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New Discovery: The Dome of the Rock brings together Mystical Realities for the three great Abrahamic Faiths. The Dome of the Rock should be a place of renewed Inter-Religious Dialogue.
1999
The meaning that the Dome of the Rock had to its creators has eluded students of Architecture. But through an interdisciplinary approach involving Art and Architecture, Religious History and Eschatology, the meaning of the Dome of the Rock is shown to be expressed in the connective symbolism shared by the three great monotheistic religions: Judaism, Christianity and Islam. Furthermore, instead of being viewed as a structure in opposition to the Ka'bah at Mekkah, the Dome of the Rock is shown to be a complement to it—for as the Ka'bah looks back to Abraham, so the Dome of the Rock looks forward to the time of the end when the faith of Abraham will culminate in the final resurrection and judgment.
The Religious Architecture of Islam. Volume 1: Asia and Australia, 2021
In Spatialising Peace and Conflict: Mapping the Production of Place, Sites and Scales of Violence, edited by Annika Björkdahl and Susanne Buckley-Zistel. Houndsmills: Palgrave Macmillan., 2016
2013
The goal of this dissertation is to explore and evaluate the main interpretations of the Dome of the Rock, as developed by 11 scholars in Western scholarship over the last 60 years. The dissertation is divided into two chapters. The first chapter provides a brief discussion of the monument in its original appearance. The second chapter discusses four interpretations concerning the main potential reason for building the Dome of the Rock: the replacement of the Ka’ba theory (analysed by K. A. C. Creswell, Amikam Elad, and Sheila Blair), the restoration of Solomon’s Temple (by Priscilla Soucek, Herbert Busse, and Raya Shani), the eschatological meaning (by Josef van Ess, Raya Shani and Carolanne Mekeel-Matteson), and the Umayyad rule symbol (by Nasser Rabbat and Nuha Khoury). The second chapter analyses Olge Grabar’s interpretation.
2019
The Dome of the Rock on the Temple Mount in Jerusalem is built in an octagon shape. This shape was not a common practice within construction architecture in the early days of Islamic culture and the Umayyad period in particular. However, the author believes the foundations of the octagonal structure are much older. Since it is currently impossible, religiously and politically, to conduct organized archeological excavations on Temple Mount in general and at the Dome of the Rock site, in particular, to verify when the structure's foundations were laid, the Dome of the Rock's octagonal shape raises many questions. The author will present several alternatives arguing that the foundations were laid earlier.
This paper challenges an old belief that the Dome of the Rock in Jerusalem was built between 65/684 and 72/691 by the Umayyad caliph 'Abd al-Malik b. Marwan. The paper is divided into two parts. The first part briefly examines the significance of the Rock (sakhrah). Therein we have shown that the Rock has no special religious significance whatsoever. The second part tries to answer who exactly built the Dome of the Rock and when. The paper concludes that the likely truth is that the caliph 'Abd al-Malik b. Marwan was able to commence building the edifice only after crushing the insurgence of 'Abdullah b. al-Zubayr in 73/692. Such were the socio-political conditions in the Muslim state during the insurgency that the caliph's actions could not transcend the planning and basic preparatory stages, at most. Whether the caliph 'Abd al-Malik b. Marwan was capable of completing the structure during his lifetime or not, remained a debatable point as well. The task of building one of the first and at the same time greatest masterpieces in Islamic architecture might have been completed by his son and successor, al-Walid b. 'Abd al-Malik. What follows is shedding more light on these aspects of the topic. Keywords: The Dome of the Rock, al-Aqsa Mosque, the caliph 'Abd al-Malik b. Marwan, the caliph al-Walid b. 'Abd al-Malik 23 Apparently, the al-Aqsa Mosque, as well as the Dome of the Rock, are implied here.
La Femme Daria, 2017
Dome of the Rock – one of the earliest works of Islamic architecture. Addressed is the shaping of the pluralistic sacrality of the Dome of the Rock through exploration and analyses of its details. Foundation Stone ascends the inquirer onto literary, spiritual and religious journey. From the analyses of the interior elements of the Dome of the Rock into an exterior architectural and scriptural narrative. This experience contains duality of analytical exploration and the reader’s travel from the inner centrality of space into the outer perception of this sacred space.
The central issue of this paper is deceptively simple: how did early Islam manifest itself in Jerusalem? The simplicity of this question, though, belies the complexity of its answer insofar as the new Islamic faith interacted in a variety of manners with the preexisting communities: at times creating new, modifying old and even adopting wholesale aspects of the entrenched urban and religious culture. This paper looks at the Dome of the Rock -- the earliest extant example of Islamic piety in Jerusalem -- and connects a structure long standing with a social milieu and religious world long since passed; or, more aptly, it brings architecture alive as a character in its own creation narrative to uncover new perspectives on both the Dome of the Rock itself and the complex religious exegesis that has developed around it.
2022
Jerusalem is a city rich with geopolitical and eschatological connotations venerated by three major religions intervening in iconographic supersession and engaging in incessant communal conflicts – Judaism, Christianity, and Islam. The Holy City has elicited many instances of literal and figurative imagery, but none is perhaps more evocative and persistent than that of the Temple Mount on Mount Moriah. Through consideration of the geographic and religious significance of the Temple Mount precinct for the three religions, this paper attempts to analyze the input of other historians on the scholarship of the intentional patronage of supersessionist visual imagery on this holy site, specifically with Islamic and Christian intercession over the Dome of the Rock (b. 692 CE).
The article reconstructs a purely hypothetical history of the Dome of the Rock as follows: the Christians may have built a Martyrion over an existing Roman rotunda around the Sacred Rock of the Jews, building an outer wall around it and erecting a tambour on the existing ring of columns. When that Martyrion, dedicated to Hagia Sophia, was thoroughly reformed, a little before 500 CE, a Greek cross was inscribed into its layout by dividing the inner circle of columns into four sections, each with three columns and one pier, and by giving the outer ring of columns and wall the form of an octagon. It also was dedicated additionally to the Theotokos. Later, the Muslims appropriated the building architecturally by adding a Sassanid cupola, by hiding the outer roof behind an elevation of the outer walls, by pulling out the Byzantine floor, and by changing the interior and exterior decoration, including inscriptions. The historical truth then was forgotten because of both intentional suppression and unintentional misunderstandings, most importantly because the Christians confounded the ruins of the Roman temple to Jupiter with the site of the Jewish Temple and took the area of the Rock to be that of the Praetorium, i.e. of the trial of Jesus. - All of this is a mere conjectural hypothesis to be tested, not a definite theory. However, there are arguments for each of the different aspect of it which are based on historical sources or architectural evidence, which should be subjected to further scrutiny. Topics: The cross in the layout - The cupola - The architraves and friezes - The floor - The motive of arches on architrave - The Madaba Map - Abd al-Malik’s motive for building the Dome - The Christian confusion about the two temples - The Christian confusion about the Praetorium - The Breviarium and the Piacenza Pilgrim - The History of al-Tabari - Eutychius (Annals) on the patriarch Sophronius - On the Jewish attempt to rebuild the Temple under Julian - The Armenian History attributed to Sebeos - The small shrines - The “distant place of worship” - The Muslim Dome of Ascension - The many-arched mihrabs - Hadrian’s rotund - Bar Kochba’s Temple - The statue of Tyche (the “abomination”) on the Holy Rock - The Hagia Sophia - Theological narratives - The architecture of the first Hagia Sophia - The dedication to Holy Wisdom - The Hagia Sophia and the Nea-Churches - San Stefano Rotondo in Rome - The reform of the first Hagia Sophia - The twist in the layout - The theological-numerological program - The Sassanid interlude: a Jewish Temple once again - The Muslims take over.
John Heartfield. Photography plus Dynamite. Edited by Angela Lammert, Rosa von der Schulenburg and Anna Schultz on Behalf of the Akademie der Künste Berlin, 2020
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NEHCÜL FERADİSTE SEVGİ İFADESİ TAŞIYAN FİİLLER II, 2023
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