Monotheism in Late Prophetic
and Early Apocalyptic Literature
Studies of the Sofja Kovalevskaja
Research Group on Early Jewish Monotheism
Vol. III
edited by
Nathan MacDonald and Ken Brown
Mohr Siebeck
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Nathan MacDonald, born 1975; studied theology and classical Hebrew in Cambridge and
Durham; currently University Lecturer in Hebrew Bible at the University of Cambridge and
Fellow of St John’s College.
Ken Brown, born 1982; 2010 MA in Biblical Studies; 2014 Dr. theol. at Georg-August-Universität Göttingen; currently teaching at Whitworth University (Spokane, WA, USA).
ISBN 978-3-16-153240-5
ISSN 1611-4914 (Forschungen zum Alten Testament, 2. Reihe)
The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de.
© 2014 by Mohr Siebeck, Tübingen, Germany. www.mohr.de
This book may not be reproduced, in whole or in part, in any form (beyond that permitted by
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The book was printed by Laupp & Göbel in Nehren on non-aging paper and bound by Buchbinderei Nädele in Nehren.
Printed in Germany.
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Contents
Preface ………………………………………………………………………V
Abbreviations …………………………………………………………….IX
KEN BROWN AND NATHAN MACDONALD
Introduction ………………………………………………………………XI
ULRICH BERGES AND BERND OBERMAYER
Divine Violence in the Book of Isaiah ……………………………………1
BERND SCHIPPER
‘The City by the Sea will be a Drying Place’: Isaiah 19.1–25 in Light
of Prophetic Texts from Ptolemaic Egypt …………………………………25
MARK S. GIGNILLIAT
Who is a God like You? Refracting the One God in Jonah, Micah and
Nahum ……….…………………………………………..……………….57
LENA-SOFIA TIEMEYER
YHWH, the Divine Beings and Zechariah 1–6 ….………………………73
NATHAN MACDONALD
The Beginnings of One-ness Theology in Late Israelite Prophetic
Literature …………………………………………………………………103
REINHARD ACHENBACH
Monotheistischer Universalismus und frühe Formen eines Völkerrechts
in prophetischen Texten Israels aus achämenidischer Zeit ……………125
JAKOB WÖHRLE
The God(s) of the Nations in Late Prophecy ……………………………177
JOHN J. COLLINS
Cognitive Dissonance and Eschatological Violence: Fantasized
Solutions to a Theological Dilemma in Second Temple Judaism ………201
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VIII
Contents
STEFAN BEYERLE
Monotheism, Angelology, and Dualism in Ancient Jewish Apocalyptic
Writings …………………………………………………………………219
J ENNIE GRILLO
Worship and Idolatry in the Book of Daniel through the Lens of
Tertullian’s De idololatria …………………………………….…………247
Contributors ………………………………………………………………263
Scripture Index ...…………………………………………………………265
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YHWH, the Divine Beings, and Zechariah 1–6
LENA-SOFIA TIEMEYER
1. Introduction
What strikes the reader of Zechariah’s vision report is the appearance of a
plethora of divine beings. There are not only angels, i.e., divine beings
with anthropomorphic form, but also other types of divine beings that
elsewhere appear in the context of the divine assembly. This sparks the
question as to whether this is either a chronological issue, part of the wider
phenomenon of the transformation of the Israelite understanding of God in
the early Second Temple period, or a literary issue, the result of Zech 1.8–
6.8 having the literary form of a vision report. This article investigates the
depictions of divine beings in Zech 1.8–6.8. I shall explore the roles of the
divine beings in the series of eight vision accounts, and compare them with
the roles of divine beings in the accompanying oracular material. It is my
hope that this investigation will shed new light upon the religion of the
people of Yehud and upon the development of monotheism in the early
Persian period.
In the present essay I shall propose that: First, the wealth of divine beings in Zechariah’s vision report is characteristic of the literary genre of
vision reports, rather than the result of changes to the cult of Y HWH in
Yehud during the early post-exilic period. Although the appearance of a
specific divine being may point to a specific post-exilic development in
ancient Israelite religion, the notions of a divine assembly, an opposing
force within that assembly, and God’s executive forces on earth which
carry out his will, are all attested in texts that, most likely, pre-date the
sixth century BCE. Secondly, I will show that it is not unusual for dreamers and seers to see divine beings in their dreams, trances, or experiences
of ecstasy.1 In fact, we should not distinguish sharply between the literary
1
See, e.g., the various attestations of divine beings in some contemporary religious
experiences. See further RANKIN, Introduction, 93–145. For a discussion of visions, see
ibid, 111–113, and of dreams, see ibid, 125–127. For seeing angels, see ibid, 123–125.
These contemporary phenomena reflect the modern world and, in many cases, the Judaeo-Christian heritage. Even so, they point to a wide range of types of experiences that
the people in Yehud might have experienced.
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genre of the vision report and the visual impression received during an altered state of consciousness (ASC). The people responsible for writing the
vision reports in the Hebrew Bible claim that they actually saw visions.2 It
is impossible to go beyond the text and to reach the experience behind it,3
yet at the same time it is important to remember that in the ancient Near
East, visions and dreams were considered to be real means by which the
deities addressed their intermediaries.4 The present essay is open to the
possibility that the earliest layers of Zech 1.8–6.8 (constituting the eight
vision accounts) are based upon the seer’s visionary experience(s). Finally,
I will argue that later authors/redactors added oracular material.5 These
additions were aimed at making the earlier visionary impressions applicable to the contemporary period. In the present context, I shall highlight
how these authors/redactors, when moving from the literary genre of the
vision account to the literary genre of the oracle, fitted the message of the
earlier vision report into a mould where YHWH is the supreme actor and
where no other divine beings play a significant role.6
In terms of the meaning(s) of the texts in Zechariah 1–6, I propose that
each text potentially has three different meanings. On the most basic level,
there are the visual impressions that the seer sees. A horse is a horse, a tree
is a tree, a lamp-stand is a lamp-stand etc. When we see a horse, we do not
need to interpret it as a symbol of something else. The next level is the
meaning that the images receive within the written vision report. When the
seer identifies what he sees as a message from God, he opens himself to
the possibility that the images mean something beyond what they are. For
example, the seer understands the lamp-stand to be an image of God and
2
Zechariah’s vision report opens with Zechariah stating that ‘he saw at night’ (Zech
1.8), Ezekiel’s inaugural vision report in Ezek 1 opens with Ezekiel’s statement that ‘I
saw visions of God’ (v. 1), and Dan 7.1 claims that Daniel had a dream and saw visions
which he later recorded.
3
What we have are vision reports, not the visions themselves. Cf. B EHRENS,
Prophetische Visionsschilderungen, 1: ‘Was wir vor uns haben, sind die Berichte von
solchen Erlebnissen, die zudem oft längere Überlieferungs- und Redaktionsprozesse
hinter sich haben. Der unmittelbare Gegenstand der Auslegung sind literarische Texte,
nicht zuerst die darin geschilderte Ereignisse’.
4
For a substantial discussion of dreams in Mesopotamia and the understanding of
them as divine communication, see ZGOLL, Traum, esp. 259–265. See also P ONGRATZLEISTEN, Herrschaftswissen in Mesopotamien, 96–127.
5
It should not be excluded that one of these ‘redactors’ was Zechariah who, at a later
stage in his life, interpreted his earlier vision accounts.
6
It should be noted that the depictions of divine beings in Zechariah’s vision report
are never dualistic. Nothing in either the vision report or the later oracular material contradicts the monolatry of ancient Israelite faith. See further SMITH, Origins of Biblical
Monotheism, 51, who points out that the idea of a divine assembly is not oppositional to
Israelite monotheism.
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YHWH, the Divine Beings, and Zechariah 1–6
75
the two olive trees to be the ‘two sons of oil’ (Zech 4.10b–14). The third
level of meaning is located in the oracular material. It removes the descriptions of the visionary elements from their supernatural location and
instead anchors them in an earthly context, thus seeking to establish their
meaning and relevance within the society of Yehud.
2. What Constitutes a Divine Being?
The Hebrew Bible refers to a multitude of divine beings, some appearing
in anthropomorphic form and some in other forms. When divine beings
appear in anthropomorphic form, they tend to be called מלאך, i.e. ‘messenger’ but more commonly translated as ‘angel’. There are angel(s) of God
(e.g. Gen 28.12 [ )]מלאכי אלהיםand an/the ‘Angel of YHWH’. There is unlikely to be a distinct border between the different appellations. In Judges
13, for example, Manoah’s wife describes ‘the Angel of Y HWH’ (v. 3) as ‘a
man of God’ ( )איש האלהיםwho looks like an ‘angel of God’ ( ומראהו כמראה
)מלאך האלהים, and who is ‘very frightening’ ( ;נורא מאדv. 6). Further, the
extant descriptions in the Hebrew Bible do not always distinguish between
divine beings (incorporeal) and humans (of flesh and blood). The term
‘man’ ( )אישsometimes describes a divine being (as in Gen 18.2; 19.5, 8,
10, 12, and 16 [ מלאכיםin 19.1]; probably also Ezek 9.2, 11; 10.2, 6; 40.3).
In other cases, the term מלאךdenotes a human messenger (as in Judg 2.1–
5; Mal 3.1; Eccl 5.5; Job 1.14).7 In later biblical texts, divine beings with
anthropomorphic form often take on superhuman aspects. Ezekiel 40.3, for
example, describes Ezekiel’s guide as a person who had the appearance of
copper ()מראהו כמראה נחשת, and Daniel 10 depicts in awe-inspiring terms
(v. 6) a person who ‘looked like a man’ (v. 16) but clearly was some kind
of divine being.
Other divine beings besides angels may also have been understood as
having anthropomorphic form. The Adversary in Job 1–2, referred to
within the context of ‘sons of God’ ( )בני האלהיםin Job 1.6, is never explicitly described in anthropomorphic language, yet the overall description of
his dialogue with God suggests that he has anthropomorphic form. The
strongest indicator of the Adversary’s humanoid form is actually Num
22.22a where the Angel of YHWH acts as an adversary ( ויתיצב מלאך ה' בדרך
)לשטן לו.
The Hebrew Bible contains other kinds of divine being that do not have
anthropomorphic form. The seraphim in Isa 6.2–7 are members of the divine council (as implied by the literary context). They can communicate
7
See further SULLIVAN, Wrestling with Angels, 27.
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with each other and with humans, yet they are clearly not humanoid, given
their three pairs of wings and their ability to fly. Likewise, the cherubim in
Ezek 10.1–22; 11.22 do not have anthropomorphic form, even though they
are described as having some human features (e.g. Ezek 10.8). They have
wings and they are attached to wheels etc. The particular cherubim in Ezekiel 10 apparently did not look like ‘normal’ cherubim, as only one of their
heads looked like that of a cherub (Ezek 10.14, )פני האחד פני הכרוב.8
In the ensuing discussion, I shall look at all the divine characters that
inhabit Zechariah 1–6, and see what characterizes them and what characteristics they share. I shall further explore the differences, in terms of their
treatment of divine beings, between the vision report and the oracular material in Zechariah 1–6. Most of the sections fall into two parts. The first
part discusses the role of the divine beings in the vision account. The second part outlines the message of the accompanying oracular material and
explores the way that it has altered the portrayals of the divine beings. The
vision accounts are discussed in the following order: Zech 1.8–17; 6.1–8;
2.5–9; 3.1–10; 4.1–14; 2.1–4; and 5.5–11. I shall not discuss the sixth vision account in Zech 5.1–4 because it does not contain any salient information about divine beings. The speaker in 5.2–3, presumably the Interpreting Angel, is not even identified.
3. Zechariah 1.8–17
The text of Zech 1.8–17 can be divided in various ways. Here, I distinguish
between the vision account in vv. 8–11, the oracular material in vv. 13–17,
and v. 12 which forms a bridge between the two parts.
3.1 Divine Beings in Zechariah 1.8–12
Zechariah 1.8–12 features between one and three anthropomorphic divine
beings, depending on how one interprets the text: First, the Angel who
speaks with and explains things to Zechariah (v. 9, cf. vv. 13–14aα). For
the sake of convenience, I shall refer to him, as is customary, as the Interpreting Angel. The Hebrew name for him, המלאך הדבר בי, i.e. ‘the angel
who is speaking to me’, is more apt as it captures what the Angel is doing:
he is speaking to Zechariah. The Interpreting Angel has two functions in
the vision report. First, in the majority of cases (as here in Zech 1.8–12),
the Interpreting Angel and Zechariah watch the happenings in the vision8
Alice Wood has offered a detailed study of appearances of the cherubim in the Hebrew Bible, where she argues that the biblical tradition of the cherubim developed over
time (W OOD, Wings).
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ary world. The Angel asks Zechariah what he sees and clarifies what it is
that Zechariah sees. Secondly, in a few cases, the Interpreting Angel acts
within the visionary world itself (e.g. Zech 2.7–8). Secondly, there are potentially two more angels: the man standing near the myrtle (vv. 8, 10) and
the Angel of YHWH (vv. 11–12).
It is an open question as to whether these characters are two or three individuals or aspects of one and the same character.9 In my view, the
identification of the man among the myrtle with the Angel of Y HWH is
compelling, given that they are both described as ‘standing among the
myrtle’ (vv. 8a, 10a, 11a). It is possible that Zechariah did not identify the
humanoid figure that he had first seen among the myrtle (vv. 8, 10) with
the Angel until later (v. 11). As to the Interpreting Angel, there is support
for differentiating between him and the Angel of Y HWH and seeing them as
each other’s alter ego. While the Interpreting Angel’s role is to communicate with Zechariah, the Angel of YHWH plays a role in the visionary world
of which Zechariah receives glimpses.10 We thus have one anthropomorphic divine being in the visionary world (vv. 8, 10, 11) and another
anthropomorphic divine being speaking with Zechariah (vv. 9, 13–14aα).
In addition to the anthropomorphic divine beings, Zech 1.8–12 speaks
about horses. Although horses are not normally thought of as divine beings, three aspects of their presentation together suggest that the seer understood them as such.
First, the horses are sent by God to ‘roam the earth’ (v. 10, להתהלך
)בארץ.11 Even though normal horses can also ‘roam the earth’, the particular choice of the Hithpael stem of the root הלךsuggests that these horses
are something more than natural horses. The verb appears elsewhere in the
Hebrew Bible in connection with divine beings.
1. The closest parallel is Job 1.7; 2.2 where the Adversary ( )השטןreports
that he has ‘roamed the earth’. Already Ibn Ezra noted the link and accordingly suggested that the Adversary and the man on the horse were both
angelic beings who performed the same task of patrolling the earth.12
9
There are alternative ways of explaining the three names of the anthropomorphic angelic beings, namely as the result of textual growth. H ALLASCHKA, Sacharja, 156–158,
for example, who identifies the three men with each other, argues that the confusion in
the final text is the result of textual growth as the two angels were added later to the material and identified with each other. See also K RATZ, Serubbabel und Joschua, 85, who
maintains that the Interpreting Angel in Zech 1.8–11 and 2.5–9 is secondary.
10
In this matter, I follow M EYERS AND MEYERS, Zechariah, 115.
11
See further T IEMEYER, Busy Night, 189–190.
12
IBN EZRA, Rabbinic Bible, Zech 1.10. Among more modern exegetes, see, e.g.,
N IDITCH, Symbolic Vision, 144–145.
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2. The same verb is used in a similar sense in Gen 3.8, where it denotes
God taking a walk in the Garden of Eden. In a sense, God is out patrolling
his realm.
3. The verb is further attested in Ps 82.5 in the context of the gods in the
divine council. First, the verb ( יתהלכוv. 5), attributed to the gods, brings
Zech 1.10 to mind where the horses have ‘roamed the earth’ ()להתהלך בארץ.
Secondly, the idea that the gods bring havoc upon the earth (v. 5) is reminiscent of Zech 6.8; yet while the divine beings in Ps 82.5 are criticized for
their destructive power, the horses in Zech 6.8 execute God’s will ( הניחו את
)רוחי בארץ צפון.
Secondly, given that the horses in Zechariah’s first and last vision and
the divine beings in Job 1–2 have similar roles, Ollenburger suggests that
the horses, including the mounted rider-angel, form God’s ‘host’ and that
the Angel of YHWH personifies that host. This is made explicit in the Angel’s speech in v. 12 where he addresses God as ‘the Lord of Hosts’ ( 'ה
)צבאות.13 Furthermore, the horses in Zech 1.8–11 are described as being
able to speak. From both a grammatical and a contextual perspective, the
horses are the obvious subject of the verb ( ויענוv. 11).14 Zechariah sees the
single man and the horses (v. 8) and asks ‘What are they?’ (( )מה אלהv. 9a),
whereupon the Interpreting Angel says that he will show him ‘what they
are’ (( )מה המה אלהv. 9bβ). The use of the pronoun ‘what’ (rather than
‘who’ [ )]מיimplies that the horses rather than human beings are the subject. Likewise, the plural pronoun המהindicates that the question concerns
the (pl.) horses rather than the (sg.) man. This impression is confirmed in
v. 10 where the man in the vision states that ‘they’ (again presumably the
horses) are God’s patrol. Against this background, it is natural to assume,
come v. 11, that the horses are the speakers.
Thirdly, archaeological evidence suggests that horses were venerated at
the level of family religion. Uehlinger notes that horses constitute by far
the most numerous group of Judahite zoomorphic figurines, and speculates
about whether such horses were ‘a conspicuous member of the heavenly
host’.15 In a joint publication Uehlinger and Keel interpret the zoomorphic
figurines as personifications of the ‘host of heaven’ and connect them to
the horses and rider(s) in Zech 1.7–11.16 In the later 2 Macc 5.2–4 and
10.29–30, the celestial army was formed of cavalry. 17 The imagery in 2
Maccabees may draw on Zechariah’s vision report or, alternatively, both
13
OLLENBURGER, The Book of Zechariah, 751–752.
A small number of scholars are open to the possibility that the horses are the speakers. See, e.g., O’BRIEN, Zechariah, 174, and SWEENEY, Twelve Prophets, 578.
15
UEHLINGER, Riding Horseman, 706.
16
KEEL AND UEHLINGER, Gods, 341–349, esp. 347.
17
UEHLINGER, Riding Horseman, 706.
14
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texts may preserve an older tradition of horses being part of the heavenly
host. After all, the cavalry, alongside chariots, were the most powerful
parts of an ancient army.
In view of these three aspects of the presentation of the horses in Zech
1.8–12, it is justified to claim that these horses constitute a form of nonanthropomorphic divine beings, whose main roles are to watch over God’s
creation, to report to God about the happenings on earth, and to execute his
commands. In these roles, they are analogous to the creatures/cherubim in
Ezekiel’s vision reports (Ezek 1; 8–11) and to the Adversary of Job 1–2
and Zech 3.1–2.18
To sum up, Zech 1.8–12 is filled to the brim with both anthropomorphic
and non-anthropomorphic angelic beings whose task is to convey God’s
message to humans and to carry out his actions on earth.
3.2 What does the oracular material in Zechariah 1.7, 13–17 do with the
divine beings in the vision account?
In contrast to the vision account in Zech 1.8–12, the surrounding oracular
material in vv. 7, 13, 14aβ–17 contains no angelic beings. Zech 1.7
introduces the ensuing vision report as ‘the word of Y HWH to Zechariah’
()דבר ה' אל זכריה. Likewise, although v. 14aα features the Interpreting
Angel, the following material in Zech 1.14aβ–17 is presented as ‘oracles of
YHWH’ (vv. 14, 16, 17), and v. 13aα states that YHWH spoke. The possible
exception is v. 17. Although the speaker responsible for uttering the divine
oracle is anonymous, the final form of the text invites the reader to identify
him with the Interpreting Angel, i.e. the speaker in v. 14aα.
It is fair to say that the oracular material ignores the divine beings in the
first vision account. It refrains from commenting on the imagery of the
horses and the man among the myrtle bushes. Instead, it redirects the readers’ attention to the last statement in v. 11b ‘and behold the whole earth is
at rest and in peace’ ()והנה כל הארץ ישבת ושקטת. The oracular material thus
presents the vision account as a prophecy about YHWH’s imminent restoration of Judah and Jerusalem. God, rather than the horses, will carry out his
will. YHWH is angry (vv. 14–15), he will return to Jerusalem (v. 16), and he
will comfort Zion and choose Jerusalem (v. 17). In its final form, Zech
1.7–17 has become a prophecy about YHWH’s actions on behalf of his city.
18
T IEMEYER, Zechariah’s Spies, 109–116.
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4. Zechariah 6.1–8
Turning to the last vision account, an account which in many respects corresponds to the first one, the seer reports seeing four chariots ( ארבע
)מרכבות, drawn by horses. Zechariah asks the Interpreting Angel what they
are (v. 4b), and receives the reply that they are the ‘four winds of heaven,
going out from standing in the presence of the Lord of the whole earth’ (v.
5b).
4.1 Divine Beings in Zechariah 6.1–8
Zechariah’s last vision account offers a tantalizing and complex web of
images denoting ‘horses’, ‘winds’, and ‘cherubim’ which together suggest
that the ‘horses’ in Zech 6.1–8 are a kind of non-anthropomorphic divine
being.
First, the horses in Zech 6.5 are identified as the ‘four winds’. This imagery brings to mind Ps 104.4 which speaks of God’s angels as ‘winds’
( )עשה מלאכיו רוחותand as ‘flaming fire’ ()משרתיו אש להט. The imagery of
‘flaming fire’, in turn, is reminiscent of Gen 3.24 and its description of the
cherubim with their revolving, ‘flaming sword’ ( את הכרבים ואת להט החרב
)המתהפכת. The later vision report in Daniel 7 further connects the four
winds of heaven with non-earthly beings (vv. 2–3).
Secondly, 2 Sam 22.11//Ps 18.11 depicts how God rides a cherub, flies,
and is seen upon the wings of the wind ()וירכב על כרוב ויעף וירא על כנפי רוח.
Again, there is a connection between the cherubim and the winds. In addition, the idea that God ‘rides’ upon the cherub brings to mind the scene in
Zechariah’s first vision report where the Angel rides on one of the horses
()רכב על סוס אדם, using the same verb רכב. The imagery in 2 Sam 22.11//Ps
18.11 is further connected to Ezekiel’s vision reports. Mettinger, for instance, compares the notion of a mobile God in Ps 18.10–11 with the image of God in Ezekiel 1 and 8–11.19
Finally, and also related to the imagery in Gen 3.24, intriguing evidence
suggests that the horses drawing the ‘chariots’ in Zechariah 6 are somehow
connected with the cherubim in Ezekiel 1 and 8–11. In Ezekiel’s vision
reports, the singular form מרכבהdenotes the chariot, carried by the cherubim, upon which God’s throne is situated. In a similar manner, Zechariah’s
final vision account presents four chariots ( )ארבע מרכבותassociated with
horses. Three aspects suggest a link between Zechariah’s horses and Ezekiel’s cherubim: First, the cherubim are identified with the wind (Ezek
19
METTINGER, Cherubim, 191. He argues that the verb רכבin Ps 18.11 should not be
translated as ‘ride’ but as ‘dahinfahren’, i.e. God is depicted as descending in his cherubim chariot.
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1.12) and so are the horses (Zech 6.5). Secondly, the cherubim are associated with chariot (Ezek 10. 2, 4, 7, 18a, 19bα; 11.23, cf. 2 Sam 22.11) and
Zech 6.1–8 contains chariot imagery. Thirdly, the wheels of the cherubim
have ‘eyes’ (Ezek 1.18) and God’s patrol are likened to ‘eyes’ (Zech
4.10).20
I do not suggest that the links between the aforementioned passages in
Zechariah 1 and 6; Ezekiel 1 and 8–11; 2 Sam 22.11//Ps 18.11; and Gen
3.24 are the result of direct textual allusion, where the seer responsible for
the vision report in Zechariah 1–6 would purposefully have picked up the
notion of the winds and the cherubim in order to enhance his own message.21 Instead, the textual relationship is better understood as taking place
on a more subconscious level, where the seer responsible for Zechariah 1–
6, familiar with the earlier material, transformed those descriptions into
something new in order to illustrate his own visionary experience of divine
beings in equine form.22
A different aspect of the description of the horses in Zech 6.1–8 suggest
that the ‘horses’ constitute some kind of divine beings with anthropomorphic characteristics. First, the preposition - בin 6.2–3 hints at the curious fact that the horses are somehow in the chariots. Verse 2 specifies that
in the first chariot ( )במרכבהare red horses and that in the second chariot are
black horses. Verse 3 continues in the same vein and states that in the third
chariot are white horses and in the fourth chariot are ( ברדים אמציםmaybe
‘spotted, strong horses’).
The preposition - בcorresponds to a wide range of prepositions in English. It the present context, the preposition has traditionally been understood to indicate that the chariots are drawn ‘by’ the horses, a natural
enough assumption. Yet, in other places where the same preposition is
used in conjunction with the term מרכבה, it implies ‘inside’ the chariot. In
Gen 41.43, Pharaoh let Joseph ride in the second chariot ()במרכבת המשנה, in
1 Kings 12.18//2 Chron 10.18, Rehoboam hastened to get up into the
chariot in order to flee to Jerusalem ( רחבעם התאמץ לעלות במרכבה לנוס
)ירושלם, and in 1 Kings 22.35 (cf. 2 Chron 18.34), the king remained standing in his chariot ()והמלך היה מעמד במרכבה. 1 Samuel 8.11 uses the preposition - בdifferently to state that the king will take the audience’s sons ‘for’
himself and ‘for’ his chariots etc. ()את בניכם יקח ושם לו במרכבתו.
In Zech 6.2–3, the normative meaning of the preposition - בas denoting
the English preposition ‘in’ creates the bizarre reading that the horses are,
20
See further T IEMEYER, Zechariah’s Spies, 104–127.
Cf. J EREMIAS, Nachtgesichte, 119, who assumes an indirect link between the creatures in Ezek 1 and the heavenly beings drawing the chariots in Zech 6.1 as well as with
the angelic beings, among them the Adversary, in Job 1.6; 2.1.
22
Cf. T IEMEYER, Zechariah’s Spies, 127.
21
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in some way, inside the chariots. As already noted, the horses in the first
vision are unusual in that they are able to talk. Here, they are unusual in
that they apparently are in the chariots. What this all suggests is that the
horses, although they may look like animals, are a different kind of creatures. The notion that the horses are in the chariots is likewise attested in
6.5aα which reads אשר בה הסוסים השחרים יצאים אל ארץ צפון.
Secondly, the identification in Zech 6.5 of the horses with the ‘four
winds of heaven’, going out from having been ‘standing before the Lord of
the whole earth’ ()מהתיצב על אדון כל הארץ, brings to mind the ‘the two sons
of oil’ in 4.14 who are ‘standing before the Lord of the whole earth’
()העמדים על אדון כל הארץ. As I hope to demonstrate below, these two ‘sons
of oil’ are likely to be two members of the divine assembly who ‘stand by’,
i.e. ‘attend to’ God. Thus, the horses, the two divine ‘sons of oil’, and the
‘four winds’ are described by the same kind of imagery. This, in turn, suggests that the author of Zechariah’s vision report understood the horses as
divine beings.
To sum up, the eighth vision account features some sort of divine beings
who set out to execute God’s will.
4.2 What does the oracular material in Zechariah 6.9–15 do with the
divine beings in the vision account?
It is, on the whole, unclear whether the oracular material in Zech 6.9–15
aims to comment on the eighth vision account. A few scholars attempt to
find relevance in the combined text of 6.1–15. Seybold, for example, argues that 6.9–15 reflects on the result of the activity in the Neo-Babylonian
Empire of the chariots from the immediately preceding vision account.23
Along different lines, Sellin24 and Baldwin25 propose that v. 15 is the original continuation of v. 8. God’s spirit will come upon the exiles in the
North Country (v. 8) and stimulate them to return and rebuild the temple
(v. 15).26 In contrast, the intermediate verses, vv. 10–14, are unrelated to
the eighth vision account. They are merely an example for the Babylonian
Jewry of the happenings under the new spirit.27 In my view, we should assume that the editor of the final text had some reason for placing the material in Zech 6.9–15 where he did. Thus, I agree with Seybold insofar as vv.
9–15 explore a possible application of the eighth vision, and in particular
of the statement in v. 8. What is pertinent in the present context is the fact
23
SEYBOLD, Bilder zum Tempelbau, 16.
SELLIN, Zwölfprophetenbuch, 515–519.
25
B ALDWIN, Zechariah, 132.
26
ROTHSTEIN, Nachtgesichte, 214–215; CHARY, Aggée-Zacharie, 108–109; RUDOLPH,
Sacharja, 126.
27
RUDOLPH, Sacharja, 126.
24
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that v. 15 ‘historicizes’ the content of the vision account (vv. 1–8). It
moves from the mythological description of divine beings and their actions, to the earthly circumstances of the return of the exiles and the
building of YHWH’s temple in Jerusalem.
Stronger indications suggest that the oracular material in Zech 6.9–15 is
connected with the oracular material in 3.8b. Notably, 6.12 and 3.8b share
the noun ‘branch’ ()צמח. The chronological relationship between these two
texts is, however, uncertain: does 6.12 comment on 3.8b or vice versa, or
do both passages stem from the same author? A plethora of different theories abound. Wöhrle, for example, argues that an early form of 6.9–13*
was written by the same author as the oracular material in 4.6aβ–10a, as
evident from its shared focus on Zerubabbel. Subsequently, another author
wrote 3.1–8, reworked 6.9–13*, and added 6.14 in order to shift the focus
from Zerubbabel to Joshua. Wöhrle thus sees 6.12 as primary and 3.8b as
secondary. In the first edition of 6.9–13*, Zerubbabel is the ‘branch’ (v.
12). In the later context of 3.1–8; 6.9–14, however, the ‘branch’ has been
transformed into a future priestly figure. 28
I agree with Wöhrle insofar as regarding 3.8b as a later addition to
Zechariah 3.29 With this in mind, Wöhrle’s suggested redaction history of
6.9–15 appears to be the best alternative when trying to make sense of the
complicated final text. As to the specific relationship between 3.8b and
6.12, the two texts use the term ‘branch’ differently. In 3.8b, the ‘branch’
is an anonymous person who is called ‘God’s servant’. It is unlikely that
the ‘branch’ in 3.8b should be identified with Zerubbabel, as the use of the
participle ‘behold, I am bringing the Branch’ implies that the Branch is not
yet present in Judah.30 In contrast, in 6.12 the ‘branch’ in all likelihood
symbolizes Zerubbabel, due to the repeated emphasis in 6.12–15 on the
building of the temple. The divine statement in 6.12 that ‘behold a man,
his name is “Branch”…and he will build the temple of Y HWH’ ( ובנה את היכל
' )הmakes the most sense when understood as referring to the building
activity around 520 BCE. Thus, Rose’s attempt to explain the term
‘branch’ in both texts as a future figure fails to convince,31 as do
Jauhiainen’s efforts to regard Joshua as ‘standing in’ for the ‘branch’.32
To conclude, the material in 6.9–15 does not interact with any of the vision accounts to any major extent. Instead, it strengthens the point made in
the oracular material in 4.6aβ–10a which identifies Zerubbabel as the
builder of the temple. The material in 6.9–15 is furthermore in line with
28
W ÖHRLE, Die Frühen Sammlungen, 359–361, 366.
See further T IEMEYER, The Guilty Priesthood, 1–2.
30
T IEMEYER, The Guilty Priesthood, 1–2.
31
ROSE, Zemah and Zerubbabel, 130–141, 173–176, 248–251.
32
J AUHIAINEN, Turban and Crown, 501–511.
29
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the rest of the oracular material in Zechariah 1–6 insofar as it does not
contain any references to divine beings. On the contrary, it offers a historically anchored reading and implementation of the vision accounts and the
accompanying oracular material.
5. Zechariah 2.5–9
Moving to the third vision account in Zech 2.5–9, the text can be divided
into an account of a visual impression (vv. 5–8a) and two oracular sayings
(vv. 8b, 9).
5.1 Divine Beings in Zechariah 2.5–8a
The vision account in 2.5–8a contains several interacting anthropomorphic
characters who are all potentially divine. Verses 5 and 6 feature a ‘man’
with a measuring line in his hand ()איש ובידו חבל מדה. It is unclear as to
whether the seer understood this anthropomorphic figure to be human or
divine.33 The term אישdescribes an angel in quite a few texts in the Hebrew Bible (e.g. Gen 18.2; 32.24). A few exegetes identify this man with a
specific Angel, such as the Interpreting Angel,34 or the Angel of YHWH,35
yet without firm textual support.36 Other exegetes argue that the man is
human, in part owing to his behaviour which is deemed to be ‘too uninformed’ to fit a divine being: an angel would have known about God’s future plans for Jerusalem and thus would not have attempted to measure the
city.37 I tend towards understanding the ‘man with the measuring stick’ as
an angel, given the overall non-earthly setting of the scenery.
Verses 7–8 introduce two new characters, namely the Interpreting Angel
and another angel. Although it is hypothetically possible that the ‘other
angel’ is identical with the ‘man with a measuring stick’, this is on the
33
Some scholars identify this man with an angel. See, e.g., R IGNELL, Nachtgesichte,
72, REDDITT, Zechariah, 58. See also SULLIVAN, Wrestling with Angels, 60.
34
E.g. RASHI, Rabbinic Bible, Zech 2.7.
35
Contra KEIL, Kleine Propheten, 546, who objects to the notion that the man may
simply be a dramatic persona within the vision ‘weil sämtliche in diesen Visionen
auftretended Personen bedeutsam sind’.
36
As pointed out by, e.g., RADAK, Rabbinic Bible, Zech 2.5; M ITCHELL, Zechariah,
136; REVENTLOW, Sacharja, 47.
37
Others object to that identification, claiming instead that the word ‘man’ indicates
that he is not an angel (see, e.g. DEISSLER, Zwölf Propheten, 275). See also B Ič,
Nachtgesichte, 21–22, who argues that the man with the measuring stick is unlikely to be
an angel because of his ‘childish’ behaviour. Instead, the importance which he accredits
to his measuring activity is typically human.
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whole improbable, given the structure of the passage. 38 Verse 8a further
speaks of a ‘young man’ who is either to be identified with the previously
mentioned ‘man with a measuring stick’39 or with Zechariah himself.40
Both options are possible, yet overall the former is more likely, given that
the man with the measuring stick belongs more firmly to the scene than
Zechariah. All in all, the visionary world contains four characters: two angels, the man with the measuring stick who may or may not be an angel,
and Zechariah.41
5.2 What does the oracular material in Zechariah 2.9 do with the divine
beings in the vision account?
In the final form of the text, v. 8b does not constitute a divine oracle.42 Instead it forms the direct speech of the ‘other’ angel to the young man. In
contrast, v. 9aα forms a new beginning, as suggested by the phrase 'נאם ה
and as emphasized by the first person divine speech: 'ואני אהיה לה נאם ה.
This opening phrase sets the oracular material apart from the preceding
vision account, as well as from v. 8b. Structurally, we can thus speak of
two different sections.
As to the chronological development of the text, my view is in part informed by Hallaschka who postulates a three stage development of 2.5–9.
He regards the vision account to be primary and argues that the task of the
later oracular material is to expand and explain the former. Hallaschka detects an early core of the vision account in 2.5–6, whilst seeing vv. 7–8 as
constituting a later layer. Verse 9 is an even later addition which develops
the imagery of v. 8: while v. 8b mentions the people living in Jerusalem, v.
9 speaks of God living there.43 I agree with Hallaschka to the extent that I
38
The exact identify of the latter angel is left unspecified, yet a few scholars equate
him with the Angel of YHWH elsewhere in Zechariah’s vision report.
39
See, e.g., MITCHELL, Zechariah, 138; B Ič, Nachtgesichte, 22; RUDOLPH, Sacharja,
85; REDDITT, Zechariah, 58; PETERSEN, Zechariah, 169; REVENTLOW, Sacharja, 47;
MEYERS AND MEYERS, Zechariah, 153–154; HANHART, Sacharja, 139; W ILLI-P LEIN,
Sacharja, 75; B ODA, Haggai, Zechariah, 223.
40
See, e.g., RASHI, Rabbinic Bible, Zech 2.8; RADAK, Rabbinic Bible, Zech 2.8; IBN
EZRA, Rabbinic Bible, Zech 2.8; KEIL, Kleine Propheten, 548; MERRILL, Zechariah, 104–
105; REDDITT, Zechariah, 40; SWEENEY, Twelve Prophets, 585.
41
It can be argued that four characters, three of which are potentially angels, are definitely too many. HALLASCHKA, Sacharja, 186, for example, argues that the original vision account in vv. 5–6 only featured Zechariah and the man with the measuring stick.
He regards both the Angel of YHWH and the Interpreting Angel appearing in vv. 7–8 to
be later additions.
42
Contra REDDITT, Zechariah, 58, and PETERSEN, Zechariah, 169–172, who read vv.
8b–9 as a divine oracle.
43
HALLASCHKA, Sacharja, 177–186.
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see v. 9 as a later addition. In contrast, I view vv. 7–8 as part of the original vision account, with the oracular statement in v. 8b as the original
ending.
Verse 8b does not interact with the characters in vv. 5–8a. Instead, it
provides the purpose behind the measuring. If we read vv. 5–8a on their
own, we are given no information as to why the ‘man’ is measuring Jerusalem. Verse 8b accordingly serves two purposes. First, it provides the reason for, but also the rejection of, the measuring activity. Jerusalem will be
an open region (i.e. without walls). Its population, consisting of both humans and animals, will be so numerous so that no wall will suffice to surround its immense size.44
The divine oracle in v. 9 continues with the same interpretative trend as
in v. 8b. Verse 9 expands on the statement in v. 8b and adds a new dimension to it. The issue is no longer population growth (v. 8b) but military security (v. 9). Jerusalem will not need a wall as fortification because God
himself will be like a wall of fire around her (v. 9a). He will also be its
glory in her midst (v. 9b).45 In a sense, the chronologically later oracular
material in v. 9 offers a kind of sermon on v. 8b.
As to the divine beings, the oracle in v. 9 changes the scenery. In vv. 5–
8, the angels are in control of the situation and they are responsible for Jerusalem. In contrast, v. 9 places God in the middle and declares emphatically that God himself ( )ואני אהיהwill be a wall of fire around the city and
its glory inside of it. The later oracular material in v. 9 thus emphasizes
that God, rather than other divine beings, will take care of Jerusalem.
6. Zechariah 3.1–10
Turning to Zechariah 3, the material in this account has a different literary
form than the other vision accounts in Zechariah 1–6. In the present context, my interest lies in the structure and chronological development of
Zechariah 3, not in its relationship with the other vision accounts. Zechariah 3 can be, and has been, divided in various ways. From the perspective
of literary genre, the chapter falls into two parts. The material in 3.1–5 describes the happenings in the divine assembly. 46 In contrast, vv. 6–10 consist of divine oracles, transmitted in the final form of the text by the Angel
44
See further the discussion in M EYERS AND MEYERS, Zechariah, 155.
See, e.g., REDDITT, Zechariah, 58–59.
46
E.g. T IDWELL, Wāʾōmar, 347; VANDERKAM, Joshua the High Priest, 554;
PETERSEN, Zechariah, 190–191.
45
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of YHWH (vv. 7–9, 10).47 Alternatively, it is possible to distinguish between vv. 1–7 and vv. 8–10, based on the change of scenery: vv. 1–7 take
place in the divide assembly while vv. 8–10 take place in the temple.48
From a chronological perspective, much favours accepting vv. 6–7 as the
earliest continuation of the vision account, as well as vv. 8a and 9, while
treating vv. 8b and 10 as a later addition.49
6.1 Divine Beings in Zechariah 3.1–5
The vision account contains some new and some already familiar divine
beings: the Angel of YHWH (')מלאך ה, the Adversary (( )השטןv. 2), and presumably also other, yet unspecified, angels (v. 5). The phrase ‘those
standing before him’ ( )העמדים לפניוis likely to denote other members of the
divine assembly. 50 It is furthermore possible that the Interpreting Angel
appears as the speaker in v. 1 ()ויראני.51
6.2 What is the oracular material in Zechariah 3.6–10 doing with the
divine beings in the vision account?
In contrast to the plethora of divine beings in the vision account in vv. 1–5,
the oracular material in vv. 6–10 features only God and the Angel of
YHWH, and only as speakers, not as actors. In many ways, the oracular
material in vv. 6–10 interprets the visual impression in vv. 1–5. In the present context, I wish to highlight four ways in which the oracular material
brings the issues of vv. 1–5 ‘down to earth’.
First, v. 7a suggests to the reader that the undressing and dressing of
Joshua in the divine assembly are connected with his role as High Priest in
the earthly temple. As emphasized by the vocabulary, v. 7a refers to
Joshua’s priestly duties in the temple.52 The terms ביתיand חצריdenote
47
See, e.g., BEUKEN, Haggai-Sacharja, 290–300; PETERSEN, Zechariah, 202, 208,
211–214.
48
AMSLER, LACOCQUE AND VUILLEUMIER, Aggée, 83; RUDOLPH, Sacharja, 99; VAN
DER WOUDE , Zion as Primeval Stone, 238. See also B IČ , Nachtgesichte, 36–37, and
P ARKER, Council, 206.
49
See further T IEMEYER, Guilty Priesthood, 1–3.
50
Cf. MITCHELL, Zechariah, 151; MEYERS AND MEYERS, Zechariah, 188.
51
See, e.g., SWEENEY, Twelve Prophets, 594–595. Sweeney suggests that the
Interpreting Angel is the subject. He is also open to the possibility that the speaker, in
this vision, is identical with the Angel of Y HWH. Alternatively, some exegetes argue that
the speaker is God. See, e.g., KEIL, Kleine Propheten, 552, FEINBERG, God Remembers,
42–43, because of the analogy with Zech 2.3. More recently, B ODA, Haggai, Zechariah,
250, identifies the speaker with God because he is the last person referred to in the preceding text, Zech 2.13.
52
T IEMEYER, Priestly Rites, 252–254.
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(parts of) the temple complex, thus indicating that Joshua is given the
highest authority there.53 In this manner, the oracular material recontextualizes the visionary impression and re-interprets it as a message
concerning the earthly temple. While the vocabulary in vv. 1–5 could (but
need not) be related to the temple and to Joshua’s priestly role, the oracular
material in v. 7a closes the openness of the visionary impression and
guides the reader firmly towards an interpretation related to the temple.
Second, the material in 3.9 brings down the cleansing of Joshua from
the divine assembly to earth. It interprets Joshua’s change of clothing in
vv. 3–5 as a heavenly precursor to the removal of the sins of the community through the earthly celebration of the Day of Atonement in 3.9.54
Third, there is a change from ‘those standing before him’ in v. 5 to
‘those sitting before him’ in v. 8. The divine beings in vv. 1–5 are transformed into Joshua’s earthly, priestly colleagues.
Finally, the adversary disappears as we move from vision account to
oracular material.
7. Zechariah 4
Looking at Zechariah 4, most critical scholars distinguish between the vision account in Zech 4.1–6aα, 10b–11, 13–14 (v. 12 is often considered to
be secondary) on the one hand, and the oracular material in vv. 6aβ–10a on
the other hand.
7.1 Divine Beings in Zechariah 4.1–6aα, 10b–11, 13–14
The only obvious divine being in the vision account in Zechariah 4 is the
Interpreting Angel. However, there are compelling arguments to suggest
that the lamp-stand represents God, the seven eyes represent his heavenly
host, and the two olive-trees in attendance represent two members of the
divine assembly.
The lamp-stand and the eyes together form one overarching image of
God and his divine agents (vv. 2–3, 10b). As suggested by Oppenheim, the
image of God’s eyes in 4.10 is probably influenced by the Persian intelligence service and network of espionage. As the Persian king’s ‘eyes’ rode
across the Persian Empire gathering information about the situation in the
53
Cf. JEREMIAS, Nachtgesichte, 214–215, who argues convincingly that the term בית
must refer to the temple and not to the people of Judah. See also V ANDERKAM, Joshua the
High Priest, 559.
54
For Zech 3.9 being a reference to an early form of the Day of Atonement, see
T IEMEYER, Guilty Priesthood, 1–19.
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realm, so God’s ‘roaming eyes’ traverse the earth collecting data.55 The
eyes in 4.10 are further connected with the horses in 1.8–11 and 6.1–8.56 In
fact, God’s omniscience (patrolling forces/all-seeing eyes) is a Leitmotif
throughout Zechariah’s vision report. In the first vision account, the horses
and their riders return in order to report to God (1.10–11). In the last vision
account, they set out again to execute the decision of the divine assembly
(6.7). The eyes in 4.10, half-way between these two happenings, constitute
God’s patrols at rest in the divine assembly. The horses and the eyes are
thus symbols of the same thing, that is, God’s omnipresence.57 The image
of the flying scroll in the sixth vision account complements this picture, as
the scroll flies around seeking out those individuals who are impure.58
The image of God’s all-seeing eyes in Zech 4.10 in all likelihood depends on two main biblical traditions. First, it draws on Ezekiel’s inaugural
vision report and the notion of eyes of God’s throne chariot.59 Ezek 1.18
describes the creatures’ wheels as having eyes ( )עיניםall around their rims
()וגבתם מלאת עינים סביב לארבעתן. These eyes are best understood as symbols
of the cherubim’s all-seeing character and constant watchfulness,60 although they may also have had a physical dimension as eye-shaped gem
stones that gave them a sense of majesty and awesomeness ( וגביהן וגבה להם
‘ = ויראה להםas for their rims, they had height and they had fear’).61 As
noted above, the portrayal of the horses in Zechariah 1 and 6 is influenced
by the portrayal of the creatures/cherubim in the vision reports in Ezekiel 1
and 8–11.62 As in the case of the horses, the links in Zechariah 1; 4; and 6
to Ezekiel 1 and 8–11 do not fall into the category of textual allusions.
Rather, Ezekiel’s descriptions of the creatures/cherubim are better viewed
as part of the pre-history (in terms of ideas and images) of Zechariah’s vision report.63 Zechariah reused but also altered parts of Ezekiel’s descriptions as he strove to put into words his own visionary experience. Secondly, the image of God’s all-seeing eyes draws on Job 1–2. In many respects, the seven eyes have a corresponding function to that of the Adver55
OPPENHEIM , Eyes of the Lord, 173–180. See further my discussion in T IEMEYER,
Busy Night, 187–207. See also REVENTLOW, Sacharja, 59, and W ILLI-P LEIN, Sacharja,
95.
56
See also MITCHELL, Zechariah, 163, and N IDITCH, Symbolic Vision, 111–112.
57
See further T IEMEYER, Busy Night, 189–190, 200.
58
NIDITCH, Symbolic Vision, 112.
59
SWEENEY, Twelve Prophets, 613.
60
GREENBERG, Ezekiel’s Vision, 167, I DEM, Ezekiel 1–20, 58.
61
E.g. B LOCK, Book of Ezekiel, 100–101. For the grammatical understanding of Ezek
10.8, see W ALDMAN, Note, 614–618, who understands וגביהןas a casus pendens (cf. vv.
10, 11, 13).
62
T IEMEYER, Zechariah’s Spies, 109–116.
63
T IEMEYER, Zechariah’s Spies, 116.
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sary, 64 as suggested by the shared vocabulary of Zech 4.10b ( המה משוטטים
)בכל הארץwith the Adversary’s answer in Job 1.7 ( ויאמר משוט בארץ מהתהלך
)בה. As the Adversary, the ‘eyes’ in Zechariah 4 ‘roam the earth’ with the
aim of gathering information.
Summing up, the textual allusions to Ezekiel and Job and the occurrences of ‘eyes’ throughout Zechariah’s vision report together suggest that
the ‘eyes’ in Zech 4.10 constitute a symbol of the heavenly host.
Turning to the two olive trees in Zech 4.3, 11, 13–14, two key factors
make it likely that they are members of the heavenly host. First, the olive
trees (vv. 3, 11) are identified in v. 14 as the ‘two sons of oil’ ( שני בני
‘ )היצהרwho are standing before the Lord of the whole earth’ ( העמדים על
)אדון כל הארץ. The last statement serves to link the two ‘sons of oil’ with
the four horses/chariots in 6.5. Identified as the ‘four winds’ ()ארבע רחות,
the horses/chariots are going out into ‘the whole world’ ( מהתיצב על אדון כל
)הארץ.65
Secondly, the link between the two olive trees and divine beings is further emphasized by the preposition עלin v. 3 and the expression עמד עלin
v. 14. The verb עמד עלis elsewhere used in conjunction with heavenly beings who stand around God’s throne (Isa 6.2; 1 Kgs 22.19; cf. Job 1.6
[')]להתיצב על ה.66 In particular, the two trees in Zech 4.3, 14 have affinity
with the seraphim in Isa 6.2. As the seraphim in Isa 6.2 ‘stand above’ the
Lord ()שרפים עמדים ממעל לו, so the trees are ‘above’ the lamp-stand (v. 3,
)עליהand the ‘sons of oil’ ‘stand above’ the Lord of the whole earth
()העמדים על אדון כל הארץ. Both the seraphim and the trees represent the allseeing power of YHWH’s divine assembly. 67 Furthermore, the expression
וקרא זה אל זהin Isa 6.3a may imply that just as there were two trees in Zech
4.10, there were two seraphim in Isa 6.3.68
Based on the accumulated textual evidence, I follow Rose’s conclusion
that the ‘sons of oil’ in Zech 4.14 are two members of the divine assembly
who ‘stand above’, i.e. ‘attend to’ God.69
7.2 What is the oracular material in Zechariah 4.6aβ–10a doing with the
divine beings in the vision account?
In the oracular material in vv. 6aβ–10a all the divine beings have disappeared and the imagery has been brought down to a human level. This
change is visible on three fronts. First, the oracular material encourages the
64
T IDWELL, Wāʾōmar, 347.
Cf. T IEMEYER, Busy Night, 204.
66
JUNKER, Die zwölf kleinen Propheten, 141.
67
CARROLL, What Do We Know, 42.
68
METTINGER, Seraphim, 743.
69
ROSE, Zemah and Zerubbabel, 204–207.
65
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reader of the final form of Zechariah 4 to interpret the image of the two
olive trees as symbols of the earthly leaders Joshua and Zerubbabel.70 As
the oracle in vv. 6aβ–7 is directed towards Zerubbabel, and as the oracle in
vv. 8–10a is about Zerubbabel, the reader of the final form of Zechariah 1–
6, reading the vision report and the oracular material together, is led towards identifying one of the trees with the earthly leader Zerubbabel.71 In
the same way, the material in Zechariah 3 and 6.9–15 suggests identifying
the other tree with Joshua.72 The oracular material thus transforms the trees
from divine beings into earthly men.
Secondly, and likewise, the oracular material in 4.6aβ–10a transforms
the image of the lamp-stand and its eyes from being symbols of God and
his heavenly host into a picture of the earthly temple. The reference to the
‘top stone’ ( )האבן הראשהin v. 7b, as well as the reference to Zerubbabel
laying the foundation of ‘this house’ ( )ידי זרבבל יסדו הבית הזהin v. 9a causes
the reader of the final form of Zechariah 4 to identify the lamp-stand with
the temple.73
Thirdly, the oracular material in 4.6b further picks up the notion of
‘wind/spirit’ from the eighth vision account (6.5). In 6.5, the image of the
‘wind’ is intertwined with the images of the horses, the chariots, and the
eyes. The oracular material in 4.6b, however, emphasizes that it is God’s
wind/spirit ( )כי אם ברוחיwho will act directly through the human
Zerubbabel.
8. Zechariah 2.1–4
The final two vision accounts to be discussed – Zech 2.1–4 and 5.5–9 –
differ from the pattern that we have seen so far in that they lack an oracular component. Beginning with the vision account in Zech 2.1–4, its structure falls easily into two parts; vv. 1–2 and vv. 3–4. The situation is more
complicated from an exegetical perspective. It is possible to view v. 4b as
a concluding divine oracle, as it culminates the vision account and as it
potentially constitutes a divine oracle, depending on how one understands
70
Many scholars read Zech 4 as a unity and allow their interpretation of the oracular
material to influence their understanding of the surrounding vision account. See, e.g.
B ALDWIN, Zechariah, 119, 125; STEAD, Intertextuality of Zechariah, 172–173, 176;
F INITSIS, Visions, 132–133.
71
Cf. W ILLI-P LEIN, Sacharja, 95–96; W ÖHRLE, Die Frühen Sammlungen, 338.
72
The strength of this interpretation is evidenced by the majority of commentaries
who identify the two olive trees in Zech 4.14 as Zerubbabel and Joshua.
73
As do a number of scholars. See especially VAN DER W OUDE, Zion as Primeval
Stone, 239–240, and O’BRIEN, Zechariah, 192–196.
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the subject of the verb ( ויאמרwhich follows the ethnachta). Yet, this reading of the text fails to take into account the special features of the second
vision account and thus ultimately does the text an injustice. It is therefore
preferable to view Zechariah’s second vision account as unaccompanied by
an oracle and thus on a par with the seventh vision account.
8.1 Divine Beings in Zechariah 2.1–4
It is difficult to determine the number of divine beings in the second vision
account in Zech 2.1–4. The Interpreting Angel reappears (v. 2). We also,
somewhat surprisingly, meet YHWH. The vision account in 2.1–4 stands
out from the other vision accounts in that YHWH is an actor within the vision account (v. 3), something which elsewhere occurs only in 3.2. Zechariah 2.3 assigns to YHWH acts which in 1.9 are attributed to the Interpreting
Angel. It is furthermore unclear as to whether the speaker in v. 4a ( )ויאמרis
YHWH or the Interpreting Angel.74
Turning to the horns and the artisans, they may qualify as or at least
symbolize divine beings. The reference to ‘craftsmen’ ( )חרשיםin Zech 2.3
brings to mind Kothar wa-Hasis, the Ugaritic deity who is smith, craftsman, engineer, architect, and inventor. In Ugarit cosmology, he is part of
the four-tiered divine council. As discussed by Smith, the top level contains El and his consort Athirat, the second level contains the rest of the
major figures of the pantheon (e.g. Yamm, Anat, Mot, Baal). The third tier
is poorly represented in the Ugaritic texts. According to Smith, it is likely
that Kothar wa-Hasis belongs there. He serves the upper two tiers of the
council, as builder of palaces and maker of weapons. The fourth tier contains minor deities, including the messenger-gods.75 It is, in my view,
possible that the imagery of the ‘( חרשיםcraftsmen’), the destroyers of nations (v. 3), is influenced by the notion of a craftsman deity whose speciality was to make weapons.
74
The fact that YHWH is the last person mentioned (v. 3) favours seeing God as
Zechariah’s interlocutor in v. 4. According to this reading, God would show Zechariah
the four ( חרשיםv. 3), Zechariah would ask [God] what they are (v. 4a), and [God] would
tell him. In addition, the fact that God has usurped the task of the Interpreting Angel in v.
3 opens the possibility that he is doing the same in v. 4 (Cf. SCHÖTTLER, Gott inmitten
seines Volkes, 60; O’BRIEN, Zechariah, 178). The alternative reading, namely that the
Interpreting Angel is Zechariah’s interlocutor, is supported by the fact that nothing in v.
4b implies that it is a divine oracle. (In comparison, Zech 5.4 states explicitly that God is
taking over from the interpreting angel [v. 3] as the speaker.) Instead, v. 4 continues the
train of thought of v. 2. Furthermore, as the task of explaining the visionary impression
to Zechariah elsewhere in Zech 1–6 falls on the Interpreting Angel, it is natural to assume
that it does so here as well (Cf. PETERSEN, Zechariah, 164).
75
SMITH, Origins of Biblical Monotheism, 45–46.
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Tigchelaar’s interpretation of Zech 2.1–4 points in the same direction.
He sees the vision account as steeped in the language of myth and magical
language, and argues that the verb לידותin v. 4 provides the solution to its
imagery. On the basis of comparative Semitics, he derives the infinitive
לידותfrom the root ידיwhich he identified as a cognate of the Ugaritic root
ydy, meaning ‘to cast out’ or ‘to expel’. The חרשיםin vv. 3–4 are thus
given the task of expelling the ‘horns’. This action suggests that the horns
are a kind of demons, in the same way as the horns in Dan 7.7–8, 11, 20–
21, 24 are hybrid characters with evil intent which can be likened to demons. The horns in 2.1–2 are thus not nations, or even leaders of nations;
rather, they signify demons in charge of and representing the nations.76
Tigchelaar further proposes that the חרשיםare skilled workers in the sense
that they are experts in uttering spells (analogous to the people in Ezek
21.36 who are ‘skilled in destruction’ [)]חרשי משחית.77 The combination of
the terms חרשand משחיתin Isa 54.16 conveys the same nuances of destruction.78 As these ‘craftsmen’ expel the ‘horns’, i.e. the demons, Tigchelaar
maintains that the ‘craftsmen’ accordingly must represent heavenly actors
who determine the course of history. Zechariah 2.1–4 is steeped in the language of myth and magical language.79
I am not fully convinced by Tigchelaar’s identification of the horns with
demons. It is unlikely that Zechariah would have seen demons and then
used the term ‘horn’ to describe what he saw. Tigchelaar begins with the
divine word and works ‘backwards’ towards the image, thus allowing his
interpretation of the images to be influenced by the interpretation in v. 4.
Instead, I suggest that Zechariah saw a picture of something akin to four
animal horns (v. 1). This image is primary and leads only subsequently to
the interpretation of the horns as symbols of earthly powers (v. 2). In contrast, I find Tigchelaar’s interpretation of the craftsmen as symbols of
heavenly actors convincing. It gains additional credence when one reads
Zech 2.1–4 as the direct continuation of Zech 1.8–11(13). As the account
of the horses and the rider standing among the myrtle belongs in a mythological realm, so would the account of the horns and the craftsmen. It
therefore cannot be excluded that the horns and the craftsmen in Zech 2.1–
4 represent more than what meets the eye and may in fact denote divine
beings.
76
T IGCHELAAR, Prophets of Old, 47–55.
The link between Zech 2.3 and Ezek 21.36 is noted by several scholars, among
them MERRILL, Zechariah, 101; M EYERS AND MEYERS, Zechariah, 139; ROKAY,
Nachtgesichte, 72; DELKURT, Nachtgesichte, 93–96, 101.
78
HALLASCHKA, Sacharja, 174. Cf. also STEAD, Intertextuality of Zechariah, 107, and
DELKURT, Nachtgesichte, 93–96, 101.
79
T IGCHELAAR, Prophets of Old, 47–55.
77
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8.2 Is there oracular material in Zechariah 2.1–4?
As noted above, Zechariah’s second vision report is unaccompanied by any
oracular material and it is unlikely that any part of the text is a later interpretation of an earlier stratum. As a result, Zech 2.1–4 stays within the
realm of the visionary world and there is no transformation of divine beings into any earthly equivalence. The lack of a clearly defined divine oracle may in part stem from the existence of a degree of explanatory material
embedded in the vision account in itself. The horns are identified indirectly
in v. 2 as ‘the nations’ and directly in v. 4 as ‘the horns of the nations’.
The craftsmen are described as those able to destroy the horns. Beyond
that, the vision report does not interpret itself and the function and the
identity of the characters involved are never fully elucidated. The extant
characters could be other nations, divine beings, or still something else.
Furthermore, the horns and the craftsmen are never substituted for something else in the accompanying explanation but remain symbols throughout
the vision account.80 Thus, the text never spells out the earthly repercussions of the characters’ actions.
Recently Hallaschka has suggested, on the basis of the slight discrepancy in the use of the horn-motif between vv. 1–2 (four specific nations)
and 3–4 (nations in general), that the original text only consisted of vv. 3–
4. In that text, God was the sole actor (v. 3) and speaker (v. 4). Verses 1–2
and thus the persona of the Interpreting Angel were added later to the
text.81 If Hallaschka’s claim were correct, it would challenge my claim that
the later textual layers of Zechariah 1–6 contain fewer divine beings than
the earlier ones. However, the problem lies within v. 4 alone: 4bα echoes
v. 2 while v. 4bβ adds a new touch to the horn motif.82 To differentiate between vv. 1–2 and vv. 3–4 therefore does not solve the aforementioned
discrepancy. With this in mind, it is preferable to treat 2.1–4 as an authorial unity.
9. Zechariah 5.5–11
The seventh vision account in Zech 5.5–11 is similar to the one in 2.1–4 in
two respects. First, neither account contains a divine oracle which interprets the visual imagery. Secondly, both accounts contain a relatively high
level of explanatory information. In the seventh account, the Interpreting
80
NIDITCH, Symbolic Vision, 126. From a different perspective but making the same
point, see LOVE, The Evasive Text, 136–137.
81
HALLASCHKA, Sacharja, 169.
82
See further T IEMEYER, Review.
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Angel assigns symbolic quality to several of the images (e.g. the woman is
wickedness), something which gives the vision account an allegorical
quality. This quality is on a par with the situation in the second account
wherein the horns are explained as the entities which scattered Judah etc.
(2.2).83
Zechariah 5.5–11 contains a large number of divine beings. The Interpreting Angel appears throughout the entire account (vv. 5–6, 8, 10–11). In
addition, there is the woman in the ephah, and the two stork-like women
(vv. 9–11) who carry her to Shinar. Beginning with the stork-like women,
they are most likely some kind of divine beings, akin to the cherubim. This
identification is based on three factors.
First, the phrase ‘wind in their wings’ ()ורוח בכנפיהם84 implies that they
have wings and that they can fly. This phrase appears elsewhere in the Hebrew Bible in 2 Sam 22.11//Ps 18.10 in the context of God riding upon a
cherub.85 There, the cherub and the ‘wings of the wind’ are parallel expressions, something which may indicate that ‘wings of the wind’ is an epithet
of a cherub (על כנפי רוח//)וירכב על כרוב. The same expression appears also in
Hos 4.19 in an oracle that blames the Israelites (f. sg.) for idolatry and
claims that a wind will bind her up with its wings ( )צרר רוח אותה בכנפיהso
that she will be ashamed. These three examples together make it likely that
the two winged women in Zech 5.9 are acting on God’s behalf.
Secondly, the women’s task in 5.9–11 is reminiscent of the tasks of the
cherubim in Ezekiel 8–11, as well as of those of other divine beings. As
the cherubim in Ezek 11.22–23 remove God’s glory from Jerusalem, so the
composite creatures in Zech 5.11 remove personified wickedness from the
land (of Judah).86 Körting, for example, points out that the two winged
women in Zechariah 5 move in the same sphere between heaven and earth
as the prophet Ezekiel (Ezek 8.3) and the Angel of Y HWH (1 Chron 21.16).
Thus they are likely to be God’s agents. By carrying the ephah to Babylon,
they are doing God’s work which brings salvation to Israel. They are feminine, to set them apart from God and the angels.87
Thirdly, the impression that the women serve God is further strengthened by the double entendre of the Hebrew term רוחwhich also means
‘spirit’. The ‘wind’ is God’s agent in Gen 8.1; Exod 15.10; Jer 10.13; and
83
Cf. NIDITCH, Symbolic Vision, 168.
The m. pl. pronominal suffix may attest to the dominance of the masculine
grammatical forms.
85
Cf. MEYERS AND MEYERS, Zechariah, 305.
86
See further also B ARKER, The Evil in Zechariah, 24–26, and M EYERS AND MEYERS,
Zechariah, 305–306.
87
KÖRTING, Sach 5,5–11, 482. See also CURTIS, Up the Steep and Stony Road, 142,
who calls them ‘the Bible’s only female angels’, as does SALS, Reading Zechariah 5.5–
11, 199.
84
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Num 11.31.88 As Merrill points out, God’s spirit is empowering the two
winged women in their current endeavour in the same way as it is
strengthening Zerubbabel in Zech 4.6 ()כי אם ברוחי.89 Along similar lines,
Baldwin argues that the link to Zech 4.6 indicates that the removal of
‘wickedness’ is God’s doing.90
Taken together, the comparative textual evidence suggests that the
stork-like women in 5.9–11 are God’s agents who carry out his work.
Their description is influenced by that of the cherubim, especially in Ezek
8–11, and they can be understood as the cherubim’s female counterpart. As
mentioned earlier, there are intriguing similarities in the depiction of the
creatures/cherubim in Ezekiel 1 and 8–11, the Adversary in Job 1–2, the
horses in Zechariah 1 and 6, and the Adversary in Zechariah 3.91 It is
possible that Zechariah understood the stork-like women to fall into the
same category of divine beings. If so, then the stork-like women (7th account), the horses (1st and 8th account), the divine beings represented by
the eyes of the lamp-stand (5th account), the two ‘sons of oil’ (5th account),
and the Adversary (4th account) would all be members of YHWH’s host.
Turning to the woman sitting in the ephah, the situation is different. For
convincing reasons, she has often been interpreted either as a goddess (e.g.
Asherah,92 or Ishtar93) or as a statue of a goddess. What is more uncertain,
however, is whether the woman is a goddess or whether she merely represents one. Notably, she is called a woman, i.e. a human being (זאת אשה אחת,
v. 7bα). This textual detail sets the woman in the ephah apart from the divine beings in Zechariah’s vision report. The horses, the olive trees etc.,
are divine beings in themselves: the trees are ‘the sons of oil’ (vv. 11, 14),
and the horses are God’s winds (6.4–5). In contrast, the woman is not a
goddess. Instead, she is ‘the wickedness’ ()זאת הרשעה.
The explanation of this difference lies, in my view, in the woman’s status vis-à-vis YHWH. All the divine beings that we have encountered so far
in Zechariah 1–6 have been God’s subordinate servants who have carried
out his commands. This includes the Adversary who, as a member of the
divine assembly, is subordinate to its leader YHWH (3.1–2). In contrast, the
woman in the ephah is not affiliated with YHWH and is not part of his entourage. Thus, from the perspective of the author(s) of Zechariah 1–6, she
is not a divine being. The fact that the woman in the ephah is explicitly
88
PETERSEN, Zechariah, 259, including n. 7.
MERRILL, Zechariah, 156–157.
90
B ALDWIN, Zechariah, 129.
91
T IEMEYER, Zechariah’s Spies, 104–127.
92
EDELMAN, Provoking, 336–337.
93
E.g. DELCOR, La vision de la femme, esp. 143–144; SWEENEY, Twelve Prophets,
620.
89
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identified as a woman (5.7) suggests that Zechariah 1–6 does not allow for
divine beings outside YHWH’s host. She might represent a goddess but she
is not one. (In contrast, the Adversary in Zechariah 3 is still considered one
of YHWH’s associates and thus not a rival independent deity.)
Conclusion
Having surveyed Zechariah 1–6, the actual vision report contains a multitude of different divine beings. This is true also for the material in 3.1–5
which may have been written subsequently to the other seven vision accounts. We meet angels as well as other kinds of divine beings (horses, the
Adversary, ‘sons of oil’, winged birdlike women) who are members of the
divine assembly and parts of YHWH’s host. In contrast, the oracular material in Zechariah 1–6 persistently focuses on YHWH alone. For instance, the
vision accounts depict the action as being carried out by divine beings (e.g.
1.8–11; 2.5–8), while the oracular material maintains that Y HWH is the
principal actor (e.g. 1.13–17; 2.9). In several case the oracular material
also transforms the visionary material in order to adapt it to issues ‘down
on earth’. For example, scenes from the divine assembly are translated to
reflect the earthly temple (Zechariah 3) and divine beings are transformed
to be understood as representing earthly persons (Zechariah 4).
Reflecting on these differences raises the question as to whether they
point to a change of historical circumstances94 or a change of literary
genre, or both. I tend towards the last interpretation for two reasons. First,
from the perspective of the text of Zechariah 1–6, it is likely that many, if
not all, of the verses containing divine oracles stem from chronologically
later redactions. As we have seen, the oracular material expands on and
interprets the vision accounts (e.g. 1.14–15 interprets 11b; 2.9 interprets
2.8b). At the same time, I do not detect any wider chronological gap between the vision accounts and most of the oracular material. On the contrary, the latter is firmly anchored within the sixth century BCE, as indicated by the focus on the historical characters Zerubbabel and Joshua. Secondly, from the perspective of the rest of the Hebrew Bible as well as the
inter-testamental literature and the New Testament, a decrease in terms of
references to divine beings in chronologically later texts makes little sense.
94
In this context, I find it unhelpful to speak about authorship. Given our lack of
information about Zechariah as a person, it is impossible to distinguish between a situation where Zechariah reinterpreted his earlier vision report and a situation where someone else reinterpreted Zechariah’s vision report. What matters is the chronological aspect, i.e. that one set of texts was written in different social and historical circumstances
than another set of texts.
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On the contrary, later Jewish literature testifies to an increased number of
references to divine beings, especially to angels. Taken together, these two
factors suggest that we should look primarily to the genre of the material.
This, in a sense, is self-evident, yet it nevertheless needs to be spelled out.
The oracular material in Zechariah 1–6 brings the visionary impression
down to earth, making it applicable to the events in Yehud around 520
BCE and thus relevant to the people living at that time. The happenings in
the divine assembly had relevance for the audience of the vision report
only insofar as it touched their present lives on earth.
We may also conclude that the divine imagery throughout all of Zechariah 1–6 is strictly monotheistic. In an even more conspicuous manner than
in Pss 82.1–7; 89.6–8 or Exod 15.11, texts which declare Y HWH’s supremacy over all other divine beings, no inkling in Zechariah’s vision report
hints at a situation where the divine beings would be on a par with YHWH.
Instead, they are all subordinate to YHWH and carry out his will. The one
exception is the woman in the ephah, yet, as we have seen, her appearance
actually confirms the rule. In contrast to both the angels and the nonanthropomorphic divine beings, she is not described as a goddess, even
though she may symbolize one. On the contrary, she is a ‘woman’ (v. 7b),
i.e. a human being, thus set apart from the divine beings, and she is ‘the
wickedness’ (v. 8a), i.e. a personification of and symbol for ethical and
religious crime.
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