2019-excel-calendar-planner-12 (1).xls

2017 ã¨∂K« # : WO^OE ∞Ö'x QAE O@Å∞ ukä #Hõ ∆ " `« =ÚÅ Ü≥ ÚHõ ¯ JO`« º=ÚÅ#∞, =~°˚º=Ú Ü≥ ÚHõ ¯ P^OE ºO`« =ÚÅ#∞`≥ Å∞ѨÙ#∞. ~åǨï HÍÅ=Ú, "å~° ^OE ∞~° ∞ ‡Ç¨ï~° Î =Ú, Ü« ∞=∞QAE O_» HÍÅ=Ú LII 6–00 QAE IIʼnõ Ω ã¨∂~Àº^OE Ü« ∞=ÚQÍ QAE ∞iÎ Oz ~åÜ« ∞_» O [iy#k. W`« ~° q=~° =Úʼnõ Ω ã≤ ^ • ú xÎ QÍix á ¶ È<£ ^ • fi~å ã¨O " ѨkOK« QAE Å~° ∞.

2021

Calendars increasingly play a fundamental role in establishing our everyday rhythms, shaping our consciousness of temporality. But these tools are not neutral. They codify values and behaviour while obscuring the politics of time embedded in their representation. After all, how we represent time affects how we conceptualize time. Calendar Collective is a design-led research investigation that challenges the normative understanding of time as linear, objective and neutral. In this investigation, I use calendar as a subversive tool to dismantle current hegemonic time structures and rebuild plural structures. As a designer from a previously colonized country, I employ calendar as a decolonization tool to render time-one of the most invisible epistemologies in futures work-visible. Using a combination of participatory design workshops, counterfactual history techniques, and personal cultural experiences, I unfold a fictitious archive of alternate calendars (real and imagined) traced through voicemails. The voicemails are a reminder that complex socio-cultural systems based on alternate temporal thought have always existed and still do.

2020