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Danube-Trypillia source of Minoan scripts

‘Proto-Linear A’ of Troy II–V (2600–1900 BCE) is preceded by ‘pre-Linear A’ of Cucuteni A-B (4100–3800 BCE) and late Trypillia (Troianiv and Gorods’k, early 3rd m. BCE) which may be read in Greek or Greek-Armenian

Danube-Trypillia source of Minoan scripts? Iurii Mosenkis ‘Proto-Linear A’ of Troy II–V (2600–1900 BCE) is preceded by ‘pre-Linear A’ of Cucuteni A-B (4100–3800 BCE) and late Trypillia (Troianiv and Gorods’k, early 3rd m. BCE) which may be read in Greek or Greek-Armenian Cucuteni-Trypillia source of Minoan culture is a very old idea which traced to early XX c. Old comparison of Butmir (a branch of Impresso) and Minoan art (without clear link), Impresso and Cycladic figurines (with a link in Cycladic Neolithic art) may be also mentioned. As E. R. von Stern in early XX c. and V. V. Struwe in mid-XX c. compared Crete with Usatove Струве В. В. Предисловие, in: Пендлбери Дж. Археология Крита (Москва 1950), Russ. transl. of: Pendlebury J. D. S. The archaeology of Crete (London 1940), http://annales.info/greece/crete/00a.htm , Yu. V. Andreev in late XX c. underlined that Minoan ornamental motifs have ‘especially close analogies’ in Cucuteni-Trypillia and Gumelnita ones Андреев Ю. В. От Евразии к Европе, с. 109.. Spindle-whorls were typical oblect of Trojan inscriptions similar to Linear A (above). Trypillian spindle-whorls (late 4th – early 3rd m. BCE, contemporaneous with Troy I) might be also readed in comparison with Linear A. Presented Trypillian spindle-whorl Энеолит СССР (Москва 1982), с. 301. might bear an inscription: pa-we-a = Lin. B pa-we-a = Greek φάρεα, pl. of φᾶρος, ‘a large piece of cloth’. The sign te, frequent on Trypillian spindle-whorls Энеолит СССР (Москва 1982), с. 304; Археология Украинской ССР (Киев 1985), с. 236., might be compared with Lin. A, B te, shortened designation of material possibly related to Lin. A ta-pa, Lin. B te-pa, τάπης, ‘carpet’. Not only ‘linear’ but also ‘hieroglyphic’ Minoan signs have Trypillian parallels. Seven Ж-symbols on the vessel which was found at the place of grain cult (dated to Trypillia BI) Цибесков В.П. Обряд акротиния в культуре трипольских племен // МАСП. – 1976. – В. 8. – С.170–176, cf. Энеолит СССР (Москва 1982), с. 304. resemble Cretan Linear A, B syllabic sign si; Anatolian syllabic sign ha is also similar, in comparison to Hittite halki, ‘grain’. Σιτώ, ‘she of the Grain’, was cult title of Demeter. Si-to-po-ti-ni-ja, ‘Lady of the Grain’ is mentioned in the Linear B inscription from Mycenae. Ж-symbol is also depicted on the Late Trypyllia vessel Энеолит СССР (Москва 1982), с. 304. D. I. Pereverzev (pers. comm.) the same origin of Slavonic Ж letter while Slavic name of rue might be an adaptation of Greek sitos or even Sumerian zid, ‘flour’ (Sumerian Uruk influence on Trypillia?). Rhombuses on Trypillian goddess figurines are similar with rhombus on Eleusinian Demeter figurine Амброз А. К. Раннеземледельческий культовый символ («ромб с крючками»); Thomson, G. Studies in ancient Greek society: The prehistoric Aegean. 2nd ed. (1954) / Томсон Дж. Исследования по истории древнегреческого общества: Доисторический эгейский мир (Москва 1958), с. 252. Similar rhombuses are known in Vinča, Neolithic Greece (Tsani-Magoula), and Usatove Збенович В. Г. Позднетрипольские племена Северного Причерноморья (Киев 1974), с. 126.. Among other meanings of Ancient Greek ῥόμβος was ‘membrum virile’. Snake cult (esp. Trypillian cult of the snake skeleton) is related to previous: number of snake ribs is equated to number of days in month Aristot. HA 2.17.23; Plin. NH 11.82. Lunar cult was central in Trypillian and Minoan religions. Lunar Dog, typical to Trypillian religious art, might be also reconstructed from Greek mythology. The word ἀργός means ‘shining’ and ‘swift’, and both meaning also are in Sanskrit (Skt. ṛjrá, shining, swift), Vedic proper name Rji-śvan-, = possessing κύνες ἀργοί (Homeric). Ἄργος was Odysseus’ dog while Ἄργος Πανόπτης, a many-eyed guardian of Io, was killed by Hermes: the Moon (star-eyed Argos) disappears when morning Mercury (Hermes) appears. The same root is presented in the Greek name of silver, a ‘lunar’ metal. W. Burkert (following N. Platon) described Minoan ‘fire feast’ on a mountain in the night (lamps were used, clay figurines and animals were sacrificed) Platon, N. То hieron Mazâ kaî tà minoikà hierà koryphês, Cretica Chronica 5 (1951), pp. 96–160; Буркерт В. Греческая религия: архаика и классика, Алетейя (СПб. 2004), http://www.sno.pro1.ru/lib/burkert_grecheskaya_religiya/index.htm Cf: Nilsson, M. P. "Fire-Festivals in Ancient Greece" The Journal of Hellenic Studies 43.2 (1923), pp. 144–14;] Cosmopoulos, M. B., Ruscillo, D. Mycenaean burnt animal sacrifice at Eleusis, Oxford Journal of Archaeology 33(3) 257–273 2014 https://www.academia.edu/7605836/2014_Mycenaean_Burnt_Animal_Sacrifice_at_Eleusis and compared them with similar festivals in classical Greece. Cucuteni-Trypillian rite of village-burning (ultimately related to proto-Halaf via Vinča) is well-known. ‘An amazingly and controversialinscribed Cucuteni A-B fragment from Lozna (Romania)’ Merlini, M., p. 668, https://www.academia.edu/12889001/Chapter_9.F_The_Eclipse_stage_Contribution_from_the_Late_Copper_Age_cultures_from_the_book_Neo-Eneolithic_Literacy_in_Southeastern_Europe contains two signs (the first word under the picture of killed bird) which, in comparison with Linear AB, may be read ra-ro, cf. Ancient Greek λάρος, ‘sea-mew, gull’, Pamphylian σισίλαρος: πέρδιξ, Περγαῖοι (Hesych.), Armenian lor, ‘quail’ Beekes, p. 835 . The next word is ro-tu-ke : ὄρτυξ < ϝόρτυξ, ‘quail’, Vedic vártikā, ‘quail’. Cucuteni A-B is dated to 4100–3800 calBC Lazarovici, C. M. New data regarding the chronology of the Precucuteni, Cucuteni and Horodiştea-Erbiceni cultures, p. 74, https://www.academia.edu/1440486/New_data_regarding_the_chronology_of_the_Precucuteni_Cucuteni_and_Horodi%C5%9Ftea-Erbiceni_cultures Late Trypillia (where inscribed spindle-whorls are known) chronologically preceded Troy II (where spindle-whorls and, particularly, inscribed spindle-whorl were increased). Some parts of Baden cultural circle, especially Ezero, might be a link between Trypilla and Troy. It was possible part of the transmission of linear script. Aegean-related Trialeti culture might also include Greek element; some scholars linked names of Trialeti and Troy (Etruscan truj-al ‘Trojan’ and Tri-al-eti ‘Trojan place’?). There were similarities between Mycenaean and Trialeti elites http://annales.info/other/small/muller.htm , between Troy II, Alaca royal tombs, and Trialeti Кавтарадзе Г. К хронологии эпохи энеолита и бронзы Грузии, Мецниереба (Тбилиси 1983), с. 121-124. Multi-Rolled > Abashevo > Timber Grave signs http://cheloveknauka.com/sosudy-so-znakami-srubnoy-kulturno-istoricheskoy-obschnosti Kura-Araxes culture influenced Alaca Hoyuk elite of early Hittites whereas Kura-Araxes signs (including ‘great king’!) influenced Anatolian hieroglyphs. Cretan hieroglyphs preceded Anatolian ones, and the latter couldn’t be a source. Instead, Khirbet-Kerak filiation of Kura-Araxes culture (existed until about the 2200 BCE chaos) and Trialeti as the Aegean-related descendant of Kura-Araxes might be links between Caucasus and Crete. Trypillia might contact with Kura-Araxes via Maikop (Maikop signs are similar to Anatolian hieroglyphs) while pre-Maikop was influenced by Trypillia. Cucuteni-Trypillia signs might be of Danube Vinča origin.