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2018, WiN: The EAAS Women’s Network Journal
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8 pages
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A former Riot Grrrl, an activist, an educator, an historian, a cultural creator, and a writer reflects on the power and meaning of the 2017 and 2018 Women's Marches, the evolving interpretations of feminism, and the continual power and perception of change. ISSN: 2626-2975
Journal of Feminist Scholarship
The Women's Marches of January 2017 and 2018 were some of the largest mass demonstrations in history. They represent an important stage in the American feminist movement in its current iteration. Unlike the first and second waves of the movement, which were led by privileged class cisgender white women, the leadership of these marches includes women of color who have brought a vision of intersectionality and diversity to the marches. Banners covering a wide range of issues including reproductive choice, #MeToo, equal pay, Black Lives Matter, LGBTQ rights, and support for immigrants, became the hallmark of these marches. Is the contemporary feminist movement finally recognizing the importance of intersectionality? Or, is it merely paying lip service to the concerns of diverse people by way of representational politics? This article provides a historical analysis of the contemporary "Women's Marches" with the specific intent of evaluating their contribution to intersectionality and diversity within the mainstream feminist movement.
This article is composed of photographs and remembrances: my own and those of several students and friends who participated in the Women’s Marches in New York and Washington, DC, on January 21, 2017. The images and text raise questions brought to life by the marches. They address the efficacy of mass marches and similar forms of protest in an era driven by polarization of both social media and mainstream news media. The article poses such questions as, what was the nature of the Women’s March, and how did it differ from previous demonstrations? What did it achieve? Can solidarity be sustained in an environment of heightened and ongoing divisiveness?
Leadership
The Women's March is arguably the most important counter-narrative to Trump's post-truth regime, but does it also present a leadership alternative to his populist and authoritarian style? And is this alternative necessarily better than currently dominant social formations? In this paper, we argue that the Women's March is partially configured by similar forces of affective circulation as those governing pro-Trump narratives, but that it is different and better in one important respect. Its narratives are driven by both collaboration and contestation, meaning its circulation is both centripetal and centrifugal. We substantiate this claim through a close reading of the narration of the Women's March-from its inception until its first anniversary. Here, we focus particularly on the development from a moment of resistance to a political movement, arguing that this process offers a prototype for conceptualizing a new form of 'rebel' or social movement leadership. Hence, the Women's March not only offers a different and better alternative to the leadership of Trump, but also offers an opportunity for promoting and refining leadership theory in the post-heroic vein.
Journal of Interdisciplinary Feminist Thought, 2019
This study of the U.S. Women’s March on Washington engages a feminist cultural studies lens to examine my own participant observations and multiple lived accounts published by women in open blogs, op-ed pieces, and online articles to produce a critical analysis of collective resistance and action. Photos from the march offer a gritty core sample of American cultural identities in terms of race, class, gender, sexuality, ability, ethnicity and religion with marchers standing shoulder to shoulder in coalition against misogyny, heterosexism, white supremacy, xenophobia, and the very real threat to recognizing women’s rights as human rights. Drawing on the strength of collective resistance and coalition building across difference, the march created a space for galvanizing women to engage in political change making. This change is evidenced through a variety of political actions taken after the march including: record numbers of women running for and winning political nomination, dramatic swells in activist trainings for organizations like Planned Parenthood, increases in voter registration drives linked to #PowerToThePolls, and the proliferation of conversations about sexual harassment connected to the #MeToo movement.
ROAR Magazine, 2017
On the 21 st of January, women marched on Washington against Donald Trump, a nobody in the history of resistance who will nevertheless make a contribution to the history of oppression. A nobody whose archaic rhetoric and retrograde policy we must fight against. This exceptional demonstration of women's resistance to power is not an exception. It signals a tendency of what has been emerging in recent years and what will come in the following decades. We foresee another future of resistance where women will feature prominently. Another because many times women have been at the forefront of revolutionary resistance, both as engines and enablers of movement and on visible front lines. Women are mobilising not just because we have decided to resist massively and publicly now. It is also because the explicit attacks now being made on women from so many angles and throughout so many aspects of women's lives are leaving liberal feminisms behind. The argument for equality between men and women is not only flawed because men and women are clearly different, but because it hides the real struggle of the sexes-the struggle to control the female body to the point of its obliteration. There is a lack of appreciation that struggles surrounding social reproduction understood in a broad sense, are struggles for the reproduction of society itself. 'Violence against women harms us all' (The Guardian 28/10/2016) and it is a global health emergency. The possibility of life on this planet depends on the real eradication of this violence which, is not an anomaly, but pertains to 'their' capitalist, colonial and patriarchal society. read more: https://roarmag.org/essays/women-on-the-verge/
Women & Language, 2021
Protest marches are an important means of political expression. We investigated protesters' motives for participating in the original Women's March on Washington. Two research questions guided this study. First, to what degree did concerns about gender injustices motivate marchers to participate? Second, to what degree did marchers' motives align with the goals established by march organizers? Seven-hundred eighty-seven participants responded to three open-ended questions: (1) Why did you choose to participate in the march, (2) What did you hope to accomplish, and (3) What events during the 2016 presidential election caused you the greatest concern? Responses were coded thematically. Findings indicated that gender injustices were not the sole source of motivation. Most respondents were motivated to march for a variety of reasons, hoped the march would function as a show of solidarity and resistance, and indicated that the misogynistic rhetoric of the 2016 presidential campaign was a deep concern. Finally, the comparison of respondents' motives and organizers' stated goals indicated a shared sense of purpose for the march.
Women's Studies in Communication, 2019
This article engages with theories of intersectionality, affect, and emotion, which often have been separated in scholarship on social movements, to understand the participation of diverse voices in the Women's March on Washington and sister marches in Austin and Dallas, Texas. Based on interviews and participant observation, we argue that people's multiple entry points to these marches-often articulated in terms of gender, ethnicity, sexuality, and generationwere linked to their feelings, passions, and (for some, quite vexed) understandings of solidarity. We also argue that such affective intensities linked disparate bodies that constituted the march as a movement. We thus provide a deeper understanding of how identity, structures of power, affect, and emotion assembled bodies at the Women's March and produced it as a potentially transformative event. The article also sheds light on the often problematic processes involved in individual and societal change.
2006
When you hear the words “feminist activism,” what images come to your mind? Who are the feminists? What age are they/we? What are the strategies of activism, and which issues are worthy of feminist activism? How inclusive are the movements of feminist activism, and how important is it to participants that their own identity and/or their organizations be labeled as feminist or associated —or not — with a specific kind of feminism? Any discussion of women’s movements and organizing would put something called “feminist activism” at the core of that work, but how often do we take the time to think about how the term is used differently by various groups in different historical moments? An unexpected reward of reviewing four new books on feminist activism was the reminder of how important and even inspiring it is to examine the changing meanings and struggles of feminist activism and the changing voices and faces of feminist activists. The four books reviewed here were written for differ...
Women's Studies International Forum, 2020
Elsevier has created a COVID-19 resource centre with free information in English and Mandarin on the novel coronavirus COVID-19. The COVID-19 resource centre is hosted on Elsevier Connect, the company's public news and information website. Elsevier hereby grants permission to make all its COVID-19-related research that is available on the COVID-19 resource centre-including this research content-immediately available in PubMed Central and other publicly funded repositories, such as the WHO COVID database with rights for unrestricted research re-use and analyses in any form or by any means with acknowledgement of the original source. These permissions are granted for free by Elsevier for as long as the COVID-19 resource centre remains active.
Music and Politics, 2019
Participating in the Women's March in New York in 2017, this author was struck by how quiet the march seemed, relative to Japanese protests. This essay considers the ways in which policing shapes the sound of protests. In Japan, heavy policing renders protests less visible, compelling Japanese protesters to use sound to make their claims known; chanting, recognized as important in building solidarity, is often led and planned. The Women's March in New York was privileged by light policing; it didn't need sound to be seen. The leaderless atmosphere of the Women's Marches led to a high rate of innovation in chanting. Drawing from ethnography and videos of thirty protests, the essay analyzes the chants of the first six months of the Resistance. Using a combination of humor, references to recent events, interaction with popular music, and intertextuality with historical protest culture, these chants and songs engage protesters and issues in memorable fashion. Aiding the construction of these new chants is their tendency to follow the familiar musical forms of sentences or periods, and their frequent use of preexisting text patterns. The essay ends with a critique of the decline in intersectionality seen in the 2018 Women's March in New York and a call for agonistic democracy.
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