Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
2019
during the symposium "Egyptian Riverine Harbours" (15-18 september 2019) at IFAO (Cairo).
M. Leiwo, M. Vierros & S. Dahlgren, Papers on Ancient Greek Linguistics. Proceedings of the Ninth International Colloquium on Ancient Greek Linguistics (ICAGL 9), 2020
Greek ποτα-μός is the outcome of *ku̯oth₂-mó- ‘foamy, foaming’, a primary adjective with structure CoC-mó- (of the same type as Proto-Indo-European (PIE) *gʷʰor-mό- ‘warm’, attested by Vedic gharmá- ‘heat’, Latin formus ‘warm’) of the PIE root *ku̯eth₂- ‘foam, seethe’. The root *ku̯eth₂- is attested (among others) by Vedic Sanskrit kváth-ant- ‘foaming, seething’ and Gothic ƕaþjan* ‘to foam, ἀφρίζειν’; the current reconstruction of the root as *ku̯ath₂- (LIV2: 374), with -a- vocalism, relies on the highly problematic connection with Latin cāseus ‘cheese’ and should be dropped. The oxytone accentuation of ποταμός, consistent among Greek primary -mό- adjectives (such as θερμός ‘warm’, ὠμός ‘raw’, and δοχμός ‘slant’), speaks against an analysis as a denominative formation derived by means of a secondary suffix -αμoς from, for instance, a noun *πότ-ο- ‘foam’ (PIE *ku̯óth₂-o-) matching Proto-Germanic *hwaþ-a- ‘foam’ (which is reflected by Gothic ƕaþjan* ‘to foam’, ƕaþo ‘foam’, and Swedish kva ‘id.’). The theonym Τηθῡ́ς is the reflex of *ku̯ēth₂-ú-h₂ ‘foamy-ness, seething-ness’, an abstract derivative of the type of Homeric ἰθῡ́ς ‘direction’ (: ἰθύς ‘straight’) and Vedic tanū́- ‘body’ (*‘length’ : tanú- ‘long’) of an adjective *ku̯ēth₂-ú- ‘foamy, foaming, seething’, which is attested by the Homeric hapax τήθεα ‘sea-squirts’ (Iliad 16.747), animals that violently expel water from their orifices, and by the Hesychian gloss τηθύα ‘lagoons at the mouths of rivers’. The lengthened grade of the root may be due to the influence of a Narten present with ablaut *ku̯ḗth₂-/ku̯éth₂-; alternatively, *ku̯ēth₂-ú- may be analysed as a derivative of the type of Homeric ἤνις ‘of one year, one-year-old (of cows)’ (: ἐνι° in, e.g., ἐνι-αυτός ‘anniversary, lapse of a year’) of the weak stem of *ku̯óth₂-u-/ku̯éth₂-u- ‘(state of) foaming, seething’. The semantic development from *ku̯oth₂mó- ‘foamy, foaming, seething’ to ποταμός ‘river’ and from *ku̯ēth₂-ú-h₂- ‘foamy-ness, seething ness’ to Τηθῡ́ς, name of the spouse of Ocean and mother of all rivers, reflects the traditional association of rivers, ocean, and bodies of water in general with foaming and seething, attested in the phraseology of Greek itself (for instance, by the Homeric formulaic expression ἀφρῷ μορμύρων ‘seething with foam’, which always refers to rivers and to Ocean) and of other Indo-European traditions, such as Latin (see Vergil and Lucan’s formula spumeus amnis "foamy river"), Vedic (see RV 9.86.43c síndhor ucchvāsé “in the bubbling up of the river”), and Old Norse (see Lausavísur from Magnúss saga berfœtts 6.1-2 viðr þolir nauð í lauðri “the timber [= ship] suffers distress in the foam [= sea]).” The association of PIE *ku̯eth₂‑ ‘foam, seethe’ with the ocean finds further support in Old English phraseology, as another reflex of *ku̯eth₂- is the verb hwaþerian/hwoþerian ‘to foam, seethe, roar’, whose usual subject is precisely the sea (see ÆCHom II, 28 […] Se brym hwoðerode under his fotswaðum […] “the sea roared under his footsteps”).
The Norse myth of Loki’s imprisonment with Sigyn and the Sanskrit myth of Agni’s mating with Svāhā or Gaṅgā share several correspondences in their phraseology, narrative structure and association with ritual, which allow for the reconstruction of a “Myth of the Wife of the Fire god,” whose main mythical role consisted in collecting and pouring out a liquid which had been poured on the fire god, possibly reflecting actual prehistoric ritual practices involving the pouring of liquids on the fire. An inner-Germanic analysis of Sigyn raises severe problems from the perspective of Skaldic meter (Þjóð. Haustl. 72 farmr Sígynjar arma, which requires long -í-) and Proto-Germanic prosody (*sigun-jō- would have become *sigun-ijō- and Old Norse †Sigynn by Dahl’s Law), which require the first syllable of Sigyn to be heavy, i.e. Sígyn. Old Norse Síg-yn (Proto-Germanic *sīg-un-jō-) is best analysed as the reflex of the weak stem of Proto-Indo-European *sei̯kʷ-én-ih₂-/-n̥-i̯éh₂- ‘she of the pouring’, a devī́- derivative of *sei̯kʷ-eno- ‘pouring’ (: Vedic Sanskrit °sécana- ‘id.’), whose strong stem *sei̯kʷ-én-ih₂- exactly matches Vedic Sanskrit °sécanī- in upa-sécanī- ‘pouring, pouring ladle’. The formation of Sígyn closely parallels that of the Celtic river name and theonym Sēquana, which is the reflex of *sei̯kʷ-en-eh₂- ‘she of the pouring’. The meaning of Sígyn thus corresponds to the association of the goddess and her Indian counterparts Svāhā and Gaṅgā with the pouring of liquids in their respective mythical narratives. Given that the reflexes of the Proto-Indo-European root *sei̯kʷ- often share an association with bodies of water (cf. Proto-Germanic *saiw-i/a- ‘lake, sea’ < Proto-Indo-European *soi̯kʷ-í/ó- ‘seep water’; RV 5.85.6d āsiñcántīr avánayaḥ “[river-]streams, pouring out”; the Celtic river-name Sēquana), comparative evidence supports the reconstruction of Sigyn as both the wife of the fire-god and a water-deity, matching the Indo-European mythological and cosmological theme of [FIRE] as the [LOVER – of WATER], attested in Vedic (RV 1.46.4a jāró apã́m) and Epic Sanskrit (MBh. 3.209.19 ([…] nadī yasyābhavat priyā), Latin (Varr. Ling. Lat. 5.61 mas ignis […] aqua femina) and Ancient Greek (A. Pr. 560 ἄγαγες Ἡσιόναν πείθὼν δάμαρτα).
The Medieval History Journal, 2020
The pañcabhūtas convoked are pṛthvi ‘earth’, ap ‘water’, tejas ‘fire’, vāyu ‘air or wind’ and ākāśa ‘ether’. They are the five elements of nature in Hindu mythology. These are considered the abstractions of Viṣṇu (Figures 1–3, 6 and 10), Śiva (Figure 11) or Dēvī (Figures 7 and 15) as the case may be. Most virile among the five are ‘water’ and ‘fire’, the symbols of creation and destruction. Water from the Darwinian point of view is the creative force in which living organisms originate and survive. It is the sustaining principle, for example, the Mother feeding the child with milk as rain for the plant kingdom. Water is the symbol of destruction at the time of deluge, the mahāpraḷaya; cf. trees on the banks felled when rivers inundate (PTM 11.8.1). Fire creates when channelised through the oven; for example, Kumāra’s birth as also Mīnākṣī (Figure 16) and Draupadī emerging through yajñas. These ideas are best exemplified by the avatāras, aṃśāvatāras and other emanations of Viṣṇu. Śiva destroys the worlds by the power generated by his third eye (e.g., Sodom and Gomorrah in case of Biblical mythology), the God of Love, Kāmadeva symbolic of the seed of creation (Priapus in Roman mythology; Beard, 2008. Pompeii: The Life of a Roman Town. London: Profile Books Ltd: 104, figure 36). We are concerned in this article with water as the creative and destructive force, an idea that is as old as the Vedic and Biblical times. The focus is on the Āḻvārs’ Nālāyirativviyappirapantam. The Biblical myth of ‘Noah’s Ark’ may be of value for inter-religious dialogue. Several hundreds of the Tamil hymns have something to say on the symbolism of water. We cite a few examples hereunder. The emphasis is on water and Viśvarūpa.
This is a comment on the etymology of Greek ὀπώρα and its cognates that can help to understand the functional relation of PIE o-graded nouns to their underlying bases. This article further offers a preliminary list of the evidence for PIE o-derivatives.
David M. Goldstein, Stephanie W. Jamison, and Brent Vine (eds.). 2018. Proceedings of the 29th Annual UCLA Indo-European Conference. Bremen: Hempen, 2018
(On Loki, see also https://academia.edu/113916063/ . On this type of theonym, see also https://www.academia.edu/57732401 ) In Old Norse mythology, Sigyn is the name of the wife of the god Loki. According to the current etymology, the name Sigyn must be traced back to a determinative compound *Sig-yn, earlier *Sig-vin, meaning ‘victory-friend’ or being the feminine derivative of a masculine personal name †Sig-vinr ‘victory-friend’. This analysis raises several difficulties both from a formal and a semantic point of view: for instance, in Old Norse onomastics, °yn and its earlier form °vin are actually the reflexes of Proto-Germanic *wenjō- ‘meadow’ (: Gothic winja ‘id.’), and exclusively occur as second elements of compound place names; rather than the name of a goddess, a determinative compound Sig-yn should therefore be a place-name meaning ‘victory-meadow’. As a matter of fact, Sigyn’s main role in Norse myth consisted in collecting and pouring out the poison dripping from a snake into the face of her husband, Loki, who was originally a fire god. This activity may reflect pre-Christian Scandinavian ritual practices involving the pouring of liquids onto the fire. On the strength of the insight obtained from the analysis of the myth, it is possible to investigate the formation of the name Sigyn both within its Norse and Germanic context and from an Indo‑European perspective. An inner-Germanic analysis of Sigyn as the outcome of *sig-unjō- ‘she of the trickling (liquid)’ (a derivative of *sig-a- ‘trickling (liquid)’) raises severe problems from the perspective of Skaldic meter (Þjóð. Haustl. 72 farmr Sígynjar arma, which requires long -í-) and Proto-Germanic prosody (*sigun-jō- would have become *sigun-ijō- and Old Norse †Sigynn by Dahl’s Law), which require the first syllable of Sigyn to be heavy, i.e. Sígyn. Old Norse Síg-yn (Proto-Germanic *sīg-un-jō-) is best analysed as the reflex of the weak stem of Proto-Indo-European *sei̯kʷ-én-ih₂-/-n̥-i̯éh₂- ‘she of the pouring’, a devī́- derivative of *sei̯kʷ-eno- ‘pouring’ (: Vedic Sanskrit °sécana- ‘id.’), whose strong stem *sei̯kʷ-én-ih₂- exactly matches Vedic Sanskrit °sécanī- in upa-sécanī- ‘pouring, pouring ladle’. The formation of Sígyn closely parallels that of the Celtic river name and theonym Sēquana (present-day river Seine in France), which is the reflex of *sei̯kʷ-en-eh₂- ‘she of the pouring’. The meaning of the reconstruct *sei̯kʷ-én-ih₂-/-n̥-i̯éh₂- ‘she of the pouring’ (Old Norse Sígyn) thus corresponds exactly to the main role of Sigyn within the Norse mythical narrative, namely the collecting and pouring out of a liquid. Furthermore, the possible association of her myth with pre-Christian Scandinavian fire rituals involving the pouring of liquids finds support in the association of the Vedic reflexes of Proto-Indo-European *sei̯kʷ- with the pouring of ritual liquids, inter alia in the context of fire rituals.
The paper seeks to explore the motif of blood, as it appears in various forms in all civilizationaland cultural areas. Based on the genre- and culturally diverse texts from the material sample,the authors will present the basic and plot-motif stable forms of the blood motif in ancientculture-forming narratives and outline their archetypal significance.
The use of the fishnet as a determinative in association with tears goes back to the Pyramid texts. When employed in the word iH/aH it can be translated with “dry” and can be found combined with the weeping eye referred to Osiris (IH-rmwt “The One Who Dries Tears”) or to the primeval god in relation to the creation process (IH-rmwt “Dry of Tears”) as well as to the deceased in the Afterlife. Analyzing textual sources, the act of ‘drying tears’ seems to represent a moment of transition between death and rebirth or a way to protect from sorrow. Moreover, in all the cases the term reminds the moment following the act of weeping, when tears have been shed and wet has been dried, and the presence of a fishnet could have phonetic as well as semantic reasons. The purpose of the paper will be to investigate the net and its symbolic value, pointing out word plays and specific expressions associated with tears.
Ars Aeterna
The paper seeks to explore the motif of blood, as it appears in various forms in all civilizational and cultural areas. Based on the genre- and culturally diverse texts from the material sample, the authors will present the basic and plot-motif stable forms of the blood motif in ancient culture-forming narratives and outline their archetypal significance.
Cadernos de Pós-graduação, 2021
Penn Museum Expedition Magazine, Vol. 56, No. 1, 2014
The History Teacher, 2020
1st International Balkan Congress 24-26 September 2012, Proceedings (ed. Iyiyol, F., Uras, O.), 2012
Análisis exegético de Oseas 11,5-7, 2024
Procedia - Social and Behavioral Sciences, 2017
Scripta Classica Israelica, 2014
Angewandte Chemie International Edition, 2009
Powder Technology, 2021
Journal of Agricultural Engineering Research, 1983
Australian and New Zealand Journal of Medicine, 1994
Revista Brasileira de Políticas Públicas, 2019
Journal of International Agricultural and Extension Education, 2007
Revista Argentina de Anatomía Clínica, 2023