Papers by Maria de Arana Aroca
Constelaciones, May 1, 2017
Todos los derechos reservados. Esta publicación no puede ser reproducida, ni en todo ni en parte,... more Todos los derechos reservados. Esta publicación no puede ser reproducida, ni en todo ni en parte, ni registrada, ni transmitida, ni almacenada en ninguna forma ni por ningún medio, sin la autorización previa y por escrito del equipo editorial. En este número se han utilizado algunas imágenes de las que no se ha podido identificar al propietario de los derechos. En estos casos hemos entendido que las imágenes son de libre uso. En caso de identificar alguna de estas imágenes como propia, por favor, póngase en contacto con la redacción de Constelaciones. Los criterios expuestos en los diversos artículos de la revista son responsabilidad exclusiva de sus autores y no reflejan necesariamente los que pueda tener el equipo editoral. El equipo editorial de la revista no se responsabiliza de devolver la información enviada a la redacción a no ser que se le solicite expresamente. All rights reserved. This publication cannot be reproduced, in whole or in part, nor registered, transmitted or stored in any form or by any means, without the written permission of the Editorial team. In this issue some images were used without knowing the owner of the rights. In these cases, we have understood that the images are free of use. In case you identify any of these images as your own, please, contact with the Editorial staff of Constelaciones. The opinions expressed in this issues's articles are entirely the responsibility of their authors and are not necessarily shared by the editors of this journal. The publisher don't take responsibility for returning submitted material which is not expressly requested.
Architecture and the Urban in Spanish Film, 2021
GIRAS. Universitat Politècnica de Catalunya, May 1, 2016
Este texto se centra en el campo de refugiados, umbral que sirve de escena al tránsito entre la h... more Este texto se centra en el campo de refugiados, umbral que sirve de escena al tránsito entre la huida y el asilo, y en cómo los acercamientos a su estudio parecen siempre encontrarse con contradicciones. Se comienza por una breve acotación de los términos campo y refugiados para luego desarrollar el análisis en tres etapas. Se mira, en primer lugar, las condiciones previas a la construcción de un campo habiéndose seleccionado para ello los Manuales de Emergencia publicados por ACNUR. A continuación se habla de la realidad física de los campos y sus tiempos. Por último se aborda la interpretación del espacio del campo como lugar vivido. 1 Este texto tiene su origen en el proyecto VEM realizado por el grupo de investigación REbirth
Building on existing film and urban histories, this collection examines Spanish film through cont... more Building on existing film and urban histories, this collection examines Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality, and mass culture from the industrial age to the digital present. This edited volume brings together an international and interdisciplinary group of film, architecture, and urban studies scholars as they explore the reciprocal relationship between the seventh art and the built environment. The contributors explore a wide range of topics, including the role of film in the shifting relationship between private and public; the ways cinema as a new technology reshaped how cities and buildings are built and inhabited; the question of the mobile gaze; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; and the effects of the digital and the virtual on filmmaking and spectatorship. CONTRIBUTORS: Benjamin Fraser; Jorge Gorostiza; Nuria Rodríguez-Martín; David Foshee; Tom Whittaker; Juli Highfill; Patricia Keller; Josefina González-Cubero; Alba Zarza-Arribas; Emeterio Diez Puertas; María de Arana Aroca; Carlos Sambricio; Vicente Sánchez-Biosca; Samuel Amago; Leigh Mercer; Stephen. Luis Vilaseca Intellect Books, distributed by the University of Chicago Press | ISBN: 9781789384895 Publisher URL: https://press.uchicago.edu/ucp/books/book/distributed/A/bo123638318.html
Este texto se centra en el campo de refugiados, umbral que sirve de escena al tránsito entre la h... more Este texto se centra en el campo de refugiados, umbral que sirve de escena al tránsito entre la huida y el asilo, y en cómo los acercamientos a su estudio parecen siempre encontrarse con contradicciones. Se comienza por una breve acotación de los términos campo y refugiados para luego desarrollar el análisis en tres etapas. Se mira, en primer lugar, las condiciones previas a la construcción de un campo habiéndose seleccionado para ello los Manuales de Emergencia publicados por ACNUR. A continuación se habla de la realidad física de los campos y sus tiempos. Por último se aborda la interpretación del espacio del campo como lugar vivido.
BOOKS by Maria de Arana Aroca
by Susan Larson, Jorge Gorostiza, Nuria Rodríguez Martín, Tom Whittaker, Josefina González Cubero, Alba Zarza-Arribas, Maria de Arana Aroca, Vicente Sánchez-Biosca, Leigh Mercer, Patty Keller, and Carlos Sambricio Architecture and the Urban in Spanish Film, 2021
Building on existing film and urban histories, this collection examines Spanish film through cont... more Building on existing film and urban histories, this collection examines Spanish film through contemporary interdisciplinary theories of urban space, the built environment, visuality, and mass culture from the industrial age to the digital present.
This edited volume brings together an international and interdisciplinary group of film, architecture, and urban studies scholars as they explore the reciprocal relationship between the seventh art and the built environment. The contributors explore a wide range of topics, including the role of film in the shifting relationship between private and public; the ways cinema as a new technology reshaped how cities and buildings are built and inhabited; the question of the mobile gaze; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; and the effects of the digital and the virtual on filmmaking and spectatorship.
CONTRIBUTORS: Benjamin Fraser; Jorge Gorostiza; Nuria Rodríguez-Martín; David Foshee; Tom Whittaker; Juli Highfill; Patricia Keller; Josefina González-Cubero; Alba Zarza-Arribas; Emeterio Diez Puertas; María de Arana Aroca; Carlos Sambricio; Vicente Sánchez-Biosca; Samuel Amago; Leigh Mercer; Stephen. Luis Vilaseca
Intellect Books, distributed by the University of Chicago Press |
ISBN: 9781789384895
Publisher URL: https://press.uchicago.edu/ucp/books/book/distributed/A/bo123638318.html
Uploads
Papers by Maria de Arana Aroca
BOOKS by Maria de Arana Aroca
This edited volume brings together an international and interdisciplinary group of film, architecture, and urban studies scholars as they explore the reciprocal relationship between the seventh art and the built environment. The contributors explore a wide range of topics, including the role of film in the shifting relationship between private and public; the ways cinema as a new technology reshaped how cities and buildings are built and inhabited; the question of the mobile gaze; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; and the effects of the digital and the virtual on filmmaking and spectatorship.
CONTRIBUTORS: Benjamin Fraser; Jorge Gorostiza; Nuria Rodríguez-Martín; David Foshee; Tom Whittaker; Juli Highfill; Patricia Keller; Josefina González-Cubero; Alba Zarza-Arribas; Emeterio Diez Puertas; María de Arana Aroca; Carlos Sambricio; Vicente Sánchez-Biosca; Samuel Amago; Leigh Mercer; Stephen. Luis Vilaseca
Intellect Books, distributed by the University of Chicago Press |
ISBN: 9781789384895
Publisher URL: https://press.uchicago.edu/ucp/books/book/distributed/A/bo123638318.html
This edited volume brings together an international and interdisciplinary group of film, architecture, and urban studies scholars as they explore the reciprocal relationship between the seventh art and the built environment. The contributors explore a wide range of topics, including the role of film in the shifting relationship between private and public; the ways cinema as a new technology reshaped how cities and buildings are built and inhabited; the question of the mobile gaze; film and everyday life; monumentality and the construction of historical memory for a variety of viewing publics; and the effects of the digital and the virtual on filmmaking and spectatorship.
CONTRIBUTORS: Benjamin Fraser; Jorge Gorostiza; Nuria Rodríguez-Martín; David Foshee; Tom Whittaker; Juli Highfill; Patricia Keller; Josefina González-Cubero; Alba Zarza-Arribas; Emeterio Diez Puertas; María de Arana Aroca; Carlos Sambricio; Vicente Sánchez-Biosca; Samuel Amago; Leigh Mercer; Stephen. Luis Vilaseca
Intellect Books, distributed by the University of Chicago Press |
ISBN: 9781789384895
Publisher URL: https://press.uchicago.edu/ucp/books/book/distributed/A/bo123638318.html