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Networks and Neighbours, Vol 2, No 1 (2014), 2014
Comparison is a powerful tool in the methodological toolbox of the humanities. However, the results of a comparative study can sometimes be as confusing as they are valuable – especially so, when the participants in a comparative project come from different academic backgrounds as well. This article presents some initial observations on the pitfalls and possibilities of multidisciplinary research. Additionally, two case-studies will be presented, based on the expertise of the co-authors (the monastery of Saint-Mihiel in the early Middle Ages, and the religious communities known as hijras in Medieval South Arabia), in order to present a way to compare these two cases in a viable manner.
2017
This multilingual (English-Arabic-Italian) book, entitled "Relations between East and West - Various Studies: Medieval and Contemporary Ages" contains all papers compiled by both Egyptian-Italian research team. The compiled papers are the following: Prof. Ali Ahmed Mohamed El-Sayed: Islamic Awqaf related to Peace-Building Among Nations: Tamim Al-Dari Hospice as a Model. Prof. Ali Ahmed Mohamed El-Sayed: Peace between Muslims and Europeans: A Papal Edict and A Mamluk Decree for Mount Zion Monastery Dr. Al-Metwally Tamim: Seljuk Sultan Kilij Arslan II visit to Constantinople in 1162 AD Ahmed Mohamed Abdelkawy Sheir: The Legend of Prester John versus the Peace Negotiations between the Muslims and the Crusaders in Damietta (1218-1221/ 615-618 AH) Dr. Abdallah Abdel-Ati Abdel-Salam Mohamed: The Egyptian-Hungarian Peaceful Relations during the Events of 1956, and the Italian Situation Prof. Luciano Gallinari: The firsts Muslim incursions in Sardinia and their consequences on the island (6th -11th century). Some reflections Esther Martí Sentañes: Llibres d’ordinacions and strategies for peacekeeping among different communities in Sardinia. Luisa Spagnoli, Anna Maria Oliva, Arturo Gallia: Travelling Towards Egypt Between The Late Xiv And The Xvi Century Ottavia Domenici: Glass and Rock-Crystal Manufactured in Egypt in the Medieval Mediterranean (10th-12th C.)
SCHOLARSHIP ON THE VISUAL CULTURES of ancient and early medieval Eurasia has recently benefited from art history’s renewed interest in questions that transcend political and cultural boundaries.1 Issues of cross-cultural interaction, however, have not enjoyed from art historians working on the ancient and early medieval worlds a level of critical attention commensurate with the number of problems arising from the material. As a result, many of those who work in the arts and cultures of the Mediterranean, Near East, and Asia have found themselves drawn closer together, but without a common vocabulary or debate with which to engage. The organizing goal of this volume is to highlight these theoretical considerations and provide a forum where art historians of the ancient and medieval worlds can explore these problems of cross-cultural interaction with greater rigor. It does not intend to provide a comprehensive theoretical overview or art historical survey of Eurasian artistic interchange, nor an overarching theory. Rather, it aims to contribute critical perspectives drawn from premodern visual cultures to the wider theoretical conversation. The papers contained herein critically evaluate some of the most important problems encountered in the material: the cross-continental movement and selective appropriation of objects and motifs through trade; the impact of new ways of seeing, being seen, and acting introduced by these objects; the role of art and ritual in negotiations of power among empires; and representations and self-portrayals of ethnicity and gender within and beyond dominant visual cultures. To order: http://www.asia.si.edu/visitor/arsorientalisVolumeOrder.htm
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