous importance
in Arendt’s thought. There is a letter in the Arendt/Jaspers correspondence
of 29 September 1949, in which Arendt is just coming to terms with the
reality of the Holocaust and the shocking news of Heidegger’s involvement
with National Socialism. Responding to Jaspers’ assessment of Heidegger’s
‘impure’ character, Arendt counters that Heidegger is in fact completely
lacking in character, ‘in the sense that he literally has none and certainly not a
particularly bad one’. She goes on to pour scorn on Heidegger’s desire to crawl
back into a ‘mouse hole’ by retreating to his hut in Todtnauberg in the Black
Forest, grumbling about civilization, writing Sein with an archaic ‘y’, and
only wishing to receive admiring pilgrims. Heidegger, Arendt feels, is trying
to ‘buy himself loose from the world’, to fast-talk himself out of everything
unpleasant, so he can do nothing but philosophize.4
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Arendt’s distaste for Heidegger’s evasions of reality are no less evident
in her published work of this period; consider her 1946 essay ‘What is
Existential philosophy’ where she refers to Heidegger’s ‘obvious verbal tricks
and sophistries’ and where, in the second note to the original Englishlanguage version of the essay, Arendt sardonically refers to the ‘comic aspect’
of Heidegger’s Nazi involvement. Perhaps, she reflects, Heidegger is the last
of the German Romantics, someone whose ‘complete lack of responsibility’
stems in part from ‘delusions of genius’ and in part from ‘despair’.5 This is
not a trite accusation when we recall Arendt’s argument in ‘Some Questions
of Moral Philosophy’ that ‘all radical evil comes from despair’.6 Nor is such
a judgement merely empirical and personal, when we consider that Arendt’s
view of Heidegger’s want of character, discrimination, and thoughtfulness
(‘absence of thought is not stupidity; it can be found in highly intelligent
people’)7 anticipates her ‘banality of evil thesis’ as applied to Adolf Eichmann,
where Arendt was ‘struck by a manifest shallowness in the doer that made it
impossible to trace the incontestable evil of his deeds to any deeper level of
roots or motives’.8
By way of contrast to this devastating assault on Heidegger’s character or
lack of it, at around the same period Arendt found herself very impressed with
the vigorous cosmopolitanism of the French-Algerian writer Albert Camus,
whom she first met in Paris in 1946. Camus, Arendt enthuses to Jaspers, is
one of those ‘young men from the Resistance’ who is ‘absolutely honest and
has great political insight’. Camus embodies a ‘new type of person cropping
up in all the European countries, a type that is “simply European” without
any “European nationalism”’. Such a type is ‘at home everywhere’ even if they
don’t know the language very well, perhaps a reflexive allusion to Arendt’s
contemporaneous struggle to master English in her new homeland of the
United States. Sartre, by contrast, is ‘much too typically a Frenchman’, too literary, ‘way too talented’, and too ambitious. Before the war, Arendt writes, she
had barely encountered this ‘European’ type that Camus represents, and she
muses that the experience of fascism may have forged a kind of moral quality
in some people which had previously only been an ‘idealistic program’.9 We
should note here, as it will become a resonant theme in Arendt’s ethical and
political judgement, that Camus’ character type, the post-national ‘European’,
is much more important to her than the more philosophically gifted Sartre;
not for the first time Arendt expresses a preference for an intellectual with
character over the amour propre of the professional philosopher.10 As we shall
see, Arendt’s interest in Camus as a cosmopolitan outsider figure is analogous
to the way she later extols Jaspers as a ‘citizen of the world’ and exemplary philosopher. In implicit contrast to the reclusive master philosopher Heidegger,
Arendt construes Jaspers as a luminous model of engaged, communicative
thinking and judgement.
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When pondering Arendt’s insistent preference for admirable personality
over philosophical talent, it would be a mistake, I think, to claim that Arendt’s
search for cosmopolitan ‘citizens of the world’ was more politically motivated
and pragmatic than philosophically relevant, responsive to the ephemeral
needs of the historical moment while neglecting the enduring worth of the
philosophical oeuvre. For one thing, there is an interesting genealogy of thinkers, including Kant, Nietzsche, and Erich Fromm, who were interested in the
historical, philosophical, and psychological significance of ‘character’ or its less
ambiguous synonym, ‘personality’. I would suggest that Arendt is invoking
and renewing this philosophical interest in character when she not only pours
scorn on the empirical Heidegger’s want of character but also critiques and
overturns Heidegger’s model of philosophical profundity, his desire to be a
prophet in the wilderness, a maître à penser standing aloof from the decadence
of his era and garnering awe-struck disciples.
Arendt’s remarks on Heidegger and Camus adumbrate her feeling that
philosophy must recast itself as a form of life which preserves a reference
to the world by ceaselessly re-presenting itself, communicating its personae
and exemplary activities. It seems to me that Arendt was well served here by
another philosophical citizen of the world, Immanuel Kant, whose observations on ‘the character of the person’ in his Anthropology from a Pragmatic
Point of View (1798, 1800) were an indispensable reference point.
Kant on Character: The Anthropologist as Citizen of
the World
One of the most interesting aspects of Kant’s analysis of the ‘character of the
person’ in Part II of his Anthropology from a Pragmatic Point of View is that
it is written from the perspective of the citizen of the world, providing an
incomplete, provisional, and eclectic knowledge gleaned from many sources
and observations.11 As Kant comments in the preface to the published volume
of his long-running lecture series on anthropology that he had given every
year since 1772, a pragmatic knowledge of humanity is neither natural nor
physiological; pragmatic anthropological knowledge pertains to that which
man as a free agent makes, or can and should make, of himself.12 Kantian
anthropology has practical applications; it is not theoretical or definitive but
a knowledge of the world that ‘must come after our schooling’ by dint of
maturity, experience, and wider spheres of social intercourse. This kind of
knowledge, Kant writes, cannot be reduced to the cognition of things in the
world; it is only considered pragmatic, rather, when it is ‘knowledge of man
as a citizen of the world’. To orient oneself to the world of human affairs, to
‘have the world’ as opposed to simply having knowledge if it, Kant argues, is
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not a localized or empirical knowledge of ‘things’; rather, to use a metaphor,
it presupposes that one has not simply understood a play but ‘participated in
it’.13 As Foucault argues in his introductory essay on Kant’s Anthropology, the
Anthropology has a kinship with Goethe’s great Bildungsroman Wilhelm Meister
to ‘the extent that here, too, we find that the world is a school’.14
In the second part of the Anthropology, the ‘Anthropological Characteristic’,
Kant turns to a consideration of moral character. In a section entitled ‘The
Character of the Person’ (Der Character der Person), Kant writes that moral
character is something which ‘can only be one (nur ein einziger), or nothing at
all’. As opposed to physical character, the distinguishing mark of the human
being as a sensible or natural being, to have character is the distinguishing
mark of the human being as a rational being endowed with freedom. The
‘man of principles’, from whom one knows what to expect, not from his
instinct but rather from his will, ‘has a character’ (hat einen Character).15 To
say of a human being, Kant writes, that ‘he has a character’ is in fact ‘to have
said a great deal about him, but it is also to have praised him a great deal’,
for it is a rare phenomenon and ‘inspires profound respect and admiration
toward him’.16 To have character signifies that ‘property of the will by which
the subject binds himself to definite practical principles that he has prescribed
to himself irrevocably by his own reason’. Even if these principles might
occasionally be mistaken and imperfect, the formal element of his volition
in general, to act according to firm principles, has something precious and
admirable about it, for it is also ‘something rare’.17 Kant critiques physiological and physiognomic conceptions of character in the work of contemporaries
such as Lavater when he stresses that when it comes to character it is not a
question of what nature makes of the human being, but of ‘what the human
being makes of himself’. For character is not the same as the more passive and
innate concept of temperament, in that it cannot be immediately observed;
rather, character is only revealed over a temporal duration and is exemplified
in a variety of situations. Kant suggests here that character demands expansive
narration and in its singularity provokes reflection and wonder rather than
peremptory judgement.18
For Kant, character is unique and inimitable: it is precisely originality in
one’s way of thinking (Denkungsart). He who has character has himself tapped
the spring from which he draws his conduct. He is not an eccentric, however,
for he takes his stand on principles that are valid for everyone. Nevertheless,
someone with character is liable to be held up as an eccentric or crank because
‘he does not take part in evil once it has become public custom (fashion)’.19
However, just so Kant’s audience don’t become a touch bored and think they
are back in the morally pure world of the categorical imperative immune to
contingency and sensuous inclination, Kant suddenly surprises us by praising
a man of ‘evil character’, the Roman dictator Lucius Cornelius Sulla. Kant
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writes that although the violence of Sulla’s firm maxims arouses disgust, we
‘admire strength of soul generally, in comparison with goodness of soul’.20
Indeed, Kant goes so far as to insist, as Patrick Frierson puts it, that ‘character,
even when evil, is better than a lack of character’. After pointing out in his
lecture notes that a ‘human being is truly renowned when he has a determinate character, even would this be an evil one’, Kant goes on to say of Sulla,
reminding us of Arendt’s damning judgement of Heidegger, that ‘here truly is
found more excellence than with a human being that has no character, even if
he already has a good heart and soul . . . Character has inner moral worth’.21
In the Anthropology, Kant makes it clear that character cannot enter into a
system of equivalencies. Character is not a good or useful property of a human
being that has ‘a price that allows it be exchanged’; it is not a talent that has
a ‘market price’ and is open to manipulation, nor is it an enjoyable temperament that makes a person a transiently pleasant companion. Rather character
has ‘an inner worth, and is beyond all price’, intuitively and performatively
articulating Kant’s famous precept that human beings must always be
regarded as ends in themselves.22
Soon after invoking Sulla in the Anthropology Kant goes on to slightly
qualify the pleasure we take in unyielding, even evil character, by prosaically
reiterating that ‘character requires maxims that proceed from reason and
morally practical principles’.23 Still, it is clear that while Kant the moralist
praises true character as bound to reason and moral principle, Kant the citizen
of the world, the urbane spectator of human affairs, admires and enjoys the
enigma and critical force of character as someone who challenges, provokes,
and transgresses social norms, who inspires the kind of admiration that cannot
be referred back to the formal imperatives of practical reason. Characters
inspire a play of affects evoked in story-telling, vignette, doxography. In a note
illuminating his argument for the inner moral worth of character, Kant offers
the story of how the nurse who had taken care of King James I of England
pleaded with him to make her son a gentleman. James answered: ‘That I
cannot do. I can make him an Earl, but he must make himself a gentleman’.
In the same note he gives us the tale of Diogenes the Cynic, notorious for
his corrosive misanthropy and public obscenities, who was captured in Crete
during a voyage and put on the block in a public sale of slaves. When asked
by the merchant who had put him up for auction what he could do and what
he knew, Diogenes’ imperious response was ‘I know how to rule’ so ‘find me a
buyer who needs a master’. The initially perplexed merchant was so impressed
by this singular response that he had his own son educated, admirably, by
Diogenes.24
Kant’s examples of ornery historical characters that resist habitual social
conventions and obligations leads him to deduce that the principles that have
to do with character are perhaps best expounded negatively.25 Characters resist
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and defy social norms of behaviour in such a way that they demand that their
lives are narrated as a meaningful whole. Never a function of their class or
nation, to have character is to establish an important ethical nexus between
past, present, and future in the life of the individual. To have character is to
refuse to break legitimate promises, which includes honouring the memory of
a friendship now broken off and never abusing the former confidences of said
friend; it means refraining from associating with evil-minded men, paying no
attention to gossip that issues from shallow and malicious judgement, and
resisting, in oneself, that natural fear which does not want to offend against
prevailing fashion and opinion, always a fleeting and changeable thing.
Character has a negative or resistant quality because it proceeds from a
self-reflexive act of will. A man who is conscious of having character in his way
of thinking does not have it by nature; he ‘must always have acquired it’. The
act of establishing character is ‘like a kind of rebirth’, involving the ceremony
of making a vow to oneself with a solemnity which makes it unforgettable to
him that does it, ‘like the beginning of a new epoch’.26 The usual socializing
processes of education, example, and instruction, Kant writes, cannot produce
this firmness and steadfastness in our principles gradually, but only, as it were,
by ‘an explosion’ that results from our being weary of the precarious and
unstable state of our instincts. The act of establishing character is usually that
of a mature man, who insists upon the ‘absolute unity of the inner principle
of conduct as such’.27
So how can one decide whether one has character? Kant suggests that the
sole proof a man’s consciousness affords him that he has character is his having
made it his supreme maxim to be truthful, both in his ‘confessions to himself
as well as in his behaviour toward everyone else’. Since to have character is
both the minimum required of a reasonable man and the maximum of inner
worth or human dignity, to be a man of principles, that is, to have determinate character, ‘must be possible for the most ordinary human reason and yet,
according to its dignity, be superior to the greatest talent’.28
There are some important aspects of the Kantian description of character
that resonate strongly for Arendt in her attempts to narrate and exemplify
the importance of moral personality. As we shall see, Arendt responds to
Kant’s argument for the acquired and self-willed nature of character, the idea
of character as a rebirth of the soul, arguing for exemplary intellectuals as
those who has reinvented themselves in such a way that their conduct, the
way they present themselves to the world, is animated by a unifying and
coherent principle, an ethos. Arendt construes thought and consciousness
in Kantian terms as forms of self-relation and self-awareness. She seizes on
Kant’s Enlightenment era argument that character is a potentiality of anyone
capable of using their reason, deploying Kant’s analysis to repeatedly critique
the ways in which professional thinkers with vested interests have attempted
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to elevate thought and contemplation beyond the flux of phenomenal life and
the diversity of human opinions. For Arendt, character is formed in the public
gaze, and demands to be narrated in the tradition of philosophical doxography, that is, against a textured social and historical background in which the
philosopher is one character, or dramatis personae, amongst others. As Arendt
argues in The Human Condition, the disclosure of who somebody is is ‘implicit
in both his words and deeds’, but this revelation of a unique personal identity
is embedded in a social context, it ‘can almost never be achieved as a wilful
purpose, as though one possessed and could dispose of this “who” as one can
dispose of his qualities’.29
Typologies of Character
In her excellent study Mind and the Body Politic (1989), Arendt’s biographer
Elisabeth Young-Bruehl argues that Arendt’s great contribution to political
theory is her revival of traditional discussions, from Plato to Montesquieu, of
forms of government, in which Arendt attempts to add to the traditional types
a new and unprecedented one, totalitarianism.30 I think we can extend YoungBruehl’s insightful comment and reflect on whether Arendt did not also share,
with Kant, an aesthetically sensitive and typologically motivated interest in
the ethically robust qualities of the self-formed character and relationally
articulated personality, that is, a formal, spectatorial interest in characteristic
‘ways of thinking’ about the world. Like Kant, Arendt was interested in
those characters traversing the panorama of our melancholy history that are
determinately individual and uncompromisingly resistant to the normative
impositions of society and the transience of fashion and convention.
For example, in her article ‘Personal Responsibility Under Dictatorship’
(The Listener 72, 6 August 1964) Arendt argues that as character types, the
rebel and the sceptic are more likely to resist totalitarian rule and the criminal ‘moral’ code it attempts to impose because they are habitually prone to
‘doubt and think for themselves’. Arendt makes this point about the political
potential of what are by no means unequivocally positive or wholesome characteristics on several occasions in her work. In her lectures at the New School
University and the University of Chicago in the mid-1960s, later published
as ‘Some Questions of Moral Philosophy’, Arendt argues in reference to the
Nazi era that in Germany there was a total collapse of moral and religious
standards among people who to all appearances had always firmly believed in
them. She points out that those people who managed not to be ‘sucked into
the whirlwind’ of Nazi criminality were by no means the ‘moralists’, people
who had always upheld rules of right conduct, but on the contrary very often
those who had been convinced, even before the debacle of Nazi rule, of the
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‘objective non-validity of these standards per se’. We hardly need experience
to tell us, Arendt comments, that:
narrow moralists who constantly appeal to high moral principles and fixed
standards are usually the first to adhere to whatever fixed standard they
are offered and that respectable society . . . is more liable to become very
nonrespectable and even criminal than most bohemians and beatniks.31
In a similar vein Arendt asserts that ‘morally the only reliable people when the
chips are down are those who say “I can’t”’.32 Arendt associated this ethical
refusal with the ‘negative, marginal qualities’ of Socrates, whose refusal to do
wrong under any circumstances is the ‘only working morality in borderline
situations’.33
Like Kant, Arendt admires the considerable ethical and political potential
inherent in nonconformist character types who may in fact be difficult,
cynical, resistant to authority, and abhor their social environment. I would
suggest that Arendt is also invoking Georg Simmel’s classic sociological
defence of ‘the stranger’ who, ‘like the poor and sundry “inner enemies” is
an element of the group itself ’.34 To be a stranger is ‘naturally a very positive
[form of human] relation; it is a specific form of interaction’. The stranger’s
‘position as a full-fledged member [of a group] involves being both outside
and confronting it’.35 For Simmel, the classic example of the ‘stranger’ who
intrudes as a supernumerary into an established group is the ‘history of
European Jews’ who are restricted to intermediary trade, a situation which
gives the stranger the ‘specific character of mobility’.36
Simmel lauds the ‘objectivity of the stranger’ who is ‘not radically committed to the unique ingredients and particular tendencies of the group’ and
therefore possesses a certain freedom.37 The stranger, a potential wanderer
who has not quite overcome the freedom of coming and going, is ‘bound
by no commitments which could prejudice his perception, understanding,
and evaluation of the given’, nor ‘tied down in his action by habit, piety, and
precedent’.38 This objectivity, Simmel stresses, does not simply involve passivity and detachment but is composed of a ‘particular structure of distance
and nearness, indifference and involvement’. The stranger indicates a specific
form of social participation of which a typical instance is the tendency of
Italian cities to call in their judges from outside so they would be free of
entanglement in family and party interests.39
Arendt’s interest in defiant and resistant characters who prove the most
reliable when social norms collapse also echoes her friend Walter Benjamin’s
interest in the Nietzschean vitalism and historical pathos of ‘the destructive
character’, someone whose ‘need for fresh air and open space is stronger than
any hatred’.40 The destructive character, writes Benjamin:
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has the consciousness of historical man, whose deepest emotion is an
insuperable mistrust of the course of things and a readiness at all times
to recognize that everything can go wrong. Therefore the destructive
character is reliability itself.41
Arendt’s paradoxical point, following Simmel and Benjamin’s Jewish coded,
anti-functional sociology, is that it is just these recalcitrant personalities who
are and must remain a part of any community, regardless of their eccentricity,
individuality, and sub-cultural difference from normal social values. For it is
in the ‘borderline’ situation of a moral emergency, in which the usual moral
injunctions such as ‘thou shall not kill’ have been completely overthrown,
that people with resistant, sceptical, pessimistic, and ‘strange’ characteristics
will demonstrate admirably independent ethical qualities. We should note
Arendt’s resistance to rigid code morality and normative theories of historical
progress and socialization, since her thesis amounts to the suggestion that it
is preferable to have a variety of personality types, with different dispositions,
interests, and orientations in a society, regardless of whether they pose some
threat to the commonweal, to the organic integration of a given community,
the Volksgemeinschaft. Indeed a minority of such characters, whose existence embodies the resilience of difference and the insuperable phenomenal
diversity of the world, are worth more to Arendt than millennia of normative
political, educational, and theological attempts to inculcate moral codes and
ethical virtues. As Arendt puts it, ‘an individual’s personal quality is precisely
his “moral” quality’.42
What constitutes someone with moral personality, as far as Arendt is concerned, and here she follows Kant, is a kind of active self-relation, a dialogue
of the self with the self in the process of thinking which is incessant and
which avails itself of all the communicative resources of a socially constituted
language and a sensus communis:
In this process of thought in which I actualize the specifically human difference of speech, I explicitly constitute myself a person, and I shall remain
one to the extent that I am capable of such constitution ever again and
anew . . . What we call personality . . . has nothing to do with gifts and
intelligence, it is the simple, almost automatic result of thoughtfulness.43
Arendt understands conscience itself as a temporally extended self-relation
rather than as innate or intuitive, a dialogue with the self in which multiple
perspectives are considered and debated, in which the self dramatizes its
deliberations and is its own spectator. Conscience is not a faculty of knowing
and judging right and wrong but is what we now call consciousness, that is,
‘the faculty by which we know, are aware of, ourselves’.44 Only the incessant
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Kantian ‘re-birthing’ of the subject in the dialogue of thinking, as catalysed by
language, can guarantee ethics. As Arendt puts it, ‘my conduct towards others
will depend on my conduct towards myself ’.45
Kant’s precept that someone with character despises any kind of internal
dishonesty or bad faith is echoed by Arendt’s argument that:
moral conduct . . . seems to depend primarily upon the intercourse of man
with himself. He must not contradict himself by making an exception
in his own favour, he must not place himself in a position in which he
would have to despise himself… The standard is neither the love of some
neighbour nor self-love, but self-respect.46
This dialogic process of thinking, this incessant self-renewal, enables the
ethical subject to constitute themselves through remembrance, ‘striking roots
and thus stabilizing themselves, so as not to be swept away by whatever may
occur – the Zeitgeist or History or simple temptation’. If I refuse to remember, warns Arendt, ‘I am actually ready to do anything’.47 For what we usually
call a person or personality, as distinguished from a mere human being or
a nobody, ‘actually grows out of this root-striking process of thinking’.48 I
would suggest that Arendt’s concept of moral personality as striking roots
in the self-relation and self-honesty of remembrance affirms a liberal Jewish
interest in Bildung as the formation of character through an eclectic awareness
of admirably heterodox personalities and moral qualities. Arendt thereby casts
an acerbic glance towards the banal, ethically void Heideggerean discourse of
primordial ‘rootedness’ in earth, tradition, and nation.
Far from indulging a misanthropic and elitist sense of authenticity, the
ethical personality is a humanist, open to the sheer variety of human and
earthly phenomena; in questions of ethics and practical judgement, s/he
desires to be guided by example, to be confronted with concrete, singular
instances of virtue which enhance her or his common sense and relatedness
to other human beings past and present: ‘what we need for common-sense
thinking are examples to illustrate our concepts’.49 Common sense thinking
dwells on the singularity of human encounters and the representative significance of what is exemplary, encouraging imaginative reflection: ‘the validity
of common sense grows out of . . . intercourse with people – just as we say
that thought grows out of . . . intercourse with myself . . . the more people’s
positions I can present in my thought and hence take into account in my
judgment, the more representative it will be.’50
A thinking and acting being who is constantly imaginatively reprising
the perspectives of others, the ethical personality is never simply alone, even
in their solitude they have themselves for company, they enact the unity in
difference that they are: ‘solitude means that though alone, I am together
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with some-body (myself, that is)’.51 The ethical personality is not egoistic
but a medium of plural perspectives and forces. Far from being narcissistically wrapped up in itself as if it were the whole world, the self regards itself
as a citizen of the world, its doxa or opinion by no means automatically
superior to any other, needing testing, experimentation, and perspectival
enlargement.
Judith Butler, in conversation with the thought of Kant, Foucault and
Arendt, has recently articulated just such a form of critical ‘self-invention’ that
would not be ‘based on an ontology of individualism’ but rather presupposes
that individuation is ‘always, even constitutively, jeopardized by the impingements of sociality’. For Butler, the critical task of self-inventing subjectivity
is not to become free of all impingement but to ‘distinguish among those
modes of impingement that are illegitimate and those that are not’.52 Drawing
on Arendt’s interest in the political significance of civil disobedience, Butler
theorizes a ‘rogue subject’ that refuses fluctuating norms of political rationality while retaining a ‘critical relation to existing modes of intelligibility’.53 As
Butler argues in Giving an Account of Oneself, the subject’s ‘self-crafting’ always
takes place in relation to an imposed set of norms, such that its ethical agency
is ‘neither fully determined nor radically free’. The struggle of the self-forming
ethical personality, its ‘primary dilemma’, is to ‘be produced by a world, even
as one must produce oneself in some way’.54 This is an acute issue for the
active Jewish personality as Arendt conceived it, who would ironize, parody
and transvalue the epithets and values attributed to them by a hostile society,
rather than simply hide or deny those differences which they, like Rahel
Varnhagen, would not have missed for the world.
The Socratic Jaspers
In Men in Dark Times (1968), a series of biographical portraits which should
itself be considered as an eclectic contribution to the Kantian discourse on
character, Arendt situates Jaspers as a Kantian character, a subject renewed
through creative volition and exposure to public affairs. Like Kant, Jaspers
has more than once ‘left the academic sphere and its conceptual language
to address the general reading public’.55 Jaspers concurs with Kant that a
philosophy that is not susceptible to popularization is more meretricious than
genuine.56 Emulating the urbanity and ethical consistency of the Socratic
personality, Jaspers articulates a ‘certain cheerful recklessness’ in that he ‘loves
to expose himself to the currents of public life, while at the same time remaining independent of all the trends and opinions that happen to be in vogue’.57
Jaspers possesses a spirited independence because he is not even in rebellion
against the conventions of his society, which are always recognized as such,
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hence never taken seriously as ‘standards of conduct’.58 Jaspers’ confidence in
the public sphere does not stem from misanthropy or elitism however, but
from a ‘secret trust in man’, in the humanitas of the human race.59
Jaspers is a moral character in the Kantian sense because he has accepted
the gift of freedom and re-invented and ‘renewed’ himself since the rise
of Nazism and the Second World War.60 While other intellectuals in their
middle age acquiesce to temperament and habit, Jaspers has become an active
political philosopher and cosmopolitan citizen of the world, a ‘public figure in
the full sense of the word’.61 In the aftermath of the war he embarked on new
eras of productivity, taking it upon himself to answer for his thinking before
the tribunal of mankind, desiring to live in the bright light of publicity, in that
‘luminosity in which oneself and everything one thinks is tested’.62
Jaspers also embodies the role of the philosopher as world-citizen and
world-spectator, ‘as linked with the world as ever and following current
events with unchanging keenness and capacity for concern’.63 A cosmopolitan
thinker, Jaspers has renounced the binding authority of tradition and of his
own national past, inventing a historically reflexive philosophy that speaks to
the contemporary needs of a global public sphere, in which the ‘great contents
of the past are freely and “playfully” placed in communication with each
other’.64 Jaspers’ interest in the Axial Age in The Origins and Goal of History
(1953), in which philosophical forms of living and thinking simultaneously
emerge in India, China, Palestine, and Greece, is not simply historical, but
rather a means of critiquing Eurocentrism and communicating the works and
deeds of great philosophical personalities (Confucius, Lao-tse, Zarathustra,
Heraclitus, the Jewish Prophets) to a transnational audience.65
Interestingly though, when it comes to discussing the emergence of
Jaspers’ ‘unviolable, untemptable, unswayable’ personality,66 Arendt differs
from the Stoic inspired Kantian interpretation of character as emanating from
a form of masculine will and pride, commensurate with the desire to display
virtuosity and heroism in the public sphere while repudiating dissimulating
feminized traits such as gallantry. Rather than ascribing Jaspers’ character to
a Stoic mastery of the will over fear and baser inclination, Arendt construes
Jaspers’ personality as forged through his receptiveness to sexual and cultural
difference. It is due to singular good fortune, Arendt writes, that Jaspers could
be isolated in the course of his life, losing his position under Nazis rule, but
never driven into solitude.67 That good fortune is due to his marriage with a
German Jewish woman, Gertrud Jaspers née Meyer, who stood by his side all
his life, who helped him to create a ‘world’ of thought, discussion, and value
judgement immune to the vulgarizations of nationalism, the heady passions
of mob sentiment, and the temptations of power. From this ‘world in miniature’, Jaspers learned, ‘as from a model, what is essential for the whole realm
of human affairs’.68
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Within the space of this supportive and intellectually stimulating marriage, Jaspers learnt and practised an incomparable faculty for dialogue, for
the art of listening, a constant readiness to give a candid account of himself,
and the patience to linger over any matter under discussion.
Rosa Luxemburg
If Arendt gives the Kantian analysis of character a new wrinkle, it is precisely
in the idea that steadfast and distinctive personalities actively translate arts of
social intercourse that are learnt in dialogue across differences of sex, ethnicity, and milieux, into their conduct in the public sphere. This is a point that
Arendt also makes in relation to the generous sociability and discerning moral
taste of Rosa Luxemburg, another poignant character study in Men in Dark
Times. It is her essay on Rosa Luxemburg that tells us more about the Jewish
inspired ‘world in miniature’, an inspiration to robust moral conduct, that
Arendt has in mind.
I would suggest that Arendt’s interest, in this essay, in a diasporic Jewish
social microcosm that nourished vigorous forms of cultural and political
agency draws on a tradition of liberal Jewish sympathy for pluralist diasporic
milieux such as Andalusian Spain and republican Amsterdam. In ‘Rosa
Luxemburg’, Arendt evokes Luxemburg’s Polish-Jewish ‘peer group’ as a
‘highly significant and totally neglected source’ of the revolutionary spirit
in the twentieth century.69 Its nucleus consisted of ‘assimilated Jews from
middle-class families’ whose cultural background was German, whose political formation was Russian, and whose moral standards in both private and
public life ‘were uniquely their own’.70 These Jews, a tiny percentage of the
diaspora, ‘had no conventional prejudices whatsoever’. They were formed,
Arendt tells us, by a Jewish family background that ‘treated one another as
equals’, a ‘childhood world in which mutual respect and unconditional trust,
a universal humanity and a genuine, almost naïve contempt for social and
ethnic distinctions were taken for granted’. Members of this peer group possessed ‘what can only be called moral taste’, which, Arendt reminds us, is very
different from so called ‘moral principles’.71 It was this milieu, and never the
communist movement, which remained Rosa Luxemburg’s home; a home
that was ‘movable up to a point’, since it was ‘predominantly Jewish’ and did
not ‘coincide with any “fatherland”’.72
Arendt then moves on to discuss Rosa Luxemburg’s obstinate critique of
the nation state, which Arendt interprets ambivalently as both admirable yet
lamentably unrealistic. It was Nietzsche, Arendt suggests, who first pointed
out that the position and function of the Jewish people in Europe predestined
them to ‘become the “good Europeans”’ par excellence, something which
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could be said of no other group.73 Indeed, although the Socialist movement
could not persuade the working class that they were its true fatherland, Rosa
Luxemburg was by no means entirely wrong on the national question, since
that small minority of Jews that could be called ‘good Europeans’ might
well have been the only ones to have a ‘presentiment of the disastrous consequences ahead’.74 We will never know if Arendt had the prescient political
thinker Ernst Cassirer in mind here; nonetheless, this remark is emblematic of
her mature suspicion of the Zionist critique of Jewish life in diaspora as factitious and delusional. As we have discussed, the figure of the ‘good European’
as a practical ethical subject and not just an idealistic chimera was eventually
fulfilled for Arendt by public-intellectuals such as Camus and Jaspers.
The Jew as Pariah
In the very practice of self-constitution, Judith Butler argues, there is a ‘giving
oneself over to a publicized mode of appearance’, whereby a ‘mode of reflexivity is stylized and maintained as a social and ethical practice’.75 I suggest
that Arendt interpreted this performative subjectivity in liberal Jewish terms,
as an ethically valuable cultural-historical characteristic of Jewish diasporic
existence that enabled Jews such as Nathan the Wise and Moses Mendelssohn
to mediate between Jewish and non-Jewish worlds. In her lifelong struggle
to give an account of herself, to constitute herself as a political philosopher,
German Jewish intellectual, and representative of stateless and marginalized
peoples, Arendt foregrounds, in Deleuze and Guattari’s terms, a conceptual
persona, the ‘Jewish pariah’. The ‘Jewish pariah’ embodies the dilemma of, in
Butler’s terms, the self-inventing ‘rogue subject’ who needs to acknowledge
their irreducible relation to the world while forcefully challenging social
norms.76
The preceding discussion of Arendt’s investment in the exemplary public
lives of conceptual personae such as Socrates, Jaspers, and Rosa Luxemburg
should encourage us to recognize that her mature account of contemporary
Jewish identity is more focused on diasporic relational characteristics and
socially performed arts of living, nourished by particular European Jewish
milieux, than on an essentialist interpretation of Judaism. Arendt’s secular
interest in Jewish culture and sensibility falls very much within a liberal
Jewish, post-maskilim focus on the social liminality and exemplary humanism of diasporic Jewish intellectuals and philosophers, many of them humble
and materially impoverished outsider figures who remained marginal to
mainstream Jewish communities.
Perhaps we can think about Arendt’s conceptual persona of the Jewish
pariah as possessing the now familiar traits of, on the one hand, the
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‘destructive character’ who has no faith in the triumphal march of history,
and the unsettling play of engagement and distance that typifies the perpetual
stranger and conscientious objector in any given community, including the
Jewish community. Like Judith Butler’s rogue subject, the Jewish pariah is
vigorously relational, choosing their mode of comportment in response to
representations that seek to oppress or exclude them or the attitude and social
function they represent. The Jew as pariah transmutes the stereotype of the
Jew as ontologically lacking, as rootless, imitative, an actor without authentic
identity, into a virtue, performing a generous humanity, a joie de vivre and
insouciance.
Arendt is particularly interested in the poet, essayist, and political iconoclast Heinrich Heine, the ‘first German prose writer really to embody the
heritage of Lessing’.77 Of all the poets of his time, Arendt writes, ‘Heine was
the one with the most character’, which had much to do with being able to
describe himself truthfully, in Arendt’s terms, as ‘both a German and a Jew’.78
The Jew as pariah smiles at the hubris of ethnocentrism and has no desire to
be a part of formal or respectable society, with its stiflingly repressive morality
and arbitrary codes of behaviour. Drawing on a liberal Jewish tradition of
religious humanism excluding clerical mediation, Arendt stresses the ‘basic
affinity of the pariah to the people’.79 Of Heine, Arendt notes his sympathy
for the common people, since ‘sharing their social ostracism, he also shares
their joys and sorrows, their pleasures and their tribulations’.80
Heine’s pantheism, Arendt muses, smiles at human hierarchies; the bare
fact that the sun shines on all alike ‘affords him daily proof that men are
essentially equal’, an interpretation of Heine that seems to glance back at
Mendelssohn’s anti-colonial and egalitarian emphasis on God’s providence as
legible in bounteous nature rather than the exclusive Salvationist doctrines
of a Revealed truth. Arendt situates Heine as a prophetic Aufklärung thinker
when she reflects that he kept his ‘passion for freedom unhampered by fetters
of dogma’, viewing life through a long-range telescope rather than ‘through
the prism of an ideology’.81 Of Chaplin, another pariah figure, Arendt sees in
him the ‘entrancing charm of the little people’, illustrating that the ‘human
ingenuity of a David can sometimes outmatch the animal strength of a
Goliath’.82 Chaplin’s ‘worried, careworn impudence’, the kind ‘so familiar
to generations of Jews’, represents the effrontery of the poor ‘little Yid’, who
does not recognize the class order of the world because he sees in it neither
order nor justice for himself.83 In a footnote, Arendt casually declares that
despite Chaplin’s recent assertion that he is of Irish and Gypsy descent, she
has selected him for discussion because, even if not a Jew, he has ‘epitomized
in an artistic form a character born of the Jewish pariah mentality’.84 Arendt’s
inclusion of Chaplin as authentically Jewish in spirit recalls Hermann Cohen’s
willingness to recuperate the reviled Heine as a proud Jew in the Prophetic
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tradition, a gesture that looks back to Mendelssohn’s embrace of the heretical
Spinoza as Jewish in character if not orthodox belief. Her predilection for
Chaplin and other schlemiel figures could be fruitfully compared with Cohen
and Cassirer’s Prophetic ethics, with its emphasis on humility and humane
solidarity as the authentic characteristics of Judaism.
Arendt herself represented and performed the Jew as pariah as a selfwilled and self-renewing ‘character’ in the Kantian tradition, someone who
chooses, despite moments of weakness, grief, and anguish, to defiantly and
courageously display her difference to a hostile world, exhibiting a luminous
personality so as to critique and transform the public realm. Arendt’s interest
in character is sustained by a long liberal Jewish preoccupation with the form
and function of Jewish character traits within the larger canvas of European
modernity and world history. As we have seen, Arendt affirms and revitalizes
a counter-historical ethos that affirms Jewish difference while arguing for the
ongoing cultural-historical benefits of Jewish participation in world history.
Notes
1 Arendt, Men in Dark Times, 73.
2 See E. Fromm. [1942] 1963. Fear of Freedom, London: Routledge, 222 and passim,
and T.W. Adorno, E. Frenkel-Brunswik, D.J. Levinson, and R.N. Sanford. 1950. The
Authoritarian Personality, New York: Harper and Row.
3 E. Young-Bruehl. 1989. Mind and the Body Politic, New York: Routledge, 45.
4 Arendt to Jaspers, 29 September 1949, in L. Kohler and H. Saner (eds). 1992. Hannah
Arendt, Karl Jaspers Correspondence 1926–1969, trans. R. and R. Kimber, New York:
Harcourt Brace Jovanovich, 142.
5 H. Arendt. 1994. ‘What is Existential Philosophy?’ in Essays in Understanding,
1930–1954, New York: Schocken Books, 187, n. 2.
6 H. Arendt. 2003. ‘Some Questions of Moral Philosophy’, in Arendt, Responsibility and
Judgment, ed. Jerome Kohn, New York: Schocken Books, 74.
7 H. Arendt. 1978. The Life of the Mind, ‘Thinking’, London: Secker and Warburg,
13.
8 Arendt, The Life of the Mind, ‘Thinking’, 13.
9 Arendt to Jaspers, 11 November 1946, in Kohler and Saner, Hannah Arendt, Karl
Jaspers Correspondence, 66.
10 Arendt’s loyalty to Camus proved very resilient; she implicitly preferred his antirevolutionary non-violent humanism to Sartre’s affirmation of anti-colonial violence,
expressing her support for an increasingly embattled Camus in 1952 when she wrote
him a warm and admiring letter of praise for his book L’Homme révolté. See N.
Curthoys. 2007. ‘The Refractory Legacy of Algerian Decolonization: Revisiting Arendt
on Violence’, in R.H. King and D. Stone (eds), Hannah Arendt and the Uses of History:
Imperialism, Nation, Race, and Genocide, New York: Berghahn Books, 109–129.
11 All references in English are from I. Kant. 2009. Anthropology from a Pragmatic Point
of View, R. Louden (trans. and ed.), Cambridge, UK: Cambridge University Press. All
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12
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35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
references to the original German refer to I. Kant. 1799. Anthropologie in pragmatischer
hinsicht, Frankfurt: Hubner.
Kant, Anthropology, 3.
Kant, Anthropology, 4.
M. Foucault. 2007. Introduction to Kant’s Anthropology, trans. R. Nigro and K. Briggs,
Los Angeles: Semiotext(e), 54.
Kant, Anthropology, 185.
Kant, Anthropology, 191.
Kant, Anthropology, 192.
Kant, Anthropology, 192.
Kant, Anthropology, 193.
Kant, Anthropology, 193.
P. Frierson. 2006. ‘Character and Evil in Kant’s Moral Anthropology’, Journal of the
History of Philosophy 44(4), 625–626.
Kant, Anthropology, 192.
Kant, Anthropology, 193.
Kant, Anthropology, 192.
Kant, Anthropology, 193.
Kant, Anthropology, 194.
Kant, Anthropology, 194.
Kant, Anthropology, 195.
Arendt, The Human Condition, 179.
Young-Bruehl, Mind and the Body Politic, 13.
Arendt, ‘Some Questions of Moral Philosophy’, 104.
Arendt, ‘Some Questions of Moral Philosophy’, 78.
Arendt, ‘Some Questions of Moral Philosophy’, 106.
Simmel, ‘The Stranger’, in The Sociology of George Simmel, 402.
Simmel, The Sociology of George Simmel, 402–403.
Simmel, The Sociology of George Simmel, 403.
Simmel, The Sociology of George Simmel, 404.
Simmel, The Sociology of George Simmel, 405.
Simmel, The Sociology of George Simmel, 404.
W. Benjamin. 1986. ‘The Destructive Character’, in P. Demetz (ed.), Reflections, trans.
E. Jephcott, New York: Schocken Books, 301.
Benjamin, ‘The Destructive Character’, 302.
Arendt, ‘Some Questions of Moral Philosophy’, 79.
Arendt, ‘Some Questions of Moral Philosophy’, 95.
Arendt, ‘Some Questions of Moral Philosophy’, 76.
Arendt, ‘Some Questions of Moral Philosophy’, 96.
Arendt, ‘Some Questions of Moral Philosophy’, 67.
Arendt, ‘Some Questions of Moral Philosophy’, 95.
Arendt, ‘Some Questions of Moral Philosophy’, 100.
Arendt, The Life of the Mind, ‘Thinking’, 103.
Arendt, ‘Some Questions of Moral Philosophy’, 141.
Arendt, ‘Some Questions of Moral Philosophy’, 98.
J. Butler. 2009. ‘Critique, Dissent, Disciplinarity’, Critical Inquiry 35, 789, footnote
12.
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53
54
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58
59
60
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62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
Butler, ‘Critique, Dissent, Disciplinarity’, 790.
J. Butler. 2005. Giving an Account of Oneself, New York: Fordham University Press, 19.
Arendt, Men in Dark Times, 74.
Arendt, Men in Dark Times, 74.
Arendt, Men in Dark Times, 77.
Arendt, Men in Dark Times, 77.
Arendt, Men in Dark Times, 77.
Arendt, Men in Dark Times, 78.
Arendt, Men in Dark Times, 75.
Arendt, Men in Dark Times, 75.
Arendt, Men in Dark Times, 78.
Arendt, Men in Dark Times, 84.
Arendt, ‘Karl Jaspers: Citizen of the World’, 88.
Arendt, Men in Dark Times, 76.
Arendt, Men in Dark Times, 78.
Arendt, Men in Dark Times, 78.
Arendt, Men in Dark Times, 40.
Arendt, Men in Dark Times, 40.
Arendt, Men in Dark Times, 41.
Arendt, Men in Dark Times, 41.
Arendt, Men in Dark Times, 42.
Arendt, Men in Dark Times, 42–43.
Butler, Giving an Account of Oneself, 114.
G. Deleuze and F. Guattari. 1994. ‘Conceptual Personae’, in Deleuze and Guattari,
What is Philosophy?, trans. G. Burchell and H. Tomlinson, London: Verso, 61–84.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 275–297, on 282.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 281–282.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 279.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 278.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 281.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 286–287.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, 288.
Arendt, ‘The Jew as Pariah: A Hidden Tradition’, note 1, 297.
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