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2020
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7 pages
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An analysis of the Netflix series, "When They See Us", by Ava DuVernay and the racial biases in police activities, the reevaluation needed in interrogation processes, and the blasphemous involvement from former president, Donald Trump, in the Central Park Five court case.
There is a line of reasoning shared by police officials, police unions, legislators, and civil rights organizers that supposes that videos of the police behaving badly will naturally lead to reform. This is the logic that fuels expensive body camera programs, like the ones implemented by the NYPD, LAPD, and Department of Justice. However, the idea that surveillance in the hands of the state can be somehow emancipatory is laughable. To equate the footage of Rodney King or Eric Garner with footage taken from police cameras is to fundamentally misunderstand the nuance that images express. Existing social vulnerabilities migrate seamlessly into new technologies, and photography’s dominant mode is to reinforce, not resist, existing structures of power.
2016
hrough a compared analysis between the narrative of Philip K. Dick and the filmic imagery of Steven Spielberg, the present article explores the forms in which dominant ideas around surveillance and preventive justice are portrayed in Minority Report. The author examines the links between literary fiction and audiovisual representation, focusing on the notions of narrative and spectacularity in order to establish up to what point does the film adaptation interpret de innovative and challenging ideas that identify Dick's visionary science fiction writing.
Howard Journal of Communications, 2023
In 2019, the HBO limited television series Watchmen aired to critical acclaim. A contemporary extension of the world established by the 1986-87 Watchmen comic, viewers and commentators alike have viewed the show as a critical commentary on racial politics in the United States. Using Nexis Uni’s News Database, we conducted an inductive qualitative content analysis of 31 news articles written by mainstream television critics and/or writers about the show. Across reviews, three primary themes emerged—White supremacy, revisionist history (specifically pertaining to the Tulsa Race Massacre of 1921), and the power of masks. The role of critics/writers in engaging audiences with themes about race is discussed.
Comunicação e Sociedade, 2022
Since the 1950s, the institutional police series have been among the most popular productions on US television. Through the reiteration of the "us versus them" mentality, police officers are fictionalized as normative agents who uphold "goodness", while crime is portrayed as a moral and individual flaw of the criminal. Not only do these productions recurrently ignore systemic problems in US society, which are used to explain crime in the real world, but they also reinforce the authority of the institution as the force capable of maintaining the status quo. From the perspective that these series act in the construction and mediation of meaning about the role played by real-world police institutions and their members in society, we structure the text around two main arguments: (a) TV series reinforce the police institution's authority, treating its actions as unquestionable and, most importantly, allowing real-world institutions to interfere in their fictionalization processes; (b) TV series normalize police brutality, with narratives often justifying violent acts as an efficient investigative tool, illustrating norms and bureaucracies as major impediments to the police officer's work. By framing ethical and human rights violations as efficient and necessary acts, these series contribute to normalizing some of the dirtiest aspects of the profession.
COMMICAST
This undergraduate thesis describe justice theory and propaganda theory. This is aiming at analyzing violation of justice and propaganda police towards the main character and society in American. This undergraduate thesis has two main objectives to portray the violation of justice and the police propaganda in America as reflected in the Changeling film. This research uses descriptive qualitative method. There are two types of data in this study, they are primary and secondary data. The primary data is taken from the film Changeling and secondary data are taken from books, articles, journals, and data from network sources. In this research the, writer uses an interdisciplinary study. In conducting the analysis, researchers used the theory of justice and propaganda theory. To analyze this topic, the researcher uses John Rawls's theory of justice, which is actually contradict with what happens in this film. Then the researchers used propaganda theory from Jowett and O'Donnell, ...
Cinema Journal, 2015
Criminology, Criminal Justice, Law & Society, 2019
This study draws on Robert E. Park's writings regarding the impact of cinema on acculturation and James Baldwin's extensive reflections on the role of entertainment media in promoting the racial divide in the United States. Public opinion studies following the Trayvon Martin case and others reveal a racial divide regarding decisions to not charge or acquit officers. Research has shown that most members of the general public have no personal knowledge of both the criminal justice system and other races. Therefore, opinions are largely dependent on knowledge garnered through the media. Cultivation theory postulates that long-term exposure to specific media messages can result in subjects adopting specific opinions. Before a cultivation effect can be determined, the messages conveyed must be identified. This exploratory first step cultivation theory analysis examines municipal police officer use of force scenes in the first 40 years of the core cop film genre leading up to the killing of Trayvon Martin. A total population of 112 films was systematically identified, and all 468 police use of force scenes contained within the genre served as the units of analysis. Each scene was examined to determine depiction patterns and messages conveyed based on the race of officer. Findings revealed that White officers were overwhelmingly represented in use of force scenes, while minority officer scenes were isolated to specific years and films. Findings also demonstrated a dependence on a White officer's presence when minority officers used force on Whites. The historical origins and role of such depictions in cultivating current public perceptions of use of force are discussed.
Police accountability organizations known as “cop-watching” groups are proliferating thanks to smartphone penetration and the ease of video sharing on social networks. These groups use digital media technologies to challenge official accounts of events and encroach on the borders of traditional journalism. This qualitative project collected material over the course of more than two years, and uses participant observation and long-form interviews to explore the nature of this activism. Grounded analysis suggests that cop-watching represents a unique form of active citizenship; one that combines text and practice to produce embodied narratives that give voice to the concerns of others. As a form of so-called “sousveillance,” cop-watching raises theoretical questions about accountability, journalism and visual evidence.
Alphaville, 2017
The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socioeconomic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. This case study aims to demonstrate to which extent the "colour-blind approach" of the TV show reinforces the postracial illusion in the United States, i.e. the idea that the country has overcome its past of racial segregation and now offers the same opportunities for everyone, regardless of colour and race. Through a narrative analysis of the first season of the series, this chapter will argue that the depiction of race in How to Get Away with Murder is highly ambivalent. On the one hand, the show does not completely ignore race by inserting topics such as racism in the plot, giving these issues at least some visibility. On the other hand, its more general panorama reveals an intent to deracialise its main characters in a colour-blind manner. This is problematic since it overshadows racial issues that still have a big impact on the lives of racial minorities.
Journal of Black Studies, 2019
This article seeks to examine the role of the police in African American film. Looking at the last three decades of filmmaking, five films stand out as important examples for this study: Do the Right Thing, Boyz n the Hood, Set it Off, Training Day, and Get Out. These films are both consistent in the message regarding the police and African American communities, and are separated by time to demonstrate the distinct differences in how that message has been shown. An examination of the real-world relationship between the two groups is also studied, to better understand the accuracy of the films. The gendering of film and police brutality is a further discussion within the article in regard to the lack of female African American directors in Hollywood and the less frequently discussed police violence against African American women. These issues are addressed through a combination of film analysis and secondary source data on the police interaction and brutality in the African American ...
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