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This is a critical essay about the poem "Africa".
The criticism of African literature awakened and grew by means of controversy during the 1970s and 1980s, with some of the critics taking the view that African literature can only competently be addressed by African critics, as if being an African provided one a special key to these literary artefacts. The prejudice in this is that what one studies is not literature, but Africanness, or what some call ‘the African experience’; and it has led to constructing instrument of analysis which are incapable of uncovering the literary qualities of the works. This has a negative effect on the literary tradition itself since it encourages the production of works displaying the features the critics have called African. This paper argues that the entire tradition – the literature, the criticism, and the literary theory – needs to connect to and stay engaged with other literary traditions of the world in dialogue, highlighting the fact that they are all things of the same kind.
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