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La fin d'un grand partage, Paris, CNRS Éditions, 2015.
A partir de la década de 1980 asistimos, en América Latina, a la reevaluación del papel desempeñado por las imágenes y diversas experiencias estéticas en la escritura histórica y en su transmisión. El debate historia del arte/estudios visuales ocurrido durante los años 80 y 90 provocó no sólo la imbricación de lo artístico con el campo más vasto de la cultura visual, sino también la diversificación de los horizontes epistemológicos desde los cuales las diversas imágenes y prácticas artísticas eran analizadas y significadas. Este artículo analiza, a través de los escritos de Nelly Richard y Luis Camnitzer, el impacto que la ‘revuelta disciplinar’ de los 80 y 90 -especialmente de la mano de los estudios culturales y visuales- tuvo en la escritura de la historia, no sólo del arte y no sólo latinoamericana. Since 1980, we have witnessed the reassessment of the role that images and different aesthetic experiences play in Latin American historical writing and its transmission. The debate history of art/visual studies that took place during the ‘80s and ‘90s not only triggered the nesting of the artistic within the broader field of visual culture, but also the diversification of the epistemological horizons from which different images and artistic practices were analyzed and their meaning identified. Through Nelly Richard and Luis Camnitzer’s writings, this article discusses the impact that the theoretical approaches of the ‘80s and ‘90s had on the writing of both art history and Latin-American history - especially from the perspective of cultural and visual studies.
2021
The work offers almost all unpublished information, extracted by the author from the county archives, regarding the situation of Hunedoara County between 1939-1949, especially with regard to: the Romanian refugees from the ceded territories; the Soviet prisoners in the county's camps (Crăciunești and Vulcan); evacuation centers for Jews: Hațeg (with the subcenters Nălăț-Vad, Păclișa, Săcel), Deva and Ilia; work detachments for Jews, at railways and roads; Hunedoara Jews deported to Transnistria; the enlistment of ethnic Germans in the SS formations (1943); deportation of ethnic Germans to the USSR (1945-1955); compulsory labour detachments for Germans (1945-1948); internment camps (1944-1945), plus some information about the organization of postal censorship in Hunedoara County.
There was nothing but chaos. The air was filled with smoke and the screams of her family. Where was her father? She couldn't see and was unsure of where to go. In front of her, hidden on the shelf, was the family treasure. She grabbed hold of it. "This cannot be lost!" she exclaimed. But where was the exit now? The smoke was too thick. She could not breathe and slumped to the ground. Then, suddenly, there was nothing-only darkness. More than 3,000 years have passed since this dramatized event, but for the archaeologists of the Lautenschläger Azekah Expedition, it looks as if it had happened only yesterday. Slowly and carefully-it took four full seasons-we uncovered a building filled with more than 200 complete ceramic vessels, 45 stone tools, exceptional metal objects, 108 beads, five scarabs, eight
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