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Reading Response to Nature Poem by Tommy Pico

In Nature Poem, poet Tommy Pico reflects upon the stereotypical mindsets which have evolved after a history of colonial imperialism in the United States surrounding Native peoples, and their relationships to their own bodies.

Spencer Beck Mo’e’hahne, ENGL 106 2/6/20 Reading Response Essay 2 Reading Response Essay: Nature Poem In Nature Poem, poet Tommy Pico reflects upon the stereotypical mindsets which have evolved after a history of colonial imperialism in the United States surrounding Native peoples, and their relationships to their own bodies. Pico’s refusal to do the expected in writing a nature poem mirrors his unwillingness to continue supporting an institution of Native sexual silence, and refutes the ideology forced upon him in a reclamation of his own libido. Qwo-Li Driskill’s “Stolen From Our Bodies: First Nations Two-Spirits/Queers and the Journey to a Sovereign Erotic” presents the ways in which systematic subjugation by a colonizing state has impacted conceptions of Indigenous identity and the Native sense of self. Staging a chance homoerotic interaction within a pizza parlor, Pico depicts the effect of such emotional and physical scars. First, as the scene escalates, the white man “puts his hands on the ribs of my chair,” exemplifying the way in which this figure attempts to claim agency of the narrator, Teebs (Pico 2). In specifically characterizing the chair as having “ribs,” Pico lends it an anthropomorphic autonomy, and furthermore, uses imagery which implies the white man’s ravaging of a body, specifically: the narrator’s body, in non-explicit terms. Additionally, the primary letters of “chair” being the same as “chest,” the area of the body where one finds our ribs, seems an intentional implication on the part of the poet. Such a comparison imbues the exchange with an increasingly sensual tone by playing off his knowledge of our own mental expectations. Not only does this present the white man’s “masculinity that requires men to be… conquerors in every aspect of their lives,” even an erotic exploit, but also how these same expectations weigh heavily upon Pico’s character (Driskill 53). Unable to speak openly about the incident, he must disguise the sense of attraction, only apparent through analogy and allusions. Moreover, the closing address of this episode revisits how this claiming wreaks havoc upon the individual Native consciousness. As stated by author Chris Finley, “Histories of biopower deeply affected Native people’s relationship to the body and sexuality. Natives, and lots of other folks, like sex but are terrified to discuss it” (31-32). Pico’s narrator says: “Let’s say it doesn’t turn me on at all // Let’s say I literally hate all men bc men are animals --” which again plays into his reluctance to be open about his desires. Though the interaction projects complicated feelings of discomfort and lust, Teebs veils any erotic wants behind a facade of apathy, with even his actual dialogue being vague. By ending each line open-ended, Pico does not mark either as definitively a suggestion, or an imperative. If “silence around Native sexuality benefits the colonizers and erases queer Native people from their communities,” then Teebs’ inability to speak forthright would seem to confirm his acquiescence to the Western status quo (Finley 40-41). Nonetheless, the poem closes: “This is a kind of nature I would write a poem about,” referring back to the narrator’s earlier refusal to write a nature poem (Pico 2). Ironically, Pico has written a poem about the human nature of both the white man, and himself, and presented it openly to an audience. Thus, despite a lack of total frankness, this segment of Nature Poems breaks the cycle of Native silence. In artistically rendering the emotional dichotomy faced by Native people as a result of imperial racist and homophobic practices, Tommy Pico’s Nature Poem embodies societal norms, only for the irony of his closing conversation with his readers to embrace a vocality of the Native erotic identity. As a result, his poetry presents a direct challenge to socially accepted norms. Works Cited Driskill, Qwo-Li. “Stolen From Our Bodies: First Nations Two-Spirits/Queers and the Journey to a Sovereign Erotic.” Studies in American Indian Literatures, Volume 16, Number 2. University of Nebraska Press, Summer 2004, pp. 50-64. DOI: https://doi.org/10.1353/ail.2004.0020 Finley, Chris. “Decolonizing the Queer Native Body (And Recovering the Native Bull-Dyke): Bringing “Sexy Back” and Out of Native Studies’ Closet.” Queer Indigenous Studies: Critical Interventions in Theory, Politics, and Literature, edited by Qwo-Li Driskill, Chris Finley, Brian Joseph Gilley, and Scott Lauria Morgensen, The University of Arizona Press, Tuscon, pp. 31-42. Pico, Tommy. Nature Poem. Portland, Tin House Books, 2017.