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2018, La Règle D'Abraham 40, 2018, pp. 157-174.
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The character of Samson in the teaching of the Maharal of Prague and of Rav Tzadok Hacohen of Lublin The image of Samson, the one shown by the many painters who represented him, is not flattering. A man with spectacular muscles deceived by a woman, weaker but cunning. Of all the very varied episodes in the life of the biblical hero, Cranach, Rubens, Rembrandt, Van Dyck, choose, for obvious aesthetic reasons, the scene (Judges, 16:19) where Samson fell asleep on Delilah's knees, and she, betraying him, takes advantage of his sleep to cut his hair where his strength lies. More than Hercules, Samson has therefore become the universal symbol of naive masculinity, victim of eternal feminine deception. The other way of approaching the character refers to the end of his story: And Samson embraced, leaning on them, the two middle columns which supported the temple, one with the right arm, the other with the left, saying: "Let me die with the Philistines!" And with a vigorous effort he brought the house down on the princes and all the crowd that was there, so that he killed more people in his death than he had killed in his lifetime1. Samson kills himself in order to kill the enemy. This is the "Samson complex" that we find in numerous works2. Very recently, the "Samson complex" has, unfortunately, become fashionable again since Samson is the first shahid, killing himself to kill others. A simpleton, therefore, coupled with a sinner, a great lover of Philistine women-exclusively. Very different and much more complex is the image of Samson as found in the Bible, the Talmud, the Midrash, the various Rabbinic commentators and in particular, the Maharal of Prague3and Rav Tzadok Hacohen of Lublin4. Jacob's blessing The story of Samson begins in the Torah, long before the book of Judges5. At the end of Genesis, Jacob, on his deathbed, blesses his twelve sons. By prophetic inspiration, he knows that they will become specific groupings, the twelve tribes that make up the nation of Israel,
la regle d abraham, 2018
L'image de Samson, celle montrée par les peintres, si nombreux, qui l'ont représenté, n'est pas flatteuse. Un homme à la musculature spectaculaire est trompé par une femme, plus faible mais rusée. De tous les épisodes si variés de la vie du héros biblique, Cranach, Rubens, Rembrandt, Van Dyck, choisissent, pour des motifs esthétiques évidents, la scène (Juges, 16,19) où Samson s'est endormi sur les genoux de Dalila qui, le trahissant, profite de son sommeil pour lui couper les cheveux où réside sa force. Plus qu'Hercule, Samson est donc devenu le symbole universel d'une masculinité naïve, victime de l'éternelle fourberie féminine. L'autre manière d'aborder le personnage se réfère à la fin de son histoire : Et Samson embrassa, en pesant dessus, les deux colonnes du milieu qui soutenaient le temple, l'une avec le bras droit, l'autre avec le gauche en disant : « Meure ma personne avec les Philistins ! » Et d'un vigoureux effort, il fit tomber la maison sur les princes et toute la foule qui était là, de sorte qu'il fit périr plus de monde à sa mort qu'il n'en avait tué de son vivant 1 . Samson se tue pour tuer l'ennemi. C'est le « complexe de Samson » qu'on retrouve dans des oeuvres nombreuses 2 . Très récemment, le « complexe de Samson » est redevenu à la mode puisque Samson est le premier chahid, se tuant pour tuer les autres. Un benêt, donc, doublé d'un pécheur, grand amateur de Philistines -exclusivement. Très différente et beaucoup plus complexe est l'image de Samson telle qu'on la trouve dans la Bible, le Talmud, le Midrash, les différents commentateurs et en particulier, le Maharal de Prague 3 et le Rav Tzadok Hacohen de Lublin 4 .
Boston Academic Studies Press, 2019
The twenty-one essays by rabbis and scholars in the book explore the relationship between the world of faith and the world of critical biblical scholarship and ways in which this relationship can be mutually enriching. The first part of the book is an anthology of rabbinic sources, and the second part is the essays, which discuss how the writers combine their religious beliefs with their critical approach to the Bible. A free PDF of the book is available online.
This article will explore how different contemporary groups of Israeli religious Zionists read and relate to the Biblical tales of Samson. Using current religious Zionist discourse (Bible lessons, newspaper articles and written opinion pieces) authored or delivered by leading rabbinic figures, this article will demonstrate how contemporary interpretations of the ‘Samson Saga’ (Judges 13–16) are used as a medium through which contemporary religious Zionists in Israel and the West Bank contest the meanings of political sovereignty, violence and personal ethics. More broadly, this article will argue that a focus on how sacred texts are interpreted, debated and contested in social contexts (or the ‘social life’ of a text) can offer scholars a thicker and more nuanced window into the varied ways in which religious nationalists grapple with competing political visions and desires.
2019
This book originated in a research seminar that took place at Beit Morasha in Jerusalem in 2009-2010, attended by both Torah scholars and university-based biblical scholars. In lively group discussions that were held, questions were clarified and potential solutions were examined. The participants took turns presenting their personal outlooks and ideas, which were then critically, congenially, and constructively analyzed by the group. Professor Baruch Schwartz of the Hebrew University took an active part in directing the seminar and editing this book in its initial stages, and we would like to express our thanks for his important contributions. We also remember with admiration and affection, as well as with sadness at his untimely passing, our dear colleague, the late Professor Hanan Eshel. Hanan continued to participate in the discussion sessions until his final days, despite the pain and complications that he suffered from his illness. We learned a great deal from his wisdom and sensitivity during the seminar, but sadly did not merit his written contribution or his blessing upon the completion of the project. We would like to dedicate the fruits of our study to the memory of Hanan Eshel, a man of faith and truth. During the seminar, we realized that a compilation of source documents from traditional Jewish literature, including commentaries and works of Jewish thought, was a necessity. These sources, scattered throughout rabbinic literature in a variety of contexts, are frequently cited in essays and polemics, but have never before been presented in an organized manner to an astute readership eager to delve more deeply into the subject matter. Dr. Yoshi Fargeon agreed to our request to compile and edit a selection of primary sources that form the basis for the discussions in the specific articles in this volume, as well as throughout the scholarly literature on the subject. He also carefully reviewed the English translation to ensure that it reflected the original source and was understandable to the reader. This anthology includes sources that span from the classical rabbinic period through the current era. These pertain to textual problems in biblical studies, historical questions, theological issues, innertextual contradictions, and questions about dating and editing. This compilation, the first of its kind, is a significant contribution to research, as well as an important tool for scholars and students, present and future, who are engaged in the study, teaching, and facilitation of public discussion on this subject. The anthology comprises the first section of the book. The second section consists of a collection of articles that present a spectrum of opinions, approaches, and observations by religious thinkers, scholars, rabbis, and teachers engaged in the study and teaching of the Bible.
The Bible conveys a fundamental message: human fallibility is an inherent part of our existence. This paper delves into the imperfections of the Bible's most remarkable figures, including Abraham, Sarah, Moses, Aaron, Miriam, Joseph, David, and Esther. Rather than glossing over their faults and weaknesses, Scripture highlights them. Rather than portraying these heroes as flawless beings, we should appreciate their spiritual accomplishments while acknowledging their humanity and capacity for error. Central to this exploration is the concept of repentance (teshuvah), a core principle in the Bible. When individuals make mistakes, what truly matters is whether they seek forgiveness and strive to rectify their actions. Intertwined with penitence, forgiveness plays a paramount role in maintaining a harmonious society. Recognizing human imperfection and the inevitability of errors, even by the greatest of people, allows for a deeper comprehension of why absolute certainty can be detrimental to humanity. Moreover, condemning individuals for their past transgressions is unjust. Everyone deserves a second chance.
To elevate and remember the souls of my honored parents JULIUS and PAGEL SMOLLAN May peace be upon them and upon my beloved sister LIEBA PEARL who loved and shared her talent for music with all for so many years in Johannesburg, and in appreciation to the management, staff, and voluntary workers and supporters of SANDRINGHAM GARDENS for their dedication and sacrifice in helping the aged and infirm.
Prooftexts: A Journal of Jewish Literary History, 2004
Power has its principle not so much in a person as in a certain concerted distribution of bodies, surfaces, lights, gazes; in an arrangement whose internal mechanisms produce the relation in which individuals are caught up.
mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review. Cover jacket design by Carly Schnur ISBN e-Pub edition: 9780795337154 (Exodus XIV. 23). According to one midrash (Mekhilta diR. Shimon 51, 54; Mid. Wayosha 52) God assumed the shape of a mare and decoyed the ruttish Egyptian stallions into the water. If the mare-headed Goddess Demeter had been described as drowning King Pelops's chariotry in the River Alpheus by such a ruse, this would have been acceptable Greek myth; but to the pious reader of the midrash it was no more than a fanciful metaphor of the lengths to which God could go in protecting His Chosen People. The Bible itself allows us only brief hints of its lost mythological riches. Often the reference is so terse that it passes unnoticed. Few, for instance, who read: 'And after him was Shamgar ben Anath who smote of the Philistines six hundred men with an ox-goad, and he also saved Israel' (Judges III. 31), connect Shamgar's mother with the bloodthirsty Ugaritic Love-goddess, the maiden Anath, in whose honour Jeremiah's priestly town of Anathot was named. The myth of Shamgar is irrecoverable, yet he must have inherited his virgin mother's warlike prowess; and the ox-goad with which he smote the Philistines was doubtless a gift from her father, the Bull-god El. Genesis nevertheless still harbours vestigial accounts of ancient gods and goddesses-disguised as men, women, angels, monsters, or demons. Eve, described in Genesis as Adam's wife, is identified by historians with the Goddess Heba, wife of a Hittite Storm-god, who rode naked on a lion's back and, among the Greeks, became the Goddess Hebe, Heracles's bride (see 10. 10). A prince of Jerusalem in the Tell Amarna period (fourteenth century B.C.) styled himself Abdu-Heba-'servant of Eve' (see 27. 6). Lilith, Eve's predecessor, has been wholly exorcized from Scripture, though she is remembered by Isaiah as inhabiting desolate ruins (see 10. 6). She seems, from midrashic accounts of her sexual promiscuity, to have been a fertility-goddess, and appears as Lillake in a Sumerian religious text, Gilgamesh and the Willow Tree (see 10. 3-6). There are pre-Biblical references to the angel Samael, alias 'Satan'. He first appears in history as the patron god of Samal, a small Hittite-Aramaic kingdom lying to the east of Harran (see 13. 1). Another faded god of Hebrew myth is Rahab, the Prince of the Sea, who unsuccessfully defied Jehovah ('Yahweh'), the God of Israel-much as the Greek God Poseidon defied his brother, Almighty Zeus. Jehovah, according to Isaiah, killed Rahab with a sword (see 6. a). A Ugaritic diety worshipped as Baal-Zebub, or Zebul, at Ekron was consulted by King Ahaziah (2 Kings 1. 2 ff) and centuries later the Galileans accused Jesus of traffic with this 'Prince of the Demons.' Seven planetary deities, borrowed from Babylon and Egypt, are commemorated in the seven branches of the Menorah, or sacred candlestick (see 1. 6). They were combined into a single transcendental deity at Jerusalem-as among the Heliopolitans, the Byblians, the Gallic Druids and the Iberians of Tortosa. Scornful references to gods of enemy tribes humiliated by Jehovah occur throughout the historical books of the Bible: such as the Philistine Dagon, Chemosh of Moab, and Milcom of Ammon. Dagon, we know from Philo Byblius to have been a planetary power. But the God of Genesis, in the earliest passages, is still indistinguishable from any other small tribal godling (see 28. 1). Greek gods and goddesses could play amusing or dramatic parts while intriguing on behalf of favoured heroes, because the myths arose in different city-states which wavered between friendship and enmity. Yet among the Hebrews, once the Northern Kingdom had been destroyed by the Assyrians, myths became monolithic, and centred almost exclusively on Jerusalem. In Biblical myth, the heroes sometimes represent kings, sometimes dynasties, sometimes tribes. Jacob's twelve 'sons', for instance, seem to have been once independent tribes which banded together to form the Israelite amphictyony or federation. Their local gods and populations were not necessarily of Aramaean race, though ruled by an Aramaean priesthood. Only Joseph can be identified, in part, with a historical character. That each of these 'sons', except Joseph, is said to have married a twin-sister (see 45. f), suggests land-inheritance through the mother even under patriarchal government. Dinah, Jacob's only daughter born without a twin, is best understood as a semi-matriarchal tribe included in the Israel confederacy. The Genesis account of her rape by Shechem and the midrash about her subsequent marriage to Simeon should be read in a political, not a personal, sense (see 29. 1-3). Other hints of an ancient matriarchal culture occur in Genesis: such as the right of a mother to name her sons, still exercised among the Arabs, and matrilocal marriage: 'Therefore shall a man leave his father and mother and cleave unto his wife' (Genesis II. 24). This Palestinian custom is proved by the account in Judges of Samson's marriage to Delilah; and explains why Abraham, the Aramaean patriarch who entered Palestine with the Hyksos hordes early in the second millennium B.C., ordered his servant Eliezer to buy Isaac a bride from his own patrilocal kinsmen of Harran-rather than let him marry a Canaanite woman, and be adopted into her clan (see 36. 1). Abraham had already sent away the sons borne to him by his concubines, lest they should inherit jointly with Isaac (see 35. b). Matrilocal marriage is the rule in early Greek myth, too: THE CREATION ACCORDING TO GENESIS (a) When God set out to create Heaven and Earth, He found nothing around Him but Tohu and Bohu, namely Chaos and Emptiness. The face of the Deep, over which His Spirit hovered, was clothed in darkness. On the first day of Creation, therefore, He said: 'Let there be light!', and light appeared. On the second day, He made a firmament to divide the Upper Waters from the Lower Waters, and named it 'Heaven'. On the third day, He assembled the Lower Waters in one place and let dry land emerge. After naming the dry land 'Earth', and the assembled waters 'Sea', He told Earth to bring forth grass and herbs and trees. On the fourth day, He created the sun, moon and stars. On the fifth day, the sea-beasts, fish and birds. On the sixth day, the land-beasts, creeping things and mankind. On the seventh day, satisfied with His work, He rested. 1 (b) But some say that after creating Earth and Heaven, God caused a mist to moisten the dry land so that grasses and herbs could spring up. Next, He made a garden in Eden, also a man named Adam to be its overseer, and planted it with trees. He then created all beasts, birds, creeping things; and lastly woman. 2 *** the fourth century B.C., had been a priest of Bel at Babylon. 2. Another version of the same Epic, written both in Babylonian and Sumerian as a prologue to an incantation for purifying a temple, was discovered at Sippar on a tablet dated from the sixth century B.C. It runs in part as follows: The holy house, the house of the gods, in a holy place had not yet been made; No reed had sprung up, no tree had been created; No brick had been laid, no building had been erected; No house had been constructed, no city had been built; No city had been made, no creature had been brought into being; Nippur had not been made, Ekur had not been built; Erech had not been made, Eana had not been built; The Deep had not been made, Eridu had not been built; Of the holy house, the house of the gods, the habitation had not been made; All lands were sea. Then there was a movement in the midst of the sea; At that time Eridu was made, and Essagil was built, Essagil, where in the midst of the deep the god Lugal-du-kuda dwells; The city of Babylon was built, and Essagil was finished. The gods, the spirits of the earth, Marduk made at the same time, The holy city, the dwelling of their hearts' desire, they proclaimed supreme. Marduk laid a reed on the face of the waters, He formed dust and poured it out beside the reed; That he might cause the gods to dwell in the dwelling of their hearts' desire, He formed mankind. With him the goddess Aruru created the seed of mankind. The beasts of the field and living things in the field he formed. The Tigris and Euphrates he created and established them in their place; Their name he proclaimed in goodly manner. The grass, the rush of the marsh, the reed and the forest he created, The green herb of the field he created, The lands, the marshes and the swamps; The wild cow and her young, the wild calf, the ewe and her young, the lamb of the fold. Orchards and forests; The he-goat and the mountain goat… The Lord Marduk built a dam beside the sea. Reeds he formed, trees he created; Bricks he laid, buildings he erected; Houses he made, cities he built; Cities he made, creatures he brought into being. Nippur he made, Ekur he built; Erech he made, Eana he built. 3. The longer Creation Epic begins by telling how 'when on high the heavens had not been named', Apsu the Begetter and Mother Tiamat mingled chaotically and produced a brood of dragon-like monsters. Several ages passed before a younger generation of gods arose. One of these, Ea god of Wisdom, challenged and killed Apsu. Tiamat thereupon married her own son Kingu, bred monsters from him, and prepared to take vengeance on Ea. The only god who now dared oppose Tiamat was Ea's son Marduk. Tiamat's allies were her eleven monsters. Marduk relied upon the seven winds, his bow and arrow and storm-chariot, and a terrible coat of mail. He had smeared his lips with prophylactic red paste, and tied on his wrist a herb that made him proof against poison; flames crowned his head. Before their combat, Tiamat and Marduk exchanged taunts, curses and incantations. When they came to...
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