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"Japan and the Atomic Bomb" is an essay that goes back in history to the consequences following the detonation of the atomic bomb. Written from the point of view of a United States senator during the time period following World War II, this paper discusses the development of the device, what lead to the ultimate decision to use the weapon, and lastly, my own opinion of whether or not the atomic bomb should've been dropped. This paper demonstrates my ability to analyze a situation from a perspective other than my own, as well as the capacity to look at multiple events and form an alternative solution to a specific set of circumstances, an ability necessary for my future career plans.
… scientiarum. Second series: international journal of the …, 2009
Decades after the dropping of the two atom bombs on Hiroshima and Nagasaki, the debate continues as to whether or not the events shortened the war in the Pacific. The article discusses this issue in some detail, reviewing all the evidence as to what actually ended the war in the Pacific.
For the Japanese people, the atomic bombings of Hiroshima and Nagasaki in August 1945 are singular moments of holocaust which have produced collective memories so powerful that repeated attempts by Japanese policymakers to introduce or even discuss a nuclear deterrent have been severely contested and sanctioned. Even so, Japan’s enduring rivalries with nuclear-armed China and North Korea have produced a powerful conviction among Japanese policymakers that US extended nuclear deterrence cannot be given up. Thus, two of the most pronounced paradoxes of the nuclear age are (1) the social construction of Japan whose people are simultaneously “allergic” to nuclear weapons but who do not wish to have it “treated”, and (2) successive Japanese governments which are forced to endure the “nuclear allergy” but which also will not be rid of the “allergens”. This paper develops a theoretical account of the discourse of “nuclear allergy” and thereafter explores more fully the paradoxes of nuclear allergies which must never be treated and allergens which must never be expelled.
Harper's Magazine, 1947
2020
August of this year is the 75th Anniversary of the first and only use of atomic weapons in war, the bombings of Hiroshima and Nagasaki. The essay recounts the changes in the historical account of the bombings since then, and the evidence suggesting that the bombings were unnecessary to end the war. Using the revised history, there is a moral assessment of the decision to drop the bombs. Employing norms that are common to the just war tradition, the author argues that the decision to attack the Japanese cities was morally flawed. Based on the standards of innocents being immune from direct attack, the inappropriateness of a demand for unconditional surrender according to right intention, and the idea of proportionality in causing harm, there is a serious case against the justice of the atomic bombings. The essay concludes by noting evidence that many Americans continue to uphold military practices that violate basic ethical norms.
Drawing on the latest research on the atomic bomb and its history, the contributors to this provocative collection of eighteen essays set out to answer two key questions: First, how did the atomic bomb, a product of unprecedented technological innovation, rapid industrial-scale manufacturing, and unparalleled military deployment shape U.S. foreign policy, the communities of workers who produced it, and society as a whole? And second, how has American society's perception that the the bomb is a means of military deterrence in the Cold War era evolve under the influence of mass media, scientists, public intellectuals, and even the entertainment industry?
2014
Th e following analysis looks at the issue of necessity to drop the atomic bomb on Japan in mid-1945. At that time the war in the Pacifi c Th eatre against Japan was unilateral. Japanese military was crippled and unable not only to pose any threat but also to defend itself. Th e ports were mined and American Air Force dominated the sky over Japan. Moreover, there is certain evidence that Japanese diplomats were searching for mediator to bring the war to an end with diplomatic tools. Despite those circumstances, President Harry S. Truman decided to employ the new, as it has proven, deadly weapon to force the Emperor to accept the unconditional terms of surrender. Th e aim of this research paper is to elaborate on the available data alternatives to the A-bomb in ending the war against Japan and also demystify why it was fi nally used.
2009
The following is an exploration of the representation of nuclear weapons in Japanese anime and US live action cinema of the 1980's. To investigate this topic, methods from Cultural Studies have been employed. Specifically, the silences and contradictions of the films are examined to reveal the cultural ideologies of Japan and the US in the era in which the films were produced. Following brief descriptions of the historical events of both Japan and the US in the 1980s, as well as the history of atomic cinema, key films from both nations are examined in depth. Critical analyses are contained for the Japanese animated films Barefoot Gen, Barefoot Gen 2, and Grave of the Fireflies, while the US live action films, The Day After, Testament, and Miracle Mile are investigated. The examination of these films reveals the repression of questions concerning guilt and responsibility pertaining to the Japanese involvement in World War II, and the US' creation and use of the first nuclear weapon. Additionally, a brief examination of Japanese and US films using displaced representations of nuclear weapons is included as further evidence of this repression.
2000
This course explores the meaning of the nuclear age and the atomic bomb from multiple perspectives with particular reference to the United States and Japan, the United States and the Soviet Union, and the global context and implications of war, peace, security, and human survival. It considers the impact of the making and using of the atomic bomb on American and Japanese societies, including political, social, historical, technological, literary and artistic resonances, and historical memory. We range from the master narratives of nuclear technology, power politics and arms control to the personal narratives and responses of victims and citizens in the United States, Japan and globally. We consider the relationship
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