Ioan Scararul - Scara

Cercetări arheologice, 2022

Acest studiu este dedicat unei categorii speciale de material arheologic, păstrate în colecțiile Muzeului Național de Istorie, terra sigillata de la Feldioara. Analiza a fost realizată pe un lot de 44 de piese ce au fost descoperite în cadrul campaniilor arheologice întreprinse între anii 1987-1990. În urma analizei stilistice (în cazul pieselor cu decor), coroborată cu analiza tipologică și cea a pastelor din care sunt confecționate obiectele am constatat faptul că importurile provin din două mari centre producătoare de terra sigillata: Lezoux și Rheinzabern. Astfel, centrul de la Lezoux reprezintă locul de proveniență a celei mai mari părți din sigilatele descoperite la Feldioara. Atelierele de la Rheinzabern constituie, de asemenea, una dintre sursele principale de terra sigillata de la Feldioara.

Sergiu Moraru: 75 de ani de la naștere, 2021

Spiritual patron of the gymnasium from Obreja Veche, the folklorist Sergiu Moraru honors his mission ‒ in relation to the young generation ‒ through the model of his becoming and through the opera. The vocation folklorist needs vocation pedagogues, who can adjust the potential of the biography and the work in attractive projects for the pupils of the gymnasium that bears his name, but also for those from the Gymnasium no. 1 from Olacu commune, Giurgiu district (Romania). To motivating them to know more about the museums and libraries in the locality ‒ the patrimonial dimension of their existence, in which Sergiu Moraru’s destiny is a kind of guide. The attractive reason for becoming a folklorist is the reason for vocation, calling, crucial categories, generating controversy and lessons according to the age of the two institutions united in a project. The beneficial nuance, offered from Italy by the poet and pedagogue Iurie Bojoncă, refers to the importance of the family and the nati...

Studii și cercetări lingvistice

This article is a proposal to standardize a punctuation mark – the semicolon –, and describe the situations of use and the communication implications of the sign: prosodic, pragma-semantic and stylistic functions. The relationships between the semicolon and other punctuation marks, as well as recommendations for use in writing practice are also considered. Semicolon is less and less known and used nowadays; its use depends on the author’s preferences. Among the stylistic varieties, the semicolon is used most frequently in the scientific and argumentative style. It is recommended to use semicolon in enumerative series, especially vertically, in constructions containing parallelisms, or in long and complex statements that also contain other internal punctuation marks.

2021

Culegerea de articole reprezintă materialele celei de-a 2-a ediții a Conferinței Internaționale "Lectura ca bază pentru cultură, cunoaștere și dezvoltare", organizată de Biblioteca Națională a Republicii Moldova în septembrie 2020. Temele abordate de către autori sunt de ordin teoretic cât și practic. Volumul al II lea reprezintă diferite abordări ale fenomenului lecturii.

Sfera Politicii, 2010

http://www.sferapoliticii.ro Sfera Politicii este prima revistă de ştiinţă şi teorie politică apărută în România, după căderea comunismului. Revista apare fără întrerupere din 1992. Sfera Politicii a jucat şi joacă un rol important în difuzarea principalelor teme de ştiinţă şi teorie politică şi în constituirea şi dezvoltarea unei reflecţii politologice viabile în peisajul ştiinţific şi cultural din România. Sfera Politicii pune la îndemâna cercetătorilor, a oamenilor politici şi a publicului, analize, comentarii şi studii de specialitate, realizate pe baza paradigmelor teoretice şi metodologice ale ştiinţei şi teoriei politice actuale. Sfera Politicii îşi face o misiune din contribuţia la consolidarea şi dezvoltarea societăţii democratice şi de piaţă în România.

Dicţionarul multimedia al teatrului românesc, 2020

Cercetări Arheologice, 2012

A major real estate development required a rescue archaeology intervention in the very downtown Bucharest, mainly between February and June 1996. A large section, 75 long and about 3 m large was made in the street, mostly mechanically, just in the front of the National History Museum. The archaeological rescue digging documented 12 rooms belonging to a large inn, built by a famous Ruler of the Romanian Country (Ţara Românească), Constantin Brâncoveanu, in the last decade of the XVIIlh century. This kind of inn, of Oriental inspiration, is typical for the passage from Late Middle Age to Modem times, and is, in fact, a complex project including hosting areas, enclosure for animals, large storehouses, but usually churches also. Flourishing in towns with a certain demographic growth, but with a very poor communication means, like Bucharest, the inns were supposed to gather all goods needed by community in five months of cold and wet weather, when the road network was impracticable. The inn functioned about 160 years, until around 1860, the internai spaces being frequently restored, up to 7 times. Despite the fact that the landlord was unique, for its entire existence, a comparison between the type of internai rehabilitation operations proved that the initiative was lefi on tenants, the sequence type offloors (wood, bricks or vegetal cover) being unrepeatable. The use ofthe spaces-when proved by micromorphological study-is also distinctive, either cooking area, workshops connected with open fire, or even stables for sheep, for some relatively short episodes. Those 12 rooms are placed on the western wing of the building, on the main facade, facing a major street-Podul Mogoşoaiei-studied in the southem end of the archaeological section. The public road was made of wooden boards supported by wooden pillars buried under the walking levei, similarly with a bridge, from which the street took its name ("pod" meaning bridge). This type of public street, made entirely of wood, is documented in wet lowlands, where stone is not available, like Timişoara (western Romania). The history of the place begins during the late XV 1 h century, for which deep buried huts were discovered. For the mid XVIlh century a new type ofhouse was in use, made ofwood, relatively large and with cellars, typical for aristocracy. In the XVIIlh century this strip of land was no more a constructive area, a little cemetery being discovered in the southem part of the trench. The layers dated between the cellar-houses and the inn are first in which fragments of bricks and mortar were recorded, probably from buildings in proximity. Regarding the political history of the Romanian countries, it might be surprising that from our discoveries Ottoman co ins are missing. W e found instead some Turkish pipes, a good witness of adopting an oriental lifestyle. This paper also presents the main results of the sedimentological and micromorphological study performed on Constantin Vodă Inn archaeological site. The field study firstly considered in the analysis of the sedimentary successions observed on the main stratigraphic profiles and the identification of the different types of units. The main diagnostic criteria observed in the field at the macroscopic leveitexture, structure, color, nature of constituents, homogeneity and degree of compaction-allowed establishing a typology of sedimentary facies necessary for the interpretation in terms of mechanisms of formation, in order to identify human activities and post-abandon transformations of the accurnulated deposits. Thus, different types of construction and arrangement units, occupation units and natural accumulations were recognized. Micromorphological analysis, at the microscopic scale, brings detailed information on the sedimentary units and thus contributes to a better interpretation of the archaeological levels. Extraordinary information provided by this study is the identification of sferulites, structures indicating the presence of the domestic animals (Ovis/Capra) in spaces fitted out with a wooden floor. The palinological expertise-the first ever done in an archaeological site from Bucharest-revealed a predominance of a ruderal vegetation, followed by hydrophilic vegetation and lowlands trees, but not cereals, explained by the position is in the middle of the medieval town.

Scriitori români de expresie străină. Écrivains roumains d’expression étrangère. Romanian Authors Writing in Foreign Tongues, 2021

In addition to those Romanian writers who succeeded in gaining recognition both in a foreign country and in their country of birth, many others have unfairly remained unknown to the Romanian readers. Ilinca Zarifopol-Johnston is a writer, translator and editor of two early Romanian texts of the philosophical essayist E. M. Cioran, On the Heights of Despair and Tears and Saints, and a professor in the Department of Comparative Literature at Indiana University, Bloomington. She is the younger daughter of the Romanian writer Dinu Zarifopol, who himself did not receive popular or critical recognition for his work in Romania. The current article, which provides some general information about Ilinca Zarifopol-Johnston’s life and academic work, is an attempt to arouse the reader’s interest in this Romanian author’s literary works, especially in her book entitled Searching for Cioran.

Pynchon Notes, 1989

Subido por chofisnay para scribd Haber escrito este libro me da la oportunidad de mostrar públicamente mi agradecimiento a algunas de las personas que han contribuido de forma decisiva a enriquecer mi vida y hacerme aprender. Quiero empezar por mi madre, Erika Hidde, y mi padre, Dieter Bourquin. Gracias a ellos soy quien soy. Mi melliza, Paula, me inició en los misterios del destino con su temprana muerte. De Bert Hellinger aprendí mucho y le agradezco este método. Los participantes de mis talleres me enseñaron y me siguen enseñando mucho más sobre la vida, el amor y la muerte de lo que yo en mi propia existencia podría jamás experimentar. Mis alumnos hicieron que tuviera que entender mejor lo que hacía para poder explicárselo. Mis amigos me apoyaron a la hora de escribir. Y mi mujer, Carmen, es una amorosa y sabia compañera. Para mí es una suerte compartir con ella el camino cotidiano de cada día. A todos ellos les doy las gracias, y a todos ellos quiero dedicarles este libro.