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2001, Food in Society: Economy, Culture, Geography
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14 pages
1 file
ISBN 0 340 72003 4 (hbk); 0 340 72004 2 (pbk) http://www.routledge.com/books/details/9780340720042/ PART I Hors d'oeuvre 1 A BACKGROUND TO FOOD STUDIES
Cooking Cultures
A n intimate association of eating with sensual pleasure in Muslim theologydepicted in the Garden of Delights-had occasioned serious unease in the Christian world that could barely digest the bonding of religion and sensuousness. What caused immense concern was the fact that this 'philosophy of gratification' did not only promise joys after death. It spoke of, indeed encouraged, the reaping of pleasure in life by associating good life with good eating (Peterson, 1980, 321). This was in stark contrast to the austerity and temperance demanded of Christians in this life as a step toward an angelic society in heaven (Peterson, 1980, 322). Hence, after the Qu'ran was translated into Latin by the mid-twelfth century, scholars devoted themselves to the task of discerning whether this association was real or allegorical. Others, however, found a different use for this bonding of eating and pleasure in this life. An 'upheaval' occurred in the cooking of the European elite from about 1300 CE, accompanied by a marked change in the attitude toward food (Peterson, 1980, 317). I begin the introduction on this note to divulge, at the outset, an important argument of the book. The volume seeks to explore how food, cooking and cuisine, in different societies, cultures and over different periods of time, are essentially results of confection-combination-of ingredients, ideas, ideologies and imagination, inflected by relations of power and experiments with creativity. Such blends, churned out of transcultural flows of goods, people and ideas, colonial encounters and engagements, adventure and adaptation, and change in attitude and taste, enable convergent histories of the globe kneaded by food www.cambridge.org © in this web service Cambridge University Press Cambridge University Press 978-1-107-14036-3-Cooking Cultures: Convergent Histories of Food and Feeling Edited by Ishita Banerjee-Dube Excerpt More information Ishita Banerjee-Dube 2 and cooking that tell us about being and belonging, pride, identity, hospitality and sociability, class and power, and nation and culture that are ever ready to be cast in different moulds. They also point to a convergence between the histories of the world as one of 'species migration', whether through climate or habitat change or population pressure, or through more active processes of human intervention, and of food, eating and cuisine as being constituted by such mixing and migration. The different chapters of the book look at the evolution of food in distinct parts of the globe over different periods of time from diverse perspectives. Yet, together they portray and convey the polyphony that surrounds food and cooking, a polyphony often subsumed by the attempted homogenisation that underlies the construction of 'national', 'natural' or 'regional' cultures. In contrast to such homogenisation, this book offers a tale strewn together from a variety of smells and tastes, peoples and places and their multiple mixtures. The chapters also highlight the importance of sharing and exchanging food as vital elements of 'culture' and sociability, elements that are often used to mark social distinctions and not erase them (Peters, 2016; Pilcher, 1998). An early cookery book of Baghdad had drawn upon the Qu'ran to declare food to be 'the noblest and most consequential' of the six human pleasures, along with drinks, clothes, sex, scent and sound (Peterson, 1980, 322). The write-up on an adventurous book on the history of food calls cuisine 'the defining characteristic of a culture' (Fernández-Armesto, 2002). What makes food and cuisine tick as the 'noblest pleasure', and the most significant element of a culture? What makes Indian food serve as 'street food' in Cairo and 'court food' in Isfahan and yet remain a prop of national culture? How has 'curry', invented during British rule in India, moved back and forth between India and England and come to signify 'Indian food' in the world? This volume addresses some of these issues in its attempt to track how peoples and cultures relate to food and cuisine, and how such bonding shapes cartographies of belonging and identities. It explores the elements and processes that go into the cooking of cultures, in which food and cuisine are flavoured by adaptation and innovation, transcultural and trans-regional flows, and nostalgia and recreation ; and 'national', 'regional' and 'cosmopolitan' cultures, along with personhood, are concocted and confected. The volume takes into serious account reminders that food, as an important element of material culture, significantly shapes individual and collective identities (Palmer, 1998, 183) and that food is neither neutral nor innocent but a product of dominant ideologies and power structures (Cusack, 2000, 208). Indeed, the first essay of the volume examines and interrogates why and how certain plant and animal species are constructed as 'natural', 'native' and www.cambridge.org
2004
Is the practice of cooking an art or merely a skill? To answer this question, this essay analyzes the transformation and incorporation of food by humans from a cultural-historical perspective. In particular, it analyses the tension between tradition and rationalization. It becomes apparent that "modern times" are not only based on a scientific-technical innovation dynamic, but also on specific forms of tradition forming. The industrialization of food and the "rational kitchen" are used as examples to demonstrate how the new and the old are constantly blurring in hybrid connections. The thesis that cooking has lost its function due to the mechanization of the household therefore falls short of the mark. Rather, cooking is itself an important cultural technique in which art and science intertwine in a paradoxical way. The essay undermines the juxtaposition of natural resources and culinary culture and presents a new interpretation of cultural change for discussion.
In this paper, I define cultural techniques and discuss how food production may be analyzed from a cultural-technical perspective. Citing the work of Bernhard Siegert (2015; 2013) and Claude Levi-Strauss (1991;1970), I show that some of the same techniques which produce food have also been fundamental to the emergence of culture and the human as such: namely cooking, agriculture and animal husbandry, and techniques of eating. Though these techniques form the basis of what we know as food, they remain, to quote Levi-Strauss, “on the margin of the semantic field which embraces all food products” (1970:267). They escape representation, which arguably, is why food technologies are neglected by media studies, despite the rapid advancement of information and communication technologies in food production, processing, and distribution. This is what makes cultural techniques particularly suited to discussing food as an object of media theoretical analysis, food being something that is typically represented in the media, and not interrogated for its own ability to mediate, transmit, or reproduce culture on a technical level.
Narodna umjetnost : hrvatski časopis za etnologiju i folkloristiku, 2015
International Review of Social Research , 2016
As an everyday activity, sustaining our life, eating experiences reveal complex relationship between food and society, involving material and symbolic aspects of cultures, dietary order, but also aesthetics or hedonism (Levi-Strauss, 1964, Douglas, 1966, Fischler, 1980, Beardsworth & Keil, 1997). Bringing on stage cultural values, food becomes a central identity marker, defining personality, social class, lifestyles, gender roles and relationships, from family, to community, to ethnic groups or nationality, changing through time and place. Food is a lens to analyze society order, historical changes, power and politics, if we think of the pioneering works in this area of studies, from Pierre Bourdieu’s analysis of the social classes’ taste (1979), Jack Goody’s connection between cuisine and class in West Africa (1982), Sidney Mintz research on sugar, modern times and colonialism (1985), to Arjun Appadurai’s work on nationalism and cuisines (1988). The more recent trend towards food heritage and heritagisation reveals the dynamic role of history in understanding culture, as well as the marketization of culinary traditions. Social changes, like evolutions in intergroup relations within societies, migration phenomena such as nomadism, refugees, expatriates, tourism, alongside with the industrialization of food production or the globalization of foods, the role of mass media and new technologies, all have their impact on the food production, distribution, preparation, foodways or drinkways changing either by expressing individual or group preferences for alternative consumption manners, or at collective level. This issue on ‘Food and Culture. Cultural patterns and practices related to food in everyday life’ gives, once *Corresponding author: Anda Georgiana Becuţ, National Institute for Research and Cultural Training, Ministry of Culture, Bucharest, Romania, E-mail: [email protected]. Jean-Jacques, Boutaud Universite de Bourgogne Angelica Marinescu, University of Bucharest more, reason to Roland Barthes who, in his introduction to Brillat Savarin’s Physiologie du gout, understands food, generally (and gastronomy, particularly) as a domain fit for developing a humanistic approach, seen as total social fact, including different metalanguages. As he explains, ‘It is this encyclopedic view, - this ”humanism” - that encompasses, for Brillat-Savarin, the name of gastronomy” (Barthes, 1975).
The Influence of Culture on Food is a comprehensive exploration of how cultural contexts have shaped and continue to shape our culinary practices. This book delves into the intricate relationship between food and culture, examining how historical, social, and geographical factors influence the way we cook, eat, and perceive food. In this volume, readers will embark on a journey through the evolution of gastronomy, tracing its roots from ancient culinary traditions to contemporary innovations. Each chapter provides a detailed analysis of different facets of food culture, including ancient practices, the impact of exploration and trade, the industrialization of food production, and the latest trends in global cuisine. Through a blend of historical insights and modern perspectives, this book highlights the dynamic interplay between culture and cuisine. From the earliest food practices of ancient civilizations to the latest trends in sustainability and technological advancements, The Influence of Culture on Food offers a rich and diverse narrative that underscores the importance of food in shaping our cultural identity and societal values. Written with a friendly yet academic tone, this book aims to make complex topics accessible and engaging for both scholars and general readers alike. Whether you are a food enthusiast, a culinary professional, or simply curious about the cultural significance of food, this book provides valuable insights and a deeper understanding of the role that gastronomy plays in our lives. As you read through the pages, you will discover how food transcends mere sustenance, becoming a powerful symbol of cultural exchange, innovation, and tradition. The Influence of Culture on Food invites you to explore the rich tapestry of culinary history and appreciate the profound ways in which culture and cuisine are intertwined. Dear Readers, As you turn the pages of The Influence of Culture on Food, I hope you find yourself immersed in the rich and diverse tapestry of culinary history and cultural influence that has shaped our world. This book has been a journey through time and tradition, exploring how food, an essential part of human life, reflects and influences the cultures we live in. Each chapter offers a glimpse into different aspects of gastronomy, from the ancient culinary practices of early civilizations to the modern innovations that continue to transform our dining experiences. My aim has been to present these topics with both academic rigor and a friendly tone, making the complex and fascinating world of food accessible and engaging. I am deeply grateful for your interest in this subject and hope that the insights shared in these pages inspire a deeper appreciation for the role of food in shaping our cultures and connecting us across time and space. Whether you are a culinary professional, a food enthusiast, or simply curious about the rich history of gastronomy, I hope you find this book both enlightening and enjoyable. Thank you for joining me on this culinary journey. May the stories and insights within these pages enrich your understanding and appreciation of the profound influence that culture has on food. With appreciation and best wishes Mahdi Dihdashti Chapter 1: The Role of Geography in Shaping Food Traditions 1.1. Climate and Crop Selection Geography is one of the most significant factors influencing food traditions, and climate plays a central role in determining the types of crops that can be grown in a particular region. From the lush rice paddies of Southeast Asia to the wheat fields of the Midwest in the United States, climate dictates the variety, abundance, and nutritional quality of crops that form the foundation of local diets. Regions with temperate climates, characterized by moderate temperatures and ample rainfall, tend to be fertile grounds for a wide range of crops. For example, countries like France and Italy are known for their diversity of fruits, vegetables, and grains, which have contributed to their rich culinary traditions. In contrast, arid regions, such as North Africa and parts of the Middle East, have traditionally relied on drought-resistant crops like dates, barley, and millet to sustain their populations. These environmental constraints have led to the development of unique dishes and food preservation techniques, such as sun-drying and fermentation. The influence of climate on food extends beyond crop selection. It also affects how food is prepared and consumed. In colder climates, hearty stews and preserved foods, such as salted meats or fermented vegetables, are common, as they provide necessary sustenance during harsh winters. Conversely, tropical regions often feature lighter, more refreshing dishes that incorporate fresh fruits, vegetables, and seafood to complement the warm weather. As climate continues to shape food availability, it also impacts local economies and food distribution systems. In regions heavily dependent on agriculture, fluctuations in weather patterns can lead to food scarcity or abundance, which in turn influences local food prices and dietary habits. Today, the effects of climate change are further complicating these dynamics, with shifting weather patterns threatening the viability of traditional crops and the stability of global food systems.
International Review of Social Research, 2016
more, reason to Roland Barthes who, in his introduction to Brillat Savarin's Physiologie du goût, understands food, generally (and gastronomy, particularly) as a domain fit for developing a humanistic approach, seen as total social fact, including different metalanguages. As he explains, 'It is this encyclopedic view,-this "humanism"-that encompasses, for Brillat-Savarin, the name of gastronomy" (Barthes, 1975). But if gastronomy is, above all, a speech act, food represents firstly a culture act. This means that the way we understand and we relate to food, food practices, is always related to our identity, in the deepest manner. The danger that comes along with this approach is to understand these fundamental dimensions-identity, food, culture-on their ontological or essentialist dimension, shifting from identity to the identification with the good, the best, the ideal in culinary or in gastronomy. Because food embodies this permanent dialectics between the attachments to our origins' model, with its emblematic, or totemic dishes, its recipes, its rituals and practices, and, the other way around, the need to ceaselessly explore, seeking new tastes, new savories, new recipes, or manners of doing and being. Food is caught in this dialectics of withdrawal, of return to the origins, to tradition, and at the same time, the opposite, of exploring, discovering, looking for the surprise, 'the search for the unexpected', to quote Floch (1995). The relation to food and culture translates the tension that defines our identity construction between finding refuge in a frame, in order to retrieve our own being, and escaping from this frame and discovering oneself throughout new worlds of flavors and sensations. This oscillation is sustained by two identity dimensions which are at the heart of the relationship between food and culture: a narrative dimension (Ricoeur) and a figurative dimension (Fontanille). On the narrative level, eating means living and meeting, being himself or herself and becoming another. Identity and alterity (Stano), based on a constant relating to the other, from attraction to repulsion, with all the variations from good to bad taste, or even distaste (Assouly). On the figurative
Journal of Interdisciplinary History, 2014
World history and food studies are both relatively new disciplines. The study of world history comes at a time when people are trying to understand today's global hyper-circulation of commodities, ideas, and power. Work in food studies gravitates toward the intimate and commensal, whereas new food-history encyclopedias tend to present global facts without sufªcient analysis of global context. World histories of particular foods, though astute and informative, generally avoid analysis of the global systems in which they circulate. Meanwhile, mega-theory books, like Mann's 1491 and 1492, have popularized Crosby's notion of the Columbian Exchange-the era when geographical boundaries began to shatter for plants, animals, and humans. 1 Notwithstanding Laudan's occasional disagreements with Crosby, her Cuisine and Empire-a tour-deforce of both erudition and analysis-is certainly closer to his work than to the encyclopedias. It not only shows what kinds of cuisine moved around the globe; it also offers a clear explanation of how and why. Laudan knows more about the world history of cooking than any other scholar alive, but she also does more with her knowledge than just ªlling pages with facts. Cuisine and Empire is organized by a theoretical framework that structures her argument about how world history works. Laudan's answer to the how and why questions revolves around the notion of power. Cuisines moved with conquest, whether accomplished with swords, powerful religious ideas, or both. She follows the history of how Greek and Roman conquest led to the spread of animal sacriªce and then moves to the more complex history of how Buddhist monks' ideas about food affected rulers who wavered between Buddha and Confucius. Upon this foundation she layers the inºuence of Islamic expansion, such as the Mughal conquest of India in the sixteenth and seventeenth centuries. In all of these cases she follows the threads of how soldiers and priests helped to determine what people ate. When Laudan refers to the creation of "empires," she means how people with certain ways of cooking were able to extend their spheres of inºuence-by conquest, by conversion, or simply by immigration. In her framework, those who exercised power used a "high" cuisine to display their might and status, with retinues of cooks and slaves, run by master courtiers, at their service. Laudan compares this elevated fare to the meals of the humble, most of which had little nutritional value. One can imagine a parallel history detailing the diseases of malnutrition and stunted growth, and the epidemics of early mortality based on some of these diets. Laudan also reveals where and when peasants,
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