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2019
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The Dome of the Rock on the Temple Mount in Jerusalem is built in an octagon shape. This shape was not a common practice within construction architecture in the early days of Islamic culture and the Umayyad period in particular. However, the author believes the foundations of the octagonal structure are much older. Since it is currently impossible, religiously and politically, to conduct organized archeological excavations on Temple Mount in general and at the Dome of the Rock site, in particular, to verify when the structure's foundations were laid, the Dome of the Rock's octagonal shape raises many questions. The author will present several alternatives arguing that the foundations were laid earlier.
Palestine Exploration Quarterly, 2007
The Dome of the Rock or Qubbat al-Sakhra is a monument in the city of Jerusalem built on the platform at the top of Mount Moriah known as Bayt al-Maqdis or Bayt al-Muqaddas (the Holy House) and, by the common term for similar Muslim sacred places in Makkah and Madinah, the Haram al-Sharif (Noble Sanctuary). The 34-acre platform is also known as Masjid al-Aqsa (the Farthest Mosque) following such reference in the Qur'an, although a mosque called by the same name exists on its southern edge. The monument itself is a singlestorey building of octagonal plan with sides of 20.6 m covered at the centre by a dome 20.44 m in diameter, resting on a cylindrical drum, and rising up to a height of about 36 m. The drum is supported by an arcade of sixteen arches resting on four piers and twelve columns between them forming a circular perimeter around the sacred 'rock' that has some significance in all the three Abrahamic religions. The area between the inner circle and the outer octagonal wall is divided into two ambulatory spaces separated by an inner octagon made of twenty-four arches resting on eight piers and sixteen columns (Fig. 1). The Dome of the Rock was designed and built during the caliphate of Abd al-Malik, the 5th Umayyad caliph of Islam (685-705 ad), and its construction was completed in 692 ad under the supervision of Raja ibn Haywa and Yazid ibn Sallam who are thought to have been in financial and administrative control. However, further research shows that the former, from Beysan in Palestine and originally of the Kinda tribe of Yemen, worked as a treasurer and special assistant of Abd al Malik and also as advisor to two later caliphs, Sulayman (715-717 ad) and Umar II (717-720 ad). He was a renowned Tabi', i.e., a scholar of the generation that followed the companions of Prophet Muhammad (pbuh) known as Sahaba, a transmitter of hadith (the traditions of the Prophet) and was trustfully quoted by the later scholars (Ibn Asakir 1995, 359). In keeping with the tradition of the Sahaba's contribution in the design of mosques of that period, it is likely that Raja ibn Haywa was also involved in the design of the Dome of the Rock. Yazid ibn Sallam was a local Jerusalemite. The religion of Islam introduced to the world of architecture a new type of buildingthe mosque-the basic plan of which was standardised by the time of the Dome of the Rock's construction. Evolving from the Prophet's Mosque in Madinah (632 ad) (Fig. 2), typically it was a square or a rectangular building with an inner courtyard, the covered area towards the qibla (the direction to face for prayer) side being the main prayer hall, with narrow porticoes (riwaqs) on the other three sides (Fig. 3). In the very earliest phase of Islam, all the mosques and other public buildings were very simple, made of sun-dried mud bricks and timber, providing the basic functional needs that satisfied the religious guideline for the practice of modesty in all aspects of life. Minor enlargements to the mosques were made during the rule of the pious caliphs (632-661 ad) who followed the Prophet to cater for the growing size of congregation. However, major extension to or reconstruction of the mosques with more durable and expensive materials began in the early Umayyad period-Basra 665 ad, Kufa 670 ad and Fustat 673 ad-and the mosque of Kufa was now 100 m (E-W) × 150 m (N-S) in plan built with stone columns specially cut from the mountain of Ahwaz, and its prayer hall was 16.2 m high with riwaqs surrounding the other three sides of the courtyard (Tabari, 4/46). These were the earliest examples of Umayyad attempts at the symbolic expression of the presence of Islam in a visually perceptible form. The only extant building of the period, the Dome of the Rock, which is 'in all probability the first Islamic palestine exploration quarterly, 139, 2, 2007
This paper challenges an old belief that the Dome of the Rock in Jerusalem was built between 65/684 and 72/691 by the Umayyad caliph 'Abd al-Malik b. Marwan. The paper is divided into two parts. The first part briefly examines the significance of the Rock (sakhrah). Therein we have shown that the Rock has no special religious significance whatsoever. The second part tries to answer who exactly built the Dome of the Rock and when. The paper concludes that the likely truth is that the caliph 'Abd al-Malik b. Marwan was able to commence building the edifice only after crushing the insurgence of 'Abdullah b. al-Zubayr in 73/692. Such were the socio-political conditions in the Muslim state during the insurgency that the caliph's actions could not transcend the planning and basic preparatory stages, at most. Whether the caliph 'Abd al-Malik b. Marwan was capable of completing the structure during his lifetime or not, remained a debatable point as well. The task of building one of the first and at the same time greatest masterpieces in Islamic architecture might have been completed by his son and successor, al-Walid b. 'Abd al-Malik. What follows is shedding more light on these aspects of the topic. Keywords: The Dome of the Rock, al-Aqsa Mosque, the caliph 'Abd al-Malik b. Marwan, the caliph al-Walid b. 'Abd al-Malik 23 Apparently, the al-Aqsa Mosque, as well as the Dome of the Rock, are implied here.
The Religious Architecture of Islam. Volume 1: Asia and Australia, 2021
The article reconstructs a purely hypothetical history of the Dome of the Rock as follows: the Christians may have built a Martyrion over an existing Roman rotunda around the Sacred Rock of the Jews, building an outer wall around it and erecting a tambour on the existing ring of columns. When that Martyrion, dedicated to Hagia Sophia, was thoroughly reformed, a little before 500 CE, a Greek cross was inscribed into its layout by dividing the inner circle of columns into four sections, each with three columns and one pier, and by giving the outer ring of columns and wall the form of an octagon. It also was dedicated additionally to the Theotokos. Later, the Muslims appropriated the building architecturally by adding a Sassanid cupola, by hiding the outer roof behind an elevation of the outer walls, by pulling out the Byzantine floor, and by changing the interior and exterior decoration, including inscriptions. The historical truth then was forgotten because of both intentional suppression and unintentional misunderstandings, most importantly because the Christians confounded the ruins of the Roman temple to Jupiter with the site of the Jewish Temple and took the area of the Rock to be that of the Praetorium, i.e. of the trial of Jesus. - All of this is a mere conjectural hypothesis to be tested, not a definite theory. However, there are arguments for each of the different aspect of it which are based on historical sources or architectural evidence, which should be subjected to further scrutiny. Topics: The cross in the layout - The cupola - The architraves and friezes - The floor - The motive of arches on architrave - The Madaba Map - Abd al-Malik’s motive for building the Dome - The Christian confusion about the two temples - The Christian confusion about the Praetorium - The Breviarium and the Piacenza Pilgrim - The History of al-Tabari - Eutychius (Annals) on the patriarch Sophronius - On the Jewish attempt to rebuild the Temple under Julian - The Armenian History attributed to Sebeos - The small shrines - The “distant place of worship” - The Muslim Dome of Ascension - The many-arched mihrabs - Hadrian’s rotund - Bar Kochba’s Temple - The statue of Tyche (the “abomination”) on the Holy Rock - The Hagia Sophia - Theological narratives - The architecture of the first Hagia Sophia - The dedication to Holy Wisdom - The Hagia Sophia and the Nea-Churches - San Stefano Rotondo in Rome - The reform of the first Hagia Sophia - The twist in the layout - The theological-numerological program - The Sassanid interlude: a Jewish Temple once again - The Muslims take over.
2013
The goal of this dissertation is to explore and evaluate the main interpretations of the Dome of the Rock, as developed by 11 scholars in Western scholarship over the last 60 years. The dissertation is divided into two chapters. The first chapter provides a brief discussion of the monument in its original appearance. The second chapter discusses four interpretations concerning the main potential reason for building the Dome of the Rock: the replacement of the Ka’ba theory (analysed by K. A. C. Creswell, Amikam Elad, and Sheila Blair), the restoration of Solomon’s Temple (by Priscilla Soucek, Herbert Busse, and Raya Shani), the eschatological meaning (by Josef van Ess, Raya Shani and Carolanne Mekeel-Matteson), and the Umayyad rule symbol (by Nasser Rabbat and Nuha Khoury). The second chapter analyses Olge Grabar’s interpretation.
1999
The meaning that the Dome of the Rock had to its creators has eluded students of Architecture. But through an interdisciplinary approach involving Art and Architecture, Religious History and Eschatology, the meaning of the Dome of the Rock is shown to be expressed in the connective symbolism shared by the three great monotheistic religions: Judaism, Christianity and Islam. Furthermore, instead of being viewed as a structure in opposition to the Ka'bah at Mekkah, the Dome of the Rock is shown to be a complement to it—for as the Ka'bah looks back to Abraham, so the Dome of the Rock looks forward to the time of the end when the faith of Abraham will culminate in the final resurrection and judgment.
The central issue of this paper is deceptively simple: how did early Islam manifest itself in Jerusalem? The simplicity of this question, though, belies the complexity of its answer insofar as the new Islamic faith interacted in a variety of manners with the preexisting communities: at times creating new, modifying old and even adopting wholesale aspects of the entrenched urban and religious culture. This paper looks at the Dome of the Rock -- the earliest extant example of Islamic piety in Jerusalem -- and connects a structure long standing with a social milieu and religious world long since passed; or, more aptly, it brings architecture alive as a character in its own creation narrative to uncover new perspectives on both the Dome of the Rock itself and the complex religious exegesis that has developed around it.
Holy places have an important part in people's lives as areas in which belief in a way becomes visualized. Jerusalem appears as the holiest common area for Judaism, Christianity and Islam which are referred to as Abrahamic religions. In Grabar's words, the city which has become the symbol of Palestine nationalism embodies significant places, structures and stories for all three religions. For Muslims, the city is important since it is the first kiblah and due to the belief that the event of Isra referred to in Qur'an/night journey and Ascension (of the prophet Mohammed) have taken place in Jerusalem. As a result of the effect of this belief, the structure which was to be named Kubbet'üs-Sahra (Dome of the Rock) was built in the holiest point of Jerusalem in 692. Researchers who have analyzed the period and the structure suggest three different views as to why the structure was built. These can be expressed as follows: 1-It was built in the memory of Prophet Mohammed's ascension; 2-Caliph Abd al-Malik got very excited upon seeing the Church of Ascension when he came to Jerusalem which was built by the order of Justinian and wished to have a similar structure built on a rock to prevent Muslims from being affected by the church; 3-The wish to have a structure built in Jerusalem which could compete with the Ka'bah and pilgrimage journey. The most researched point by the researchers along with why the structure was built is the origin of the plan of the structure. Noting that it was impossible for Muslims who did not have an art tradition to have built such a structure, it is suggested that the source of the plan was obtained from the Roman-Byzantium repertoire. What is more, the ornamentation technique and compositions are used to support this view. A new view on the origin argues in the favor of the legendary mausoleums of the ancient Arab kings which were built in Yemen area. The lack of a historical document indicates that this issue will be discussed for a long time to come. In this abstract titled The first Islamic Monument Kubbet'üs-Sahra (Dome of the Rock): A New Proposition, current discussions and views on the structure will briefly be presented and the subject will be dealt in terms of the cultural environment of the period and Umayyad Caliph Abd al-Malik. A new evaluation will be presented on Kubbet'üs-Sahra which can without doubt be defined as the most controversial structure not only in Islamic art, but also in terms of the cultural history of the world.
2022
Jerusalem is a city rich with geopolitical and eschatological connotations venerated by three major religions intervening in iconographic supersession and engaging in incessant communal conflicts – Judaism, Christianity, and Islam. The Holy City has elicited many instances of literal and figurative imagery, but none is perhaps more evocative and persistent than that of the Temple Mount on Mount Moriah. Through consideration of the geographic and religious significance of the Temple Mount precinct for the three religions, this paper attempts to analyze the input of other historians on the scholarship of the intentional patronage of supersessionist visual imagery on this holy site, specifically with Islamic and Christian intercession over the Dome of the Rock (b. 692 CE).
2017
Abstract The existing discussion regarding the motives for building the Dome of the Rock revolves around two suggestions: that the incentive for building was the fierce competition between ʿAbd al-Malik and ʿAbdallah b. al-Zubayr in Mecca, and that it was competition with local Christian monuments that moved ʿAbd al-Malik to building this outstanding edifice. This paper suggests that a third incentive lay in the political and ideological rivalry with Constantinople that was at its peak during that period. This rivalry drove ʿAbd al-Malik to build a monument that would outdo those of Constantinople, and especially that of the Hagia Sophia. Muslim tradition emphasized that Constantinople had contaminated the site of the Temple and had claimed to inherit its place as God’s throne on earth. The building of the Dome of the Rock, the New Temple of Solomon, was thus meant to redeem the Temple of Jerusalem’s honour as of old against the claims of Constantinople. Keywords: Dome of the Rock, ʿAbd al-Malik, Jerusalem, Solomon’s Temple, Constantinople, God’s Throne, Hagia Sophia
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